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Television documentary

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67: 428:. This product was renowned for advancing the mobility and flexibility of video cameras, thereby facilitating heightened efficiency during documentary production. Moreover, camcorders allowed for substantial production cost reductions in relation to traditional film camera production techniques, thereby allowing for increased amounts of footage to be captured. This led camcorders to almost entirely replace film cameras by the end of the twentieth century. Glover suggests that this widespread adoption of digital documentary production methods provided novel opportunities for documentaries to "take on any or several of the modes" of documentary as defined by 167: 413: 367: 594: 608:, expressed an opinion in which he lamented the contemporary state of television documentaries. He believed modern audiences to lack an interest in lengthy documentary series, rather favouring miniseries composed of two or three episodes. He suggested that these miniseries do not "deal with something properly." Instead, Attenborough longed for a "stronger commitment and belief" in one subject matter, facilitating extended documentary series production once more. 261: 25: 543:. Despite previous broadcasting approval, the BBC later concluded that the documentary was "too horrifying for the medium of broadcasting," thus, it was not publicly broadcast. Later remarks affirmed that the BBC took such an approach with concern for the potentially negative institutional and cultural influence arising from public televised broadcasting of 231:, centred their televised documentaries around historical, military, wartime and event-related genres. The 1960s are frequently celebrated as the "Golden Age" of television documentary within the United States. At this time, television documentaries began to hold increasing importance within both journalistic and political realms. Notably, the 195:. This suspension lasted throughout the six-year wartime period. Regular television broadcasting was resumed in 1946. Subsequent expansion of the BBC's network throughout the coming years toward nationwide coverage, additional channels, as well as the introduction of novel competition into the television network market (notably 572:. They concluded that the docudrama held influence upon other newspaper and television stories, particularly regarding discussions of arms limitations with the Soviet Union. The study also found that public concerns heightened regarding the United States' ability to survive following a major nuclear attack. Additionally, 496:
The continued emergence of television documentary within historical and informative media contexts has engaged significant debate and controversy surrounding its wide-reaching influence. These controversies typically consist of ethical, cultural, social and political concerns. Televised documentary
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Documentary television rose to prominence during the 1940s, spawning from earlier cinematic documentary filmmaking ventures. Early production techniques were highly inefficient compared to modern recording methods. Early television documentaries typically featured historical, wartime, investigative
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ward at the San Francisco General Hospital. The documentary aligns with Johnson and Johnson's brand focus on "care" and "touch". Tim Stevenson indicates that brand-sponsored documentaries allow marketers to access widespread audiences through mediums that traditional advertising methods cannot.
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Many television documentaries have created controversy and debate surrounding ethical, cultural, social and political concerns. Controversy has also arisen regarding the current formatting of televised documentary series, as well as the contextualisation of televised documentaries broadcast via
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It is of common belief that the widespread televised revolution, particularly within documentary filmmaking, was an inevitable construct. Duncan Ross and Ramsay Short became early pioneers of the televised documentary format, prominently embedding existing filmmaking techniques within this new
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broadcasting vehicle. Ross, in 1950, noted that documentary media was "perfectly at home in television." At this time, Ross and his contemporaries considered television documentary as an extension beyond traditional documentary filmmaking – particularly in celebrating
305:, otherwise known as i-docs or web documentaries, often accompany traditionally broadcast television documentaries, featuring interactive hyper-links, audio, text and images. Interactive documentaries have been recognised in recent film festivals, such as the 611:
The emergence of streaming services into the cultural broadcasting mainstream throughout the 2010s in particular, has also sparked contemporary controversy surrounding the format and classification of televised documentaries. Subsequently, the
207:'s defining notion that documentary exists as "the creative treatment of actuality." These early television documentarists advocated for the potential influence of television documentary within educational, social and cultural mediums. 536:
influence of television documentary has frequently been under public scrutiny. Such concerns date to the initial emergence of televised documentary within public spheres. Cultural controversy arose regarding the BBC's 1965 production,
616:(ATAS), a leading professional honorary organisation that champions the advancement of the television industry in the United States, has recognised documentaries published by streaming services as eligible for consideration for an 440:
Early British television documentaries held a large focus upon historical events, locations and governing states. Additionally, war documentaries rose to prominence in the late 1940s and early 1950s, illustrating efforts of the
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Television documentaries continue to spotlight wartime, historical, governmental and wildlife subjects. Contemporary genres of television documentaries also include sport, health, economic, social media and celebrity subjects.
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continued to screen investigative television documentaries. Moreover, this period also saw the emergence of television documentaries produced by minority groups, offering novel cultural and political opinions.
976: 529:. Such factual discrepancies have led to frequent suggestions that television documentary occasionally deviates from accurate historical representations, rather escalating drama for entertainment purposes. 432:. This lends particular convenience to the production of the 'slide-show' approach, which shows framed-stills with narrating 'talking heads' – a "constant staple" of television documentary. 633: 151:
Televised documentary finds its roots in the media communication modes of film, photojournalism and radio. Specifically, televised documentary can be traced to the origins of cinematic
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The advancement and contemporary formatting of popular television documentary productions has also drawn controversy in recent years. In 2014, famed documentary narrator,
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to consider its origins as a largely "international process" involving nations such as the United States of America, France, Germany, the Soviet Union and Great Britain.
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The next significant development within television documentary production techniques came in the 1980s with the introduction of portable video recorders, also known as
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The latter decades of the twentieth century saw television documentary decline in popularity on commercial broadcasting networks, rather screening primarily via
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or event-related subject matter. Contemporary television documentaries have extended to include celebrity, sporting, travel, economic and wildlife subjects.
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Chattoo, Caty Borum; Jenkins, Will (2019). "From reel life to real social change: the role of contemporary social-issue documentary in U.S. public policy".
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campaign and was recognised for its facilitation of the transfer of video tape recordings from one company's device to another company's respective device.
339: 355:, often positioned on tripods, captured the image, utilising accompanying lighting and filtering equipment. Sound was recorded using a quarter inch 386:
sound recorders. Contemporary attempts to recreate a similar vintage production environment note such methods to be inefficient and often faulty.
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should have increased public defence expenditure. Similarly, another study concluded that several recent social-issue documentaries, including
191:(BBC). Following this initial broadcast, the BBC's television service continued, albeit in limited capacity, until 1939 with the onset of the 159:, a Polish cinematographer suggested documentary film to be a "new source of history". The widespread evolution of documentary filmmaking led 1377: 135: 1528: 558:
influence of television documentaries. Feldman and Sigelman conducted a study in 1985, analysing the effect of the television docudrama,
1063: 1555: 33: 285: 155:. Documentary film emerged in prominence within non-fiction filmmaking as an account of historical and contemporary events. In 1898, 1646: 613: 1617:
A 16mm lighting technician discusses their equipment and the drawbacks of lighting for documentary production in domestic settings
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The current trajectory of television documentary productions is widely suggested to transit towards streaming services such as
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Early television documentaries were produced by recording the relevant visual and sonic media separately. Sixteen millimetre
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dates to 1949, depicting a series of wartime memoirs. During the 1950s, prominent commercial broadcasting networks, such as
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Television documentary continued to grow in popularity globally throughout the forthcoming decades. James Chapman notes
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Particularly prominent equipment utilised throughout the early period of television documentary production included
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controversy surrounding the incomplete portrayal of an event; ethical controversy following image modification via
188: 1631: 449:. Investigative television documentaries also grew in popularity during the 1950s. Chad Raphael highlights CBS's 301:
A new medium for documentary broadcasting emerged in the 2000s and continued to rise to prominence in the 2010s.
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Feldman, Stanley; Sigelman, Lee (June 1985). "The Political Impact of Prime-Time Television: "The Day After"".
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believed that televised documentaries could contribute towards the American efforts to constrain the growth of
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inspired a revolt against the existing traditional methods of information communication to American society.
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Shaw, Tony (2006). "The BBC, the State and Cold War Culture: The Case of Television's War Game (1965)".
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Broadcast Network Documentaries (In C.H. Sterling & C. Whitney (Eds.), Encyclopedia of Journalism)
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Broadcast Network Documentaries (In C.H. Sterling & C. Whitney (Eds.), Encyclopedia of Journalism)
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techniques and ethical concerns regarding the verifiability of the information presented within an
472: 321: 977:"The True Story of the Royal Family's BBC Documentary, Which Hasn't Been Seen Publicly in Decades" 950: 767: 38: 156: 620:. Televised media, broadcast via streaming services, has grown so much in popularity such that 442: 310: 1612:
A 16mm documentary cameraman discusses the cameras used for documentary, and drama, production
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Boyle, Dierdre (1992). "From Portapak to Camcorder: A Brief History of Guerrilla Television".
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Boon, Timothy (2013). "British Science Documentaries: Transitions from Film to Television".
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The emergence of documentary film within its televised format followed the advent of the
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Crowcroft, Robert (2 February 2019). "How good is television as a medium for history?".
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The early 1970s sparked revolutionary changes within documentary production techniques.
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launch of the world's first high-definition (as then defined) public television service
1090:"JOHNSON & JOHNSON AIDS DOCUMENTARY WINS ENTERTAINMENT LIONS GRAND PRIX AT CANNES" 1513: 1478: 1159: 1142: 670: 467: 118: 96: 1501: 1458: 1431: 1154: 862: 732: 727: 665: 577: 484:, was famed for its utilisation of then-contemporary, colourised television media. 446: 390: 379: 371: 277: 196: 192: 152: 110: 521: 516: 502: 456: 360: 302: 280:
networks. This saw the rise of several specialised documentary channels, such as
1261:. New York, NY: The Continuum International Publishing Group. pp. 258–259. 1192: 762: 550:
Contemporary studies have been conducted with specific focus on evaluating the
356: 325: 412: 1625: 1505: 1273: 1221: 999: 742: 660: 560: 366: 313:, largely for their success in educational and historical media productions. 265: 216: 204: 122: 81: 866: 1378:"Honest Truths: Documentary Filmmakers on Ethical Challenges in Their Work" 752: 565: 539: 352: 632:, who received 107 nominations in 2020. Notably, the 2020 grand prize for 593: 1616: 1611: 1606: 1435: 269: 1470: 737: 617: 587: 451: 421: 1274:"The Emergence of Digital Documentary Filmmaking in the United States" 1222:"The Emergence of Digital Documentary Filmmaking in the United States" 1000:"The Emergence of Digital Documentary Filmmaking in the United States" 260: 555: 334: 236: 1462: 624:-produced television shows received a record 160 nominations in the 1607:
A 16mm documentary crew prepare to shoot a basic interview sequence
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Matuszewski, Bolesław (25 March 1898). "A New Source of History".
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in 2020. This achievement was followed by streaming service rival
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screened within an ordered collection of two or more televised
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People in Taiwan watching the Discovery Channel documentary
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amassed viewership figures of 40 million people globally.
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View: Journal of European Television History and Culture
476:(1969), a thirteen-part documentary series broadcast on 1313:. Beverley Hills: Sage Publications. pp. 458–463. 938:. Beverley Hills: Sage Publications. pp. 458–463. 880:
Ross, Duncan (1950). "The Documentary in Television".
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U. o. L. Department of Media Arts at Royal Holloway.
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video camera was a significant tool that spurred the
1375: 466:So too did documentaries that explored themes of 363:, the visual and sonic elements were syncopated. 1623: 1376:Aufderheide, Pat; Jaszi, Peter; Chandra, Mridu. 215:The origin of television documentary within the 1448: 916:The Magic Window American Television ,1939–1953 646:(2020) which was streamed on Netflix globally. 1491: 463:subjects became popular documentary subjects. 1037:"DOCUMENTARY PRODUCTION FOCUS ON INTERACTIVE" 913: 324:. This trend coincides with the emergence of 174:'s high-definition public television service. 1343:. Bloomington, IN: Indiana University Press. 1034: 634:Outstanding Documentary or Nonfiction Series 80:are televised media productions that screen 1256: 786: 338:, depicting several nurses who founded an 1553: 1402: 1326:Kenneth Clark: Life, Art and Civilisation 1257:Ellis, Jack C.; McLane, Betsy A. (2005). 1158: 1110: 948: 929: 927: 925: 810: 808: 806: 804: 802: 614:Academy of Television Arts & Sciences 1323: 1136: 1134: 898: 855:Journal of British Cinema and Television 592: 411: 365: 346: 259: 165: 65: 49:of all important aspects of the article. 1338: 1308: 933: 814: 748:List of documentary television channels 382:16mm film cameras, in conjunction with 1624: 1576: 1384:. Center for Media & Social Impact 974: 922: 829: 799: 359:alongside several microphones. During 45:Please consider expanding the lead to 1526: 1173: 1140: 1131: 1421: 879: 852: 817:A New History of British Documentary 576:sparked debate about whether or not 497:media has been considered to create 18: 1554:Schneider, Michael (28 July 2020). 1087: 1064:"What Is The Future Of Television?" 975:Rieden, Juliet (23 November 2019). 949:Thompson, Robert J.; Allen, Steve. 901:The First Principles of Documentary 819:. New York, NY: Palgrave Macmillan. 649: 424:. Most notably, Sony developed the 297:Contemporary television documentary 13: 1577:Porter, Rick (19 September 2020). 1271: 1219: 1061: 997: 14: 1663: 1600: 1290:from the original on 3 March 2021 1259:A New History of Documentary Film 1238:from the original on 3 March 2021 1016:from the original on 3 March 2021 951:"Television in the United States" 830:Robson, David (27 October 2016). 268:television network cable with an 1527:Deans, Jason (14 October 2014). 1160:10.18146/2213-0969.2019.jethc167 1111:Stevenson, Tim (7 August 2019). 189:British Broadcasting Corporation 170:The commemorative plaque of the 23: 1647:Documentary television channels 1570: 1547: 1520: 1485: 1442: 1415: 1396: 1369: 1347: 1332: 1317: 1302: 1265: 1250: 1213: 1186: 1167: 1104: 1081: 1055: 1028: 991: 968: 527:George W. Bush's administration 332:commissioned the production of 37:may be too short to adequately 1199:How Television Used To Be Made 942: 907: 892: 873: 846: 823: 780: 656:Al Jazeera Documentary Channel 47:provide an accessible overview 1: 1642:Documentary television series 1424:The English Historical Review 1355:"Michael Jackson's statement" 773: 326:brand-sponsored documentaries 89:Television documentary series 1652:Documentary television films 1494:Media, Culture & Society 903:. London: Faber & Faber. 676:DOC: The Documentary Channel 491: 255: 210: 178: 107:Television documentary films 7: 1341:Introduction to Documentary 914:Von Schilling, Jim (2002). 716: 512:Living with Michael Jackson 480:, portraying the course of 146: 16:Genre of television program 10: 1668: 723:Bill Nichols (film critic) 626:72nd Primetime Emmy Awards 187:on 2 November 1936 by the 141: 1281:Academic Forum 30 2012–13 1229:Academic Forum 30 2012–13 1176:Journal of Film and Video 1007:Academic Forum 30 2012–13 435: 416:Sony Betacam SP Camcorder 303:Interactive documentaries 1506:10.1177/0163443718823145 1324:Stourton, James (2016). 758:Public-access television 686:Documentary (TV channel) 568:nuclear attack upon the 78:Television documentaries 1451:The Journal of Politics 955:Encyclopædia Britannica 899:Grierson, John (1966). 867:10.3366/jbctv.2013.0151 815:Chapman, James (2015). 768:Walter Goodman (critic) 72:Taiwan's Military Elite 1632:Documentary television 1583:The Hollywood Reporter 1357:. CNN. 6 February 2003 1339:Nichols, Bill (2001). 1309:Raphael, Chad (2009). 934:Raphael, Chad (2009). 601: 515:, drew criticism from 417: 375: 311:Sundance Film Festival 273: 233:Kennedy administration 197:Independent Television 175: 113:to be broadcast via a 74: 1195:"U-matic and Betacam" 596: 415: 369: 347:Production techniques 330:Johnson & Johnson 307:Tribeca Film Festival 263: 169: 69: 1141:Ellis, John (2019). 1088:Jardine, Alexandra. 979:. Town & Country 482:Western civilisation 407:Guerrilla television 157:Bolesław Matuszewski 119:news-related channel 109:exist as a singular 706:Smithsonian Channel 696:National Geographic 401:'s newly developed 286:National Geographic 282:The History Channel 115:documentary channel 91:, sometimes called 1558:. Variety. Variety 1436:10.1093/ehr/cel282 1430:(494): 1351–1384. 1328:. William Collins. 1201:. ADAPT TV History 1043:. Screen Australia 1035:Screen Australia. 834:. Express. Express 606:David Attenborough 602: 598:David Attenborough 418: 395:Buckminster Fuller 376: 370:Recording with an 274: 176: 136:streaming services 75: 1637:Television genres 671:Discovery Channel 374:16mm film camera. 97:television series 64: 63: 1659: 1594: 1593: 1591: 1589: 1574: 1568: 1567: 1565: 1563: 1551: 1545: 1544: 1542: 1540: 1524: 1518: 1517: 1500:(8): 1107–1124. 1489: 1483: 1482: 1446: 1440: 1439: 1419: 1413: 1412: 1400: 1394: 1393: 1391: 1389: 1373: 1367: 1366: 1364: 1362: 1351: 1345: 1344: 1336: 1330: 1329: 1321: 1315: 1314: 1306: 1300: 1299: 1297: 1295: 1289: 1278: 1269: 1263: 1262: 1254: 1248: 1247: 1245: 1243: 1237: 1226: 1217: 1211: 1210: 1208: 1206: 1190: 1184: 1183: 1171: 1165: 1164: 1162: 1138: 1129: 1128: 1126: 1124: 1108: 1102: 1101: 1099: 1097: 1085: 1079: 1078: 1076: 1074: 1059: 1053: 1052: 1050: 1048: 1041:Screen Australia 1032: 1026: 1025: 1023: 1021: 1015: 1004: 995: 989: 988: 986: 984: 972: 966: 965: 963: 961: 946: 940: 939: 931: 920: 919: 911: 905: 904: 896: 890: 889: 877: 871: 870: 850: 844: 843: 841: 839: 827: 821: 820: 812: 797: 796: 784: 733:Documentary mode 728:Documentary film 666:CGTN Documentary 650:Example channels 578:President Reagan 570:Kansas City area 447:Second World War 391:Marshall McLuhan 328:. For instance, 278:cable television 193:Second World War 153:documentary film 111:documentary film 59: 56: 50: 27: 19: 1667: 1666: 1662: 1661: 1660: 1658: 1657: 1656: 1622: 1621: 1603: 1598: 1597: 1587: 1585: 1575: 1571: 1561: 1559: 1552: 1548: 1538: 1536: 1525: 1521: 1490: 1486: 1463:10.2307/2130896 1447: 1443: 1420: 1416: 1401: 1397: 1387: 1385: 1374: 1370: 1360: 1358: 1353: 1352: 1348: 1337: 1333: 1322: 1318: 1307: 1303: 1293: 1291: 1287: 1276: 1270: 1266: 1255: 1251: 1241: 1239: 1235: 1224: 1218: 1214: 1204: 1202: 1191: 1187: 1172: 1168: 1139: 1132: 1122: 1120: 1109: 1105: 1095: 1093: 1086: 1082: 1072: 1070: 1062:Morgan, Blake. 1060: 1056: 1046: 1044: 1033: 1029: 1019: 1017: 1013: 1002: 996: 992: 982: 980: 973: 969: 959: 957: 947: 943: 932: 923: 912: 908: 897: 893: 878: 874: 851: 847: 837: 835: 828: 824: 813: 800: 785: 781: 776: 719: 652: 522:Fahrenheit 9/11 517:Michael Jackson 503:digital editing 494: 457:Natural history 438: 361:post-production 349: 299: 258: 213: 181: 149: 144: 60: 54: 51: 44: 32:This article's 28: 17: 12: 11: 5: 1665: 1655: 1654: 1649: 1644: 1639: 1634: 1620: 1619: 1614: 1609: 1602: 1601:External links 1599: 1596: 1595: 1569: 1546: 1535:. 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Index


lead section
summarize
provide an accessible overview

documentaries
television series
episodes
documentary film
documentary channel
news-related channel
cinema
streaming services
documentary film
Bolesław Matuszewski
James Chapman

BBC
launch of the world's first high-definition (as then defined) public television service
British Broadcasting Corporation
Second World War
Independent Television
John Grierson
United States
NBC
ABC
CBS
Kennedy administration
communism
Royal Family

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