234:
40:
303:. The return in 1952 of the Toulouse painting to the Louvre, through the aforementioned exchange, has been the first step in an attempt to reassemble the set and display them in a special room. Today ten paintings of the series are exhibited in the Louvre.
17:
139:
529:
617:
269:
451:
481:
233:
622:
39:
545:
442:
379:
264:
This painting entered the Louvre as a result of a confiscation in 1797 of the Count Joseph François Xavier de Pestre de
248:
This particular canvas shows the
Bucentaur leaving Venice. Another in the series represents the Doge going to hear
434:
390:
474:
276:(now a museum of natural history), which handed it back to the Louvre in 1952 in exchange for a portrait by
627:
521:
505:
320:
Francesco Guardi – Venezianische Feste und
Zeremonien: Die Inszeinierung der Republik in Festen und Bildern
219:
268:
1797's collection. It was selected by the Louvre, with eleven other paintings in the same series, at the
404:
467:
612:
607:
146:
563:
135:
273:
265:
253:
203:
8:
284:
199:
195:
149:
in 1763. This has led to some confusion, and the canvases were formerly attributed to
581:
575:
513:
179:
163:
109:
490:
241:
191:
187:
112:
50:
215:
569:
360:
249:
143:
601:
172:
391:
Louvre Atlas database: The Doge on the
Bucintoro near the Riva di Sant'Elena
227:
176:
125:
68:
287:, the series was broken up: seven remained in the Louvre, one was sent to
79:
66 cm Ă— 100 cm (26 in Ă— 39 in)
207:
150:
129:
18:
The Doge on the
Bucintoro near the Riva di Sant'Elena (painting)
459:
300:
296:
288:
183:
122:
This work is one of a series of twelve paintings representing the
134:, in which the artist has faithfully copied the scenes drawn by
108:, and other similar titles) is an oil painting on canvas by the
586:
292:
277:
223:
168:
116:
87:
421:
106:
The
Departure of the Bucentaur for the Ascension Day Ceremony
91:
153:, though their style was quite unmistakably that of Guardi.
115:. It was painted between 1775 and 1780, and is now in the
380:
Louvre: The Doge on the
Bucentaur at San Niccolò del Lido
142:
to commemorate the festivities at the coronation of the
161:
This painting and another in the series represent the
538:
The Doge on the
Bucintoro near the Riva di Sant'Elena
530:
The Grand Canal with the Rialto Bridge from the South
437:
The Doge on the
Bucintoro near the Riva di Sant'Elena
101:
The Doge on the
Bucintoro near the Riva di Sant'Elena
33:
The Doge on the
Bucintoro near the Riva di Sant'Elena
238:The Doge on the Bucentaur at San Niccolò del Lido
599:
405:Short Guardi biography in the Web Gallery of Art
475:
186:in c. 1000. It was also a celebration of the
182:'s expedition which achieved the conquest of
206:. In a magnificent state barge known as the
338:, Fabbri Group (1993), Vol. III, pp. 376–7.
618:Paintings in the Louvre by Italian artists
482:
468:
351:, Vol. 82, No. 478 (Jan., 1943), pp. 2–5
349:The Burlington Magazine for Connoisseurs
232:
175:, the anniversary of the setting out of
418:I maestri della pittura veneta del '700
27:c. 1775–80 painting by Francesco Guardi
14:
600:
171:festivals. It took place each year on
546:Fire in the Oil Depot at San Marcuola
463:
230:, by casting a ring into the waters.
489:
367:, Black Dog & Leventhal (2011),
347:Cf. "Francesco Guardi and England",
24:
25:
639:
428:
280:and another painting by Guardi.
38:
384:
373:
354:
341:
328:
312:
13:
1:
623:Paintings by Francesco Guardi
413:, Kessinger Publishing (2010)
398:
365:The Louvre: All the Paintings
522:View of the Cannaregio Canal
506:Miracle of a Dominican Saint
306:
220:Marriage of the Sea ceremony
167:, the most sumptuous of all
7:
322:, Reimer, Dietrich (2006),
10:
644:
566:(brother and collaborator)
411:Francesco Guardi 1712–1793
272:; it was then sent to the
259:
156:
556:
497:
445:The Doge on the Bucentaur
190:of 1177 between the Doge
83:
75:
64:
56:
46:
37:
32:
214:), the Doge visited the
147:Alvise Giovanni Mocenigo
564:Giovanni Antonio Guardi
447:at San Niccolò del Lido
435:Louvre Atlas database:
452:The Bucentaur, history
245:
140:Giambattista Brustolon
136:Giovanni Antonio Canal
124:SolennitĂ dogali (The
236:
204:Frederick Barbarossa
628:Paintings of Venice
285:First French Empire
218:and celebrated the
334:F. Negri Arnoldi,
274:Muséum de Toulouse
254:San Nicolò al Lido
246:
200:Holy Roman Emperor
196:Pope Alexander III
595:
594:
582:Venetian painting
576:Michele Marieschi
514:Regatta in Venice
180:Pietro II Orseolo
164:Festa della Sensa
97:
96:
16:(Redirected from
635:
491:Francesco Guardi
484:
477:
470:
461:
460:
456:
409:G. A. Simonson,
393:
388:
382:
377:
371:
358:
352:
345:
339:
336:Storia dell'Arte
332:
326:
316:
242:Francesco Guardi
192:Sebastiano Ziani
188:Treaty of Venice
138:and engraved by
113:Francesco Guardi
110:Venetian painter
51:Francesco Guardi
42:
30:
29:
21:
643:
642:
638:
637:
636:
634:
633:
632:
613:1780s paintings
608:1770s paintings
598:
597:
596:
591:
552:
493:
488:
454:
431:
401:
396:
389:
385:
378:
374:
359:
355:
346:
342:
333:
329:
318:C. Friedrichs,
317:
313:
309:
262:
159:
104:(also known as
28:
23:
22:
15:
12:
11:
5:
641:
631:
630:
625:
620:
615:
610:
593:
592:
590:
589:
584:
579:
573:
570:Giacomo Guardi
567:
560:
558:
554:
553:
551:
550:
542:
541:(c. 1775-1780)
534:
526:
518:
510:
501:
499:
495:
494:
487:
486:
479:
472:
464:
458:
457:
449:
440:
430:
429:External links
427:
426:
425:
414:
407:
400:
397:
395:
394:
383:
372:
361:Henri Loyrette
353:
340:
327:
310:
308:
305:
270:HĂ´tel de Nesle
261:
258:
244:(c. 1775–1780)
158:
155:
95:
94:
85:
81:
80:
77:
73:
72:
66:
62:
61:
58:
54:
53:
48:
44:
43:
35:
34:
26:
9:
6:
4:
3:
2:
640:
629:
626:
624:
621:
619:
616:
614:
611:
609:
606:
605:
603:
588:
585:
583:
580:
577:
574:
571:
568:
565:
562:
561:
559:
555:
548:
547:
543:
540:
539:
535:
532:
531:
527:
524:
523:
519:
516:
515:
511:
508:
507:
503:
502:
500:
496:
492:
485:
480:
478:
473:
471:
466:
465:
462:
453:
450:
448:
446:
441:
439:
438:
433:
432:
423:
419:
415:
412:
408:
406:
403:
402:
392:
387:
381:
376:
370:
369:s.v. "Guardi"
366:
362:
357:
350:
344:
337:
331:
325:
321:
315:
311:
304:
302:
298:
294:
290:
286:
281:
279:
275:
271:
267:
257:
255:
251:
243:
239:
235:
231:
229:
225:
221:
217:
213:
210:(in Italian,
209:
205:
201:
197:
193:
189:
185:
181:
178:
174:
173:Ascension Day
170:
166:
165:
154:
152:
148:
145:
141:
137:
133:
131:
127:
120:
118:
114:
111:
107:
103:
102:
93:
89:
86:
82:
78:
74:
70:
67:
63:
59:
55:
52:
49:
45:
41:
36:
31:
19:
544:
537:
536:
528:
520:
512:
504:
455:(in Italian)
444:
436:
417:
416:Aldo Rizzi,
410:
386:
375:
368:
364:
356:
348:
343:
335:
330:
323:
319:
314:
282:
263:
247:
237:
228:Adriatic Sea
211:
162:
160:
123:
121:
105:
100:
99:
98:
60:c. 1775–1780
420:, Electa –
299:and one to
130:Solemnities
602:Categories
399:References
283:Under the
119:in Paris.
76:Dimensions
549:(c. 1790)
533:(c. 1775)
525:(c. 1770)
517:(c. 1770)
498:Paintings
307:Footnotes
295:, one to
291:, two to
226:with the
212:Bucintoro
208:Bucentaur
151:Canaletto
71:on canvas
578:(master)
301:Grenoble
297:Toulouse
289:Brussels
198:and the
184:Dalmatia
169:Venetian
84:Location
557:Related
443:Louvre:
266:Seneffe
260:History
157:Subject
587:Veduta
509:(1763)
293:Nantes
278:Ingres
224:Venice
117:Louvre
88:Louvre
65:Medium
47:Artist
572:(son)
422:Milan
92:Paris
424:1973
324:s.v.
250:Mass
216:Lido
177:Doge
144:Doge
126:Doge
57:Year
252:at
240:by
222:of
128:'s
69:Oil
604::
363:,
256:.
202:,
194:,
90:,
483:e
476:t
469:v
132:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
