Knowledge

The Cartel (record distributor)

Source 📝

205:. This was the peak of the Cartel's influence. Not only were they an effective distributor, but they were having an influence on the music itself, and the rise of "indie". As more of the mainstream retailers began to take product from the Cartel, this gave more exposure to independent labels' releases through these high-street shops. As many of them were the same shops who returned sales figures to the chart pollsters, indie releases featured more highly in the charts. 118:
established label. Recording, publishing and pressing a record was now accessible to small labels, but distributing them into the shops was still difficult. The market at this time was based on vinyl, both albums and singles being important. Most record shops were still independent, i.e. local, rather than national chains. This required a wholesale distribution network that had national reach to these individual shops.
121:
Regional distributors appeared, offering pressing and distribution deals to the small labels that would reach all of the shops in a region. Shops preferred to deal with only a handful of distributors and so the small distributors agreed to also distribute each other's stock, segregating the market by
235:
described the Cartel thus, "The Cartel is, as the name implies, a group of independent distributors across the country who work in conjunction with each other providing a solid network of distribution without stepping on each other's toes. We are distributed by the Cartel." By the time this was
144:
label. Tony K, who had a long career in music retail and publishing had started Red Rhino as a record shop in 1977, then made its first release as a label in 1979. By this time Rough Trade were already operating as a distributor which included supplying Red Rhino's shop. The Cartel regional
117:
The 1980s music scene in the UK saw a growth in small independent record labels or "indies", often formed by bands themselves, or by local record shops. The cost of technology and studio time was falling, making it possible to produce an album for a budget that didn't need the backing of an
239:
At the end of 1988, Red Rhino Distribution Ltd. folded, going into voluntary liquidation in 1989, followed by Fast Forward in early 1990 and Rough Trade in 1991.
78:
to handle their distribution to record shops. Pooling their resources in this way allowed them to compete with the larger distribution operations of the
465: 445: 122:
the geography of the shops, rather than by the content or particular labels. This was the beginning of the idea behind the Cartel.
539: 357: 316: 291: 343: 265: 519: 75: 426: 85:
The association of regional distributors included some of the most notable labels of the 1980s UK
209:
We short-circuited the need for anyone to sign to a major to get their records into the charts.
150: 98: 8: 497: 202: 162: 131: 94: 384: 506: 79: 411: 353: 312: 287: 170: 158: 90: 41: 154: 146: 102: 470: 450: 380: 166: 137: 71: 55: 533: 335: 224: 186: 37: 182: 178: 67: 399: 339: 228: 198: 194: 141: 106: 86: 33: 484: 403: 363: 300: 391: 375: 373: 349: 232: 149:(Norwich), Fast Forward (Edinburgh), Nine Mile (Leamington Spa), 51: 190: 370: 260: 258: 256: 254: 252: 130:
The architect of the Cartel was Richard Scott of London's
446:"(obituary) Tony Kostrzewa: Founder of Red Rhino Records" 249: 489: 177:
By 1984 the Cartel had enough success with bands like
82:, and also to gain access to the larger shop chains. 440: 438: 436: 277: 275: 236:
published though, the Cartel had already collapsed.
345:The Manual (How To Have a Number One The Easy Way) 485:Perfect Sound Forever, Rough Trade (Geoff Travis) 458: 433: 330: 328: 272: 531: 201:and many others to move to a large warehouse in 112: 325: 309:Rip it Up and Start Again: Postpunk, 1978-1984 478: 334: 397: 125: 400:"Rough Trade 2 (Geoff Travis interview)" 306: 70:record distribution organisation in the 219: 532: 379: 385:"Record Companies & Distribution" 281: 169:(London) who supplied the nationwide 140:(always known as "Tony K") of York's 16:UK record distribution organisation 13: 97:, Backs, Fast Forward, Nine Mile, 14: 551: 266:"(Record industry) Distribution" 145:distribution structure included 466:"Rough Trade: Rough and ready" 74:, set up by a number of small 1: 398:Jason Gross (November 1996). 242: 113:Indie labels and distribution 7: 10: 556: 76:independent record labels 47: 29: 24: 540:Indie rock record labels 307:Reynolds, Simon (2006). 286:. Black Dog Publishing. 165:(London), together with 126:Richard Scott and Tony K 387:. Cultural Foundation. 217: 404:Perfect Sound Forever 311:. Faber & Faber. 207: 474:. 10 September 2006. 220:Demise of the Cartel 501:. 17 December 1988. 498:New Musical Express 383:(20 October 2003). 282:Young, Rob (2006). 203:Kings Cross, London 80:major record labels 173:chain until 1986. 514:Missing or empty 419:External link in 171:Our Price Records 61: 60: 48:Country of origin 42:Independent music 547: 524: 523: 517: 512: 510: 502: 493: 487: 482: 476: 475: 462: 456: 455: 442: 431: 430: 424: 423: 422:|publisher= 417: 415: 407: 395: 389: 388: 377: 368: 367: 362:. Archived from 350:KLF Publications 332: 323: 322: 304: 298: 297: 279: 270: 269: 262: 215: 22: 21: 555: 554: 550: 549: 548: 546: 545: 544: 530: 529: 528: 527: 515: 513: 504: 503: 495: 494: 490: 483: 479: 471:The Independent 464: 463: 459: 451:The Independent 444: 443: 434: 421: 420: 418: 409: 408: 396: 392: 378: 371: 360: 333: 326: 319: 305: 301: 294: 280: 273: 268:. Pennyroyal 3. 264: 263: 250: 245: 222: 216: 213: 176: 128: 115: 40: 36: 20: 17: 12: 11: 5: 553: 543: 542: 526: 525: 488: 477: 457: 432: 390: 369: 366:on 2007-02-05. 358: 324: 317: 299: 292: 271: 247: 246: 244: 241: 221: 218: 211: 167:Jungle Records 138:Tony Kostrzewa 127: 124: 114: 111: 72:United Kingdom 59: 58: 56:United Kingdom 49: 45: 44: 31: 27: 26: 18: 15: 9: 6: 4: 3: 2: 552: 541: 538: 537: 535: 521: 508: 500: 499: 492: 486: 481: 473: 472: 467: 461: 454:. 9 May 2008. 453: 452: 447: 441: 439: 437: 428: 413: 405: 401: 394: 386: 382: 376: 374: 365: 361: 359:0-86359-616-9 355: 351: 347: 346: 341: 337: 331: 329: 320: 318:0-571-21570-X 314: 310: 303: 295: 293:1-904772-47-1 289: 285: 278: 276: 267: 261: 259: 257: 255: 253: 248: 240: 237: 234: 230: 226: 225:Bill Drummond 210: 206: 204: 200: 196: 192: 188: 187:Cocteau Twins 184: 180: 174: 172: 168: 164: 160: 156: 153:(Liverpool), 152: 148: 143: 139: 135: 133: 123: 119: 110: 108: 104: 100: 96: 92: 88: 83: 81: 77: 73: 69: 65: 57: 53: 50: 46: 43: 39: 35: 32: 28: 23: 516:|title= 496: 491: 480: 469: 460: 449: 393: 364:the original 344: 336:Drummond, B. 308: 302: 283: 238: 223: 214:Geoff Travis 208: 183:Depeche Mode 179:Joy Division 175: 136: 129: 120: 116: 84: 68:co-operative 63: 62: 19:Record label 284:Rough Trade 229:Jimmy Cauty 163:Rough Trade 161:(York) and 157:(Bristol), 132:Rough Trade 95:Rough Trade 243:References 199:Vice Squad 195:The Smiths 64:The Cartel 25:The Cartel 507:cite news 340:Cauty, J. 159:Red Rhino 142:Red Rhino 107:Red Rhino 87:post-punk 534:Category 412:cite web 342:(1989). 212:—  155:Revolver 103:Revolver 38:Hardcore 233:The KLF 93:scene: 52:England 381:Tony K 356:  315:  290:  191:Pigbag 66:was a 151:Probe 147:Backs 99:Probe 91:indie 30:Genre 520:help 427:help 354:ISBN 313:ISBN 288:ISBN 227:and 105:and 89:and 34:Punk 231:of 536:: 511:: 509:}} 505:{{ 468:. 448:. 435:^ 416:: 414:}} 410:{{ 402:. 372:^ 352:. 348:. 338:; 327:^ 274:^ 251:^ 197:, 193:, 189:, 185:, 181:, 134:. 109:. 101:, 54:, 522:) 518:( 429:) 425:( 406:. 321:. 296:.

Index

Punk
Hardcore
Independent music
England
United Kingdom
co-operative
United Kingdom
independent record labels
major record labels
post-punk
indie
Rough Trade
Probe
Revolver
Red Rhino
Rough Trade
Tony Kostrzewa
Red Rhino
Backs
Probe
Revolver
Red Rhino
Rough Trade
Jungle Records
Our Price Records
Joy Division
Depeche Mode
Cocteau Twins
Pigbag
The Smiths

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.