462:, unsold copies of this issue could be returned to the publisher. This tactic allowed retailers to place higher orders without taking a financial risk. Estimated sales were just under 35,000 copies, making it the 61st best-selling comic book for the month. Due to re-orders, the issue sold out at the distributor level on the day of release. A second printing was announced the next day and was released on September 24, 2014, the same day as issue two. Including sales for the second printing, the first issue sold approximately 41,000 copies. In addition to the standard print version, a larger "magazine" version with eight additional pages of art was available for an extra cost. This version, which was not returnable, was estimated to have sold an additional 8300 copies. All told,
571:
633:
Kate Jasper, a reviewer for Comic Book
Resources, noted how colorist Elizabeth Breitweiser enhanced Phillips' work with "splotches of color in unexpected arrangements, giving everyone the appearance of being forever in shadow or inside with the windows drawn". She particularly liked how Breitweiser made characters' eyes appear to glisten and stand out in otherwise dark panels.
557:
and will freely admit to the past sins. They arrive at the co-founder's mansion at the same time the fixers are murdering him to prevent him from talking. As the two friends are escaping from the fixers, Gil is shot and killed. When
Charlie resigns himself to working in the corrupt culture, the fixer
632:
Phillips' art was commended by McElhatton, who appreciated the variety of body types in crowd scenes and the strong use of body language to convey emotion. Jim Bush at
Entertainment Fuse usually liked Phillips' work, but felt the sex scenes in issue seven did not play to the artist's strengths. Mary
433:
Elizabeth
Breitweiser. Visually, Phillips style remained the same as his previous work, which critic Charley Parked notes for its "strong spotted blacks and bold use of negative space". Phillips also changed his regular lettering font to one more "sympathetic to the period". During publication, he
484:
and Devin Faraci, among others, contributed essays and articles at the end of each issue about crime and misfortune among actors famous in the 1940s. The back cover of each issue included promotional images or reviews for the fictional movie being filmed in the comic. These typically foreshadowed
385:
When they were asked for a promotional image for use at Image Expo, Brubaker suggested "a typewriter and some blood and a dead body's hands". Phillips removed the hands and incorporated the blood into the logo. After completing the image, he thought the stark white background would help the book
40:
409:
Phillips, who lives in the United
Kingdom, sometimes has difficulty accurately portraying modern America and said "1948 Hollywood might as well be sci-fi". Since there was not enough time for him to do his own research and maintain a monthly schedule, Brubaker hired Amy Condit as a research
369:
tale. Brubaker did not think a noir set in 1940s
Hollywood was commercial enough to be accepted through normal channels, but the timing aligned with their five-year exclusive contract with Image Comics. This contract guaranteed the creators could publish any comic without having to
405:
because it allowed him to tell a broader story. He was also trying to create a layered story which would reward repeated reading, so he avoided extraneous details. When writing the scripts, Brubaker listened to music from the 1940s to stay in the right frame of mind.
549:. Charlie is prepared to quit when Gil tries to blackmail the head of the studio by anonymously claiming he "knows what happened" with the starlet. Misunderstanding the threat, the studio head tries to destroy evidence that he had sexually abused her when she was a
466:#1 had better sales than anything Brubaker and Phillips had previously done together. Brubaker suspects the numbers were higher partly because they had developed a following, and partly because retailers had become more supportive of Image books in general.
628:
with no big showdown, revelations, or death", but went on to say the "sense of disappointment is exactly why it's great". McElhatton agreed, saying a happy ending would have "felt like a cheat", but the "central mystery a proper amount of closure".
492:
would end with issue twelve, which was released on
January 6, 2016. Like the first issue, it had twice as many pages as a standard comic book. It sold an estimated 16,500 copies and was the 136th-best selling issue of the month. Brubaker has said
348:
at the same time. They told
Brubaker stories about their experiences, and he developed a lifelong fascination with the time and setting. In particular, he was drawn to the false personas he felt everyone had to put forward to succeed.
287:
in the same room as a murdered starlet, he and Gil set out to bring her killer to justice. As they learn more about her troubled past, they find themselves up against powerful
Hollywood elites who do not want to upset the status quo.
754:
very early in its publication. However, he did not want to sell the rights until the series was finished. He had done so with a previous work, and it affected the way he wrote it because he was imagining it in the other medium.
544:
in the same room as a murdered starlet, he and Gil set out to bring her killer to justice. As they follow leads trying to piece together the night leading up to the murder, cooperative witnesses are punished by the studio's
925:
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871:
832:
593:, the first issue scored an average 9.2/10 based on 41 reviews, the series as a whole averaged 8.9/10 based on 154 reviews, and the final issue averaged 9.6/10 based on 9 reviews. The series won the 2016
614:, Greg McElhatton gave Brubaker credit for avoiding excessive exposition at the start of the story, but felt some of the characters seemed stereotypical. The first issue was placed on the
378:
and their new contract on
January 9, 2014, at Image Expo. At the time, no length was given for the series because they were not sure how many issues were needed to tell the story. Since
902:
382:
had taken twice as long as originally planned, they did not want to mislead fans or feel pressure to conclude before they were ready. They did know it would be a minimum of 12 issues.
1221:
922:
553:. Charlie and Gil are able to retrieve a folder of photographs and decide to keep fighting for justice. They plan to kidnap the other studio co-founder, who is now suffering from
480:
side of the page. Brubaker's solution was to use page two as a cast list with short descriptions that updated as the story progressed, which he felt was "old-fashioned and neat".
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was, at the time, his most complex story and it ended "exactly the way pictured it in the beginning". The creators had already begun work on their next collaboration,
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is his first project completed using them exclusively. The change increased the amount of time needed to create each page by almost 50 percent, but had no effect on
1307:
295:
sold better than any of the authors' previous collaborations, and early issues went through several printings. The series received positive reviews from critics.
511:
volumes during publication and one oversized hardcover in October 2016. The articles and essays found in the single issues are not included in the collections.
1741:
2012:
1714:
1417:
1409:
469:
The second issue also went through a second printing, which was released the same day as issue three. Its total sales were estimated to be around 30,500.
1333:
414:, supplied Phillips with thousands of reference photos. Phillips also bought some DVDs he thought might be useful, but never found time to watch them.
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2017:
524:. He said that if made, the comic book would share the setting and some of the supporting characters, but the plot would be unrelated.
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chose to remain in the dark about where the story was going, sometimes receiving only a few pages of the script at a time.
59:
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In addition to the regular 22 pages of story, each issue included extra material. Because the opening credit page was a
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across the inside front cover and page one, an additional page needed to be inserted to make the story start on the
2027:
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with the help of colorist Elizabeth Breitweiser and research assistant Amy Condit. Twelve issues were published by
267:
The story, partly inspired by the life of Brubaker's uncle, is set in 1948 and stars Charlie Parish, a Hollywood
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and colored by Elizabeth Breitweiser showing the use of a period-appropriate font, color splotches, and shadows.
1997:
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Talking to Ed Brubaker on His Five Year Deal with Image, The Fade Out and The Winter Soldier – At Image Expo
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Exclusive preview: Brubaker, Phillips, and Breitweiser tackle post-WWII Hollywood in The Fade Out #1
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the creators' "most ambitious series yet" and praised their ability to set a scene. Reviewing for
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Although Brubaker had been concerned the premise was not commercial enough to have wide appeal,
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458:. These variants were commissioned directly by the retailers. Unlike most comics sold in the
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1308:"The Fade Out" Ends, "Spawn" Takes on Satan & More in Image December Solicitations
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The Real Tragedy Is That He’ll Never Leave: Ed Brubaker on 'The Fade Out,' Part One
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While the central plot is a murder mystery, the initial idea was of a writer with
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between August 2014 and January 2016. The story has been collected into three
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Image Expo: Publisher Eric Stephenson on Where Image Is and Where It's Headed
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Artist Alley: Sean Phillips and the Dark Side of Hollywood in "The Fade Out"
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Brubaker received calls from interested parties in Hollywood about adapting
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1396:#12. September 15, 2017. (w)Ed Brubaker (a)Sean Phillips (p)Image Comics
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stand out on sales racks and continued to use it for subsequent covers.
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900:'The Fade Out': comic book writer Ed Brubaker on Hollywood in the 1940s
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In September 2015, Image's solicitations for upcoming comics revealed
39:
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This Noir Life: A Retrospective of the Brubaker/Phillips Partnership
1105:#1 (w)Ed Brubaker (a)Sean Phillips (p)Image Comics (August 20, 2014)
558:
reveals the actress was murdered by an undercover FBI agent who was
520:#12 (September 2017), Brubaker mentioned plans for a semi-sequel to
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1708:
1219:
Ed Brubaker and Sean Phillips Go Hollywood Noir with 'The Fade Out'
430:
157:
1284:
They Work For The Machine: Ed Brubaker on 'The Fade Out,' Part Two
970:
Ed Brubaker and Sean Phillips Sign a Five Year Deal with Image...
352:
In mid-2014, having just finished their previous collaboration,
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best friend. Throughout the series, Brubaker switched between
586:
Critics gave the series positive reviews. According to the
1441:
1060:
Sex, Blood, and Tentacles: Ed Brubaker's Comic Book Noir
532:
Charlie Parish, a Hollywood screenwriter suffering from
507:
had been published. The series was collected into three
1172:
Ed Brubaker and Sean Phillips's The Fade-Out Sells Out
993:
Ed Brubaker on Horror, Jealousy and "Fatale's" Finale
830:'Fade Out' stars melodramatic noir of '40s Hollywood
417:
Although Phillips has been using digital tools like
940:
938:
1431:Comic-Con 2016: 2016 Eisner Award Winners Revealed
442:The 40-page first issue was released in print and
393:who cannot write and is instead fronting for his
1969:
935:
1555:," Comic Book Resources (accessed May 28, 2016)
1317:, Comic Book Resources (accessed June 13, 2016)
1145:DC Comics Offers Sales Incentive on Plain Janes
1002:," Comic Book Resources (accessed May 28, 2016)
485:future events or expanded on minor characters.
1029:," Multiversity Comics (accessed May 30, 2016)
869:Brubaker and Phillips on The Fade Out's Finale
374:it to the publisher first. The pair announced
1576:
1535:," Entertainment Fuse (accessed May 28, 2016)
1452:
1450:
1384:," Image Comics. Retrieved September 12, 2016
1268:", Image Comics. Retrieved September 13, 2016
1049:", Lines and Colors. Retrieved March 31, 2017
863:
861:
859:
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853:
851:
410:assistant. Condit, who is the manager of the
2013:Fiction about post-traumatic stress disorder
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1164:
1014:
1012:
1010:
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540:best friend, Gil. When Charlie wakes from a
283:best friend, Gil. When Charlie wakes from a
1340:," Comic Book Resources (accessed May 2016)
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1228:," ComicsAlliance (accessed May 28, 2016)
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1111:
1005:
979:," Bleeding Cool (accessed June 10, 2016)
814:," ComicsAlliance (accessed May 28, 2016)
1278:
1276:
1274:
987:
985:
932:," Bleeding Cool (accessed May 28, 2016)
764:
569:
454:provided art for two retailer-exclusive
1491:," SKTCHD. Retrieved September 12, 2016
1343:
1320:
1208:
1052:
968:Dissanayake, David (January 9, 2014), "
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1970:
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1351:January 2016 Comic Book Sales Figures
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340:. His wife, Sarah Jane Paxton, worked
298:
1564:
1544:Jasper, Marykate (October 1, 2014), "
1456:McElhatton, Greg (August 20, 2014), "
1329:McElhatton, Greg (January 7, 2016), "
1271:
1205:," Comichron (accessed June 10, 2016)
982:
636:
1494:
1170:Burlingame, Russ (August 21, 2014) "
1121:August 2014 Comic Book Sales Figures
921:Schmidt, Kevin (January 15, 2015), "
912:
1518:
1500:Magnett, Chase (January 7, 2016), "
885:
560:looking for communists in Hollywood
264:and a single hardcover collection.
13:
1502:The Fade Out #12: Burning the Past
1429:Schedeen, Jesse (July 23, 2016), "
1069:," Complex (accessed May 28, 2016)
1058:Reese, Nathan (August 14, 2014), "
1018:Harper, David (August 20, 2014), "
991:Phegley, Kiel (August 11, 2014), "
828:Truitt, Brian (August 19, 2014), "
14:
2039:
2018:Hollywood, Los Angeles in fiction
1257:Salazar, Kat (August 21, 2014), "
1248:," SKTCHD (accessed May 28, 2016)
1237:Harper, David (March 28, 2016), "
1038:Parker, Charley (June 9, 2015), "
745:
316:in the 1930s and 1940s known for
1282:Sims, Chris (January 7, 2016), "
867:Smith, Zack (January 6, 2016), "
803:Sims, Chris (January 6, 2016), "
779:Sava, Oliver (August 8, 2014), "
38:
1590:
1480:Harper, David (July 2, 2015), "
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1300:
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1217:Wilson, Matt D (May 15, 2014) "
1188:
1137:
1096:
1072:
1032:
909:," SCPR (accessed May 28, 2016)
1259:The Fade Out comes into focus
962:
944:Marx, Sam (August 21, 2014), "
620:"Must List". Chase Magnett of
437:
425:to create his art since 1997,
303:
121:
1:
1444:. Retrieved September 8, 2016
898:Kim, James (March 3, 2015), "
758:
273:posttraumatic stress disorder
1800:The Death of Captain America
724:The Fade Out: Deluxe Edition
624:described the ending as "an
565:
503:, before the final issue of
7:
1524:Bush, Jim (July 1, 2015), "
1156:Diamond Comics Distributors
597:for "Best Limited Series".
10:
2044:
1695:Batman: The Man Who Laughs
18:
1938:
1779:
1679:
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1196:Comic Book Sales for 2014
412:Los Angeles Police Museum
248:series created by writer
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21:Fade out (disambiguation)
1185:(accessed June 10, 2016)
1158:(accessed June 10, 2016)
1093:(accessed June 10, 2016)
514:In the letter column of
312:, was a noted Hollywood
48:#1, art by Sean Phillips
2028:Comics set in the 1940s
1515:(accessed May 28, 2016)
1471:(accessed May 28, 2016)
1420:(accessed May 28, 2016)
1364:(accessed May 28, 2016)
1306:(September 15, 2015), "
1297:(accessed May 28, 2016)
1134:(accessed May 28, 2016)
959:(accessed May 28, 2016)
946:Review: The Fade Out #1
882:(accessed May 28, 2016)
845:(accessed June 7, 2016)
794:(accessed May 29, 2016)
703:The Fade Out: Act Three
574:An interior panel from
527:
262:trade paperback volumes
54:Publication information
1849:The Immortal Iron Fist
1702:Batman: Turning Points
1526:The Fade Out #7 Review
600:Sam Marx, writing for
583:
536:, is fronting for his
403:third-person narration
1998:Comics by Ed Brubaker
1929:X-Men: Deadly Genesis
682:The Fade Out: Act Two
661:The Fade Out: Act One
573:
308:Ed Brubaker's uncle,
162:Elizabeth Breitweiser
1947:Too Old to Die Young
1469:Comic Book Resources
617:Entertainment Weekly
611:Comic Book Resources
446:on August 20, 2014.
19:For other uses, see
2003:Comics publications
1988:2016 comics endings
1978:Image Comics titles
1878:The Marvels Project
1688:Batman: Gotham Noir
649:Material collected
642:
555:Alzheimer's disease
299:Publication history
112:2014 – January
1983:2014 comics debuts
1835:Return of the King
1663:Scene of the Crime
1551:2016-08-13 at the
1531:2016-04-17 at the
1507:2016-03-17 at the
1487:2016-09-11 at the
1463:2016-04-17 at the
1436:2016-04-17 at the
1418:Comic Book Roundup
1412:2017-03-16 at the
1380:2016-08-11 at the
1356:2017-01-29 at the
1336:2016-06-16 at the
1313:2016-04-17 at the
1289:2016-06-10 at the
1264:2016-11-15 at the
1244:2016-06-12 at the
1224:2016-08-20 at the
1201:2016-06-16 at the
1177:2016-08-09 at the
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1126:2016-04-17 at the
1085:2016-06-30 at the
1065:2016-08-27 at the
1045:2017-04-01 at the
1025:2016-04-17 at the
998:2016-08-13 at the
975:2016-08-21 at the
951:2016-03-14 at the
928:2016-08-21 at the
905:2016-07-24 at the
874:2016-04-17 at the
835:2016-04-17 at the
810:2016-03-22 at the
786:2016-08-10 at the
641:
637:Collected editions
591:Comic Book Roundup
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168:Collected editions
2023:Historical comics
1963:
1962:
1649:Kill or Be Killed
1394:Kill or Be Killed
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588:review aggregator
517:Kill or Be Killed
500:Kill or Be Killed
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236:
207:Act Three (#9–12)
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1855:Immortal Weapons
1787:Aleksander Lukin
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1546:The Fade Out #2
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46:The Fade Out
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32:The Fade Out
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1754:Rose Tattoo
1748:Point Blank
1742:Miss Misery
1592:Ed Brubaker
626:anti-climax
551:child actor
538:blacklisted
482:Jess Nevins
438:Publication
395:blacklisted
310:John Paxton
304:Development
281:blacklisted
275:(PTSD) and
252:and artist
250:Ed Brubaker
158:Colorist(s)
141:Ed Brubaker
16:Crime comic
1972:Categories
1939:Television
1889:Master Man
1884:Master Izo
1621:Deadenders
1613:story arcs
957:Comicosity
759:References
602:Comicosity
232:1632159112
216:1632156296
200:1632154471
184:1632151715
137:Written by
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1680:DC Comics
1642:Incognito
1362:Comichron
1132:Comichron
880:Newsarama
842:USA Today
604:, called
578:drawn by
566:Reception
444:digitally
325:Crossfire
223:Hardcover
147:Artist(s)
124:of issues
60:Publisher
44:Cover to
1954:Criminal
1709:Catwoman
1607:Criminal
1549:Archived
1529:Archived
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903:Archived
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808:Archived
784:Archived
542:blackout
431:colorist
285:blackout
279:for his
277:fronting
71:Schedule
1760:Sleeper
1720:Firebug
1656:Lowlife
74:Monthly
1923:Vulcan
1867:Korvus
1843:Darwin
1807:Reborn
1715:Doctor
1670:Velvet
1635:Fatale
731:#1-12
710:#9-12
646:Title
419:Cintiq
399:first-
380:Fatale
355:Fatale
230:
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198:
182:
114:
110:
108:August
79:Format
1771:Zeiss
689:#5-8
668:#1-4
655:ISBN
547:fixer
478:recto
372:pitch
365:or a
244:is a
96:Crime
89:Genre
534:PTSD
528:Plot
450:and
421:and
401:and
391:PTSD
360:noir
344:for
334:and
228:ISBN
212:ISBN
196:ISBN
180:ISBN
116:2016
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23:.
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