307:"...And when the daughter of the said Herodias came in, and danced, and pleased Herod and them that sat with him, the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee. And he sware unto her, Whatsoever thou shalt ask of me, I will give it thee, unto the half of my kingdom. And she went forth, and said unto her mother, What shall I ask? And she said, The head of John the Baptist. And she came in straightway with haste unto the king, and asked, saying, I will that thou give me by and by in a charger the head of John the Baptist. And the king was exceeding sorry; yet for his oath's sake, and for their sakes which sat with him, he would not reject her. And immediately the king sent an executioner, and commanded his head to be brought: and he went and beheaded him in the prison, and brought his head in a charger, and gave it to the damsel: and the damsel gave it to her mother." (
439:
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317:"But on Herod's birthday, the daughter of Herodias danced before them: and pleased Herod. Whereupon he promised with an oath, to give her whatsoever she would ask of him. But she being instructed before by her mother, said: Give me here in a dish the head of John the Baptist. And the king was struck sad: yet because of his oath, and for them that sat with him at table, he commanded it to be given. And he sent, and beheaded John in the prison. And his head was brought in a dish: and it was given to the damsel, and she brought it to her mother." (
135:. At the back in the half-light stands the executioner with his sword, at his feet the silver charger. Seated in ascending position on Salome's side are a lutanist, Herodias and Herod Antipas. They face the foreground events seemingly lit by John's halo and its reflections on Salome's costume. The severed head recalls a
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stands apart from biblical and historic paintings of the period, incorporating elements of style which would become significant for the aesthetic and symbolist movement, while also anteceding surrealism. Whereas the Bible mentions Salome as acting out
Herodias' will, Moreau draws her guided by her
224:
Moreau himself described Salome as a "bored and fantastic woman, animal by nature and so disgusted with the complete satisfaction of her desires (that she) gives herself the sad pleasure of seeing her enemy degraded." His sensual presentation of Salome and innovative interpretation of traditional
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is the most openly erotic with a bare-breasted princess turned towards the viewer, her naked arm directed at the object she will soon receive. By accentuating her stillness, Moreau immobilizes her to be seen alternately as idol or sexual object or both. Some critics also ascribed her statuesque
462:
quickly became Moreau's best known work, its notoriety growing with the critical and artistic attention it received. Numerous artist drew inspiration from Moreau's Salome, her mimesis infusing their works or insinuating itself in it. French poet
Stephane Mallarme's envisions Salome in his
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historic and mythological themes caused his art to be regarded as eccentric and provocative. Emphasizing instincts over reason, subjectivity over objectivity and suggestion over definition, the watercolor features essential qualities of symbolism as coined by French poet and critic
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163:). Since no one, including Salome, reacts directly to the vision central to the composition, it is unclear if it is real, imagined by the princess, or a collective hallucination. This deliberately confusing technique has been attributed to an alleged consumption of
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and thereby caused hallucinations, though justification of such claims was never established. Its surreal setting and mystic air, evoked by obscure architectural and textile opulence, contrast with previous interpretations of the subject, making
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Moreau approached the biblical theme in 19 paintings, 6 watercolors and more than 150 drawings. Part of a series of at least 8 closely resembling paintings and more than 40 sketch drawings, it is regarded as a key work of Moreau's opus,
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243:. Excessive detail given to foreign costumes and background elements as strange mural reliefs on the pallast's columns proof characteristic for Moreau whose artistic style tending towards
360:. Though classic academic subjects from religion and history were superseded by everyday scenes during the 19th century, Salome remained a figure of artistic interest, appearing in
131:
Salome stands out in an array of bejeweled veils, her body facing the viewer, her left arm pointing up in the air to John the
Baptist's hovering head, enclosed by a
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77:' birthday, the princess Salome dances in front of the king and his guests. This pleased him so much he promises her anything she wished for. Incited by her mother
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contained its prominent place in artistic imagination, its lasting impressiveness being crucial to the rediscovery of Moreau's art in the later 20th century.
397:, Henri Cazaliz's paid homage to Moreau's earlier Salome-paintings, musing on Salome’s feelings before and after the execution. Still, it were Moreau's
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where it hung not with the aquarelles in a separate room but in the main East
Gallery with the oil paintings. It is currently housed in the Musée d'Orsay.
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1942:
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History as a theatre of cruelty: representation and theatricality in
Flaubert's Salammbô and Hérodias and in Gustave Moreau's Salome paintings
195:"The dreadful head glows eerily, bleeding all the while, so that clots of dark red form at the ends of hair and beard." (Joris-Karl Huysmans,
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art. These disparate elements and the use of complex techniques like highlighting, graftage and incisions, create a sublime ideal of the
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89:. Regretful but compelled to keep his word in front of everyone present, Herod complies with Salome's demand. John the Baptist is
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Four French
Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis
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115:), the painting caused a sensation. It has since made a lasting impression on various artists, notably from the
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imagination who was equally seductive and destructive. Defying conventions of historic and biblical painting,
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in 1876 upon its first presentation at the Salon where it was exhibited with several other of Moreau's works
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The unnamed dancer identified as Salome by scholars has inspired numerous artist before Moreau, among them
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was often referred to as "Byzanthine". Together with the mysterious titular vision they both evoke
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Rather than being solely a character from academic painting Moreau remained bound to despite his
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405:(1875) which sparked a Salome craze lasting into the 20th century, permeating all forms of art.
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Gustave Moreau, with a catalogue of the finished paintings, watercolors and drawings
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Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon
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61:'s severed head. The 106 cm high and 72,2 cm wide watercolor held by the
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Arab Chiefs
Challenging each other to Single Combat under the Ramparts of a City
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Girard, Rene (1984). "Scandal and the Dance: Salome in the Gospel of Mark".
621:"Musee d'Orsay Collection – Works in Focus – Gustave Moreau: The Apparition"
81:, who was reproved by the John the Baptist for her illegitimate marriage to
2160:
765:. Florida State University: Electronic Theses, Treatises and Dissertations.
505:
273:
498:
217:
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763:
Moreau's
Materiality: Polymorphic Subjects, Degeneration, and Physicality
534:
268:
248:
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Idols of
Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture
467:(1864–1896) as the virgin-whore seen by many of Moreau's contemporaries
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The events from which Moreau draws his scene are first described in two
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651:"Art Encyclopedia: Visual Arts of Painting – Sculpture – Architecture"
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Against the backdrop of a lavishly decorated palace inspired by the
49:, painted between 1874 and 1876. It shows the biblical character of
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233:, incest and sadism associate it with the decadent movement and
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The following year
Gauchez sent it to be exhibited at London's
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own lust. Among his series of Salome-paintings, the climactic
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who muses on the painting in his influential decadent novel
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The Grosvenor Gallery: A Palace of Art in Victorian England
229:. Further, the scene's morbidity and underlying themes of
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A shorter version appears in the Gospel of St. Matthew:
803:
The Art of Gustave Moreau: Theory, Style, and Content
2293:
Summary Execution under the Moorish Kings of Granada
107:
art in general. Upon its first presentation 1876 in
896:
1943:The Gallic Women: Episode from the Roman Invasion
401:and its sister piece, an oil version also called
2903:
2222:The Road in Front of Saint-Simeon Farm in Winter
172:a key work for the emerging symbolist movement.
1034:. North Carolina: University of North Carolina.
775:
65:in Paris elaborates on an episode told in the
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1109:
1077:. United States: Greenwood Publishing Group.
958:. Troy, New York: Whitson Publishing Company.
776:Casteras, Susan P.; Denney, Colleen (1996).
474:In the terror of my tresses, that, by night,
2442:Resting by a Stream at the Edge of the Wood
805:. Ann Arbor, Michigan: UMI Research Press.
482:White night of ice and of the cruel snow!"
478:And glimmering radiance of thy frozen fire,
2858:Objet décoratif carré avec dieux tahitiens
1917:Reception of the Grand Condé at Versailles
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833:. Manchester: Manchester University Press.
476:Inviolate reptile, I might feel the white
2746:The Return from Fishing: Hauling the Boat
2014:Berthe Morisot with a Bouquet of Violets
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705:
510:Salome with the Head of John the Baptist
143:in 1869, as well as the severed head of
20:
2793:Nature Unveiling Herself Before Science
1969:The Excommunication of Robert the Pious
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870:"Gustave Moreau: Reimagining Symbolism"
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175:Belgian art dealer Léon Gauchez bought
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2662:Imperial Fritillaries in a Copper Vase
2406:Avenue of Poplars near Moret-sur-Loing
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994:
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680:. New York: New York Graphic Society.
583:When the renown of its creator faded,
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2436:Regatta at Molesey near Hampton Court
2086:Portrait of Monsieur and Madame Manet
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738:. Musee D'orsay. 2006. Archived from
627:. Musee d'Orsay. 2006. Archived from
2952:Cultural depictions of Herod Antipas
2342:Portrait of the Painter Claude Monet
2192:A Cart on the Snowy Road at Honfleur
1995:The Quai Saint-Michel and Notre-Dame
1880:Self-Portrait with the Yellow Christ
928:. Sterling Publishing Company, Inc.
852:
701:
699:
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615:
613:
480:Thou art chaste and diest of desire,
472:Delights me, and I would envelope me
417:Salomé dansant devant Hérode (1876)
272:tendencies, his Salome embodies the
211:posture to fear, like French writer
28:, Gustave Moreau, 1876. watercolor.
819:
255:and indicate his evolution towards
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2424:Chemin de la Machine, Louveciennes
2280:The Luxembourg Station in Brussels
2080:Portrait of Marguerite de Conflans
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848:. France: Charpentier. p. 83.
794:
372:The Beheading of John the Baptist
85:, Salome demands John's head on a
14:
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2722:Portrait of Robert de Montesquiou
2062:The Port of Boulogne by Moonlight
970:"Encyclopedia of World Biography"
694:
610:
485:As André Fontainas noted 1928 in
288:as did others of Moreau's works.
45:) is a painting by French artist
2656:Doctor Gachet's Garden in Auvers
2448:Rue de la Chaussée in Argenteuil
1767:Arab Horses Fighting in a Stable
1714:Café-Concert at Les Ambassadeurs
1202:The Parca and the Angel of Death
732:"Gustave Moreau: The Apparition"
543:(1893) after being impressed by
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1735:Portraits at the Stock Exchange
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988:
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903:. London: Thames & Hudson.
888:
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780:. Yale: Yale University Press.
153:Perseus with the head of Medusa
16:1876 painting by Gustave Moreau
2932:Paintings in the Musée d'Orsay
2768:
2692:Pasteur's portrait by Edelfelt
2454:View of the Canal Saint-Martin
2186:The Artist's Garden at Giverny
2020:Blonde Woman with Bare Breasts
1930:A Session of the Painting Jury
1210:Dead Poet Carried by a Centaur
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754:
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676:Mathieu, Pierre-Louis (1976).
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570:, also based on Wilde's Salome
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1:
2942:Paintings of John the Baptist
2330:Frédéric Bazille at his Easel
2092:Portrait of Stéphane Mallarmé
1754:Boabdil's Farewell to Granada
1657:The Romans in their Decadence
1550:Vue de toits (Effet de neige)
1411:The Improvised Field Hospital
1341:
1244:Musée national Gustave Moreau
1171:Musée national Gustave Moreau
1159:(begun 1874, never completed)
956:The Femme Fatale: Erotic Icon
844:Huysmans, Joris-Karl (1884).
710:. Oxford: Oxford Paperbacks.
604:
547:viewing it 1884 at the Louvre
1313:
1073:Clement, Russell T. (1996).
895:Edward, Lucie-Smith (1972).
470:"The horror of my virginity
73::21–29. On a feast held for
7:
2912:Paintings by Gustave Moreau
2641:Starry Night Over the Rhône
2516:The Resurrection of Lazarus
2306:Bal du moulin de la Galette
1886:Tahitian Women on the Beach
1837:A Studio at Les Batignolles
1575:Portrait of Gustave Geffroy
1178:Salome Dancing before Herod
954:Allen, Virginia M. (1983).
926:From Realism to Art Nouveau
598:Salome Dancing before Herod
590:
487:Mes souvenirs du Symbolisme
446:Salome Dancing before Herod
377:Pierre Puvis de Chavannes,
10:
2968:
2348:Portrait of William Sisley
2216:Resting Under a Lilac Bush
2167:Shepherdess with her Flock
1729:The Orchestra at the Opera
1449:Ploughing in the Nivernais
391:The Daughter of Herodias.
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2806:Woman Bitten by a Serpent
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2430:The Forge at Marly-le-Roi
2050:Madame Manet at the Piano
2038:Flowers in a Crystal Vase
1518:Three Women with Parasols
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1336:
1319:
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1052:. Oxford: Vintage Books.
1048:Ellmann, Richard (1988).
868:Kieffer, Michèle (2014).
537:wrote his symbolist play
454:
432:oil on canvas (1876/1877)
1868:The Schuffenecker Family
1544:Les raboteurs de parquet
924:Lombardi, Laura (2009).
657:. Visual Arts Cork. 2014
655:www.visual-arts-cork.com
291:
190:
139:copied by Moreau at the
2572:What is Called Vagrancy
2198:Le Déjeuner sur l'herbe
2032:Le Déjeuner sur l'herbe
1825:The Corner of the Table
1436:Pilgrims going to Mecca
829:Meyers, Jeffry (1975).
801:Kaplan, Julius (1982).
706:Dijkstra, Bram (1988).
576:'s theatrical dialogue
560:, based on Wilde's play
383:eponymous oil painting
334:Lucas Cranach the Elder
2647:Portrait of Dr. Gachet
2460:The Village of Voisins
2418:The Canal Saint-Martin
2123:Luxe, Calme et Volupté
2074:Portrait of Emile Zola
2068:Portrait of Clemenceau
1874:Self-Portrait in a Hat
1563:The Hanged Man's House
1140:Oedipus and the Sphinx
874:www.theculturetrip.com
831:Painting and the Novel
761:Slavkin, Mary (2009).
449:, oil on canvas (1876)
33:
2553:Sailboats and Estuary
2210:Regatta at Argenteuil
2136:French Campaign, 1814
1480:Equality Before Death
1030:Morris, Jean (1994).
141:Palais de l'Industrie
24:
2635:The Church at Auvers
2596:The Wheel of Fortune
2324:Dance in the Country
2267:The Fiancée of Belus
2104:A Sprig of Asparagus
1862:Breton Peasant Women
1632:The Painter's Studio
997:New Literary History
974:www.encyclopedia.com
387:Arthur O'Shaughnessy
326:Masolino da Panicale
284:became a source for
53:dancing in front of
2947:Paintings of Salome
2887:Musée des Augustins
2228:Women in the Garden
1856:The Beautiful Angel
1831:Homage to Delacroix
1708:The Bellelli Family
1379:In the Conservatory
358:Georges Rochegrosse
213:Joris-Karl Huysmans
2885:On display at the
2832:Virgin with a Lily
2716:Madame Charles Max
2412:The Canal du Loing
2336:Girls at the Piano
2142:The Siege of Paris
1626:L'Origine du monde
1620:A Burial at Ornans
1601:The Poor Fisherman
1531:The Birth of Venus
1462:The Birth of Venus
1405:The Family Reunion
1226:Jupiter and Semele
876:. The Culture Trip
736:www.musee-orsay.fr
625:www.musee-orsay.fr
364:'s 1843 epic poem
199:, Chap. VI. 1884)
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2529:Whistler's Mother
2367:The Snake Charmer
2318:Dance in the City
1780:Homage to Cézanne
1607:The Turtle Seller
1512:The Lady in White
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1218:The Mystic Flower
1148:Scottish Horseman
393:In his 1875 poem
298:parallel passages
261:abstract painting
185:Grosvenor Gallery
149:Benvenuto Cellini
117:Decadent movement
57:with a vision of
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564:Antoine Mariotte
519:Gustave Flaubert
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161:Loggia dei Lanzi
59:John the Baptist
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1156:Tattooed Salome
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742:on 2 April 2015
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631:on 2 April 2015
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551:Richard Strauss
545:The Apparition
521:'s short story
481:
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403:The Apparition
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2231:
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1163:The Apparition
1160:
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1125:Gustave Moreau
1121:
1120:
1113:
1106:
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1065:
1059:978-0394759845
1058:
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1022:
1009:10.2307/468858
1003:(2): 311–324.
987:
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910:978-0500201251
909:
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812:978-0835713504
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687:978-0821207017
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585:The Apparition
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494:Jules Massenet
460:The Apparition
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451:
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436:
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430:The Apparition
428:
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409:
399:The Apparition
379:Henri Regnault
362:Heinrich Heine
354:Henri Regnault
321:14:6–11, D-R)
311:6:21–29, KJV)
293:
290:
282:The Apparition
208:The Apparition
203:The Apparition
192:
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177:The Apparition
170:The Apparition
137:Japanese print
124:
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113:Salon de Paris
47:Gustave Moreau
38:The Apparition
26:The Apparition
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2922:Fantastic art
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2917:Fin de siècle
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899:Symbolist Art
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389:'s 1870 poem
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302:New Testament
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253:fantastic art
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104:fin de siècle
100:
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75:Herod Antipas
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63:Musée d'Orsay
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55:Herod Antipas
52:
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31:
30:Musée d'Orsay
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23:
19:
2937:Dance in art
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2620:L'Arlésienne
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2380:The Talisman
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2173:The Winnower
2171:
2165:
2161:The Gleaners
2159:
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2148:
2140:
2134:
2129:
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2110:The Waitress
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2018:
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1993:
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1727:
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1689:The Republic
1687:
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1595:de Chavannes
1594:
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1324:Gare d'Orsay
1224:
1216:
1208:
1200:
1194:Les Chimères
1192:
1186:The Unicorns
1184:
1176:
1166:
1165:(1874–1876;
1162:
1154:
1146:
1138:
1074:
1068:
1049:
1031:
1025:
1000:
996:
990:
978:. Retrieved
973:
964:
955:
925:
919:
898:
890:
878:. Retrieved
873:
845:
839:
830:
802:
796:
777:
771:
762:
756:
744:. Retrieved
740:the original
735:
726:
707:
677:
671:
659:. Retrieved
654:
645:
633:. Retrieved
629:the original
624:
596:
584:
582:
577:
567:
556:
544:
538:
522:
513:
509:
506:Odilon Redon
497:
486:
484:
469:
464:
459:
458:
444:
429:
402:
398:
394:
390:
382:
375:
371:
365:
323:
316:
313:
306:
295:
281:
274:femme fatale
267:
265:
234:
223:
216:
207:
202:
201:
196:
194:
180:
176:
174:
169:
152:
126:
112:
102:
95:
43:L'Apparition
42:
37:
36:
35:
25:
18:
2826:Delaplanche
2590:Burne-Jones
2479:La Toilette
2312:The Bathers
2155:The Angelus
2098:The Reading
2008:The Balcony
1670:The Harvest
1538:Caillebotte
1506:Bracquemond
1486:Les Oréades
1229:(1894–1895)
1050:Oscar Wilde
980:30 December
880:30 December
746:30 December
661:30 December
635:30 December
535:Oscar Wilde
528:Three Tales
269:avant-garde
249:orientalism
231:necrophilia
227:Jean Moréas
147:as held by
123:Description
2906:Categories
2845:Rhinocéros
2839:Jacquemart
2769:Sculptures
2393:The Circus
2254:The Cradle
2204:The Magpie
2130:Meissonier
1956:The Source
1806:The Enigma
1702:L'Absinthe
1582:Chassériau
1456:Bouguereau
1373:Bartholomé
605:References
533:Famously,
514:Apparition
367:Atta Troll
346:Guido Reni
342:Caravaggio
286:surrealism
151:'s bronze
69::6–11 and
67:Matthew 14
2800:Clésinger
2354:The Swing
2044:The Fifer
2026:Bullfight
1982:The Truth
1911:Jerusalem
1892:Vairumati
1793:The Dream
1761:Delacroix
1748:Dehodencq
1493:Boulanger
1392:Haymaking
1342:Paintings
1260:Symbolism
1221:(c. 1890)
1213:(c. 1890)
1132:Paintings
846:A rebours
574:Nick Cave
566:'s opera
526:from his
499:Herodiade
465:Herodiade
350:Fabritius
278:Victorian
245:exoticism
218:À rebours
197:À Rebours
111:(French:
99:symbolism
41:(French:
2891:Toulouse
2686:Edelfelt
2614:van Gogh
2566:The Bath
2523:Whistler
2503:Solitude
2497:Harrison
2489:American
2374:Sérusier
2361:Rousseau
2287:Regnault
1976:Lefebvre
1787:Detaille
1664:Daubigny
1468:La Danse
1314:Building
591:See also
524:Herodias
157:Florence
129:Alhambra
91:beheaded
79:Herodias
32:, Paris.
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1237:Museums
1189:(1880s)
1151:(1870s)
300:of the
276:of the
257:fauvism
87:charger
2779:French
2510:Tanner
2473:Le Lit
2400:Sisley
2387:Seurat
2300:Renoir
2235:Moreau
2149:Millet
1950:Ingres
1937:Glaize
1924:Gervex
1899:Gérôme
1718:(1885)
1360:Baader
1352:French
1205:(1890)
1197:(1884)
1181:(1876)
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578:Salome
568:Salome
557:Salome
555:opera
540:Salome
502:(1877)
455:Impact
395:Salomé
338:Titian
241:Orient
145:Medusa
71:Mark 6
51:Salome
2864:Oviri
2606:Dutch
2261:Motte
2180:Monet
2002:Manet
1774:Denis
1696:Degas
1430:Belly
1013:JSTOR
292:Motif
191:Style
165:opium
109:Salon
83:Herod
1989:Luce
1800:Doré
1079:ISBN
1054:ISBN
982:2014
930:ISBN
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882:2014
807:ISBN
782:ISBN
748:2014
712:ISBN
682:ISBN
663:2014
637:2014
512:and
385:and
356:and
319:Matt
309:Mark
259:and
247:and
133:halo
101:and
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1005:doi
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