25:
615:'s physical language. The only film of its kind, it takes the viewer into the spontaneous triangular energy of teacher, dancer and accompanist in the dance classroom and is filmed, uncommonly, from the accompanist point of view. It is a portrait of the artist as well as an educational tool taking the viewer through Graham's floor work, which is so vital to the technique.
545:'s. Highly sought after as a teacher and lecturer, Capucilli recently collaborated in launching danz.fest, the first international summer school/dance festival in Cattolica, Italy, now in its third year. The program brings together for the first time the classical ballet of the
354:, last performed by Martha Graham in 1938. She assisted Sophie Maslow in the reconstruction of its final section, "Prelude to Action", becoming historically the first dancer after Martha Graham to perform this work as well as
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In the years to follow, Capucilli became a prominent figure on the Graham stage, touring the world and performing in all of Graham's major work. Dancing a diversity of roles, they include
Jocasta in
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986:, "Actor Philip Bosco Awarded Honorary Degree at Purchase College's 38th Commencement Ceremony – Distinguished Alumni Awards Michael Powell, journalist; Terese Capucilli, dancer", May 14, 2010
340:, was reconstructed for her in 1988 and in the years to follow, Capucilli continued to be instrumental in the research and reconstruction of many early Graham solos, bringing to the stage
174:, Carol Fried, Mel Wong, Jim May, Aaron Osborne, Bill Bales, Rosanna Seravalli, Anne Parsons and Royes Fernandez. There she had the opportunity to delve into the work of choreographers,
158:, seeing the organization and its dancers through the rebirth of the company. A driving force of Graham's work for nearly three decades, she is now Artistic Director Laureate.
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and "Spectre-1914". Lecturing often on the nature of the reconstructive process, she has since developed lectures delving deeply into the journey of the interpretive artist.
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Capucilli is an associate founder and dancer of
Buglisi Dance Theatre (formerly Buglisi/Foreman Dance) a company formed with colleagues
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Born in
Syracuse, New York, the middle child in a family of seven children, Capucilli received her Bachelor of Fine Arts degree from the
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for twenty-six years, she became associate artistic director in 1997 and from 2002 to 2005 served as artistic director, with
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427:. subsequently touring the work with Baryshnikov's White Oak Dance Project in Paris and London. Capucilli was invited by
150:. She is one of the last generation of dancers to be coached and directed by Graham herself. A principal dancer with the
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Trailer:Lawrence 'Reed' Hansen: The
Sacrosanct Accompanist—a musical journey through Martha Graham's dance technique
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at the Soviet-American Making Music
Together festival in Boston. She was partnered again by Baryshnikov in Graham's
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Lawrence 'Reed' Hansen: The
Sacrosanct Accompanist—a musical journey through Martha Graham's dance technique
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awarded her The John
Erskine Faculty Prize 2017 for her work to archive the film and its raw materials.
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and the following year was awarded the
Princess Grace Statuette. In 2001 Capucilli was honored with the
541:, which marked the first time in history that this classic work was performed by any company other than
514:, and residences throughout the world. She appears in eleven BDT works commissioned for filming by the
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592:. Capucilli received a Lifetime Achievement Award from the Fini International Dance Festival in 2016.
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and for her
Pirelli Calendar series. Capucilli is a recipient of a 1985/86 dance fellowship from the
506:'s Italian Ballet; Prague's International Dance Week '93; Kaatsbaan; seven guest appearances at the
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philosophy taught by the masters of their art to young dancers through the professional level.
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for the department's annual Spring Dances. Ten years prior, Capucilli had set and coached the
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in March 1979. That same year she was one of four performers chosen to dance in honor of
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695:"Martha Graham Center Appoints New Artistic Director, Streamlines Operations"
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Award and, in 2010, with the
Presidential Distinguished Alumni Award from
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for WNET and for Tokyo's NHK, where she also filmed the "Lament" from
317:, among others. Roles created for Capucilli include The Chosen One in
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668:"An immersive event in Martha Graham Technique with Terese Capucilli"
641:"Terese Capucilli to Be Feted at Fini International Dance Festival"
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350:) and not seen since 1947, and "Spectre-1914", from the 1936 work
603:. Produced, directed and co-edited by Capucilli it was filmed at
194:. In 1978, upon graduation, she was offered a scholarship at the
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Trailer 2018 Lawrence 'Reed' Hansen: The Sacrosanct Accompanist
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from the article and its talk page, especially if potentially
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to perform in UNICEF's The Return festival in art-starved
393:). Capucilli appeared in historic performances in 1987 of
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was awarded to Capucilli in 2014 in support of her film,
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An Evening of Dance and Conversation with Martha Graham
417:(at the 1989 ABT/Graham Gala at the MET) and in 1991,
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and in 2008 she staged and directed Martha Graham's
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The Juilliard School Dance Faculty official website
146:, interpreter of the roles originally performed by
560:She is featured in photographs by Lisa Levart and
170:where she studied with such prominent teachers as
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516:New York Public Library for the Performing Arts
407:'s Preacher and was invited in 1988 to perform
887:"Review/Dance; A Solo Work From a Tragic Time"
611:in NYC documenting Hansen's vast knowledge of
859:"Dance: Martha Graham Offers World Premiere"
325:and the lead role in Graham's final ballet
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196:Martha Graham Center of Contemporary Dance
56:about living persons that is unsourced or
803:"Ballet: Capucilli in Graham's 'Heretic'"
127:Learn how and when to remove this message
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576:to be photographed for Leibovitz's book
168:State University of New York at Purchase
974:by Dr. Roberta E. Zlokower, May 5, 2004
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521:Capucilli serves on the faculty of the
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829:Kisselgoff, Anna (October 19, 1992).
773:Anawalt, Sasha (September 11, 1988).
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510:; Oriente-Occidente Festival 2009 in
885:Kisselgoff, Anna (October 7, 1988).
775:"Dance; Poised at the Turning Point"
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639:Schaefer, Brian (August 25, 2017).
346:, (performed with, and narrated by
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972:An interview with Terese Capucilli
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595:A Special Projects Grant from the
206:in the CBS-TV presentation of the
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857:Kisselgoff, Anna (May 28, 1986).
801:Kisselgoff, Anna (June 8, 1986).
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399:dancing the role of The Bride to
375:. At the Paris Opera, she filmed
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252:as She Who Speaks), Hecuba in
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747:"Martha Graham Dance Company"
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597:Princess Grace Foundation—USA
582:Princess Grace Foundation-USA
568:. In 1999 she was invited by
34:biography of a living person
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486:; San Marino Stage, Italy;
311:and Graham's classic solo,
200:Martha Graham Dance Company
152:Martha Graham Dance Company
61:must be removed immediately
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274:, Empress of the Arena in
238:, The Principal Sister in
980:by Emily Macel, July 2009
921:Princess Grace Foundation
564:in Donlin Foreman's book
260:, Mary Queen of Scots in
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998:, Buglisi Dance Theatre.
978:Dance magazine interview
218:House in New York City.
1023:American modern dancers
389:), and Lucinda Childs (
323:Temptations of the Moon
508:Chautauqua Institution
383:Demeter and Persephone
277:Every Soul is a Circus
198:and asked to join the
48:Please help by adding
16:American modern dancer
566:Out of Martha's House
442:, Donlin Foreman and
292:, the title roles in
208:Kennedy Center Honors
617:The Juilliard School
609:Martha Graham School
605:The Juilliard School
409:Errand into the Maze
365:Errand into the Maze
363:On film, she danced
334:Graham's 1937 solo,
289:Errand into the Maze
244:, She Who Dances in
241:Deaths and Entrances
54:Contentious material
992:, Terese Capucilli.
549:, the technique of
435:, Kosovo, in 1999.
401:Mikhail Baryshnikov
321:, Crescent Moon in
283:Primitive Mysteries
264:, She Who Seeks in
246:Letter to the World
944:"Terese Capucilli"
917:"Terese Capucilli"
892:The New York Times
864:The New York Times
836:The New York Times
808:The New York Times
780:The New York Times
723:"Terese Capucilli"
674:. January 29, 2020
646:The New York Times
538:Appalachian Spring
528:Appalachian Spring
488:Melbourne Festival
448:Runes of the Heart
403:'s Husbandman and
396:Appalachian Spring
385:), Robert Wilson (
319:The Rite of Spring
235:Appalachian Spring
216:Metropolitan Opera
184:Kazuko Hirabayashi
172:Kazuko Hirabayashi
76:"Terese Capucilli"
831:"Dance in Review"
672:Hudson Valley 360
271:Cave of the Heart
258:Seraphic Dialogue
254:Cortege of Eagles
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250:Kathleen Turner
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378:Maple Leaf Rag
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570:Susan Sontag
565:
562:Martha Swope
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535:in Graham's
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500:Milan, Italy
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425:City Center
343:Salem Shore
314:Lamentation
268:, Medea in
266:Dark Meadow
162:Early years
1012:Categories
756:2022-07-15
732:2022-07-15
623:References
494:Festival;
256:, Joan in
188:José Limón
87:newspapers
452:Threshold
357:Deep Song
352:Chronicle
337:Deep Song
294:HĂ©rodiade
39:citations
898:July 15,
870:July 15,
842:July 15,
814:July 15,
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678:July 15,
607:and The
433:Pristina
391:Histoire
262:Episodes
65:libelous
751:LA Phil
464:Requiem
303:Heretic
298:Phaedra
214:at the
101:scholar
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309:Judith
248:(with
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108:JSTOR
94:books
32:This
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