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The Cingalee

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637:). Anderson had written a sympathetic letter in April 1904 to the plaintiff indicating that Fraser had been badly treated by Edwardes, but when called as a witness by the defence, Anderson testified in support of Edwardes. The plaintiff's counsel produced the forgotten letter in Anderson's handwriting and made the unfortunate witness read it to the court "causing some sensation". The jury, swayed by this evidence, were viewed as too generous in the damages awarded, and the defence appealed, primarily on that basis, with Β£2,000 being paid into court. An out of court settlement was reached for damages of this Β£2,000, plus costs, with all imputations by both sides being withdrawn, before the appeal could be argued. 367: 395:
been fraudulently leased to him by a rascally lawyer, Chambuddy Ram). Harry falls in love with Nanoya and wishes to marry her. Chambuddy has also expropriated a famous black pearl that formerly sat in the forehead of a great idol. It has found its way to London and, after a convoluted set of adventures, Harry buys it to adorn his intended. Prince Boobhamba appeals to the British High Commissioner against Chambuddy, who is ordered to produce both Nanoya and the pearl within 24 hours. By chance he learns the true identity of Nanoya, and she is handed over, together with the pearl, to the Court.
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Harry, his mentor Lady Patricia Vane, Nanoya's "teacher of deportment" Peggy Sabine and Chambuddy, to bolster his own position, all seek to rescue Nanoya from her fate, to inevitable failure. Boobhamba then capriciously decides to marry Peggy Sabine instead, but she has words to say about that, and
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A 1930 memoir by one of Fraser's legal team assessed that the prosecution had erred by attacking the character of an obviously honourable man and that the previously closely balanced case had been won by a legal ambush on one of the witnesses (his identity hidden in later accounts, but confirmed in
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girl who had been betrothed at the age of four to the potentate of Boobhamba as one of his many wives, each dressed in a different colour to prevent mistakes and consequent jealousy. To avoid this fate, she had absconded and gone to work on a tea plantation belonging to Harry Vereker (but which has
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as their model. The jury found that an unfair use had indeed been made of Fraser's piece by the appropriation therefrom of characters, plot and other ideas. They assessed the damages at Β£3,000 plus court costs. The case was noted in the press for the amount and quality of witty repartee among
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At his moonlit palace, Boobhamba identifies the members of his harem by dressing each wife in a different colour. Because he has a nearly complete ranbow of wifely colours, he has room for only one more wife. At a lucky moment, he finds one that he prefers to Nanoya, so she is freed from her
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Sir Peter Loftus, the High Commissioner of Ceylon, accuses Ram of hiding Nanoya and of stealing a famous black pearl belonging to Boobhamba, and he orders Ram to return both within 24 hours to avoid dire consequences. Ram had given the pearl to Lady Patricia Vane. Peggy Sabine, a governess,
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an Eastern flavour. However, Monckton's catchy sextet, "The Island of Gay Ceylon", his "Pearl of Sweet Ceylon" and Ruben's "White and Brown Girl", "Sloe Eyes", "Monkeys" and "You and I" are highlights of the musical score. The London cast included
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toured the British provinces but then was only remounted on small scales and only up to the pre-war 1940's. The condescending racial nature of the musical's libretto would be unacceptable today, and so the work is unlikely to be revived.
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noted that the first performance was "received with rapture on Saturday night by an enthusiastic audience and played with the most admirable vivacity and smoothness by a brilliant company". In Lionel Monckton's music,
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has all the elements that make for long runs. It is elaborately set and staged, charmingly dressed; the music is in Mr. Monckton's best vein, and the lyrics ... abound with graceful and well-turned lines", said
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Several critics commented that the second act was dramatically, if not visually, less effective than the first, although they offered different reasons, and a few papers regarded the piece ripe for pruning.
263:; she is also the former owner of the plantation. To escape from this marriage to the hated despot, she has disguised herself. An unethical lawyer, Chambuddy Ram, had persuaded Harry to buy the plantation. 622:), claiming that his scenario had been used without his consent. The defence countered that the libretti were not similar, that all plays hold points in common and that, if anything, both works used 305:
Bobby Warren, Dick Bosanquet, Freddie Lowther, Jack Clinton, Willie Wilson (Pupils of Vereker on the Tea Plantation) – Henry J. Ford, Conway Dixon, Arthur Hope, Archie Anderson, J. Boddy
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Chambuddy, in love with Peggy himself, wordily backs her up. So Harry pairs off with Nanoya, Chambuddy pairs off with Peggy and Boobhamba is left with his existing harem.
169:, on 5 March 1904 and ran until 11 March 1905 for a total of 365 performances. The setting in an exotic Asian locale followed the precedent set by 610:. He took this to Edwardes, who agreed to produce the opera within three years or pay a penalty of Β£300. Edwardes suggested that Fraser work with 259:
workers, and proposes marriage. Unbeknownst to him, however, she was married at the age of four to the potentate of Boobhamba, a noble of
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to develop the work. Eventually, Edwardes returned the manuscript to Fraser unproduced. Tanner went on to write, and Edwardes produced,
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stake. Harry has now purchased the pearl from Peggy as a gift for Nanoya, and Ram hands them both over to Sir Peter and Boobhamba.
158:) and follows the story of British colonial tea planters (one of the most popular songs in the score is called "Tea, tea, tea"). 619: 1070: 235:
in New York on 24 October 1904, and running for 33 performances. A production in Sydney, Australia, in May 1905 by
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agreed that four hours was "a little too much" but thought "the task of condensation will be easy".
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has been purchased by a young Englishman, Harry Vereker, who falls in love with Nanoya, one of his
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stated that "a rather long interval helped to prolong the performance until close on midnight".
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agreed, judging that "on the whole, this will be set down as decidedly the best of scores".
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Miss Pinkerton, FrΓ€ulein Weiner, Mademoiselle Chic, Signorina Tasso (Angy's Governesses) –
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Naitooma, Sattambi, Mychellah, Coorowe (Four Tea Girls on Vereker's Plantation) –
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The London Stage 1900–1909: A Calendar of Productions, Performers, and Personnel
910:, Masters Thesis, University of North Texas, August 2003, accessed 3 March 2018 321: 315: 252: 236: 213: 151: 1044: 786:, 10 March 1904, p. 14, accessed 1 April 2018, via British Newspaper Archive 343: 337: 205: 147: 861:, 7 March 1904, p. 12, accessed 1 April 2018, via British Newspaper Archive 811:, 7 March 1904, p. 18, accessed 1 April 2018, via British Newspaper Archive 540:, and in this connection it is pleasant to find that what may be called the 470:
15. Nanoya, Tea Girls and Chorus – "I'm a maiden merry, sorry to be sold..."
995:, 15 July 1905, p. 4, accessed 4 April 2018, via British Newspaper Archive 886:, 7 March 1904, p. 3, accessed 1 April 2018, via British Newspaper Archive 836:, 7 March 1904, p. 7, accessed 1 April 2018, via British Newspaper Archive 436:
6. March, Chorus and Song, Boobhamba – "Hail the noble deeply venerated..."
330: 300: 225: 650: 541: 537: 135: 71: 729:, Canberra: National Centre of Biography, Australian National University 649:, was made in 2003 by Theatre Bel-Etage chorus and orchestra, conductor 1012:, liner notes, Divine Art Recordings Group, 2003, accessed 2 April 2018 624: 400: 350: 221: 217: 177: 171: 782: 519: 155: 633:
contemporary newspaper accounts as the theatrical costume designer,
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Contemporary critics were overwhelmingly enamoured of the musical. "
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before Mr Justice Darling. Fraser had written a comic opera called
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Sir Peter Loftus (High Commissioner and Judge, Ceylon) – Fred Kaye
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obligation to fulfill her childhood marriage and can marry Harry.
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24. Duet - Peggy and Chambhuddy – "In a jungle once on a time..."
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16. Concerted Number – "I'm afraid I do not quite understand..."
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2. Octet: Tea Girls and Pupils – "Girls on a tea plantation..."
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Bar and Buskin: Being memories of life, law and the theatre
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saw "a distinct leaning towards the traditions of genuine
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7. Chambhuddy – "Some years ago when a very chotah boy..."
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4. Nanoya and Vereker – "Little girl to school must go..."
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Act I – Henry Vereker's Tea Plantation, "Karagama," Ceylon
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21. Chorus – "On the quiet lake the moonbeams shimmer..."
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8. Lady Patricia – "As you have to decide on a bride..."
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subsequently won the pearl from Patricia in London as a
239:'s Royal Comic Opera Company, opened on 6 May, starring 684:(2nd edition, Scarecrow Press; 5 December 2013), p. 176 503:
Addendum: Lady Patricia – "You and I, and I and you..."
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The first modern recording of a group of numbers from
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Captain Frederick John Fraser of the Indian Army sued
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23. Song - Nanoya – "You met a little girl one day..."
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22. Song - Boobhamba and Chorus – "A Happy New Year."
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manner has served its composer as a bright answer".
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14. Opening Chorus – "At the Palace of Boobhamba..."
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Act I – Vereker's Tea Plantation, "Karagama," Ceylon
921:"The Limits of Appropriation in Dramatic Copyright" 952:, 29 March 1905, p. 9, accessed 4 April 2018, via 476:17. Chambhuddy – "If English Pot a rich man be..." 448:10. Peggy and Chambhuddy – "White and Brown Girl." 762:, 7 March 1904, p. 3, accessed 1 April 2018, via 711:, Guide to Musical Theatre, accessed 3 April 2018 231:The musical had a short Broadway run, opening at 199:and others. There is little in the music to give 1042: 1019: 908:(1893): Exoticism and Victorian Self-Reflection" 485:20. Naitooma and Chorus – "A Cingalese Wedding." 462:Act II – Boobhamba's Palace by the Lake of Kandy 427:3. Vereker – "Beyond the bar of fair Manaar..." 433:5. Chorus and Scene – "What on earth is that?" 973:, E. Mathews & Marrot (1930), pp. 329–332 457:13. Finale Act I – "Have you found the girl?" 445:9. Naitooma and Tea Girls – "Tea, Tea, Tea." 935: 933: 500:25. Finale Act II – "Cingalee, Cingalee..." 451:11. Sextet – "In the Island of Gay Ceylon." 745: 743: 333:, Alice D'Orme, Freda Vivian, Doris Severn 278: 42: 668: 666: 930: 479:18. Vereker – "My dear little Cingalee." 377: 365: 740: 346:, Mary Fraser, Mabel Hirst, Joan Keddie 1043: 663: 507: 336:Angy Loftus (Sir Peter's Daughter) – 48:Wright (Chambhuddy) and Leigh (Peggy) 720: 421:1. Opening Chorus – "Sleepy Ceylon." 308:Captain of The Guard – Norman Greene 399:Act II – Boobhamba's Palace by the 13: 727:Australian Dictionary of Biography 723:"Margaret Jane Gordon (1880–1962)" 410: 314:Chambhuddy Ram (A Baboo Lawyer) – 224:also appeared in the show, as did 14: 1082: 750:"Daly's Theatre – Production of 454:12. Nanoya – "My Cinnamon Tree." 382:Freddy Rowan in "The Cingalee", 284:Harry Vereker (A Tea Planter) – 1001: 976: 961: 913: 892: 867: 390:Seventeen year old Nanoya is a 290:Boobhamba (A Noble of Kandy) – 150:in the then-tranquil island of 842: 817: 792: 771: 714: 700: 687: 676:The Cingalee; or, Sunny Ceylon 629:witnesses, counsel and Judge. 299:Myamgah (An Indian Servant) – 1: 1020:References and external links 640: 576: 142:, and additional material by 384:Regina Theatre, Saskatchewan 320:Nanoya (A Cingalese Girl) – 7: 608:Hanjiahn, or The Lotus Girl 590:Mac. C.C., 22–27 March 1905 356: 326:Peggy Sabine – Gracie Leigh 10: 1087: 1036:Photos and Theatre Program 482:19. Quartet – "True Love." 311:Attendant – F. J. Blackman 146:. The story is set in the 1071:Musicals set in Sri Lanka 954:British Newspaper Archive 764:British Newspaper Archive 93: 81: 67: 53: 41: 32: 23: 1031:Midi files and cast list 967:Spence, Edward Fordham. 697:, 11 November 1904, p. 4 656: 124:Edwardian musical comedy 997:(subscription required) 957:(subscription required) 888:(subscription required) 863:(subscription required) 838:(subscription required) 813:(subscription required) 788:(subscription required) 767:(subscription required) 759:London Evening Standard 279:Roles and original cast 246: 387: 375: 370:A scene from Act I of 175:that was continued in 165:in London, managed by 381: 369: 349:Lady Patricia Vane – 620:breach of confidence 251:A tea plantation in 161:The piece opened at 833:The Daily Telegraph 674:"Productions 1904: 533:The Daily Telegraph 196:A Chinese Honeymoon 1009:The Monckton Album 898:Hicks, William L. 874:"Daly's Theatre – 849:"Daly's Theatre – 824:"Daly's Theatre – 808:St James's Gazette 721:Rutledge, Martha, 693:"Daly's Theatre", 588:Fraser v. Edwardes 526:St James's Gazette 508:Critical reception 388: 376: 292:Rutland Barrington 210:Rutland Barrington 1061:Original musicals 1056:West End musicals 598:, as producer of 109: 108: 1078: 1066:British musicals 1013: 1005: 999: 998: 992:The Morning Post 980: 974: 965: 959: 958: 937: 928: 917: 911: 896: 890: 889: 871: 865: 864: 846: 840: 839: 821: 815: 814: 796: 790: 789: 775: 769: 768: 747: 738: 737: 736: 734: 718: 712: 704: 698: 691: 685: 670: 286:C. Hayden Coffin 130:, with music by 46: 27: 21: 20: 1086: 1085: 1081: 1080: 1079: 1077: 1076: 1075: 1041: 1040: 1022: 1017: 1016: 1006: 1002: 996: 981: 977: 966: 962: 956: 938: 931: 925:The Law Journal 918: 914: 906:Utopia, Limited 902:The Nautch Girl 897: 893: 887: 872: 868: 862: 847: 843: 837: 822: 818: 812: 797: 793: 787: 776: 772: 766: 748: 741: 732: 730: 719: 715: 705: 701: 692: 688: 671: 664: 659: 643: 612:James T. Tanner 596:George Edwardes 579: 510: 413: 411:Musical numbers 374:, Seattle, 1907 359: 281: 249: 241:Margaret Thomas 190:The Nautch Girl 167:George Edwardes 140:Percy Greenbank 132:Lionel Monckton 128:James T. Tanner 126:in two acts by 101: 88:James T. Tanner 76:Percy Greenbank 74: 60: 58:Lionel Monckton 49: 35:or Sunny Ceylon 25: 19: 12: 11: 5: 1084: 1074: 1073: 1068: 1063: 1058: 1053: 1039: 1038: 1033: 1028: 1021: 1018: 1015: 1014: 1000: 975: 960: 949:The Daily News 929: 912: 891: 866: 858:The Daily News 841: 816: 791: 770: 739: 713: 699: 686: 672:J. P. Wearing 661: 660: 658: 655: 642: 639: 635:Percy Anderson 592: 591: 578: 575: 557:The Daily News 509: 506: 505: 504: 501: 498: 495: 492: 489: 486: 483: 480: 477: 474: 471: 468: 459: 458: 455: 452: 449: 446: 443: 440: 437: 434: 431: 428: 425: 422: 412: 409: 404: 403: 364: 363: 358: 355: 354: 353: 347: 340: 334: 327: 324: 322:Sybil Arundale 318: 316:Huntley Wright 312: 309: 306: 303: 297: 294: 288: 280: 277: 248: 245: 237:J C Williamson 233:Daly's Theatre 214:Huntley Wright 163:Daly's Theatre 107: 106: 95: 91: 90: 85: 79: 78: 69: 65: 64: 55: 51: 50: 47: 39: 38: 30: 29: 17: 9: 6: 4: 3: 2: 1083: 1072: 1069: 1067: 1064: 1062: 1059: 1057: 1054: 1052: 1051:1904 musicals 1049: 1048: 1046: 1037: 1034: 1032: 1029: 1027: 1024: 1023: 1011: 1010: 1004: 994: 993: 988: 986: 979: 972: 971: 964: 955: 951: 950: 945: 943: 936: 934: 926: 922: 916: 909: 907: 903: 895: 885: 884: 879: 877: 870: 860: 859: 854: 852: 845: 835: 834: 829: 827: 820: 810: 809: 804: 802: 795: 785: 784: 779: 774: 765: 761: 760: 755: 753: 746: 744: 728: 724: 717: 710: 709: 703: 696: 690: 683: 679: 677: 669: 667: 662: 654: 652: 648: 638: 636: 630: 627: 626: 621: 617: 613: 609: 605: 602:, in 1905 in 601: 597: 589: 585: 581: 580: 574: 571: 567: 565: 564: 559: 558: 551: 549: 548: 543: 539: 535: 534: 528: 527: 522: 521: 515: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 465: 464: 463: 456: 453: 450: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 419: 418: 417: 408: 402: 401:Lake of Kandy 398: 397: 396: 393: 385: 380: 373: 368: 361: 360: 352: 348: 345: 344:Nina Sevening 341: 339: 338:Doris Stocker 335: 332: 328: 325: 323: 319: 317: 313: 310: 307: 304: 302: 298: 295: 293: 289: 287: 283: 282: 276: 272: 270: 264: 262: 258: 254: 244: 242: 238: 234: 229: 227: 223: 219: 215: 211: 207: 206:Hayden Coffin 202: 198: 197: 192: 191: 186: 185: 180: 179: 174: 173: 168: 164: 159: 157: 153: 149: 148:Edwardian era 145: 141: 137: 133: 129: 125: 121: 120: 115: 114: 105: 100: 96: 92: 89: 86: 84: 80: 77: 73: 70: 66: 63: 59: 56: 52: 45: 40: 37: 36: 31: 28: 22: 16: 1008: 1003: 990: 985:The Cingalee 984: 978: 969: 963: 947: 942:The Cingalee 941: 924: 915: 905: 901: 894: 881: 876:The Cingalee 875: 869: 856: 851:The Cingalee 850: 844: 831: 826:The Cingalee 825: 819: 806: 801:The Cingalee 800: 794: 781: 773: 757: 752:The Cingalee 751: 731:, retrieved 726: 716: 708:The Cingalee 707: 702: 694: 689: 681: 675: 647:The Cingalee 646: 644: 631: 623: 616:The Cingalee 615: 607: 604:King's Bench 600:The Cingalee 599: 593: 587: 583: 570:The Cingalee 569: 568: 561: 555: 552: 547:The Standard 545: 531: 524: 518: 514:The Cingalee 513: 511: 461: 460: 415: 414: 405: 389: 372:The Cingalee 371: 331:Carrie Moore 301:Willie Warde 273: 265: 250: 230: 226:Topsy Sinden 201:The Cingalee 200: 194: 188: 182: 176: 170: 160: 154:(modern-day 134:, lyrics by 119:Sunny Ceylon 118: 117: 113:The Cingalee 112: 111: 110: 34: 33: 26:The Cingalee 24: 15: 1026:Vocal score 904:(1891) and 651:Mart Sander 538:comic opera 243:as Nanoya. 220:. A young 144:Paul Rubens 136:Adrian Ross 94:Productions 72:Adrian Ross 62:Paul Rubens 1045:Categories 803:at Daly's" 733:20 October 641:Recordings 625:The Geisha 577:Litigation 351:Isabel Jay 222:Lily Elsie 218:Isabel Jay 178:The Geisha 172:The Mikado 883:The Globe 783:The Stage 695:The Times 563:The Globe 520:The Stage 392:Cingalese 257:Cingalese 156:Sri Lanka 778:"Daly's" 584:Cingalee 357:Synopsis 104:Broadway 99:West End 586:Case – 184:San Toy 18:Musical 919:H. B. 523:. The 386:(1925) 269:bridge 253:Ceylon 152:Ceylon 122:is an 68:Lyrics 987:Case" 657:Notes 542:Savoy 261:Kandy 102:1904 97:1904 54:Music 735:2023 582:The 247:Plot 216:and 138:and 83:Book 116:or 1047:: 989:, 946:, 932:^ 923:, 880:, 855:, 830:, 805:, 780:, 756:, 742:^ 725:, 680:, 665:^ 653:. 228:. 212:, 208:, 193:, 187:, 181:, 983:" 944:" 940:" 878:" 853:" 828:" 799:" 754:" 678:"

Index


Lionel Monckton
Paul Rubens
Adrian Ross
Percy Greenbank
Book
James T. Tanner
West End
Broadway
Edwardian musical comedy
James T. Tanner
Lionel Monckton
Adrian Ross
Percy Greenbank
Paul Rubens
Edwardian era
Ceylon
Sri Lanka
Daly's Theatre
George Edwardes
The Mikado
The Geisha
San Toy
The Nautch Girl
A Chinese Honeymoon
Hayden Coffin
Rutland Barrington
Huntley Wright
Isabel Jay
Lily Elsie

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