34:
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the sword as the one he had sent with his baby son years before so that he would be able to recognise him when grown up. The King dashes the cup from Teseo's hand and embraces him as his son. Not only will Teseo and Agilea now live in married happiness, Arcane and Clizia can marry too. The enraged Medea appears on a flying chariot drawn by fire-breathing dragons. Swearing vengeance, she orders the dragons to set the palace on fire, but the goddess
Minerva descends from heaven, banishes Medea, and blesses the King, the two pairs of lovers, and Athens.
26:
2535:
2556:
518:'This present Saturday...the Opera of Theseus by Mr. Hendel will be represented in its Perfection, that is to say with all the Scenes, Decorations, Flights, and Machines. The Performers are much concerned that they did not give the Nobility and Gentry all the satisfaction they could have wished, when they represented it on Wednesday, having been hindered by some unforeseen Accidents at that time insurmountable.
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1298:
130:
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The King, learning that Agilea is in love not with him but with Teseo, does not wish to force her to marry him and has given his consent for Agilea and Teseo to be united. The lovers are overjoyed at this news but Medea, insulted and rejected once more, bursts into the room where Agilea and Teseo are
420:
In the enchanted realm where Agilea is captive, Medea tells her she must agree to marry the King instead of Teseo, or the hero will meet his death. Medea shows her a vision of the sleeping Teseo, menaced by specters about to kill him. Agilea agrees to renounce him and marry the King instead to save
371:
The
Athenians have been victorious in battle, and King Egeo declares that his announced marriage to Medea, a sorceress, is now no longer suitable for such a mighty sovereign as himself and he will take Princess Agilea as his bride. Agilea bewails her cruel fate, having no wish to be a Queen, but to
441:
Teseo and Agilea enter with their friends, celebrating their marriage. The King offers to drink to their happiness and gives Teseo the poisoned drink to toast with in return. Teseo draws his sword to swear his loyalty to the King and is about to drink the poisoned beverage when the King recognises
510:
stole the box office receipts and disappeared, leaving the musicians unpaid. The singers decided to continue the run however, splitting the costs and profits between themselves. Handel does not seem to have held a grudge against Swiny, as he later acted as an agent for
Italian opera singers in
396:
Medea meanwhile sows seeds of distrust in Teseo's mind â the King is jealous of him, Medea says, and only she knows how to treat the King to allay this bad feeling. Teseo tells Medea he trusts her to put the situation right. Medea, full of hatred, vows revenge for the insults she has suffered.
367:
Teseo is engaged in battle against Athens' foes as the opera begins. Princess Agilea, the ward of King Egeo, is concerned for Teseo's safety, as she confides to her companion the young maiden Clizia, for Agilea has fallen hopelessly in love with Teseo. Clizia has a boyfriend, Arcane, whom she
421:
Teseo's life, whereupon Medea transforms the scene to a paradisaical realm where Teseo hears Agilea's voice tearfully telling him she no longer loves him. Agilea's sorrow moves the heart of Medea who informs the lovers she will no longer attempt to part them, to the joy of Teseo and Agilea.
392:
Arcane, who is jealous of Teseo because of his misinterpretation of his sweetheart Clizia's concern for him, warns the King not to trust Teseo who, Arcane suggests, will want to throw Egeo off the throne and take his place now that he has become such a military hero.
489:, for the first and only time in his many operas using a five-act structure instead of the usual three, and deviating from the convention in Italian opera seria that singers performed their arias and then left the stage. These differences are due to the fact that
529:
instruments of Handel's opera orchestra augmented by flutes and trumpets. The singer
Elisabetta Pilotti-Schiavonetti in the role of Medea, who specialised in playing sorceresses, and for whom Handel had written the similar part of Armida in
388:
Medea is furious at the humiliation caused to her by the King's rejection; she is somewhat mollified when the King comes to her and suggests she marry the hero Teseo instead of him as she is in fact in love with Teseo already.
116:
featured "magical" effects such as flying dragons, transformation scenes and apparitions and had a cast of notable
Italian opera singers. It was a success with London audiences, receiving thirteen performances even though the
358:
King Egeo of Athens, years before the action begins, had sent away his baby son to a far-off land. Now a grown man, the hero Teseo is fighting on behalf of Athens, his identity as the king's son unknown to himself or others.
437:
Medea's sympathy for Teseo and Agilea's love did not last long; once again tormented by jealousy, she has convinced the King that Teseo is a threat to his throne and gives the King poison to put in Teseo's drink.
1064:
466:
The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought
Italian opera for the first time with his opera
2559:
1068:
540:
was the star of the show, and Handel's music distinguishes between her vengeful character and that of the other leading female part, the sweet
Princess Agilea.
1934:
121:
for the "magical" effects broke down, and would have received more performances had not one of the theatre's managers run away with the box office receipts.
514:
The stage machinery for the special "magic" effects did not always function smoothly, as can be seen by a notice put into a London newspaper on 24 January:
485:, a shorter and simpler opera, which was not a success with London audiences at its first performances. Therefore, Handel returned to the "magic" form with
1094:
947:
1211:
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1236:
149:
on 10 January 1713. It received an additional 12 performances through 16 May 1713, a mark of success at those times. The singers included the
2266:
2549:
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409:
celebrating their reunion and, by casting spells, changes the scene to a desert full of terrifying apparitions who carry Agilea away.
2580:
1737:
1184:
921:
1231:
1180:
555:
in which the wild and savage fury of the enraged sorceress, Medea, and her incantations, are admirably painted by the instruments.
2600:
995:
972:
477:
created a craze in London for
Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers.
2276:
1916:
1029:
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2231:
1204:
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185:
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The King is told by Arcane of how the witch Medea spirited Agilea away. The horrified Egeo swears she will be punished.
2311:
2306:
2301:
2296:
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2281:
2251:
2236:
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1902:
459:
278:
2336:
2331:
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2321:
2316:
2246:
2067:
1149:
173:
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2271:
2088:
1750:
180:, like all Handel operas, receives performances at festivals and opera houses today. Among other productions, the
2538:
2367:
2362:
2357:
2352:
1870:
1252:
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368:
promises to love always, but when she asks him to find out what he can about Teseo's safety, he becomes jealous.
322:
2494:
1122:
2509:
2182:
1909:
1672:
1137:
2161:
2156:
2151:
2113:
1997:
2209:
2196:
1948:
2442:
2432:
2053:
1941:
200:
2427:
2405:
2095:
1983:
1828:
1332:
806:
651:
429:
1695:
724:
142:
1976:
1895:
1800:
1304:
629:
481:, a "magic" opera featuring enchantments, sorceresses and scenic ingenuity, had been followed by
450:
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2127:
2074:
2021:
1641:
1602:
1220:
181:
72:
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2036:
2031:
2004:
1969:
1955:
899:
84:
33:
1161:
1042:
2595:
2590:
2192:
1962:
1623:
1616:
1174:
242:
153:
8:
2215:
1821:
1814:
1297:
925:
810:
494:
380:
189:
160:. Between 1713 and 1984, there were only two revivals, the first being the revival under
2384:
1402:
1339:
738:
335:
172:
went unperformed for many years, but with the revival of interest in
Baroque music and
146:
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88:
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63:
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129:
118:
99:
25:
17:
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1755:
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Arcane has decided to put his jealousy behind him and seek marriage to Clizia.
105:
2574:
1990:
1723:
1570:
1458:
1374:
1346:
1318:
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161:
873:
2504:
1609:
1451:
526:
307:
291:
165:
2177:
1771:
1189:
1022:
A General
History of Music: from the Earliest Ages to the Present Period.
607:
499:
493:
uses an adaptation of a French libretto written by Philippe Quinault for
93:
68:
1129:
The first of the two volume definitive reference on the operas of Handel
97:. It was Handel's third London opera, intended to follow the success of
1353:
548:
507:
1549:
1507:
1444:
1381:
525:
has a rich orchestration, with the usual strings, oboes, bassoon and
302:
188:
mounted a production in 2013, and the work received a staging at the
1395:
1257:
237:
150:
80:
1528:
1465:
1430:
330:
273:
234:
228:
51:
1577:
1514:
1500:
1409:
1367:
1360:
1271:
1024:
Vol. 4, London 1789, reprint: Cambridge University Press 2010,
250:
2555:
948:"HÀndels Teseo am Theater an der Wien⊠und eine bombige Medea"
1563:
1423:
314:
204:
Caricature of Valentino Urbani, who created the role of Egeo.
256:
55:
168:
on 29 June 1947. As with all Baroque opera seria,
1935:
Agrippina condotta a morire or Dunque sarĂ pur vero
75:, the only Handel opera that is in five acts. The
2572:
998:. Philharmonia Baroque Orchestra. Archived from
372:be allowed to marry the man she loves, Teseo.
1205:
506:After the second performance theatre manager
433:Statue of Theseus, Syntagma Square, Athens.
1219:
1212:
1198:
891:
830:Kimbell, David, "The Libretto of Handel's
1185:International Music Score Library Project
1112:
174:historically informed musical performance
1113:Dean, Winton; Knapp, J. Merrill (1987).
914:
866:
851:Dean, Winton, "Music in London: Opera â
801:
799:
797:
795:
793:
449:
428:
379:
199:
128:
32:
24:
779:in Boston and London" (February 1986).
445:
384:George Romney â Lady Hamilton as Medea.
2573:
1738:L'Allegro, il Penseroso ed il Moderato
124:
1674:Il trionfo del Tempo e del Disinganno
1193:
790:
210:Roles, voice types, and premiere cast
62:
2545:
874:"Handel:A Biographical Introduction"
354:Scene:Athens, in legendary antiquity
2412:Keyboard suite in D minor (HWV 437)
1678:Il trionfo del Tempo e della VeritĂ
1105:. L'Almanacco di Gherardo Casaglia
845:
564:
133:The Queen's Theatre, London, where
112:First performed on 10 January 1713,
13:
1903:Ode for the Birthday of Queen Anne
678:
14:
2617:
2068:Funeral Anthem for Queen Caroline
1155:
924:. Frankfurt Opera. Archived from
897:
534:and later the role of Melissa in
2581:Operas by George Frideric Handel
2554:
2544:
2534:
2533:
2089:Wedding anthem for Princess Anne
1296:
993:
184:performed the work in 2003, the
29:Title page of the libretto, 1713
1067:. Arthaus Musik. Archived from
1057:
1035:
1014:
987:
323:Elisabetta Pilotti-Schiavonetti
279:Francesca Margherita de L'Epine
141:The opera was premiered at the
2510:Handel & Hendrix in London
965:
940:
824:
769:
503:, presented in Paris in 1675.
222:Premiere Cast, 10 January 1713
1:
2601:Operas based on Metamorphoses
2183:Music for the Royal Fireworks
1682:The Triumph of Time and Truth
1138:New Grove Dictionary of Opera
757:
574:discography, audio recordings
559:
38:
2114:Utrecht Te Deum and Jubilate
1998:Tra le fiamme (Il consiglio)
1253:Handel's lost Hamburg operas
688:discography, video recording
7:
348:
10:
2622:
1115:Handel's Operas, 1704-1726
1093:Casaglia, Gherardo (2005).
667:Staatsorchester Stuttgart
543:18th century musicologist
137:had its first performance.
15:
2528:
2477:
2451:
2428:Handel Reference Database
2420:
2406:The Harmonious Blacksmith
2376:
2345:
2191:
2170:
2144:
2105:
2096:Foundling Hospital Anthem
2045:
2014:
1984:O lucenti, o sereni occhi
1926:
1917:Ode For St. Cecilia's Day
1887:
1665:
1633:
1594:
1245:
1227:
460:National Portrait Gallery
2443:Hallische HĂ€ndel-Ausgabe
2433:HĂ€ndel-Werke-Verzeichnis
2421:Catalogs and collections
1132:Hicks, Anthony (1998), "
725:Maria Riccarda Wesseling
511:Handel's London operas.
473:. A tremendous success,
424:
412:
400:
375:
362:
195:
2586:Italian-language operas
1942:Allor ch'io dissi addio
1896:Aci, Galatea e Polifemo
1801:Joseph and his Brethren
630:Les Musiciens du Louvre
549:accompanied recitatives
2368:Concerti grossi, Op. 6
2363:Concerti grossi, Op. 3
2358:Organ concertos, Op. 7
2353:Organ concertos, Op. 4
2128:Queen Caroline Te Deum
1871:The Choice of Hercules
1221:George Frideric Handel
996:"Winton Dean on Teseo"
557:
520:
463:
434:
385:
329:Priest of the goddess
205:
182:Handel Festival, Halle
138:
73:George Frideric Handel
60:Italian pronunciation:
42:
30:
1956:Clori, Tirsi e Fileno
1144:. London: Macmillan.
863:(1712): pp. 611-612.\
731:Sharon Rostorf-Zamir,
553:
516:
453:
432:
383:
203:
132:
85:Nicola Francesco Haym
36:
28:
16:For the missile, see
2490:Letters and writings
1963:Dalla guerra amorosa
1624:Va tacito e nascosto
1617:Svegliatevi nel core
1237:List of compositions
1175:Friedrich Chrysander
656:Jutta Maria Böhnert,
649:Helene Schneiderman,
446:Context and analysis
243:Valeriano Pellegrini
154:Valeriano Pellegrini
103:after the unpopular
2485:British citizenship
2438:HĂ€ndel-Gesellschaft
2162:Oboe Concerto No. 2
2157:Oboe Concerto No. 1
2152:Oboe Concerto No. 3
1822:Occasional Oratorio
1603:Lascia ch'io pianga
1117:. Clarendon Press.
973:"Synopsis of Teseo"
836:Music & Letters
811:Handel House Museum
722:Jacek Laszczkowski,
690:
576:
495:Jean-Baptiste Lully
212:
190:Theater an der Wien
125:Performance history
2015:Latin church music
2005:Un'alma innamorata
1970:Del bell'idolo mio
1949:Aure soavi e lieti
855:" (October 1985).
834:" (October 1963).
787:(1): pp. 149, 151.
749:DVD:Arthaus Musik,
743:Lautten Compagney
739:Wolfgang Katschner
683:
636:Cat: 2292 45806-2
569:
464:
435:
386:
208:
206:
139:
43:
31:
2568:
2567:
2500:Handel at Cannons
2171:Orchestral suites
2121:Dettingen Te Deum
2054:As Pants the Hart
1910:Alexander's Feast
1557:Alessandro Severo
1494:Parnasso in festa
1162:Italian libretto.
1030:978-1-1080-1642-1
857:The Musical Times
842:(4): pp. 371-379.
755:
754:
676:
675:
665:Konrad JunghÀnel,
619:Catherine Napoli,
346:
345:
341:Richard Leveridge
89:Philippe Quinault
2613:
2558:
2548:
2547:
2537:
2536:
2478:Related articles
2135:Chandos Jubilate
2061:Zadok the Priest
1888:Odes and masques
1829:Judas Maccabaeus
1634:Incidental music
1487:Arianna in Creta
1438:Lotario (Handel)
1333:Acis and Galatea
1326:Amadigi di Gaula
1300:
1214:
1207:
1200:
1191:
1190:
1183:: Scores at the
1128:
1108:
1103:10 January 1713"
1102:
1081:
1080:
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1054:
1052:
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1039:
1033:
1020:Charles Burney:
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775:Price, Curtis, "
773:
735:Thomas Diestler
691:
689:
682:
661:Matthias Rexroth
577:
575:
568:
565:Audio recordings
537:Amadigi di Gaula
456:Peter van Bleeck
270:Princess Agilea
263:Valentino Urbani
213:
211:
207:
176:since the 1960s,
158:Valentino Urbani
66:
64:[teËzÉo]
61:
40:
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2620:
2616:
2615:
2614:
2612:
2611:
2610:
2571:
2570:
2569:
2564:
2524:
2520:HĂ€ndel-Jahrbuch
2473:
2447:
2416:
2372:
2341:
2187:
2166:
2140:
2101:
2082:Chandos Anthems
2041:
2010:
1922:
1883:
1843:Alexander Balus
1779:Scratch Messiah
1731:Israel in Egypt
1696:Brockes Passion
1689:La resurrezione
1661:
1629:
1590:
1241:
1223:
1218:
1177:, Leipzig 1874)
1158:
1125:
1106:
1100:
1085:
1084:
1074:
1072:
1071:on 28 June 2015
1063:
1062:
1058:
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1041:
1040:
1036:
1019:
1015:
1005:
1003:
1002:on 14 July 2014
992:
988:
978:
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970:
966:
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954:
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941:
931:
929:
928:on 14 July 2014
920:
919:
915:
905:
903:
900:"HANDEL: Teseo"
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703:Clizia, Arcane
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681:
679:Video Recording
671:
670:Audio CD:Carus,
666:
659:
658:Olga Polyakova,
657:
655:
650:
648:
635:
634:Audio CD:Erato,
628:
620:
618:
616:
613:Derek Lee Ragin
611:
606:
593:
589:Clizia, Arcane
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223:
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186:Frankfurt Opera
143:Queen's Theatre
127:
119:stage machinery
59:
21:
18:Teseo (missile)
12:
11:
5:
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2168:
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2146:
2145:Oboe concertos
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2141:
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2016:
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2001:
1994:
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1980:
1977:Apollo e Dafne
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1635:
1631:
1630:
1628:
1627:
1620:
1613:
1606:
1598:
1596:
1595:Opera excerpts
1592:
1591:
1589:
1588:
1581:
1574:
1567:
1560:
1553:
1546:
1539:
1532:
1525:
1518:
1511:
1504:
1497:
1490:
1483:
1476:
1469:
1462:
1455:
1448:
1441:
1434:
1427:
1420:
1417:Riccardo Primo
1413:
1406:
1399:
1392:
1385:
1378:
1371:
1364:
1357:
1350:
1343:
1336:
1329:
1322:
1315:
1308:
1305:Il pastor fido
1301:
1289:
1282:
1275:
1268:
1249:
1247:
1243:
1242:
1240:
1239:
1234:
1232:List of operas
1228:
1225:
1224:
1217:
1216:
1209:
1202:
1194:
1188:
1187:
1178:
1164:
1157:
1156:External links
1154:
1153:
1152:
1130:
1123:
1110:
1090:
1089:
1083:
1082:
1056:
1034:
1013:
994:Dean, Winton.
986:
964:
939:
913:
890:
865:
844:
823:
789:
767:
766:
765:
764:
759:
756:
753:
752:
747:
744:
736:
729:Martin Wölfel,
720:
716:
715:
712:
709:
704:
695:
680:
677:
674:
673:
668:
663:
645:Franco Fagioli
642:
638:
637:
632:
625:Marc Minkowski
622:
617:Julia Gooding,
603:
599:
598:
595:
590:
581:
566:
563:
561:
558:
545:Charles Burney
483:Il Pastor Fido
454:Owen Swiny by
447:
444:
426:
423:
414:
411:
402:
399:
377:
374:
364:
361:
356:
355:
350:
347:
344:
343:
338:
333:
326:
325:
320:
317:
311:
310:
305:
300:
296:
295:
289:
286:
282:
281:
276:
271:
267:
266:
265:("Valentini")
260:
254:
246:
245:
240:
232:
225:
224:
220:
217:
197:
194:
126:
123:
106:Il pastor fido
71:with music by
9:
6:
4:
3:
2:
2618:
2607:
2604:
2602:
2599:
2597:
2594:
2592:
2589:
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2579:
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2530:
2527:
2521:
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2516:
2513:
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2508:
2506:
2503:
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2465:
2462:
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2441:
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2305:
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2255:
2253:
2250:
2248:
2245:
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2240:
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2225:
2223:
2220:
2217:
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2211:
2208:
2207:
2205:
2202:
2198:
2194:
2190:
2184:
2181:
2179:
2176:
2175:
2173:
2169:
2163:
2160:
2158:
2155:
2153:
2150:
2149:
2147:
2143:
2137:
2136:
2132:
2130:
2129:
2125:
2123:
2122:
2118:
2116:
2115:
2111:
2110:
2108:
2104:
2098:
2097:
2093:
2091:
2090:
2086:
2084:
2083:
2079:
2077:
2076:
2075:Sing Unto God
2072:
2070:
2069:
2065:
2063:
2062:
2058:
2056:
2055:
2051:
2050:
2048:
2044:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2022:Dixit Dominus
2020:
2019:
2017:
2013:
2007:
2006:
2002:
2000:
1999:
1995:
1993:
1992:
1991:Ero e Leandro
1988:
1986:
1985:
1981:
1979:
1978:
1974:
1972:
1971:
1967:
1965:
1964:
1960:
1958:
1957:
1953:
1951:
1950:
1946:
1944:
1943:
1939:
1937:
1936:
1932:
1931:
1929:
1925:
1919:
1918:
1914:
1912:
1911:
1907:
1905:
1904:
1900:
1898:
1897:
1893:
1892:
1890:
1886:
1880:
1879:
1875:
1873:
1872:
1868:
1866:
1865:
1861:
1859:
1858:
1854:
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1851:
1847:
1845:
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1840:
1838:
1837:
1833:
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1812:
1810:
1809:
1805:
1803:
1802:
1798:
1796:
1795:
1791:
1789:
1788:
1784:
1780:
1777:
1775:(Mozart arr.)
1774:
1773:
1769:
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1759:
1757:
1754:
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1749:
1748:
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1646:
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1643:
1642:The Alchemist
1639:
1638:
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1621:
1618:
1614:
1611:
1607:
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1600:
1599:
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1572:
1571:Giove in Argo
1568:
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1414:
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1404:
1400:
1398:
1397:
1393:
1391:
1390:
1386:
1384:
1383:
1379:
1377:
1376:
1375:Giulio Cesare
1372:
1370:
1369:
1365:
1363:
1362:
1358:
1356:
1355:
1351:
1349:
1348:
1347:Muzio Scevola
1344:
1342:
1341:
1337:
1335:
1334:
1330:
1328:
1327:
1323:
1321:
1320:
1316:
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1201:
1196:
1195:
1192:
1186:
1182:
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1176:
1172:
1168:
1165:
1163:
1160:
1159:
1151:
1150:0-333-73432-7
1147:
1143:
1142:Stanley Sadie
1139:
1135:
1131:
1126:
1120:
1116:
1111:
1104:
1098:
1092:
1091:
1087:
1086:
1070:
1066:
1060:
1044:
1038:
1031:
1027:
1023:
1017:
1001:
997:
990:
974:
968:
953:
952:bachtrack.com
949:
943:
927:
923:
917:
902:. Opera Today
901:
894:
879:
878:GF Handel.org
875:
869:
862:
858:
854:
848:
841:
837:
833:
827:
812:
808:
802:
800:
798:
796:
794:
786:
782:
778:
772:
768:
762:
761:
751:Cat: 100 708
748:
745:
740:
737:
733:Miriam Meyer,
726:
721:
718:
717:
713:
710:
705:
699:Teseo, Medea,
696:
693:
692:
687:
669:
664:
662:
653:
646:
643:
640:
639:
633:
631:
626:
623:
621:Jeffrey Gall
614:
609:
605:Eirian James,
604:
601:
600:
596:
591:
585:Teseo, Medea,
582:
579:
578:
573:
556:
552:
550:
547:wrote of the
546:
541:
539:
538:
533:
528:
524:
519:
515:
512:
509:
504:
502:
501:
496:
492:
488:
484:
480:
476:
472:
471:
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452:
443:
439:
431:
422:
418:
410:
406:
398:
394:
390:
382:
373:
369:
360:
353:
352:
342:
339:
337:
334:
332:
328:
327:
324:
321:
318:
316:
313:
312:
309:
306:
304:
301:
298:
297:
293:
290:
287:
284:
283:
280:
277:
275:
272:
269:
268:
264:
261:
258:
255:
252:
248:
247:
244:
241:
239:
236:
233:
230:
227:
226:
221:
218:
215:
214:
202:
193:
191:
187:
183:
179:
175:
171:
167:
163:
162:Fritz Lehmann
159:
155:
152:
148:
144:
136:
131:
122:
120:
115:
110:
108:
107:
102:
101:
96:
95:
90:
86:
82:
78:
74:
70:
65:
57:
53:
49:
48:
35:
27:
23:
19:
2532:
2515:Georg HĂ€ndel
2505:Handel House
2404:
2397:
2390:
2383:
2133:
2126:
2119:
2112:
2094:
2087:
2080:
2073:
2066:
2059:
2052:
2037:Salve Regina
2032:Nisi Dominus
2003:
1996:
1989:
1982:
1975:
1968:
1961:
1954:
1947:
1940:
1933:
1915:
1908:
1901:
1894:
1876:
1869:
1862:
1855:
1848:
1841:
1834:
1827:
1820:
1813:
1806:
1799:
1792:
1785:
1770:
1743:
1736:
1729:
1722:
1715:
1708:
1701:
1694:
1687:
1681:
1680: /
1677:
1676: /
1673:
1654:
1647:
1640:
1610:Ombra mai fu
1583:
1576:
1569:
1562:
1555:
1548:
1541:
1534:
1527:
1520:
1513:
1506:
1499:
1492:
1485:
1478:
1471:
1464:
1457:
1450:
1443:
1436:
1429:
1422:
1415:
1408:
1401:
1394:
1387:
1380:
1373:
1366:
1359:
1352:
1345:
1338:
1331:
1324:
1317:
1311:
1310:
1303:
1291:
1284:
1277:
1270:
1262:
1256:
1170:
1133:
1114:
1107:(in Italian)
1096:
1073:. Retrieved
1069:the original
1059:
1047:. Retrieved
1037:
1021:
1016:
1004:. Retrieved
1000:the original
989:
977:. Retrieved
967:
955:. Retrieved
951:
942:
930:. Retrieved
926:the original
916:
904:. Retrieved
898:Loder, Sue.
893:
881:. Retrieved
877:
868:
860:
856:
852:
847:
839:
835:
831:
826:
814:. Retrieved
784:
780:
776:
771:
746:Axel Köhler
701:Egeo, Agilea
685:
587:Egeo, Agilea
571:
554:
542:
535:
531:
522:
521:
517:
513:
505:
498:
490:
486:
482:
478:
474:
468:
465:
440:
436:
419:
416:
407:
404:
395:
391:
387:
370:
366:
357:
308:Jane Barbier
292:Maria Gallia
177:
169:
140:
134:
113:
111:
104:
98:
92:
46:
45:
44:
22:
2596:1713 operas
2591:Opera seria
2216:Fitzwilliam
2178:Water Music
1772:Der Messias
1136:", in 'The
883:28 December
781:Early Music
608:Della Jones
219:Voice type
69:opera seria
2575:Categories
1815:Belshazzar
1403:Alessandro
1354:Floridante
1124:0193152193
1045:. Operadis
758:References
708:orchestra
706:Conductor,
672:Cat:83437
652:Kai Wessel
594:orchestra
592:Conductor,
560:Recordings
551:for Medea:
508:Owen Swiny
294:-Saggione
231:(Theseus)
79:-language
2459:Göttingen
2452:Festivals
2385:Germanico
2106:Canticles
1751:Structure
1666:Oratorios
1550:Faramondo
1508:Ariodante
1445:Partenope
1389:Rodelinda
1382:Tamerlano
1340:Radamisto
1286:Agrippina
1032:, p. 242.
711:Producer
303:contralto
259:castrato
253:(Aegeus)
192:in 2018.
166:Göttingen
151:castratos
147:Haymarket
2539:Category
1927:Cantatas
1864:Theodora
1808:Hercules
1766:Part III
1585:Deidamia
1543:Berenice
1536:Giustino
1522:Atalanta
1396:Scipione
1258:Florindo
527:continuo
458:, 1737 (
349:Synopsis
319:soprano
288:soprano
238:castrato
87:, after
81:libretto
67:) is an
2550:Commons
2203:sonatas
2201:XV solo
2046:Anthems
1878:Jephtha
1857:Solomon
1850:Susanna
1761:Part II
1745:Messiah
1717:Athalia
1710:Deborah
1656:Alceste
1529:Arminio
1480:Orlando
1466:Sosarme
1431:Tolomeo
1293:Rinaldo
1279:Rodrigo
1140:', ed.
1088:Sources
1075:12 June
1065:"Teseo"
1049:12 June
1043:"Teseo"
1006:12 June
979:12 June
975:. Naxos
957:4 April
932:12 June
922:"Teseo"
906:12 June
816:12 June
807:"Teseo"
532:Rinaldo
479:Rinaldo
475:Rinaldo
470:Rinaldo
331:Minerva
299:Arcane
285:Clizia
274:soprano
235:soprano
145:in the
100:Rinaldo
83:was by
77:Italian
52:Theseus
37:HĂ€ndel
2606:Operas
2469:London
2399:Gideon
2027:Gloria
1836:Joshua
1794:Semele
1787:Samson
1756:Part I
1703:Esther
1578:Imeneo
1515:Alcina
1501:Oreste
1473:Catone
1410:Admeto
1368:Flavio
1361:Ottone
1272:Almira
1264:Daphne
1246:Operas
1148:
1121:
1101:
1028:
714:Label
686:Teseao
597:Label
500:Thésée
94:Thésée
2560:Audio
2464:Halle
2392:Nabal
2377:Other
2193:Flute
1649:Comus
1564:Serse
1424:Siroe
1319:Silla
1312:Teseo
1181:Teseo
1173:(ed.
1171:Teseo
1167:Score
1134:Teseo
1097:Teseo
853:Teseo
832:Teseo
777:Teseo
763:Notes
719:2004
697:Cast:
694:Year
641:2009
602:1992
583:Cast:
580:Year
572:Teseo
523:Teseo
491:Teseo
487:Teseo
425:Act 5
413:Act 4
401:Act 3
376:Act 2
363:Act 1
315:Medea
249:King
229:Teseo
216:Role
196:Roles
178:Teseo
170:Teseo
135:Teseo
114:Teseo
47:Teseo
2495:Will
2346:Opus
2282:367b
2277:367a
2262:364b
2257:364a
2252:363b
2247:363a
2227:359b
2222:359a
2199:and
2197:solo
1724:Saul
1459:Ezio
1452:Poro
1146:ISBN
1119:ISBN
1077:2014
1051:2014
1026:ISBN
1008:2014
981:2014
959:2019
934:2014
908:2014
885:2016
818:2014
336:bass
257:alto
251:Egeo
156:and
41:1710
2337:379
2332:378
2327:376
2322:375
2317:374
2312:373
2307:372
2302:371
2297:370
2292:369
2287:368
2272:366
2267:365
2242:362
2237:361
2232:360
2210:358
1169:of
861:126
164:in
91:'s
58:9;
56:HWV
54:",
2577::
2195:,
1261:,
950:.
876:.
859:,
840:44
838:,
809:.
792:^
785:14
783:,
462:).
109:.
50:("
39:c.
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1626:"
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1615:"
1612:"
1608:"
1605:"
1601:"
1267:)
1255:(
1213:e
1206:t
1199:v
1127:.
1109:.
1099:,
1095:"
1079:.
1053:.
1010:.
983:.
961:.
936:.
910:.
887:.
820:.
741:,
727:,
654:,
647:,
627:,
615:,
610:,
497:,
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.