Knowledge

Edmund Leighton

Source 📝

322: 226: 502: 292: 532: 487: 277: 337: 371: 418: 247: 211: 550: 583: 472: 454: 403: 517: 196: 565: 51: 386: 262: 439: 356: 307: 183:
Leighton was a fastidious craftsman, producing highly finished, decorative historical paintings. These were romanticised scenes, often of chivalry and women in medieval dress with a popular appeal. It would appear that he left no diaries, and though he exhibited at the Royal Academy for over forty
179:
in 1874; it sold for £200. He soon gave up "black and white" illustrations, working for the rest of his career in oil on canvas. He married Katherine Nash in 1885; they had a son, the painter Edmund J. Blair Leighton, and a daughter. He exhibited annually at the Royal Academy until 1920.
973:
The painting was named as "Preparing the Flag" at Christies in 1928, and as "Awaiting his Return" at Philips in 1977. Sotheby's called it "Stitching the Standard" in 1978. It may be the painting catalogued as "The Device" in 1911.
817:
Edmund Blair Leighton specialised in the historical genre that stood at the apex of the academic system, edifying audiences with scenes of chivalry as well as entertaining them with glimpses of Lady Godiva.
1038: 829: 976: 1012: 1233: 1208: 1213: 1087: 645: 225: 1228: 486: 453: 321: 336: 417: 1218: 667: 531: 1238: 1223: 291: 1129: 501: 1042: 653: 157:, leaving at 15 to work for a tea merchant. Wishing to study art, he went to evening classes in South Kensington and then to the 17: 564: 1198: 1188: 1111: 1070: 1056: 934: 917: 833: 892: 276: 370: 210: 804: 471: 714: 987: 516: 1016: 246: 549: 948: 1203: 582: 125: 402: 1193: 195: 158: 346: 1094: 129:(21 September 1852 – 1 September 1922) was an English painter of historical genre scenes, specialising in 138: 875: 154: 261: 385: 638: 572: 150: 438: 236: 167: 1183: 1178: 1134: 602: 392: 1147: 8: 1143: 306: 687: 672: 618: 423: 355: 31: 539: 879: 130: 461: 50: 1172: 952: 628: 232: 162: 103: 983: 896: 724: 1155:
Yockley, Alfred (December 1913). "The Art of Edmund Blair Leighton".
153:(1823–1855) and Caroline Leighton (née Boosey). He was educated at 134: 113: 885: 165:. Among his first commissions were monochrome illustrations for 175:. His first painting to be exhibited at the Royal Academy was 872: 799: 797: 141:
of the mid-to-late nineteenth and early twentieth centuries.
794: 784: 782: 780: 777: 1073:. Manchester City Galleries – Search the collection. 1059:. Manchester City Galleries – Search the collection. 937:. Manchester City Galleries – Search the collection. 920:. Manchester City Galleries – Search the collection. 184:
years, he was never an Academician or an Associate.
1015:. Auckland Art Gallery Toi o Tamaki. Archived from 1082: 1080: 929: 927: 765: 161:in Newman Street, London. Aged 21, he entered the 1170: 1159:(Christmas 1913). London: 11, 31, illustrations. 1077: 924: 756: 739:(undated), Bristol City Museum and Art Gallery. 1234:Members of the Royal Institute of Oil Painters 967: 1209:People educated at University College School 867: 865: 863: 761:. Parkstone Press International. p. 24. 1214:Alumni of the Heatherley School of Fine Art 861: 859: 857: 855: 853: 851: 849: 847: 845: 843: 1127: 788: 49: 1093:. Cardiff City Hall. 2006. Archived from 137:subjects. His art is associated with the 840: 832:. leicestergalleries.com. Archived from 1154: 771: 493:Ribbons and Laces for Very Pretty Faces 14: 1171: 1142:(December 1904 to May 1905). London: 1229:English children's book illustrators 629:Towneley Hall Art Gallery and Museum 1219:Alumni of the Royal Academy Schools 715:Bristol City Museum and Art Gallery 460:The Queen kisses the sleeping poet 149:Leighton was the son of the artist 24: 1130:"The Art of Mr. E. Blair Leighton" 1112:"After Service by Edmund Leighton" 986:. 15 November 2011. Archived from 593:Among Leighton's other works are: 25: 1250: 1239:20th-century English male artists 1224:19th-century English male artists 1164: 603:Auckland Art Gallery Toi o Tamaki 757:de La Sizeranne, Robert (2008). 581: 563: 548: 530: 515: 500: 485: 470: 452: 437: 416: 401: 384: 369: 354: 335: 320: 305: 290: 275: 260: 245: 224: 209: 194: 1121: 1104: 1063: 1049: 1031: 1005: 977:"Victorian & Edwardian Art" 941: 663:(1901), Manchester Art Gallery. 649:(1900), Manchester Art Gallery. 910: 830:"Old Times by Edmund Leighton" 822: 750: 733:(undated), private collection. 693:The Lord of Burleigh, Tennyson 13: 1: 1199:20th-century English painters 1189:19th-century English painters 744: 159:Heatherley School of Fine Art 1128:De Cordova, Rudolph (1905). 893:""A King and a Beggar Maid"" 343:The King and the Beggar-maid 144: 7: 1088:"Visitor Information Guide" 1041:. Sotheby's. Archived from 949:"Live Auction 6520, Lot 27" 707:(1921), private collection. 701:(1919), private collection. 695:(1919), private collection. 680:(1914), private collection. 657:(1901), private collection. 27:British painter (1852–1922) 10: 1255: 29: 1114:. leicestergalleries.com. 155:University College School 109: 99: 83: 60: 48: 41: 187: 30:Not to be confused with 1057:"Waiting for the Coach" 625:How Liza Loved the King 173:Book of British Ballads 139:pre-Raphaelite movement 18:The Accolade (painting) 1204:British genre painters 878:22 August 2013 at the 807:. Auckland Art Gallery 639:Manchester Art Gallery 523:Stitching the Standard 478:Courtship by the Piano 298:My Next-Door Neighbour 151:Charles Blair Leighton 1194:English male painters 1150:on 18 September 2016. 1045:on 24 September 2015. 873:Bridgeman Art Library 635:Waiting for the Coach 217:Till Death Do Us Part 163:Royal Academy Schools 122:Edmund Blair Leighton 65:Edmund Blair Leighton 1144:Ward, Lock & Co. 1135:The Windsor Magazine 993:on 24 September 2015 711:Signing the Register 573:Elisabeth of Hungary 836:on 12 October 2007. 759:The Pre-Raphaelites 508:To the Land Unknown 430:The End of the Song 177:A Flaw in the Title 955:. 28 November 2001 935:"On the Threshold" 805:"In Time of Peril" 688:City Hall, Cardiff 673:City Hall, Cardiff 619:Croydon Clocktower 588:The Hostage (1912) 425:Tristan and Isolde 168:Cassell's Magazine 1019:on 6 October 2014 1013:"Un Gage d'Amour" 731:Lord of the Manor 721:The Fond Farewell 119: 118: 75:21 September 1852 32:Frederic Leighton 16:(Redirected from 1246: 1160: 1151: 1116: 1115: 1108: 1102: 1101: 1100:on 10 July 2007. 1099: 1092: 1084: 1075: 1074: 1071:"Adieu painting" 1067: 1061: 1060: 1053: 1047: 1046: 1035: 1029: 1028: 1026: 1024: 1009: 1003: 1002: 1000: 998: 992: 981: 971: 965: 964: 962: 960: 945: 939: 938: 931: 922: 921: 914: 908: 907: 905: 903: 889: 883: 869: 838: 837: 826: 820: 819: 814: 812: 801: 792: 786: 775: 769: 763: 762: 754: 646:On the Threshold 585: 567: 552: 540:Alfred the Great 534: 519: 504: 489: 474: 456: 441: 420: 405: 388: 377:On the Threshold 373: 358: 339: 328:In Time of Peril 324: 309: 294: 279: 264: 249: 228: 213: 198: 128: 90: 87:1 September 1922 74: 72: 55:Leighton in 1900 53: 39: 38: 21: 1254: 1253: 1249: 1248: 1247: 1245: 1244: 1243: 1169: 1168: 1167: 1124: 1119: 1110: 1109: 1105: 1097: 1090: 1086: 1085: 1078: 1069: 1068: 1064: 1055: 1054: 1050: 1037: 1036: 1032: 1022: 1020: 1011: 1010: 1006: 996: 994: 990: 979: 975: 972: 968: 958: 956: 947: 946: 942: 933: 932: 925: 916: 915: 911: 901: 899: 891: 890: 886: 880:Wayback Machine 870: 841: 828: 827: 823: 810: 808: 803: 802: 795: 789:De Cordova 1905 787: 778: 770: 766: 755: 751: 747: 742: 737:Sorrow and Song 599:Un Gage d'Amour 589: 586: 577: 571:The Charity of 568: 559: 553: 544: 538:The Boyhood of 535: 526: 520: 511: 505: 496: 490: 481: 475: 466: 457: 448: 442: 433: 421: 412: 406: 397: 389: 380: 374: 365: 359: 350: 340: 331: 325: 316: 310: 301: 295: 286: 280: 271: 265: 256: 250: 241: 229: 220: 214: 205: 199: 190: 147: 124: 95: 94:London, England 92: 88: 79: 78:London, England 76: 70: 68: 67: 66: 56: 44: 43:Edmund Leighton 35: 28: 23: 22: 15: 12: 11: 5: 1252: 1242: 1241: 1236: 1231: 1226: 1221: 1216: 1211: 1206: 1201: 1196: 1191: 1186: 1181: 1166: 1165:External links 1163: 1162: 1161: 1152: 1146:Archived from 1123: 1120: 1118: 1117: 1103: 1076: 1062: 1048: 1030: 1004: 966: 940: 923: 909: 884: 839: 821: 793: 776: 764: 748: 746: 743: 741: 740: 734: 728: 718: 708: 702: 699:Sweet Solitude 696: 690: 681: 675: 664: 658: 650: 642: 632: 622: 612: 606: 595: 591: 590: 587: 580: 578: 569: 562: 560: 554: 547: 545: 536: 529: 527: 521: 514: 512: 506: 499: 497: 491: 484: 482: 476: 469: 467: 462:Alain Chartier 458: 451: 449: 443: 436: 434: 422: 415: 413: 407: 400: 398: 390: 383: 381: 375: 368: 366: 360: 353: 351: 341: 334: 332: 326: 319: 317: 311: 304: 302: 296: 289: 287: 281: 274: 272: 266: 259: 257: 251: 244: 242: 235:and his Pupil 230: 223: 221: 215: 208: 206: 200: 193: 189: 186: 146: 143: 117: 116: 111: 110:Known for 107: 106: 101: 97: 96: 93: 91:(aged 69) 85: 81: 80: 77: 64: 62: 58: 57: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 1251: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1197: 1195: 1192: 1190: 1187: 1185: 1182: 1180: 1177: 1176: 1174: 1158: 1153: 1149: 1145: 1141: 1137: 1136: 1131: 1126: 1125: 1113: 1107: 1096: 1089: 1083: 1081: 1072: 1066: 1058: 1052: 1044: 1040: 1034: 1018: 1014: 1008: 989: 985: 978: 970: 954: 950: 944: 936: 930: 928: 919: 913: 898: 894: 888: 881: 877: 874: 868: 866: 864: 862: 860: 858: 856: 854: 852: 850: 848: 846: 844: 835: 831: 825: 818: 806: 800: 798: 790: 785: 783: 781: 773: 768: 760: 753: 749: 738: 735: 732: 729: 726: 722: 719: 716: 712: 709: 706: 705:After Service 703: 700: 697: 694: 691: 689: 685: 682: 679: 676: 674: 670: 669: 665: 662: 659: 656: 655: 651: 648: 647: 643: 640: 636: 633: 630: 626: 623: 620: 616: 615:The Rehearsal 613: 610: 607: 604: 600: 597: 596: 594: 584: 579: 575: 574: 566: 561: 557: 551: 546: 542: 541: 533: 528: 524: 518: 513: 509: 503: 498: 494: 488: 483: 479: 473: 468: 464: 463: 455: 450: 446: 440: 435: 431: 427: 426: 419: 414: 410: 404: 399: 395: 394: 387: 382: 378: 372: 367: 363: 357: 352: 348: 344: 338: 333: 329: 323: 318: 314: 308: 303: 299: 293: 288: 284: 283:The Elopement 278: 273: 269: 263: 258: 254: 253:Faded Laurels 248: 243: 239: 238: 234: 227: 222: 218: 212: 207: 203: 197: 192: 191: 185: 181: 178: 174: 170: 169: 164: 160: 156: 152: 142: 140: 136: 132: 127: 123: 115: 112: 108: 105: 102: 98: 86: 82: 63: 59: 52: 47: 40: 37: 33: 19: 1156: 1148:the original 1139: 1133: 1122:Bibliography 1106: 1095:the original 1065: 1051: 1043:the original 1033: 1021:. Retrieved 1017:the original 1007: 995:. Retrieved 988:the original 969: 957:. Retrieved 943: 912: 900:. Retrieved 887: 834:the original 824: 816: 809:. Retrieved 772:Yockley 1913 767: 758: 752: 736: 730: 720: 710: 704: 698: 692: 683: 677: 666: 660: 654:The Accolade 652: 644: 634: 624: 614: 608: 598: 592: 570: 556:My Fair Lady 555: 537: 522: 507: 492: 477: 459: 444: 429: 424: 409:The Accolade 408: 391: 376: 361: 342: 327: 312: 297: 282: 267: 252: 231: 216: 201: 182: 176: 172: 166: 148: 121: 120: 89:(1922-09-01) 36: 1184:1922 deaths 1179:1852 births 713:(undated), 268:Lady Godiva 100:Nationality 1173:Categories 1157:Art Annual 1039:"Conquest" 959:18 January 953:Christie's 871:Listed at 811:18 January 745:References 684:An Arrival 668:The Shadow 631:, Burnley. 393:God Speed! 71:1852-09-21 1023:12 August 984:Sotheby's 897:Sotheby's 727:, London. 445:Courtship 202:Old Times 145:Biography 876:Archived 725:Messum's 723:(1891), 686:(1916), 678:A Nibble 671:(1909), 637:(1895), 627:(1890), 617:(1888), 609:Conquest 601:(1881), 345:(1898) ( 171:and its 135:medieval 114:Painting 997:28 June 902:18 July 313:In 1816 237:Heloise 233:Abelard 131:Regency 104:British 611:(1884) 576:(1915) 558:(1914) 543:(1913) 525:(1911) 510:(1911) 495:(1904) 480:(1903) 465:(1903) 447:(1903) 432:(1902) 411:(1901) 396:(1900) 379:(1900) 364:(1899) 347:legend 330:(1897) 315:(1895) 300:(1894) 285:(1893) 270:(1892) 255:(1889) 240:(1882) 219:(1878) 204:(1877) 1098:(PDF) 1091:(PDF) 991:(PDF) 980:(PDF) 918:"Off" 661:Adieu 621:, UK. 188:Works 1025:2012 999:2014 961:2021 904:2016 813:2021 133:and 84:Died 61:Born 428:or 362:Off 126:ROI 1175:: 1140:21 1138:. 1132:. 1079:^ 982:. 951:. 926:^ 895:. 842:^ 815:. 796:^ 779:^ 1027:. 1001:. 963:. 906:. 882:. 791:. 774:. 717:. 641:. 605:. 349:) 73:) 69:( 34:. 20:)

Index

The Accolade (painting)
Frederic Leighton

British
Painting
ROI
Regency
medieval
pre-Raphaelite movement
Charles Blair Leighton
University College School
Heatherley School of Fine Art
Royal Academy Schools
Cassell's Magazine
Old Times (1877)
Till Death Do Us Part (1878)
Abelard and his Pupil Heloise (1882)
Abelard
Heloise
Faded Laurels (1889)
Lady Godiva (1892)
The Elopement (1893)
My Next-Door Neighbour (1894)
In 1816 (1895)
In Time of Peril (1897)
The King and the Beggar-maid (1898) (legend)
legend
Off (1899)
On the Threshold (1900)
God Speed! (1900)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.