Andrei Tarkovsky - Knowledge

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two thousand years and no one can reach unanimous agreement. So Pasolini did not set himself this task, he just left the thing in the form in which it was born. Many feel that the image of a militant cruel Christ was made up by the author of the film. Not true! Read the Gospels and you will see that this was a cruel, cantankerous, irreconcilable man. Moreover with what genius was it written! On the one hand he's God and the Church has been relying on him for two thousand years, but he succumbs to doubt in the garden of Gethsemane. What could be simpler than to call for help from his father and avoid dying on the cross, but he doesn't do this. He is all back-to-front..."

820:. From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Soviet authorities placed the film in the "third category", a severely limited distribution, and only allowed it to be shown in third-class cinemas and workers' clubs. Few prints were made and the film-makers received no returns. Third category films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity. These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry. 5348: 5334: 1092: 2072: 1378:, and images often considered by critics to be of exceptional beauty. Recurring motifs are dreams, memory, childhood, running water accompanied by fire, rain indoors, reflections, levitation, and characters re-appearing in the foreground of long panning movements of the camera. He once said: "Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema." 1441:, Tarkovsky dismissed color film as a "commercial gimmick" and cast doubt on the idea that contemporary films meaningfully use color. He claimed that in everyday life one does not consciously notice colors most of the time, and that color should therefore be used in film mainly to emphasize certain moments, but not all the time, as this distracts the viewer. To him, films in color were like moving paintings or photographs, which are too beautiful to be a realistic depiction of life. 9346: 1385:. To him these scenes possess great power and are used for their photogenic value and magical inexplicability. Water, clouds, and reflections were used by him for their surreal beauty and photogenic value, as well as their symbolism, such as waves or the forms of brooks or running water. Bells and candles are also frequent symbols. These are symbols of film, sight and sound, and Tarkovsky's film frequently has themes of self-reflection. 714: 1338:: "I have lived a lot among very simple farmers and met extraordinary people. They spread calmness, had such tact, they conveyed a feeling of dignity and displayed wisdom that I have seldom come across on such a scale. Dovzhenko had obviously understood wherein the sense of life resides. This trespassing of the border between nature and mankind is an ideal place for the existence of man. Dovzhenko understood this." 261: 1320:, the list does not contain any films of the early silent era. The reason is that Tarkovsky saw film as an art as only a relatively recent phenomenon, with the early film-making forming only a prelude. The list has also no films or directors from Tarkovsky's native Soviet Union, although he rated Soviet directors such as 808:, a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father's poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles 1958:

in February 1976, and although approval was granted for proceeding with making the film, the screenplay was never realized. In 1984, during the time of his exile in the West, Tarkovsky revisited the screenplay and made a few changes. He also considered to finally direct a film based on the screenplay

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Although some authors claim that the screenplay was filmed, according to Marina Tarkovskaya, Tarkovsky's sister (and wife of Aleksandr Gordon, a fellow student of Tarkovsky during his film school years) the screenplay was never filmed. Tarkovsky wrote the screenplay during his entrance examination at

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Tarkovsky was, according to fellow student Shavkat Abdusalmov, fascinated by Japanese films. He was amazed by how every character on the screen is exceptional and how everyday events such as a Samurai cutting bread with his sword are elevated to something special and put into the limelight. Tarkovsky

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as “a soundtrack for an imaginary Tarkovsky film.” On Tarkovsky's overall influence on his own work, Sakamoto stated, “As I’ve been making music and trying to go deeper and deeper, I was finally able to understand what the Tarkovsky movies are about — how symphonic they are — it’s almost music. Not

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remarked on Tarkovsky's films as saying: "His unusual sensitivity is both overwhelming and astounding. It almost reaches a pathological intensity. Probably there is no equal among film directors alive now." Kurosawa also commented: "I love all of Tarkovsky's films. I love his personality and all his

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My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease. I felt encountered and stimulated:

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follows Tarkovsky on a walk as he expresses his sentiments on death—he claims himself to be immortal and has no fear of dying. Ironically, at the end of the year Tarkovsky was diagnosed with terminal lung cancer. In January 1986, he began treatment in Paris and was joined there by his son, Andre Jr,

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was not, except for a single screening in Moscow in 1966, immediately released after completion due to problems with Soviet authorities. Tarkovsky had to cut the film several times, resulting in several different versions of varying lengths. The film was widely released in the Soviet Union in a cut

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We should realize, however, that Angelopoulos is an unusual paradox in the history of cinema: he is very clearly "Greek" as I have demonstrated, and yet he is an international filmmaker who has been influenced by filmmakers from around the globe. He has observed: "I draw techniques from everything

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Interviewer: "What do you think about Pasolini's Gospel according to Matthew? That's also a kind of historical film." Tarkovsky: "Of course. I like the picture. I like it precisely because its director did not succumb to the temptation of interpreting the Bible. The Bible has been interpreted for

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is maybe my favorite film ever", and in another interview, he added: "I remember, the first time I saw a Tarkovsky film, I was shocked by it. I did not know what to do. I was shocked by it. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had

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said that: "I personally think that the three greatest tasks for film in the 20th century are (1) To make the epic, that is to tell the tales of the tribes of the world. (2) To keep it personal, because only in the eccentricities of our personal lives do we have any chances at the truth. (3) To do

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Tarkovsky perceived that the art of cinema has only been truly mastered by very few filmmakers, stating in a 1970 interview with Naum Abramov that "they can be counted on the fingers of one hand". In 1972, Tarkovsky told film historian Leonid Kozlov his ten favorite films. The list is as follows:

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on 10 July 1984, he announced that he would never return to the Soviet Union and would remain in Western Europe. He stated, "I am not a Soviet dissident, I have no conflict with the Soviet Government," but if he returned home, he added, "I would be unemployed." At that time, his son Andriosha was

537:. Although he already spoke some Arabic and was a successful student in his first semesters, he did not finish his studies and dropped out to work as a prospector for the Academy of Science Institute for Non-Ferrous Metals and Gold. He participated in a year-long research expedition to the river 1674:

was produced in Sweden in 1986. Tarkovsky was personally involved in writing the screenplays for all his films, sometimes with a cowriter. Tarkovsky once said that a director who realizes somebody else's screenplay without being involved in it becomes a mere illustrator, resulting in dead and

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since 2007, the festival is held in July each year, with the 16th edition scheduled for 22–27 July, to be held in various cities in the Ivanovo region, with special screenings in Moscow. Films from France, India, Greece, Serbia, Colombia, Kazakhstan and other countries were entered into the

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International Film Festival "Zerkalo" named after Andrei Tarkovsky (meaning "mirror"), "for fans of intellectual cinema"; also known as Tarkovsky Film festival – Zerkalo, Zerkalo International Film Festival, Andrei Tarkovsky Zerkalo International Film Festival,

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Even Wim Wenders, the great creator of the road movie, dedicated his "Wings of Desire" to Tarkovsky and Ozu (along with France's François Truffaut), noting that these three film producers focused "on the enduring truth, which lasted from the first scene to the

502:. He was described by childhood friends as active and popular, having many friends and being typically in the center of action. His father left the family in 1937, subsequently volunteering for the army in 1941. He returned home in 1943, having been awarded a 1489:

from 1958 to 1972, and much of the visual style of Tarkovsky's films can be attributed to this collaboration. Tarkovsky would spend two days preparing for Yusov to film a single long take, and due to the preparation, usually only a single take was needed.

935:. After shooting roughly half of the film the project was stopped by Goskino after it became apparent that the film differed from the script submitted to the censors. Tarkovsky was reportedly infuriated by this interruption and destroyed most of the film. 1199:, who believed great art should have a higher spiritual purpose. He was a perfectionist not given to humor or humility: his signature style was ponderous and literary, having many characters that pondered over religious themes and issues regarding faith. 2338:

the dream work, that is, to illuminate the borders of the unconscious. The only filmmaker I know that does all these three things equally in every film he makes is Andrei Tarkovsky, and that's why I think he's the greatest living narrative filmmaker."

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In 1939, Tarkovsky enrolled at the Moscow School No. 554. During the war, the three evacuated to Yuryevets, living with his maternal grandmother. In 1943, the family returned to Moscow. Tarkovsky continued his studies at his old school, where the poet

1351:, saying that its "vision of the future and the relation between man and its destiny is pushing the frontier of cinema as an art". He was critical of the "brutality and low acting skills", but was nevertheless impressed by the film. He equally liked 266:; 4 April 1932 – 29 December 1986) was a Soviet film director and screenwriter of Russian origin. He has been widely considered one of the best directors in cinema history. His films explore spiritual and metaphysical themes and are known for their 519:

in Moscow. From November 1947 to spring 1948 he was in the hospital with tuberculosis. Many themes of his childhood—the evacuation, his mother and her two children, the withdrawn father, the time in the hospital—feature prominently in his film

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Tarkovsky developed a theory of cinema that he called "sculpting in time". By this he meant that the unique characteristic of cinema as a medium was to take our experience of time and alter it. Unedited movie footage transcribes time in

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after being shot in one of his legs (which he would eventually need to amputate due to gangrene). Tarkovsky stayed with his mother, moving with her and his sister Marina to Moscow, where she worked as a proofreader at a printing press.

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someone was expressing what I had always wanted to say without knowing how. Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.

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offered good opportunities for young film directors. Before 1953, annual film production was low and most films were directed by veteran directors. After 1953, more films were produced, many of them by young directors. The

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works. Every cut from his films is a marvelous image in itself. But the finished image is nothing more than the imperfect accomplishment of his idea. His ideas are only realized in part. And he had to make do with it."

1522:.) Nykvist complained that Tarkovsky would frequently look through the camera and even direct actors through it, but ultimately stated that choosing to work with Tarkovsky was one of the best choices he had ever made. 2285:

said that when he first discovered the films of Andrei Tarkovsky as a college student, unsure of what he wanted to do with his life, he was utterly baffled by the lauded Soviet master. He walked out of a screening of

2572:, the 14th edition was held online in 2020, and appears to be the last one held, as of 2022. The festival awards a number of prizes, including the Special Award for Contribution to Andrei Tarkovsky's Cinema. Held in 1951:. Writing was not without difficulty, less than a month before the deadline he had not written a single page. He finally finished the project in late 1974 and submitted the final script to Tallinnfilm in October. 1369:

In a 1962 interview, Tarkovsky argued: "All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart." His films are characterized by

9418: 3259: 2131:, Tarkovsky was finally recognized in the Soviet Union in the Autumn of 1986, shortly before his death, by a retrospective of his films in Moscow. After his death, an entire issue of the film magazine 1341:

He was also not a fan of blockbusters or science fiction, largely dismissing the latter for its "comic book" trappings and vulgar commercialism. However, in notable exceptions Tarkovsky praised the

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as a new first cinematographer. Furthermore, Tarkovsky had a heart attack in April 1978, resulting in further delay. The film was completed in 1979 and won the Prize of the Ecumenical Jury at the

880:. Work on this film began in 1976. The production was mired in troubles; improper development of the negatives had ruined all the exterior shots. Tarkovsky's relationship with cinematographer 9443: 764:(they had been living together since 1965). Their son, Andrei Andreyevich Tarkovsky, (nicknamed Andriosha, meaning "little Andre" or "Andre Junior") was born in the same year on 7 August. 5655: 9538: 2250:

was quoted as saying: "Tarkovsky for me is the greatest , the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream".

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I've seen....I continue to love...very much the films of Murnau, Mizoguchi, Antonioni. More recently: Tarkovsky's Stalker, Godard's Every Man for Himself and of course Ordet....

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relaxed Soviet social restrictions a bit and permitted a limited influx of European and North American literature, films and music. This allowed Tarkovsky to see films of the

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as a member of a research expedition, prior to his enrollment in film school. It's about the leader of a geological expedition, who waits for the boat that brings back the

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Although the script was well received by the officials at Tallinnfilm, it was the consensus that no one but Tarkovsky would be able to direct it. The script was sent to

1393:. By using long takes and few cuts in his films, he aimed to give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another. 3319: 5263:, and with mixed Polish, Romanian and Russian ancestry on his paternal side; his nationality remained Soviet throughout his life, even during his last years in exile. 4131: 3869: 2106: 743:

version in 1971. Nevertheless, the film had a budget of more than 1 million rubles – a significant sum for that period. A version of the film was presented at the

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Tarkovsky is mainly known as a film director. During his career he directed seven feature films, as well as three shorts from his time at VGIK. His features are:

5648: 3617: 3451: 2758: 2620: 1947:. In the end Tarkovsky signed a contract for a script based on the life and work of Hoffmann. He planned to write the script during the summer of 1974 at his 870:. Tarkovsky had met the brothers first in 1971 and was in contact with them until his death in 1986. Initially he wanted to shoot a film based on their novel 9413: 373: 3647: 4254: 3795: 3764: 702:

in 1962. He had inherited the film from director Eduard Abalov, who had to abort the project. The film earned Tarkovsky international acclaim and won the

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was his main inspiration to become a filmmaker by saying: "I did not know how to do anything and I would not have done anything if there had not been

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still in the Soviet Union and not allowed to leave the country. On 28 August 1985, Tarkovsky was processed as a Soviet Defector at a refugee camp in

688:. This became Tarkovsky's graduation project, earning him his diploma in 1960 and winning First Prize at the New York Student Film Festival in 1961. 495:, who conducted detailed research on their genealogy, called it "a myth, even a prank of sorts," stressing that no document confirms this narrative. 9483: 3830: 4158:"Panoramio - Photo of Monument to Gerasimov Institute of Cinematography famous learner - Gennady Shpalikov, Andrei Tarkovsky and Vasily Shukshin" 2542: 653:, who was teaching at the VGIK. Impressed by the talent of his student, Chukhray offered Tarkovsky a position as assistant director for his film 2194:. Sokurov's own work has been heavily influenced by Tarkovsky. The film consists mostly of narration over stock footage from Tarkovsky's films. 515:

was one of his classmates. He studied piano at a music school and attended classes at an art school. The family lived on Shchipok Street in the

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and he developed a raw script. Influenced by a discussion with Arkady Strugatsky he changed his plan and began to work on the script based on

5616: 5070: 626:, who taught many film students who would later become influential film directors. In 1956, Tarkovsky directed his first student short film, 422: 75: 3723:"Ingmar Bergman Evaluates His Fellow Filmmakers -- The "Affected" Godard, "Infantile" Hitchcock & Sublime Tarkovsky | Open Culture" 3232: 2857: 1121: 1096: 333:, a book about cinema and art. He died later that year of cancer, a condition possibly caused by the toxic locations used in the filming of 111: 5664: 2095: 460:) was a Polish nobleman who worked as a bank clerk. His wife Maria Danilovna Rachkovskaya was a Romanian language teacher who arrived from 9398: 5584: 2876: 2110: 1701: 1109: 1104: 573: 274: 9533: 9493: 9388: 5403: 1297: 1168:, was convinced that all three died due to exposure to chemicals released from a chemical plant upstream from where the film was shot. 664:. They found much in common as they liked the same film directors and shared ideas on cinema and films. In 1959, they wrote the script 9423: 4430: 9438: 4713: 2483:

imagined before". There are many direct references and hidden tributes to Tarkovsky's movies in Iñarritu's 2015 Oscar-winning drama

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remarked that: "If anybody influenced anybody, it’s me being influenced by Tarkovsky, not the reverse", and called Tarkovsky's film

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Beginning in the early 1990s, some in Russia have alleged that Tarkovsky did not die of natural causes, but was assassinated by the

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in the year 1962. In the same year, on 30 September, his first son Arseny (called Senka in Tarkovsky's diaries) Tarkovsky was born.

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entry (15 December 1986), he wrote: "But now I have no strength left—that is the problem". The diaries are sometimes also known as

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and the Prize of the Ecumenical Jury. As Tarkovsky was unable to attend due to his illness, the prizes were collected by his son.

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In his school years, Tarkovsky was a troublemaker and a poor student. He still managed to graduate, and from 1951 to 1952 studied

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at a similar juncture. Today, he considers the latter to be the greatest film ever made. "I've seen it maybe 20 times," he says.

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on 11 February 1981, Tarkovsky trenchantly rejected suggestions that the film was either impenetrably mysterious or a political

9428: 9383: 5428: 5339: 2045: 341: 230: 931:, Tarkovsky submitted a script that was different from the original script, omitting several scenes that were critical of the 9403: 8962: 5205: 5184: 5126: 5098: 5079: 5058: 5028: 5001: 4644: 4115: 3840: 3329: 3215: 3166: 3120: 2683: 2220: 1821: 718: 562: 122: 3335: 2265:

remarked that: "Tarkovsky's works separate me completely from physical life, and are the most spiritual films I have seen".

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and the Union of Soviet Film Makers expressed their sorrow that Tarkovsky had to spend the last years of his life in exile.

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in France. The inscription on his gravestone, which was erected in 1994, was conceived by Tarkovsky's wife, Larisa, reads:

4135: 3722: 9513: 9498: 9448: 6128: 953:. Tarkovsky returned to Italy in 1980 for an extended trip, during which he and Guerra completed the script for the film 5988: 2473: 1741:. A book of 60 photographs taken by Tarkovsky in Russia and Italy between 1979 and 1984. Edited by Italian photographer 9528: 9503: 8164: 3003: 2976: 2601: 2155: 1955: 1774: 1760: 1724: 928: 312: 4157: 3959: 3873: 3463: 8890: 4602: 4540: 4493: 4468: 4413: 2091: 1738: 1710: 1694: 1117: 1076: 792: 353: 8116: 3625: 2764: 2272:

commented that: "Andrei Tarkovsky was one of the greatest directors of recent years," and regarded Tarkovsky's film

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Several of Tarkovsky's films have color or black-and-white sequences. This first occurs in the otherwise monochrome

646:, who married Tarkovsky's sister, in particular directed, wrote, edited, and acted in the two films with Tarkovsky. 9478: 4107: 450: 4991: 472:, a fact she had to conceal during the Soviet days. She was married to Ivan Ivanovich Vishnyakov, a native of the 9518: 9468: 5254: 4660: 3033: 561:

Upon returning from the research expedition in 1954, Tarkovsky applied at the State Institute of Cinematography (

464:. Andrei's maternal grandmother Vera Nikolayevna Vishnyakova (née Dubasova) belonged to an old Dubasov family of 4514: 3356:

Tarkovsky, Andrei. Sculpting in Time. Trans. Kitty Hunter-Blair. Austin, Texas: University of Texas Press, 2003.

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competition, and a gala night was dedicated to Tarkovsky's 90th birthday, on the main square of his hometown of

1925:) is a never-filmed 1974 screenplay by Tarkovsky. The screenplay is based on the life and work of German author 9508: 9111: 9104: 8926: 5468: 5396: 3807: 3772: 2508:? I was hypnotised! I've seen it 20 times. It's the closest thing I've got to a religion – to me he is a god". 2447: 680: 8703: 3765:"Lectures on Film Directing (notes from classes taught by Tarkovsky at the State Institute of Cinematography)" 3674: 1065:

who was finally allowed to leave the Soviet Union. What would be Tarkovsky's final film was dedicated to him.

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and the claim by one of Tarkovsky's doctors that his cancer could not have developed from a natural cause.

932: 657:. Tarkovsky initially showed interest but then decided to concentrate on his studies and his own projects. 638: 349: 5150:

Slevin, Tom (2010). "Existence, Ethics and Death in Andrei Tarkovsky's cinema: the cultural philosophy of

3522: 3183: 9204: 9132: 8188: 7973: 4571: 3184:"Filmmaker Andrei Tarkovsky's sublime polaroid diary offers a personal glimpse into his cinematic vision" 2569: 1816:

collected by the expedition. The expedition is surrounded by mystery, and its purpose is a state secret.

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is about an apocalypse and impending death, faith, and possible redemption, in the making-of documentary

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sequences, while otherwise being in color. In 1966, in an interview conducted shortly after finishing

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Schmidt, Stefan W. (2016). "Somatography and Film: Nostalgia as Haunting Memory Shown in Tarkovsky's

4935: 4741: 4636: 2578: 2166: 2115: 1973:(1983): documents the travels in Italy of Andrei Tarkovsky in preparation for the making of his film 1808:) is a never-filmed 1958 screenplay by Tarkovsky. The screenplay is based on Tarkovsky's year in the 1670: 1589: 1500: 1434: 1205: 1037: 611: 499: 323: 17: 2786: 9488: 8078: 7624: 7016: 6925: 5279:"Tracing the Russian Hermeneutic: Reflections on Tarkovsky's Cinematic Poetics and Global Politics" 4718: 3055: 2485: 1459:

Contrarily, however, Bergman conceded the truth in the claim made by a critic who wrote that "with

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just the sounds — it’s a symphony of moving images and sounds. They are more complex than music.”

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According to the family legend, Tarkovsky's ancestors on his father's side were princes from the

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Andrei Tarkovsky and his works have received praise from many filmmakers, critics and thinkers.

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gave the order to eradicate Tarkovsky to curtail what the Soviet government and the KGB saw as

3737:"List of Noted Film Director And Cinematographer Collaborations: Andrei Tarkovsky Vadim Yusov" 3420: 3205: 2993: 2184:

Tarkovsky has been the subject of several documentaries. Most notable is the 1988 documentary

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then withdrew from the project, so he sought and received financial backing from the Italian

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Tarkovsky became a film director during the mid and late 1950s, a period referred to as the

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authentic religious icon paintings. All of his films afterwards contain monochrome, and in

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and its ability to create "images in such a way that they mean nothing beyond themselves".

1072: 1061: 1032:, Italy, registered with the serial number 13225/379, and officially welcomed to the West. 975: 889: 788: 784: 760: 744: 726: 707: 488: 426: 365: 357: 289: 8417: 7869: 6064: 5730: 2352: 8: 9176: 8633: 8626: 8212: 8008: 7922: 7841: 7596: 7589: 7345: 6536: 6238: 5519: 5503: 5487: 2591: 2419: 2374: 2288: 2274: 2178: 2064: 1652: 1640: 1628: 1573: 1557: 1541: 1429: 1329: 1310: 1292: 1288: 1233: 1164: 912: 893: 856: 769: 698: 661: 307: 295: 283: 31: 30:"Tarkovsky" redirects here. For the surname, as well as other people with this name, see 8200: 7464: 5195: 4484:

Andrew Horton (29 September 2016). "3 - Angelopoulos, the Continuous Image and Cinema".

2817:"Marina Tarkovskaya: "My brother enjoyed being a descendant of the Dagestanian princes"" 1139:. Evidence for this hypothesis includes testimonies by former KGB agents who claim that 453:

who later worked as a proofreader; she was born in Moscow in the Dubasov family estate.

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The films of Andrei Tarkovsky: a visual fugue By Vida T. Johnson, Graham Petrie, p. 79.

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followed in 1959. Both films were a collaboration between the VGIK students. Classmate

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During the summer of 1979, Tarkovsky traveled to Italy, where he shot the documentary

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Komsolmoskaya Pravda, "New Tarkovsky documents surface", 15. September 1995, page 23.

3296:"English translations of various Russian articles and interviews with family members" 3211: 3162: 3116: 2999: 2972: 2894: 2679: 2498: 2392: 2282: 2228: 2191: 2071: 2023:(2006): a film by Nariné Mktchyan and Arsen Azatyan about Tarkovsky visited Armenia. 1996: 1926: 1770: 1756: 1734: 1720: 1706: 1690: 1685: 1619: 1407: 1390: 1334: 1001: 830: 434: 329: 8389: 6480: 5333: 4960: 1751:. Tarkovsky Foundation and White Space Gallery, 2008. A book of Polaroids edited by 9316: 9309: 9048: 8828: 8737: 8730: 8661: 8563: 8473: 8326: 8236: 8128: 8022: 8015: 7673: 7631: 7450: 7366: 7261: 7170: 7030: 7002: 6617: 6487: 6452: 6445: 6410: 6325: 6218: 5861: 5748: 5736: 5712: 5357: 5290: 5260: 5163: 5145:

Somatography and Film: Nostalgia as Haunting Memory Shown in Tarkovsky's Nostalghia

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says that much of subsequent film was deeply influenced by the films of Tarkovsky.

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approached Tarkovsky to write a screenplay on a German theme. Tarkovsky considered

1614: 1513: 1466: 1357: 1325: 1301:. Among his favorite directors were Buñuel, Mizoguchi, Bergman, Bresson, Kurosawa, 1140: 982:

and the Prize of the Ecumenical Jury. Tarkovsky also shared a special prize called

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to him, and, while discussing it with critic David Jenkins, asked: "Have you seen

1465:

Bergman does Bergman", adding: "Tarkovsky began to make Tarkovsky films, and that

1414:: a concentrated action, happening in one place, within the span of a single day. 1116:

Tarkovsky died in Paris on 29 December 1986. His funeral ceremony was held at the

780: 468:

that traces its history back to the 17th century; among her relatives was Admiral

9302: 9253: 9239: 9232: 8793: 8696: 8508: 8501: 8403: 8375: 8347: 8299: 8152: 8071: 8043: 7938: 7862: 7813: 7701: 7666: 7554: 7547: 7491: 7443: 7352: 7240: 7093: 7065: 6865: 6787: 6780: 6759: 6696: 6654: 6564: 6557: 6515: 6459: 6350: 6052: 6048: 6042: 6024: 6012: 5994: 5849: 5815: 5696: 4868: 4794: 4364: 3648:"Александр Сокуров: Тарковскому завидовали страшно, что у него такая известность" 3421:"The Passion According to Andrei: An Unpublished Interview with Andrei Tarkovsky" 2347: 2232: 2174: 1381:

Tarkovsky incorporated levitation scenes into several of his films, most notably

1268: 1258: 1177: 1041:. It was finally shot in 1985 in Sweden, with many of the crew being alumni from 924: 916: 862: 775: 616: 586: 578: 438: 7945: 7764: 7540: 7044: 6396: 5144: 5017: 3989: 3913: 2356: 1147:

by Tarkovsky. Other evidence includes several memoranda that surfaced after the

959:. During this period, he took Polaroid photographs depicting his personal life. 9260: 9190: 9183: 9125: 9069: 9039: 8902: 8814: 8744: 8689: 8668: 8591: 8584: 8577: 8438: 8396: 8382: 8368: 8319: 8064: 8057: 8036: 8029: 7980: 7959: 7952: 7715: 7526: 7519: 7498: 7482: 7415: 7401: 7289: 7128: 7107: 7100: 7023: 7009: 6995: 6877: 6745: 6626: 6606: 6585: 6522: 6382: 6152: 6082: 6036: 6030: 5982: 5867: 5827: 5724: 5718: 5554: 5294: 4344: 4058: 4040: 4022: 2638: 2557: 2493: 2455: 2330:

directors' poll and later said that he has seen the picture at least 25 times.

2317: 2254: 2247: 1969: 1658: 1509: 1445: 1347: 1278: 1238: 1216: 1042: 1005: 987: 945: 881: 840: 602: 598: 590: 469: 430: 79: 7876: 7533: 7198: 6808: 6689: 5754: 5690: 4844: 4742:"Composer Ryuichi Sakamoto Reflects on His Life, Work, and Battle with Cancer" 3497: 3260:"Latina, quei profughi dell'Est dimenticati. E spunta la scheda di Tarkovskij" 2537:, named after the film held annually in Moscow and regional centres since 1995 1470: 1248: 594: 565:) and was admitted to the film-directing program. He was in the same class as 9362: 9281: 9246: 9139: 8821: 8765: 8751: 8598: 8459: 8361: 8354: 8340: 8050: 7931: 7799: 7694: 7652: 7603: 7436: 7429: 7394: 7359: 7310: 7282: 7205: 6801: 6731: 6703: 6675: 6578: 6494: 6438: 6424: 6417: 6403: 6311: 6291: 6209: 6181: 6088: 6058: 5950: 5909: 5897: 5885: 5879: 5821: 5782: 5764: 4746: 2995:

The Magical Chorus: A History of Russian Culture from Tolstoy to Solzhenitsyn

2822: 2565: 2517: 2407: 2334: 2151: 2099: 1978: 1461: 1424: 1342: 1273: 1029: 1016: 991: 950: 796: 731: 606: 446: 7561: 6466: 6229: 1049:. Tarkovsky's vision of his film was greatly influenced by Bergman's style. 9076: 8914: 8807: 8779: 8714: 8682: 8654: 8619: 8612: 8605: 8570: 8536: 8452: 8410: 8268: 8257: 8247: 7994: 7966: 7904: 7897: 7883: 7855: 7827: 7792: 7785: 7757: 7743: 7729: 7708: 7617: 7575: 7568: 7408: 7380: 7331: 7317: 7191: 7156: 7051: 7037: 6974: 6901: 6794: 6752: 6550: 6375: 5970: 5964: 5921: 5915: 5873: 5803: 5786: 5770: 5742: 5702: 5602: 5248: 4768: 4165: 3967: 2561: 2515:

was an admirer of Tarkovsky's work, describing his penultimate solo album,

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in 1990, one of the highest state honors in the Soviet Union. In 1989, the

2014: 1991: 1938: 1877: 1505: 1352: 1321: 1221: 1181: 1046: 825: 623: 278: 83: 7296: 5375:, at Film Studies Program in the Department of Communication and Culture, 1824:) in a single sitting. He earned the highest possible grade, "excellent" ( 9288: 9169: 9028: 9019: 8835: 8758: 7806: 7771: 7687: 7680: 7422: 7324: 7212: 7142: 7079: 6956: 6822: 6682: 6640: 6592: 6529: 6508: 6501: 6473: 6389: 6332: 6172: 5976: 5954: 5933: 5855: 5368:

Andrei Tarkovsky: Biography wrestles with the filmmaker's remarkable life

4993:

Andrei Tarkovsky: A Photographic Chronicle of the Making of The Sacrifice

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was devoted to Tarkovsky. In their obituaries, the film committee of the

2128: 2059: 1934: 1930: 1856: 1813: 1486: 1371: 1253: 735: 703: 381: 361: 267: 5302: 5278: 5167: 4255:"Nuri Bilge Ceylan on 'Winter Sleep' and Learning to Love Boring Movies" 3941: 1402:, Tarkovsky focused his cinematic works on exploring this theory. After 754:

He divorced his wife, Irina, in June 1970. In the same year, he married

456:

Andrei's paternal grandfather Aleksandr Karlovich Tarkovsky (in Polish:

9218: 8772: 8543: 8466: 8445: 8333: 8001: 7987: 7736: 7722: 7659: 7582: 7471: 7338: 7275: 7135: 6965: 6766: 6724: 6661: 6318: 6076: 5891: 5527: 5372: 5324: 5007: 3140: 2880: 2434:, saying that it was one of the most beautiful films he had ever seen. 2379: 1664: 1581: 1518: 955: 566: 542: 317: 281:

and subsequently directed his first five features in the Soviet Union:

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or simply Zerkalo, The festival is organized by a committee headed by

1243: 380:. In 1990, he was posthumously awarded the Soviet Union's prestigious 9267: 9225: 9090: 8800: 7890: 7645: 7512: 7233: 7184: 7149: 6710: 6137: 2150:

was established, with its first recipient being the Russian animator

1943: 1597:

He also wrote several screenplays. Furthermore, he directed the play

1411: 1375: 1306: 1211: 1196: 270:, dreamlike visual imagery and preoccupation with nature and memory. 4186:

Title quote of 2003 Tarkovsky Festival Program, Pacific Film Archive

3427:. Literaturnoe obozrenie 1988, University of Chicago. pp. 74–80 3321:

Feedback Effects, in About Andrei Tarkovsky, Memoirs and Biographies

2050:

Numerous awards were bestowed on Tarkovsky throughout his lifetime.

2035:(2019): a poetic documentary by Tarkovsky's son Andrei A. Tarkovsky. 974:. Tarkovsky completed the film in 1983, and it was presented at the 9419:

Academic staff of High Courses for Scriptwriters and Film Directors

7114: 6981: 6339: 6300: 6284: 6270: 6161: 5381: 5362: 3549:""This is not a coincidence": Max Dax talks to Andrey A. Tarkovsky" 3112: 2124: 1474: 897: 4819: 4633:

The Solaris Effect: Art and Artifice in Contemporary American Film

1477:

of one's own work has been derogatorily termed as "self-karaoke".

990:. Soviet authorities lobbied to prevent the film from winning the 8866: 7911: 7373: 6988: 6277: 6261: 6247: 4310:"Sight & Sound Top Ten Poll 2002 The Rest of Director's List" 4080: 2573: 1609:

in London, and he directed a radio production of the short story

967: 758:(née Egorkina), who had been a production assistant for the film 713: 685: 678:, but it was rejected. They were more successful with the script 675: 538: 481: 5663: 5091:

Through the Mirror: Reflections on the Films of Andrei Tarkovsky

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and were published posthumously in 1989 and in English in 1991.

461: 6195: 2224: 1599: 1263: 1159: 835: 530: 3796:"Z Andriejem Tarkowskim rozmawiają Jerzy Illg, Leonard Neuger" 2564:. In 2020, the president of the festival was Russian director 2496:

is a fervent admirer of Tarkovsky. He dedicated his 2009 film

915:. The film was set in 18th-century Russia during the reign of 911:), based on a script by his friend and long-term collaborator 9444:

Filmmakers who won the Best Foreign Language Film BAFTA Award

4360:"Michael Haneke: "Art doesn't offer answers, only questions"" 3918: 3318:

Abdusalamov, Shavkat; translated by Sergei Sossinsky (1990).

2438: 1948: 1809: 1485:

Tarkovsky worked in close collaboration with cinematographer

1406:, he announced that he would focus his work on exploring the 1189: 1024: 550: 449:, Ukraine), and Maria Ivanova Vishnyakova, a graduate of the 6106: 3105:

Tarkovsky, Andrei; translated by Kitty Hunter-Blair (1991).

2727:

Petric, Vlada (December 1989). "Tarkovsky's Dream Imagery".

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directed a documentary film as a homage to Tarkovsky called

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Website about Andrei Tarkovsky, Films, Articles, Interviews

4920: 4229: 3870:"An Interview with Marina Tarkovskaia and Alexander Gordon" 3523:"The James Cameron action film that Andrei Tarkovsky loved" 3418: 2870: 2476:

is a huge fan of Tarkovsky. He once said in an interview: "

2372:

and used Tarkovsky's concept of "The Zone" (from the film,

1015:

Mug shot of Andrei Tarkovsky at the Latina Refugee Camp of

315:, he left the country in 1979 and made his final two films— 4486:

The Films of Theo Angelopoulos - A Cinema of Contemplation

4203:"16 Legendary Filmmakers Praised by Other Great Directors" 3233:"Andrei Tarkovsky, Director and Soviet Emigre, Dies at 54" 2227:, there is a monument that includes statues of Tarkovsky, 854:

The last film Tarkovsky completed in the Soviet Union was

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An important influence on Tarkovsky was the film director

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Andrei Tarkovsky ZERKALO International Film Festival 2020

4820:"The 14th Zerkalo International Film Festival Has Closed" 3697: 3478: 2417:

was "extremely influenced" by Tarkovsky's work and cited

1136: 971: 3161:] (in Russian). Moscow: Iskusstvo(Искусство). 1990. 3026:[Tarkovsky was "a legal сounterrevolutionary"]. 2637: 1132:. Larisa died in 1998 and is buried beside her husband. 5089:

Jónsson, Gunnlaugur A.; Óttarsson, Thorkell Á. (2006).

4687:"The Tarkovsky legacy | Deep focus | Sight & Sound" 3624:(Press release). Swedish Film Institute. Archived from 3073: 938: 4714:"Sonic Memories: A Conversation with Ryuichi Sakamoto" 2856:

interview with Tarkovsky's sister Marina Tarkovskaya,

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Tarkovsky returned to Italy in 1982 to start shooting

9539:

Burials at Sainte-Geneviève-des-Bois Russian Cemetery

5373:

Nostalghia.com - An Andrei Tarkovsky Information Site

4619:

Step Across This Line: Collected Nonfiction 1992–2002

3588:"La foi est la seule chose qui puisse sauver l'homme" 3567: 3207:

Border crossings: mapping identities in modern Europe

823:

During 1975, Tarkovsky also worked on the screenplay

533:

at the Oriental Institute in Moscow, a branch of the

9434:

Cannes Film Festival Award for Best Director winners

4515:"An Interview with Andrzej Zulawski and Daniel Bird" 1060:, in a particularly poignant scene, writer/director 8105:

A Sunday Afternoon on the Island of La Grande Jatte

783:. He had worked on this together with screenwriter 5016: 4961:"International Tarkovsky Festival Dates Announced" 4431:"Andrei Tarkovsky: The filmmaker who saw an angel" 3155:Мир и фильмы Андрея Тарковского. Сост. А. Сандлер. 3024:"Тарковский был "разрешенным контрреволюционером"" 2678:. US: Rowman & Littlefield. pp. 685–690. 2676:Historical Dictionary of Russian and Soviet Cinema 2535:International Human Rights Film Festival "Stalker" 1767:Tarkovsky: Films, Stills, Polaroids & Writings 1171: 691: 4989: 4661:"Tarkovsky And The Revenant – Homage, And Beyond" 4568:"Discussion on the criticism of Ivan's Childhood" 3898:Tarkovsky, Andrei (1999). Powell, William (ed.). 3419:Aleksandr Lipkov; Robert Bird (1 February 1967). 2530:Two film festivals have been named in his honor: 660:During his third year at the VGIK, Tarkovsky met 9360: 5088: 4458: 2292:at the halfway point, and stopped a VHS tape of 2090:three times (more than any other director), the 1035:Tarkovsky spent most of 1984 preparing the film 903:In 1979, Tarkovsky began production of the film 787:as early as 1968. The film was presented at the 4404:John Gianvito (25 April 2024). "Introduction". 4230:Daly, Fergus; Katherine Waugh (21 March 2003). 3394:"10 great films that inspired Andrei Tarkovsky" 2165:In 1996, the Andrei Tarkovsky Museum opened in 406:2012 poll of the 100 greatest films of all time 5067: 4595:Stray Dog of Anime - The Films of Mamoru Oshii 4408:. University Press of Mississippi. p. X. 3749: 3747: 2673: 1937:and E. T. A. Hoffmann, and also thought about 311:(1979). After years of creative conflict with 6122: 5649: 5617:The Films of Andrei Tarkovsky: A Visual Fugue 5397: 5252: 5071:The Films of Andrei Tarkovsky: A Visual Fugue 4565: 4483: 4428: 4403: 2752: 2750: 1995:(1987), a documentary/homage to Tarkovsky by 1920: 1825: 1799: 1508:, who had worked on many films with director 851:together with the writer Aleksandr Misharin. 255:[ɐnˈdrʲejɐrˈsʲenʲjɪvʲɪtɕtɐrˈkofskʲɪj] 9414:Gerasimov Institute of Cinematography alumni 9037: 9026: 6227: 6216: 6170: 6159: 5665:Cannes Film Festival Award for Best Director 4887: 4863: 4861: 4859: 4225: 4223: 3197: 3017: 3015: 2013:(1999): French documentary film directed by 1838:by Marina Tarkovskaya and Aleksandr Gordon. 1603:for the stage in Moscow, directed the opera 717:Monument to Andrei Tarkovsky at entrance of 421:Andrei Tarkovsky was born in the village of 6298: 4059:"Moscow International Film Festival (1997)" 4041:"Moscow International Film Festival (1995)" 4023:"Moscow International Film Festival (1993)" 3744: 3056:"Censorship's impact on Tarkovsky's movies" 2877:Brockhaus and Efron Encyclopedic Dictionary 2111:British Academy of Film and Television Arts 2039: 2029:(2015): documentary by P. J. Letofsky. 1361:according to his son, Andrei A. Tarkovsky. 416: 275:All-Union State Institute of Cinematography 6129: 6115: 5656: 5642: 5404: 5390: 5346: 5332: 5251:, with his mother being from the Dubasov ( 5214: 5068:Johnston, Vida T.; Petrie, Graham (1997). 5037: 4538: 4488:. Princeton University Press. p. 73. 4200: 4180: 3893: 3891: 3828: 3585: 3147: 3021: 2747: 2454:The Indian-born British American novelist 2216:as an homage to Andrei Tarkovsky in 2000. 2107:BAFTA Award for Best Foreign Language Film 2098:award once. He was also nominated for the 1188:has also expressed interest in the art of 1097:Sainte-Geneviève-des-Bois Russian Cemetery 892:. In a question and answer session at the 112:Sainte-Geneviève-des-Bois Russian Cemetery 5174: 4856: 4592: 4512: 4220: 4150: 3897: 3762: 3664: 3257: 3012: 2399:as one of the films that influenced him. 2305:remarked that watching Tarkovsky's film, 1781: 1120:. He was buried on 3 January 1987 in the 884:deteriorated to the point where he hired 9394:20th-century Russian non-fiction writers 5610:One Day in the Life of Andrei Arsenevich 5046: 4101: 3573: 3484: 3203: 3181: 3079: 2892: 2811: 2809: 2369:One Day in the Life of Andrei Arsenevich 2213:One Day in the Life of Andrei Arsenevich 2137:Council of Ministers of the Soviet Union 2070: 2010:One Day in the Life of Andrei Arsenevich 1962: 1834:were filmed and used in the documentary 1745:and Tarkovsky's son Andrey A. Tarkovsky. 1504:, Tarkovsky worked with cinematographer 1162:. Vladimir Sharun, a sound designer for 1090: 1010: 712: 9484:Russian Orthodox Christians from Russia 5585:Time Within Time: The Diaries 1970–1986 5141:Journal of Aesthetics and Phenomenology 5107: 4769:"International Film Festival 'Zerkalo'" 4621:. New York: Random House, 2002, p. 335. 4252: 3888: 3498:"Andrei Tarkovsky, Solaris and Stalker" 3258:Custodero, Alberto (10 December 2015). 3230: 3108:Time Within Time: The Diaries 1970-1986 3048: 2948:Un poeta nel Cinema: Andreij Tarkovskij 2760:In Stalker Tarkovsky foretold Chernobyl 2238: 1830:) for this work. In 1994, fragments of 1820:the State Institute of Cinematography ( 1702:Time Within Time: The Diaries 1970–1986 1473:nearly always made Buñuel films." This 843:in Moscow. The main role was played by 569:(Irina) whom he married in April 1957. 535:Academy of Sciences of the Soviet Union 14: 9361: 5283:Alternatives: Global, Local, Political 5193: 5149: 5116: 4739: 4711: 4630: 4541:"Five Favorite Films with Alex Proyas" 4196: 4194: 4192: 3914:""Московская элегия" — Опустевший дом" 3867: 3698:"An Andrei Tarkovsky Information Site" 3667:"On Cinema – Interview with Tarkovsky" 3449: 3391: 3022:Pleshakova, Anastasia (4 April 2007). 2991: 2952:Andrei Tarkovsky: A Poet in the Cinema 2925:"Andrei Tarkovsky | people and places" 2787:"Where to begin with Andrei Tarkovsky" 2756: 2726: 2462:by calling it "a sci-fi masterpiece". 2046:List of awards won by Andrei Tarkovsky 2003:Auf der Suche nach der verlorenen Zeit 1987:(1984): directed by Donatella Baglivo. 1662:was produced in Italy in 1982, as was 1516:, who had also acted for Tarkovsky in 1195:Tarkovsky was also a deeply religious 1154:Tarkovsky, his wife Larisa, and actor 556: 8963:Six Characters in Search of an Author 6110: 5637: 5385: 5276: 5014: 4461:Chris Marker - Memories of the Future 3960:"Андрей Тарковский. Кино как молитва" 3872:. andreitarkovski.org. Archived from 3695: 3365: 2964: 2806: 2698: 2221:Gerasimov Institute of Cinematography 1423:, which features a color epilogue of 1095:Andrei and Larisa Tarkovsky's grave, 719:Gerasimov Institute of Cinematography 441:, Russia) to the poet and translator 344:throughout his career, including the 327:(1986)—abroad. In 1986, he published 253: 123:Gerasimov Institute of Cinematography 5411: 5074:. Bloomington: Indiana Univ. Press. 4570:. www.nostalghia.com. Archived from 3868:Blasco, Gonzalo (10 November 2003). 3793: 3586:de Brantes, Charles (20 June 1986). 3231:Goodman, Walter (20 December 1986). 2692: 2621:"How to pronounce Андрей Тарковский" 2210:produced the television documentary 1045:'s films, including cinematographer 939:Film career outside the Soviet Union 933:official atheism in the Soviet Union 802:From 1973 to 1974, he shot the film 674:. Tarkovsky submitted the script to 5053:. University Press of Mississippi. 4996:(in English and Russian). Cygnnet. 4795:"Tarkovsky Film festival - Zerkalo" 4189: 3696:Bielawski, Trond Trondsen and Jan. 3392:Gamble, Patrick (27 October 2015). 3385: 3144:No. 5, Summer 1981, pp. 12 & 13 3095:. Vol 45, no 2. Spring 1976. p. 93. 3036:from the original on 4 January 2008 2968:Andrei Tarkovsky: The Winding Quest 2778: 2181:in 1982, has been named after him. 2154:. In three consecutive events, the 1769:. London: Thames and Hudson, 2019. 1733:. London: Thames and Hudson, 2006. 1719:. London: Faber & Faber, 2003. 1713:. Translated by Kitty Hunter-Blair. 1689:. University of Texas Press, 1986. 1626:Tarkovsky's first feature film was 1298:The Gospel According to St. Matthew 949:together with his long-time friend 829:, about the German writer and poet 696:Tarkovsky's first feature film was 668:, which was later published in the 622:Tarkovsky's teacher and mentor was 553:, Tarkovsky decided to study film. 24: 9399:20th-century Russian screenwriters 8165:Nude Descending a Staircase, No. 2 5270: 5228:. 11, 2006. Editions de Corlevour. 5040:Ajapeegel. Andrei Tarkovski filmid 4936:"Zerkalo Film Festival in Ivanovo" 4253:Foundas, Scott (4 November 2014). 3665:Chugunova, Maria (December 1966). 2860:journal, 2 April 2012 (in Russian) 2602:Moscow International Film Festival 2177:, discovered by Soviet astronomer 2156:Moscow International Film Festival 1959:but ultimately dropped this idea. 1731:Instant Light, Tarkovsky Polaroids 1364: 411: 25: 9550: 9534:Deaths from lung cancer in France 9494:Soviet documentary film directors 9389:20th-century Russian male writers 5318: 4990:Alexander-Garrett, Layla (2011). 4286:. Sight and Sound. Archived from 3159:Andey Tarkovsky's world and films 3136:Stalker: Andrei Tarkovsky Talking 2278:as an influence on his own work. 2142:Posthumously, he was awarded the 2033:Andrei Tarkovsky: A Cinema Prayer 927:. To get the project approved by 498:Tarkovsky spent his childhood in 491:, Dagestan, although his sister, 445:, a native of Yelysavethrad (now 9439:Directors of Golden Lion winners 9345: 9344: 5217:7½ ili Filmõ Andreya Tarkovskovo 4104:Dictionary of Minor Planet Names 2829:media archive, 2007 (in Russian) 2784: 2763:, Nostalghia.com, archived from 2525: 2430:highly praised Tarkovsky's film 2324:on his top 10 films in the 2002 1929:. In 1974, an acquaintance from 984:Grand Prix du cinéma de création 833:. In December 1976, he directed 734:, the fifteenth-century Russian 451:Maxim Gorky Literature Institute 183: 9464:Russian experimental filmmakers 4953: 4928: 4912: 4838: 4812: 4787: 4761: 4733: 4712:Weston, Hillary (1 June 2017). 4705: 4679: 4653: 4624: 4611: 4586: 4559: 4532: 4506: 4477: 4452: 4422: 4397: 4372: 4352: 4332: 4302: 4272: 4246: 4201:Deepro Roy (9 September 2015). 4124: 4095: 4069: 4051: 4033: 4015: 4000: 3982: 3952: 3934: 3906: 3861: 3822: 3787: 3756: 3729: 3715: 3689: 3658: 3640: 3618:"English Programme Booklet for 3610: 3579: 3541: 3515: 3490: 3443: 3412: 3359: 3350: 3324:. Moscow: Progress Publishers. 3311: 3302: 3288: 3270: 3251: 3224: 3175: 3129: 3098: 3085: 2985: 2958: 2939: 2917: 2886: 2863: 2832: 2657:Большая российская энциклопедия 2643:"Тарковский, Андрей Арсеньевич" 2458:praised Tarkovsky and his work 2451:, was influenced by Tarkovsky. 2413:The Greek-Australian filmmaker 2148:Andrei Tarkovsky Memorial Prize 1985:Tarkovsky: A Poet in the Cinema 1841: 1836:Andrei Tarkovsky's Taiga Summer 1678: 1493: 1396:Up to, and including, his film 1332:highly. He said of Dovzhenko's 1172:Influences and thoughts on film 1158:all died from the same type of 1004:under the musical direction of 692:Film career in the Soviet Union 443:Arseny Aleksandrovich Tarkovsky 340:Tarkovsky was the recipient of 205: 179: 9459:Russian documentary filmmakers 9454:Science fiction film directors 9112:Grosvenor School of Modern Art 9105:Fourth dimension in literature 5469:The Steamroller and the Violin 5241: 5110:The Cinema of Andrei Tarkovsky 4740:Hubert, Craig (16 July 2018). 4429:Maria Fadeeva (5 April 2012). 4380:"Brakhage Pans Telluride Gold" 3284:(in Italian). 8 December 2015. 2998:. Vintage Books. p. 230. 2757:Tyrkin, Stas (23 March 2001), 2720: 2667: 2631: 2613: 2445:, known for his works such as 2423:as one of his favorite films. 2198:is a 1988 documentary film by 1786: 1525: 1480: 839:, his only stage play, at the 724:In 1965, he directed the film 681:The Steamroller and the Violin 273:Tarkovsky studied film at the 13: 1: 9429:Recipients of the Lenin Prize 9424:People's Artists of the RSFSR 9384:20th-century Russian diarists 6136: 5179:. University of Texas Press. 4406:Andrei Tarkovsky - Interviews 3368:"'The Man Who Saw the Angel'" 2741:10.1525/fq.1989.43.2.04a00040 2607: 1469:began to make Fellini films 773:, an adaptation of the novel 636:. The longer television film 9404:Writers from Kostroma Oblast 5461:There Will Be No Leave Today 5224:"Dossier Andrei Tarkovsky". 5093:. Cambridge Scholars Press. 5050:Andrei Tarkovsky: Interviews 5042:(in Estonian). Eesti Raamat. 5038:Elmanovitš, Tatjana (1980). 4539:Jen Yamato (16 March 2009). 3966:(in Russian). Archived from 3902:. London: Faber & Faber. 3366:David, Eric (24 July 2007). 3138:, in Bold, Christine (ed.), 2196:Directed by Andrei Tarkovsky 2088:Prize of the Ecumenical Jury 1532:Andrei Tarkovsky filmography 1130:To the man who saw the Angel 1058:Directed by Andrei Tarkovsky 795:, and was nominated for the 666:Antarctica – Distant Country 639:There Will Be No Leave Today 350:Prize of the Ecumenical Jury 247:Андрей Арсеньевич Тарковский 239:Andrei Arsenyevich Tarkovsky 62:Andrei Arsenyevich Tarkovsky 27:Soviet filmmaker (1932–1986) 7: 9474:Russian non-fiction writers 9409:People from Kostroma Oblast 9205:List of avant-garde artists 8189:The Cabinet of Dr. Caligari 5989:Alejandro González Iñárritu 4132:"Significant Documentaries" 3835:. London: Faber and Faber. 3832:Tarkovsky: Cinema as Poetry 3594:(in French). Archived from 3210:. Peter Lang. p. 169. 2585: 2570:COVID-19 pandemic in Russia 2474:Alejandro González Iñarritu 2190:, by Russian film director 2027:Tarkovsky: Time Within Time 868:Arkady and Boris Strugatsky 589:, and of directors such as 10: 9555: 9514:Soviet non-fiction writers 9499:Soviet emigrants to France 9449:Russian male screenwriters 9063:Classical Hollywood cinema 5295:10.1177/030437540903400104 5247:Tarkovsky was born in the 5175:Tarkovsky, Andrei (1989). 4077:"Музей Андрея Тарковского" 3763:Tarkovsky, Andrei (1990). 3450:Lasica, Tom (March 1993). 2946:Donatella Baglivo (1984). 2699:James, Nick (8 May 2019). 2395:regarded Tarkovsky's film 2092:Grand Prix Spécial du Jury 2043: 1632:in 1962. He then directed 1529: 1118:Alexander Nevsky Cathedral 1077:Grand Prix Spécial du Jury 793:Grand Prix Spécial du Jury 615:influenced Tarkovsky) and 549:. During this time in the 458:Aleksander Karol Tarkowski 354:Grand Prix Spécial du Jury 268:slow pacing and long takes 29: 9529:Soviet male screenwriters 9504:Soviet emigrants to Italy 9326: 9004: 8845: 8713: 8553: 8309: 8298: 8141:Les Demoiselles d'Avignon 8095: 7921: 7481: 6964: 6955: 6832: 6616: 6358: 6349: 6144: 5943: 5796: 5671: 5594: 5569: 5546: 5479: 5444: 5437: 5419: 5253: 5215:Turovskaya, Maya (1991). 5112:. British Film Institute. 4637:University of Texas Press 4459:Catherine Lupton (2005). 3829:Turovskaya, Maya (1989). 3806:: 137–160. Archived from 2893:Sipatova, Marina (2007). 2351:to Tarkovsky (along with 2162:in 1993, 1995, and 1997. 1921: 1904: 1896: 1891: 1883: 1873: 1863: 1855: 1850: 1826: 1800: 1763:. Edition of 3000 copies. 1656:in 1979. The documentary 1623:, a book on film theory. 1206:Diary of a Country Priest 1126:Sainte-Geneviève-des-Bois 1023:At a press conference in 480:and served as a judge in 431:Ivanovo Industrial Oblast 246: 226: 216: 156: 148: 128: 118: 107: 91: 57: 48: 41: 6926:The Master and Margarita 5219:(in Russian). Iskusstvo. 5023:. Black Dog Publishing. 3553:Telekom Electronic Beats 3400:. British Film Institute 3204:Wagstaff, Peter (2004). 3154: 2992:Volkov, Solomon (2009). 2895: 2639:Андрей Степанович Плахов 2202:, an editor of the film 2169:, his childhood town. A 2040:Awards and commemoration 1448:commented on Tarkovsky: 1086: 873:Dead Mountaineer's Hotel 860:, inspired by the novel 632:, from a short story of 417:Childhood and early life 49: 9479:Russian opera directors 9212:List of modernist poets 9098:Fourth dimension in art 8281:Meshes of the Afternoon 5194:Tejeda, Carlos (2010). 5047:Gianvito, John (2006). 4631:Dillon, Steven (2006). 4102:Schmadel, Lutz (2003). 2971:. Springer. p. 2. 2674:Peter Rollberg (2009). 2426:The French philosopher 2333:The American filmmaker 2316:The Austrian filmmaker 2301:The Armenian filmmaker 2253:The Japanese filmmaker 2219:At the entrance to the 2123:Under the influence of 1668:in 1983. His last film 517:Zamoskvorechye District 478:Moscow State University 476:who studied law at the 9519:Soviet opera directors 9469:Russian film directors 9296:Second Viennese School 9038: 9027: 6938:The Sound and the Fury 6842:In Search of Lost Time 6299: 6228: 6217: 6171: 6160: 5277:Moore, Cerwyn (2009). 5108:Le Fanu, Mark (1987). 5015:Dunne, Nathan (2008). 4691:British Film Institute 4597:. Palgrave Macmillan. 2902:Moskovskij Komsomolets 2792:British Film Institute 2701:"The Tarkovsky Legacy" 2511:The Japanese composer 2281:The Turkish filmmaker 2261:The Iranian filmmaker 2246:The Swedish filmmaker 2160:Andrei Tarkovsky Award 2076: 1782:Unproduced screenplays 1457: 1316:With the exception of 1303:Michelangelo Antonioni 1145:anti-Soviet propaganda 1100: 1020: 907:(Russian: Первый День 767:In 1972, he completed 721: 457: 313:state film authorities 9509:Soviet film directors 9275:Reactionary modernism 9198:List of art movements 5377:University of Calgary 5344:Swedish Film Database 5121:. Pocket Essentials. 5117:Martin, Sean (2005). 3900:Collected Screenplays 3741:, Museum of Learning. 3372:ChristianityToday.com 2965:Green, Peter (1993). 2896:Тайна рода Тарковских 2492:Danish film director 2402:The Polish filmmaker 2362:The French filmmaker 2341:The German filmmaker 2268:The Polish filmmaker 2075:Stamp of Russia, 2007 2074: 1963:Films about Tarkovsky 1717:Collected Screenplays 1450: 1094: 1071:was presented at the 1014: 886:Alexander Knyazhinsky 716: 684:, which they sold to 671:Moskovsky Komsomolets 384:. Three of his films— 9524:Soviet screenwriters 9119:Hanshinkan Modernism 8975:The Threepenny Opera 8891:Pelléas et Mélisande 6019:Nicolas Winding Refn 5961:Paul Thomas Anderson 5010:on 12 November 2012. 4665:www.goldenglobes.com 4574:on 19 September 2009 4009:Literaturnaya Gazeta 3794:Illg, Jerzy (1987). 3592:La France Catholique 3527:faroutmagazine.co.uk 3452:"Tarkovsky's Choice" 3029:Komsomolskaya Pravda 2954:] (Documentary). 2391:The Greek filmmaker 2270:Krzysztof Kieślowski 2239:Reception and legacy 2200:Michal Leszczylowski 2080:Cannes Film Festival 2056:Venice Film Festival 1743:Giovanni Chiaramonte 1103:In Tarkovsky's last 1073:Cannes Film Festival 1062:Michal Leszczylowski 976:Cannes Film Festival 890:Cannes Film Festival 789:Cannes Film Festival 785:Friedrich Gorenstein 747:in 1969 and won the 745:Cannes Film Festival 708:Venice Film Festival 547:Krasnoyarsk Province 489:Shamkhalate of Tarki 427:Yuryevetsky District 368:for his debut film, 366:Venice Film Festival 358:Cannes Film Festival 182: 1957; 9177:International Style 8927:Afternoon of a Faun 8213:Battleship Potemkin 8117:Mont Sainte-Victoir 5200:. Cátedra, Madrid. 5168:10.1386/fiin.8.2.49 4566:Sartre, Jean-Paul. 3462:(3). Archived from 3182:Thomas-Mason, Lee. 3091:Marshall, Herbert. 2927:. 13 September 2020 2592:European art cinema 2345:dedicated his film 2179:Lyudmila Karachkina 1977:, co-directed with 1864:Original title 1859:by Andrei Tarkovsky 1330:Alexander Dovzhenko 1311:Carl Theodor Dreyer 1293:Pier Paolo Pasolini 1289:Hiroshi Teshigahara 913:Andrei Konchalovsky 894:Edinburgh Filmhouse 662:Andrei Konchalovsky 583:Italian neorealists 557:Film school student 360:in addition to the 32:Tarkovsky (surname) 9056:Buddhist modernism 9013:American modernism 8939:The Rite of Spring 6914:The Sun Also Rises 6890:The Magic Mountain 5838:Bertrand Tavernier 5156:Film International 4667:. 18 February 2016 4593:Brian Ruh (2016). 4463:. Reaktion Books. 4320:on 1 February 2017 4234:. Senses of Cinema 4232:"Ivan's Childhood" 4168:on 1 December 2017 3990:"Andrei Tarkovsky" 3810:on 16 January 2008 3237:The New York Times 2846:on 18 January 2017 2840:"Filming Eternity" 2472:Mexican filmmaker 2448:Ghost in the Shell 2077: 1749:Bright, bright day 1675:monotonous films. 1498:In his last film, 1374:themes, extremely 1284:Woman in the Dunes 1197:Orthodox Christian 1156:Anatoly Solonitsyn 1101: 1021: 921:Natalya Bondarchuk 845:Anatoly Solonitsyn 818:A white, white day 730:about the life of 722: 612:Ashes and Diamonds 513:Andrei Voznesensky 493:Marina Tarkovskaya 474:Kaluga Governorate 342:numerous accolades 9356: 9355: 9084:Experimental film 9000: 8999: 8987:Waiting for Godot 8294: 8293: 6951: 6950: 6854:The Metamorphosis 6104: 6103: 6071:Dardenne brothers 6065:Paweł Pawlikowski 6007:Brillante Mendoza 6001:Nuri Bilge Ceylan 5904:Mathieu Kassovitz 5731:François Truffaut 5631: 5630: 5578:Sculpting in Time 5565: 5564: 5207:978-84-376-2666-6 5186:978-0-292-77624-1 5177:Sculpting in Time 5128:978-1-904048-49-7 5100:978-1-904303-11-4 5081:978-0-253-20887-3 5060:978-1-57806-220-1 5030:978-1-906155-04-9 5003:978-09-570-4160-8 4940:Russia-InfoCentre 4925:(English version) 4646:978-0-292-71345-1 4617:Rushdie, Salman. 4117:978-3-540-00238-3 4011:. 7 January 1987. 3970:on 14 August 2021 3842:978-0-571-14709-0 3555:. 29 October 2013 3331:978-5-01-001973-0 3217:978-3-03910-279-2 3168:978-81-7046-083-1 3122:978-81-7046-083-1 3115:: Seagull Books. 2825:newspaper at the 2821:interview to the 2706:Sight & Sound 2685:978-0-8108-6072-8 2410:a "masterpiece". 2393:Theo Angelopoulos 2353:François Truffaut 2327:Sight & Sound 2283:Nuri Bilge Ceylan 2229:Gennady Shpalikov 2192:Alexander Sokurov 2086:three times, the 1997:Aleksandr Sokurov 1927:E. T. A. Hoffmann 1912: 1911: 1705:. Seagull, 1989. 1686:Sculpting in Time 1620:Sculpting in Time 1345:blockbuster film 1228:Wild Strawberries 1075:and received the 1002:Royal Opera House 978:where it won the 831:E. T. A. Hoffmann 435:Kadyysky District 399:Sight & Sound 330:Sculpting in Time 236: 235: 149:Years active 51:Андрей Тарковский 16:(Redirected from 9546: 9369:Andrei Tarkovsky 9348: 9347: 9319: 9317:Vulgar modernism 9312: 9310:Underground film 9305: 9298: 9291: 9284: 9277: 9270: 9263: 9256: 9249: 9242: 9235: 9228: 9221: 9214: 9207: 9200: 9193: 9186: 9179: 9172: 9163: 9156: 9149: 9142: 9135: 9133:Hippie modernism 9128: 9121: 9114: 9107: 9100: 9093: 9086: 9079: 9072: 9065: 9058: 9051: 9049:Bloomsbury Group 9044: 9043: 9033: 9032: 9022: 9015: 8993: 8992: 8981: 8980: 8969: 8968: 8957: 8956: 8945: 8944: 8933: 8932: 8921: 8920: 8909: 8908: 8897: 8896: 8885: 8884: 8873: 8872: 8861: 8860: 8838: 8831: 8824: 8817: 8810: 8803: 8796: 8789: 8782: 8775: 8768: 8761: 8754: 8747: 8740: 8733: 8726: 8706: 8699: 8692: 8685: 8678: 8671: 8664: 8657: 8650: 8643: 8636: 8629: 8622: 8615: 8608: 8601: 8594: 8587: 8580: 8573: 8566: 8546: 8539: 8532: 8525: 8518: 8511: 8504: 8497: 8490: 8483: 8476: 8469: 8462: 8455: 8448: 8441: 8434: 8427: 8420: 8413: 8406: 8399: 8392: 8385: 8378: 8371: 8364: 8357: 8350: 8343: 8336: 8329: 8322: 8307: 8306: 8287: 8286: 8275: 8274: 8263: 8262: 8253: 8252: 8243: 8242: 8237:Un Chien Andalou 8231: 8230: 8219: 8218: 8207: 8206: 8201:Ballet Mécanique 8195: 8194: 8183: 8182: 8171: 8170: 8159: 8158: 8147: 8146: 8135: 8134: 8129:The Starry Night 8123: 8122: 8111: 8110: 8088: 8081: 8074: 8067: 8060: 8053: 8046: 8039: 8032: 8025: 8018: 8011: 8004: 7997: 7990: 7983: 7976: 7969: 7962: 7955: 7948: 7941: 7934: 7914: 7907: 7900: 7893: 7886: 7879: 7872: 7865: 7858: 7851: 7844: 7837: 7830: 7823: 7816: 7809: 7802: 7795: 7788: 7781: 7774: 7767: 7760: 7753: 7746: 7739: 7732: 7725: 7718: 7711: 7704: 7697: 7690: 7683: 7676: 7669: 7662: 7655: 7648: 7641: 7634: 7627: 7620: 7613: 7606: 7599: 7592: 7585: 7578: 7571: 7564: 7557: 7550: 7543: 7536: 7529: 7522: 7515: 7508: 7501: 7494: 7474: 7467: 7460: 7458:Toulouse-Lautrec 7453: 7446: 7439: 7432: 7425: 7418: 7411: 7404: 7397: 7390: 7383: 7376: 7369: 7362: 7355: 7348: 7341: 7334: 7327: 7320: 7313: 7306: 7299: 7292: 7285: 7278: 7271: 7264: 7257: 7250: 7243: 7236: 7229: 7222: 7215: 7208: 7201: 7194: 7187: 7180: 7173: 7166: 7159: 7152: 7145: 7138: 7131: 7124: 7117: 7110: 7103: 7096: 7089: 7082: 7075: 7068: 7061: 7054: 7047: 7040: 7033: 7026: 7019: 7012: 7005: 6998: 6991: 6984: 6977: 6962: 6961: 6944: 6943: 6932: 6931: 6920: 6919: 6908: 6907: 6896: 6895: 6884: 6883: 6872: 6871: 6860: 6859: 6848: 6847: 6825: 6818: 6811: 6804: 6797: 6790: 6783: 6776: 6769: 6762: 6755: 6748: 6741: 6734: 6727: 6720: 6713: 6706: 6699: 6692: 6685: 6678: 6671: 6664: 6657: 6650: 6643: 6636: 6629: 6609: 6602: 6595: 6588: 6581: 6574: 6567: 6560: 6553: 6546: 6539: 6532: 6525: 6518: 6511: 6504: 6497: 6490: 6483: 6476: 6469: 6462: 6455: 6448: 6441: 6434: 6427: 6420: 6413: 6406: 6399: 6392: 6385: 6378: 6371: 6356: 6355: 6342: 6335: 6328: 6321: 6314: 6305: 6304: 6294: 6287: 6280: 6273: 6264: 6257: 6250: 6241: 6234: 6233: 6223: 6222: 6219:Der Blaue Reiter 6212: 6205: 6198: 6191: 6184: 6177: 6176: 6166: 6165: 6155: 6131: 6124: 6117: 6108: 6107: 5862:Fernando Solanas 5832:Andrei Tarkovsky 5749:Sergei Yutkevich 5737:Yuliya Solntseva 5713:Sergei Yutkevich 5658: 5651: 5644: 5635: 5634: 5488:Ivan's Childhood 5442: 5441: 5413:Andrei Tarkovsky 5406: 5399: 5392: 5383: 5382: 5358:Senses of Cinema 5354:Andrei Tarkovsky 5350: 5340:Andrei Tarkovsky 5336: 5325:Andrei Tarkovsky 5314: 5264: 5261:Russian nobility 5258: 5257: 5245: 5229: 5220: 5211: 5197:Andrei Tarkovski 5190: 5171: 5143:, 3 (1): 27–41. 5132: 5119:Andrei Tarkovsky 5113: 5104: 5085: 5064: 5043: 5034: 5022: 5011: 5006:. Archived from 4977: 4976: 4974: 4972: 4957: 4951: 4950: 4948: 4946: 4932: 4926: 4924: 4923: 4921:Official website 4916: 4910: 4909: 4907: 4905: 4891: 4885: 4884: 4882: 4880: 4865: 4854: 4847: 4842: 4836: 4835: 4833: 4831: 4816: 4810: 4809: 4807: 4805: 4791: 4785: 4784: 4782: 4780: 4765: 4759: 4758: 4756: 4754: 4737: 4731: 4730: 4728: 4726: 4709: 4703: 4702: 4700: 4698: 4683: 4677: 4676: 4674: 4672: 4657: 4651: 4650: 4628: 4622: 4615: 4609: 4608: 4590: 4584: 4583: 4581: 4579: 4563: 4557: 4556: 4554: 4552: 4536: 4530: 4529: 4527: 4525: 4510: 4504: 4503: 4481: 4475: 4474: 4456: 4450: 4449: 4443: 4441: 4426: 4420: 4419: 4401: 4395: 4394: 4392: 4390: 4376: 4370: 4369: 4356: 4350: 4349: 4336: 4330: 4329: 4327: 4325: 4316:. Archived from 4306: 4300: 4299: 4297: 4295: 4284:BFI Film Forever 4280:"Michael Haneke" 4276: 4270: 4269: 4267: 4265: 4250: 4244: 4243: 4241: 4239: 4227: 4218: 4217: 4215: 4213: 4198: 4187: 4184: 4178: 4177: 4175: 4173: 4164:. Archived from 4154: 4148: 4147: 4145: 4143: 4134:. Archived from 4128: 4122: 4121: 4099: 4093: 4092: 4090: 4088: 4079:. Archived from 4073: 4067: 4066: 4055: 4049: 4048: 4037: 4031: 4030: 4019: 4013: 4012: 4004: 3998: 3997: 3986: 3980: 3979: 3977: 3975: 3956: 3950: 3949: 3938: 3932: 3931: 3929: 3927: 3910: 3904: 3903: 3895: 3886: 3885: 3883: 3881: 3865: 3859: 3858: 3856: 3854: 3845:. Archived from 3826: 3820: 3819: 3817: 3815: 3791: 3785: 3784: 3782: 3780: 3775:on 4 August 2008 3771:. Archived from 3760: 3754: 3751: 3742: 3740: 3733: 3727: 3726: 3719: 3713: 3712: 3710: 3708: 3693: 3687: 3686: 3684: 3682: 3673:. Archived from 3662: 3656: 3654: 3651: 3644: 3638: 3637: 3635: 3633: 3628:on 8 August 2007 3614: 3608: 3607: 3605: 3603: 3598:on 4 August 2008 3583: 3577: 3571: 3565: 3564: 3562: 3560: 3545: 3539: 3538: 3536: 3534: 3519: 3513: 3512: 3510: 3508: 3494: 3488: 3487:, p. 42–43. 3482: 3476: 3475: 3473: 3471: 3447: 3441: 3440: 3434: 3432: 3416: 3410: 3409: 3407: 3405: 3389: 3383: 3382: 3380: 3378: 3363: 3357: 3354: 3348: 3347: 3345: 3343: 3334:. Archived from 3315: 3309: 3306: 3300: 3299: 3292: 3286: 3285: 3274: 3268: 3267: 3255: 3249: 3248: 3246: 3244: 3228: 3222: 3221: 3201: 3195: 3194: 3192: 3190: 3179: 3173: 3172: 3151: 3145: 3133: 3127: 3126: 3102: 3096: 3089: 3083: 3077: 3071: 3070: 3068: 3066: 3052: 3046: 3045: 3043: 3041: 3019: 3010: 3009: 2989: 2983: 2982: 2962: 2956: 2955: 2943: 2937: 2936: 2934: 2932: 2921: 2915: 2914: 2912: 2910: 2890: 2884: 2874: 2871:"Dubasov family" 2867: 2861: 2855: 2853: 2851: 2842:. Archived from 2836: 2830: 2827:Andrei Tarkovsky 2823:Gordon Boulevard 2820: 2813: 2804: 2803: 2801: 2799: 2782: 2776: 2775: 2774: 2772: 2767:on 22 March 2018 2754: 2745: 2744: 2724: 2718: 2717: 2715: 2713: 2696: 2690: 2689: 2671: 2665: 2653: 2651: 2649: 2635: 2629: 2628: 2617: 2551: 2513:Ryuichi Sakamoto 2432:Ivan's Childhood 2428:Jean-Paul Sartre 2404:Andrzej Żuławski 2311:Ivan's Childhood 2307:Ivan's Childhood 2303:Sergei Parajanov 2275:Ivan's Childhood 2263:Abbas Kiarostami 2206:. Film director 2065:Ivan's Childhood 1924: 1923: 1905:Publication date 1848: 1847: 1829: 1828: 1803: 1802: 1629:Ivan's Childhood 1617:. He also wrote 1615:William Faulkner 1542:Ivan's Childhood 1514:Erland Josephson 1408:dramatic unities 1326:Sergei Parajanov 1291:. He also liked 1141:Viktor Chebrikov 1122:Russian Cemetery 866:by the brothers 699:Ivan's Childhood 651:Grigory Chukhray 644:Aleksandr Gordon 634:Ernest Hemingway 466:Russian nobility 404: 374:BAFTA Film Award 370:Ivan's Childhood 284:Ivan's Childhood 277:under filmmaker 265: 264: 263: 257: 252: 248: 221:Arseny Tarkovsky 209: 207: 187: 185: 181: 98: 95:29 December 1986 71: 69: 52: 43:Andrei Tarkovsky 39: 38: 21: 9554: 9553: 9549: 9548: 9547: 9545: 9544: 9543: 9489:Soviet diarists 9359: 9358: 9357: 9352: 9343: 9335: 9322: 9315: 9308: 9303:Structural film 9301: 9294: 9287: 9280: 9273: 9266: 9259: 9254:New Objectivity 9252: 9245: 9240:Neo-romanticism 9238: 9233:Neo-primitivism 9231: 9224: 9217: 9210: 9203: 9196: 9189: 9182: 9175: 9168: 9159: 9152: 9145: 9138: 9131: 9124: 9117: 9110: 9103: 9096: 9089: 9082: 9075: 9068: 9061: 9054: 9047: 9036: 9025: 9018: 9011: 8996: 8990: 8984: 8978: 8972: 8966: 8960: 8954: 8948: 8942: 8936: 8930: 8924: 8918: 8912: 8906: 8900: 8894: 8888: 8882: 8879:Verklärte Nacht 8876: 8870: 8864: 8858: 8852: 8841: 8834: 8827: 8820: 8813: 8806: 8799: 8792: 8785: 8778: 8771: 8764: 8757: 8750: 8743: 8736: 8729: 8722: 8709: 8702: 8695: 8688: 8681: 8674: 8667: 8660: 8653: 8646: 8639: 8632: 8625: 8618: 8611: 8604: 8597: 8590: 8583: 8576: 8569: 8562: 8549: 8542: 8535: 8528: 8521: 8514: 8507: 8500: 8493: 8486: 8479: 8472: 8465: 8458: 8451: 8444: 8437: 8430: 8423: 8416: 8409: 8402: 8395: 8388: 8381: 8374: 8367: 8360: 8353: 8346: 8339: 8332: 8325: 8318: 8301: 8290: 8284: 8278: 8272: 8266: 8260: 8256: 8250: 8246: 8240: 8234: 8228: 8222: 8216: 8210: 8204: 8198: 8192: 8186: 8180: 8174: 8168: 8162: 8156: 8150: 8144: 8138: 8132: 8126: 8120: 8114: 8108: 8102: 8091: 8084: 8077: 8070: 8063: 8056: 8049: 8042: 8035: 8028: 8021: 8014: 8007: 8000: 7993: 7986: 7979: 7972: 7965: 7958: 7951: 7944: 7937: 7930: 7917: 7910: 7903: 7896: 7889: 7882: 7875: 7868: 7861: 7854: 7847: 7840: 7833: 7826: 7819: 7812: 7805: 7798: 7791: 7784: 7777: 7770: 7763: 7756: 7749: 7742: 7735: 7728: 7721: 7714: 7707: 7700: 7693: 7686: 7679: 7672: 7665: 7658: 7651: 7644: 7637: 7630: 7623: 7616: 7609: 7602: 7595: 7588: 7581: 7574: 7567: 7560: 7553: 7546: 7539: 7532: 7525: 7518: 7511: 7504: 7497: 7490: 7477: 7470: 7463: 7456: 7449: 7442: 7435: 7428: 7421: 7414: 7407: 7400: 7393: 7386: 7379: 7372: 7365: 7358: 7351: 7344: 7337: 7330: 7323: 7316: 7309: 7302: 7295: 7288: 7281: 7274: 7267: 7260: 7253: 7246: 7239: 7232: 7225: 7218: 7211: 7204: 7197: 7190: 7183: 7176: 7169: 7162: 7155: 7148: 7141: 7134: 7127: 7120: 7113: 7106: 7099: 7092: 7085: 7078: 7071: 7064: 7057: 7050: 7043: 7036: 7029: 7022: 7015: 7008: 7001: 6994: 6987: 6980: 6973: 6947: 6941: 6935: 6929: 6923: 6917: 6911: 6905: 6899: 6893: 6887: 6881: 6875: 6869: 6863: 6857: 6851: 6845: 6839: 6828: 6821: 6814: 6807: 6800: 6793: 6786: 6779: 6772: 6765: 6758: 6751: 6744: 6737: 6732:Lowell (Robert) 6730: 6723: 6716: 6709: 6702: 6695: 6688: 6681: 6674: 6667: 6660: 6653: 6646: 6639: 6632: 6625: 6612: 6605: 6598: 6591: 6584: 6577: 6570: 6563: 6556: 6549: 6542: 6535: 6528: 6521: 6514: 6507: 6500: 6493: 6486: 6479: 6472: 6465: 6458: 6451: 6444: 6437: 6430: 6423: 6416: 6409: 6402: 6395: 6388: 6381: 6374: 6367: 6345: 6338: 6331: 6324: 6317: 6310: 6297: 6290: 6283: 6276: 6269: 6260: 6253: 6246: 6237: 6226: 6215: 6208: 6201: 6194: 6187: 6180: 6169: 6158: 6151: 6140: 6135: 6105: 6100: 6053:Cristian Mungiu 6049:Olivier Assayas 6043:Hou Hsiao-hsien 6025:Carlos Reygadas 6013:Mathieu Amalric 5995:Julian Schnabel 5939: 5928:Pedro Almodóvar 5850:Martin Scorsese 5816:Terrence Malick 5792: 5707:Sergei Vasilyev 5697:Christian-Jaque 5667: 5662: 5632: 5627: 5590: 5561: 5542: 5475: 5433: 5415: 5410: 5321: 5273: 5271:Further reading 5268: 5267: 5246: 5242: 5232: 5223: 5208: 5187: 5129: 5101: 5082: 5061: 5031: 5004: 4980: 4970: 4968: 4959: 4958: 4954: 4944: 4942: 4934: 4933: 4929: 4919: 4918: 4917: 4913: 4903: 4901: 4893: 4892: 4888: 4878: 4876: 4867: 4866: 4857: 4845: 4843: 4839: 4829: 4827: 4818: 4817: 4813: 4803: 4801: 4793: 4792: 4788: 4778: 4776: 4767: 4766: 4762: 4752: 4750: 4738: 4734: 4724: 4722: 4710: 4706: 4696: 4694: 4685: 4684: 4680: 4670: 4668: 4659: 4658: 4654: 4647: 4629: 4625: 4616: 4612: 4605: 4591: 4587: 4577: 4575: 4564: 4560: 4550: 4548: 4545:Rotten Tomatoes 4537: 4533: 4523: 4521: 4513:Donato Totaro. 4511: 4507: 4496: 4482: 4478: 4471: 4457: 4453: 4439: 4437: 4427: 4423: 4416: 4402: 4398: 4388: 4386: 4378: 4377: 4373: 4358: 4357: 4353: 4338: 4337: 4333: 4323: 4321: 4308: 4307: 4303: 4293: 4291: 4290:on 24 June 2021 4278: 4277: 4273: 4263: 4261: 4251: 4247: 4237: 4235: 4228: 4221: 4211: 4209: 4207:Taste of Cinema 4199: 4190: 4185: 4181: 4171: 4169: 4156: 4155: 4151: 4141: 4139: 4130: 4129: 4125: 4118: 4100: 4096: 4086: 4084: 4075: 4074: 4070: 4057: 4056: 4052: 4039: 4038: 4034: 4021: 4020: 4016: 4006: 4005: 4001: 3988: 3987: 3983: 3973: 3971: 3964:nonfiction.film 3958: 3957: 3953: 3940: 3939: 3935: 3925: 3923: 3912: 3911: 3907: 3896: 3889: 3879: 3877: 3876:on 7 March 2018 3866: 3862: 3852: 3850: 3849:on 12 June 2009 3843: 3827: 3823: 3813: 3811: 3792: 3788: 3778: 3776: 3761: 3757: 3752: 3745: 3735: 3734: 3730: 3721: 3720: 3716: 3706: 3704: 3694: 3690: 3680: 3678: 3663: 3659: 3652: 3650:. 2 April 2019. 3646: 3645: 3641: 3631: 3629: 3616: 3615: 3611: 3601: 3599: 3584: 3580: 3572: 3568: 3558: 3556: 3547: 3546: 3542: 3532: 3530: 3521: 3520: 3516: 3506: 3504: 3502:www2.bfi.org.uk 3496: 3495: 3491: 3483: 3479: 3469: 3467: 3456:Sight and Sound 3448: 3444: 3430: 3428: 3417: 3413: 3403: 3401: 3390: 3386: 3376: 3374: 3364: 3360: 3355: 3351: 3341: 3339: 3338:on 12 June 2007 3332: 3316: 3312: 3307: 3303: 3294: 3293: 3289: 3276: 3275: 3271: 3256: 3252: 3242: 3240: 3229: 3225: 3218: 3202: 3198: 3188: 3186: 3180: 3176: 3169: 3156: 3153: 3152: 3148: 3134: 3130: 3123: 3103: 3099: 3093:Sight and Sound 3090: 3086: 3078: 3074: 3064: 3062: 3060:latgale.academy 3054: 3053: 3049: 3039: 3037: 3020: 3013: 3006: 2990: 2986: 2979: 2963: 2959: 2945: 2944: 2940: 2930: 2928: 2923: 2922: 2918: 2908: 2906: 2897: 2891: 2887: 2869: 2868: 2864: 2849: 2847: 2838: 2837: 2833: 2815: 2814: 2807: 2797: 2795: 2783: 2779: 2770: 2768: 2755: 2748: 2725: 2721: 2711: 2709: 2697: 2693: 2686: 2672: 2668: 2664:, 2016, с. 674. 2647: 2645: 2641:(11 May 2023). 2636: 2632: 2619: 2618: 2614: 2610: 2588: 2568:. Owing to the 2545: 2528: 2465:Film historian 2378:) for his 1983 2348:Wings of Desire 2241: 2233:Vasily Shukshin 2175:3345 Tarkovskij 2094:twice, and the 2048: 2042: 1965: 1846: 1791: 1784: 1681: 1534: 1528: 1496: 1483: 1367: 1365:Cinematic style 1269:Kenji Mizoguchi 1259:Charlie Chaplin 1178:Khrushchev Thaw 1174: 1089: 1019:(Italy) in 1985 941: 925:Anatoli Papanov 917:Peter the Great 878:Roadside Picnic 863:Roadside Picnic 756:Larisa Kizilova 694: 587:French New Wave 579:Khrushchev Thaw 559: 439:Kostroma Oblast 419: 414: 412:Life and career 402: 372:as well as the 259: 258: 250: 212: 211: 208: 1970) 203: 199: 197:Larisa Kizilova 189: 186: 1970) 177: 173: 170: 144: 119:Alma mater 103: 100: 96: 87: 73: 67: 65: 64: 63: 53: 50: 44: 35: 28: 23: 22: 15: 12: 11: 5: 9552: 9542: 9541: 9536: 9531: 9526: 9521: 9516: 9511: 9506: 9501: 9496: 9491: 9486: 9481: 9476: 9471: 9466: 9461: 9456: 9451: 9446: 9441: 9436: 9431: 9426: 9421: 9416: 9411: 9406: 9401: 9396: 9391: 9386: 9381: 9376: 9371: 9354: 9353: 9336: 9328: 9327: 9324: 9323: 9321: 9320: 9313: 9306: 9299: 9292: 9285: 9278: 9271: 9264: 9261:Poetic realism 9257: 9250: 9243: 9236: 9229: 9222: 9215: 9208: 9201: 9194: 9191:Late modernity 9187: 9184:Late modernism 9180: 9173: 9166: 9165: 9164: 9157: 9150: 9136: 9129: 9126:High modernism 9122: 9115: 9108: 9101: 9094: 9087: 9080: 9073: 9070:Degenerate art 9066: 9059: 9052: 9045: 9040:Ballets Russes 9034: 9023: 9016: 9008: 9006: 9002: 9001: 8998: 8997: 8995: 8994: 8982: 8970: 8958: 8946: 8934: 8922: 8910: 8898: 8886: 8874: 8862: 8849: 8847: 8843: 8842: 8840: 8839: 8832: 8825: 8818: 8811: 8804: 8797: 8790: 8783: 8776: 8769: 8762: 8755: 8748: 8741: 8734: 8727: 8719: 8717: 8711: 8710: 8708: 8707: 8700: 8693: 8686: 8679: 8672: 8665: 8658: 8651: 8644: 8637: 8630: 8623: 8616: 8609: 8602: 8595: 8588: 8581: 8574: 8567: 8559: 8557: 8551: 8550: 8548: 8547: 8540: 8533: 8526: 8519: 8512: 8505: 8498: 8491: 8484: 8477: 8470: 8463: 8456: 8449: 8442: 8435: 8428: 8421: 8414: 8407: 8400: 8393: 8386: 8379: 8372: 8365: 8358: 8351: 8344: 8337: 8330: 8323: 8315: 8313: 8304: 8296: 8295: 8292: 8291: 8289: 8288: 8276: 8264: 8254: 8244: 8232: 8220: 8208: 8196: 8184: 8172: 8160: 8148: 8136: 8124: 8112: 8099: 8097: 8093: 8092: 8090: 8089: 8082: 8075: 8068: 8061: 8054: 8047: 8040: 8033: 8026: 8019: 8012: 8005: 7998: 7991: 7984: 7977: 7970: 7963: 7956: 7949: 7942: 7935: 7927: 7925: 7919: 7918: 7916: 7915: 7908: 7901: 7894: 7887: 7880: 7873: 7866: 7859: 7852: 7845: 7838: 7831: 7824: 7817: 7810: 7803: 7796: 7793:Ray (Satyajit) 7789: 7786:Ray (Nicholas) 7782: 7775: 7768: 7761: 7754: 7747: 7740: 7733: 7726: 7719: 7712: 7705: 7698: 7691: 7684: 7677: 7670: 7663: 7656: 7649: 7642: 7635: 7628: 7621: 7614: 7607: 7600: 7593: 7586: 7579: 7572: 7565: 7558: 7551: 7544: 7537: 7530: 7523: 7516: 7509: 7502: 7495: 7487: 7485: 7479: 7478: 7476: 7475: 7468: 7461: 7454: 7447: 7440: 7433: 7426: 7419: 7412: 7405: 7398: 7391: 7384: 7377: 7370: 7363: 7356: 7349: 7342: 7335: 7328: 7321: 7314: 7307: 7300: 7293: 7286: 7279: 7272: 7265: 7258: 7251: 7244: 7237: 7230: 7223: 7216: 7209: 7202: 7195: 7188: 7181: 7174: 7167: 7160: 7153: 7146: 7139: 7132: 7125: 7118: 7111: 7104: 7097: 7090: 7083: 7076: 7069: 7062: 7055: 7048: 7041: 7034: 7027: 7020: 7013: 7006: 6999: 6992: 6985: 6978: 6970: 6968: 6959: 6953: 6952: 6949: 6948: 6946: 6945: 6933: 6921: 6909: 6897: 6885: 6878:The Waste Land 6873: 6861: 6849: 6836: 6834: 6830: 6829: 6827: 6826: 6819: 6812: 6805: 6798: 6791: 6784: 6777: 6770: 6763: 6756: 6749: 6742: 6735: 6728: 6721: 6714: 6707: 6700: 6693: 6686: 6679: 6672: 6665: 6658: 6651: 6644: 6637: 6630: 6622: 6620: 6614: 6613: 6611: 6610: 6603: 6596: 6589: 6582: 6575: 6568: 6561: 6554: 6547: 6540: 6533: 6526: 6519: 6512: 6505: 6498: 6491: 6484: 6477: 6470: 6463: 6456: 6449: 6442: 6435: 6428: 6421: 6414: 6407: 6400: 6393: 6386: 6379: 6372: 6364: 6362: 6353: 6347: 6346: 6344: 6343: 6336: 6329: 6322: 6315: 6308: 6307: 6306: 6288: 6281: 6274: 6267: 6266: 6265: 6251: 6244: 6243: 6242: 6235: 6224: 6206: 6199: 6192: 6189:Constructivism 6185: 6178: 6167: 6156: 6148: 6146: 6142: 6141: 6134: 6133: 6126: 6119: 6111: 6102: 6101: 6099: 6098: 6092: 6086: 6083:Park Chan-wook 6080: 6074: 6068: 6062: 6056: 6046: 6040: 6037:Bennett Miller 6034: 6031:Amat Escalante 6028: 6022: 6016: 6010: 6004: 5998: 5992: 5986: 5983:Michael Haneke 5980: 5974: 5968: 5958: 5947: 5945: 5941: 5940: 5938: 5937: 5931: 5925: 5919: 5913: 5907: 5901: 5895: 5889: 5883: 5877: 5871: 5868:Emir Kusturica 5865: 5859: 5853: 5847: 5841: 5835: 5828:Robert Bresson 5825: 5819: 5813: 5807: 5800: 5798: 5794: 5793: 5791: 5790: 5780: 5774: 5768: 5758: 5752: 5746: 5740: 5734: 5728: 5725:Ingmar Bergman 5722: 5719:Robert Bresson 5716: 5710: 5700: 5694: 5688: 5682: 5675: 5673: 5669: 5668: 5661: 5660: 5653: 5646: 5638: 5629: 5628: 5626: 5625: 5620: 5613: 5606: 5598: 5596: 5592: 5591: 5589: 5588: 5581: 5573: 5571: 5567: 5566: 5563: 5562: 5560: 5559: 5555:Voyage in Time 5550: 5548: 5544: 5543: 5541: 5540: 5532: 5524: 5516: 5508: 5500: 5492: 5483: 5481: 5477: 5476: 5474: 5473: 5465: 5457: 5448: 5446: 5439: 5435: 5434: 5432: 5431: 5426: 5420: 5417: 5416: 5409: 5408: 5401: 5394: 5386: 5380: 5379: 5370: 5365: 5360: 5351: 5337: 5320: 5319:External links 5317: 5316: 5315: 5272: 5269: 5266: 5265: 5239: 5238: 5231: 5230: 5221: 5212: 5206: 5191: 5185: 5172: 5147: 5133: 5127: 5114: 5105: 5099: 5086: 5080: 5065: 5059: 5044: 5035: 5029: 5012: 5002: 4986: 4979: 4978: 4967:. 29 June 2022 4952: 4927: 4911: 4886: 4855: 4837: 4826:. 30 June 2020 4811: 4786: 4773:Russian events 4760: 4732: 4704: 4678: 4652: 4645: 4623: 4610: 4603: 4585: 4558: 4531: 4505: 4494: 4476: 4469: 4451: 4421: 4414: 4396: 4384:Nostalghia.com 4371: 4351: 4345:The New Yorker 4340:"Happy Haneke" 4331: 4314:old.bfi.org.uk 4301: 4271: 4245: 4219: 4188: 4179: 4149: 4138:on 6 July 2009 4123: 4116: 4094: 4083:on 8 July 2007 4068: 4050: 4032: 4014: 3999: 3981: 3951: 3933: 3905: 3887: 3860: 3841: 3821: 3786: 3769:Iskusstvo Kino 3755: 3743: 3728: 3714: 3702:nostalghia.com 3688: 3677:on 27 May 2009 3657: 3639: 3609: 3578: 3566: 3540: 3529:. 17 July 2021 3514: 3489: 3477: 3466:on 6 July 2009 3442: 3425:nostalghia.com 3411: 3384: 3358: 3349: 3330: 3310: 3301: 3287: 3269: 3250: 3223: 3216: 3196: 3174: 3167: 3146: 3128: 3121: 3097: 3084: 3082:, p. xxv. 3072: 3047: 3011: 3005:978-1400077861 3004: 2984: 2978:978-1349119967 2977: 2957: 2938: 2916: 2885: 2862: 2831: 2805: 2785:Gray, Carmen. 2777: 2746: 2729:Film Quarterly 2719: 2691: 2684: 2666: 2630: 2611: 2609: 2606: 2605: 2604: 2599: 2594: 2587: 2584: 2583: 2582: 2558:Ivanovo Oblast 2556:, governor of 2538: 2527: 2524: 2494:Lars von Trier 2456:Salman Rushdie 2318:Michael Haneke 2255:Akira Kurosawa 2248:Ingmar Bergman 2240: 2237: 2133:Iskusstvo Kino 2121: 2120: 2103: 2084:FIPRESCI prize 2068: 2044:Main article: 2041: 2038: 2037: 2036: 2030: 2024: 2018: 2006: 2000: 1988: 1982: 1970:Voyage in Time 1964: 1961: 1910: 1909: 1906: 1902: 1901: 1898: 1894: 1893: 1889: 1888: 1885: 1881: 1880: 1875: 1871: 1870: 1865: 1861: 1860: 1853: 1852: 1851:"Hoffmanniana" 1845: 1840: 1790: 1785: 1783: 1780: 1779: 1778: 1775:978-0500022597 1764: 1761:978-0955739415 1746: 1728: 1725:978-0571142668 1714: 1698: 1680: 1677: 1659:Voyage in Time 1595: 1594: 1586: 1578: 1570: 1562: 1554: 1546: 1530:Main article: 1527: 1524: 1510:Ingmar Bergman 1495: 1492: 1482: 1479: 1446:Ingmar Bergman 1366: 1363: 1348:The Terminator 1279:Akira Kurosawa 1239:Ingmar Bergman 1217:Robert Bresson 1173: 1170: 1088: 1085: 1081:FIPRESCI prize 1043:Ingmar Bergman 1006:Claudio Abbado 988:Robert Bresson 980:FIPRESCI prize 946:Voyage in Time 940: 937: 882:Georgy Rerberg 841:Lenkom Theatre 749:FIPRESCI prize 693: 690: 574:Khrushchev era 558: 555: 470:Fyodor Dubasov 418: 415: 413: 410: 346:FIPRESCI prize 234: 233: 228: 224: 223: 218: 214: 213: 201: 195: 194: 193: 192: 175: 171: 166: 165: 164: 163: 160: 158: 154: 153: 150: 146: 145: 143: 142: 139: 136: 132: 130: 126: 125: 120: 116: 115: 109: 105: 104: 101: 99:(aged 54) 93: 89: 88: 86:, Soviet Union 80:Ivanovo Oblast 74: 61: 59: 55: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 9551: 9540: 9537: 9535: 9532: 9530: 9527: 9525: 9522: 9520: 9517: 9515: 9512: 9510: 9507: 9505: 9502: 9500: 9497: 9495: 9492: 9490: 9487: 9485: 9482: 9480: 9477: 9475: 9472: 9470: 9467: 9465: 9462: 9460: 9457: 9455: 9452: 9450: 9447: 9445: 9442: 9440: 9437: 9435: 9432: 9430: 9427: 9425: 9422: 9420: 9417: 9415: 9412: 9410: 9407: 9405: 9402: 9400: 9397: 9395: 9392: 9390: 9387: 9385: 9382: 9380: 9377: 9375: 9372: 9370: 9367: 9366: 9364: 9351: 9341: 9340: 9339:Postmodernism 9334: 9333: 9325: 9318: 9314: 9311: 9307: 9304: 9300: 9297: 9293: 9290: 9286: 9283: 9282:Metamodernism 9279: 9276: 9272: 9269: 9265: 9262: 9258: 9255: 9251: 9248: 9247:New Hollywood 9244: 9241: 9237: 9234: 9230: 9227: 9223: 9220: 9216: 9213: 9209: 9206: 9202: 9199: 9195: 9192: 9188: 9185: 9181: 9178: 9174: 9171: 9167: 9162: 9158: 9155: 9151: 9148: 9144: 9143: 9141: 9140:Impressionism 9137: 9134: 9130: 9127: 9123: 9120: 9116: 9113: 9109: 9106: 9102: 9099: 9095: 9092: 9088: 9085: 9081: 9078: 9074: 9071: 9067: 9064: 9060: 9057: 9053: 9050: 9046: 9042: 9041: 9035: 9031: 9030: 9024: 9021: 9017: 9014: 9010: 9009: 9007: 9003: 8989: 8988: 8983: 8977: 8976: 8971: 8965: 8964: 8959: 8953: 8952: 8947: 8941: 8940: 8935: 8929: 8928: 8923: 8917: 8916: 8911: 8905: 8904: 8899: 8893: 8892: 8887: 8881: 8880: 8875: 8869: 8868: 8863: 8857: 8856: 8851: 8850: 8848: 8844: 8837: 8833: 8830: 8826: 8823: 8819: 8816: 8812: 8809: 8805: 8802: 8798: 8795: 8791: 8788: 8784: 8781: 8777: 8774: 8770: 8767: 8763: 8760: 8756: 8753: 8749: 8746: 8742: 8739: 8735: 8732: 8728: 8725: 8721: 8720: 8718: 8716: 8712: 8705: 8701: 8698: 8694: 8691: 8687: 8684: 8680: 8677: 8673: 8670: 8666: 8663: 8659: 8656: 8652: 8649: 8645: 8642: 8638: 8635: 8631: 8628: 8624: 8621: 8617: 8614: 8610: 8607: 8603: 8600: 8596: 8593: 8589: 8586: 8582: 8579: 8575: 8572: 8568: 8565: 8561: 8560: 8558: 8556: 8552: 8545: 8541: 8538: 8534: 8531: 8527: 8524: 8520: 8517: 8513: 8510: 8506: 8503: 8499: 8496: 8492: 8489: 8485: 8482: 8478: 8475: 8471: 8468: 8464: 8461: 8457: 8454: 8450: 8447: 8443: 8440: 8436: 8433: 8429: 8426: 8422: 8419: 8415: 8412: 8408: 8405: 8401: 8398: 8394: 8391: 8387: 8384: 8380: 8377: 8373: 8370: 8366: 8363: 8359: 8356: 8352: 8349: 8345: 8342: 8338: 8335: 8331: 8328: 8324: 8321: 8317: 8316: 8314: 8312: 8308: 8305: 8303: 8297: 8283: 8282: 8277: 8271: 8270: 8265: 8259: 8255: 8249: 8245: 8239: 8238: 8233: 8227: 8226: 8221: 8215: 8214: 8209: 8203: 8202: 8197: 8191: 8190: 8185: 8179: 8178: 8173: 8167: 8166: 8161: 8155: 8154: 8149: 8143: 8142: 8137: 8131: 8130: 8125: 8119: 8118: 8113: 8107: 8106: 8101: 8100: 8098: 8094: 8087: 8083: 8080: 8076: 8073: 8069: 8066: 8062: 8059: 8055: 8052: 8048: 8045: 8041: 8038: 8034: 8031: 8027: 8024: 8020: 8017: 8013: 8010: 8006: 8003: 7999: 7996: 7992: 7989: 7985: 7982: 7978: 7975: 7974:Hundertwasser 7971: 7968: 7964: 7961: 7957: 7954: 7950: 7947: 7943: 7940: 7936: 7933: 7929: 7928: 7926: 7924: 7920: 7913: 7909: 7906: 7902: 7899: 7895: 7892: 7888: 7885: 7881: 7878: 7874: 7871: 7867: 7864: 7860: 7857: 7853: 7850: 7846: 7843: 7839: 7836: 7832: 7829: 7825: 7822: 7818: 7815: 7811: 7808: 7804: 7801: 7797: 7794: 7790: 7787: 7783: 7780: 7776: 7773: 7769: 7766: 7762: 7759: 7755: 7752: 7748: 7745: 7741: 7738: 7734: 7731: 7727: 7724: 7720: 7717: 7713: 7710: 7706: 7703: 7699: 7696: 7692: 7689: 7685: 7682: 7678: 7675: 7671: 7668: 7664: 7661: 7657: 7654: 7650: 7647: 7643: 7640: 7636: 7633: 7629: 7626: 7622: 7619: 7615: 7612: 7608: 7605: 7601: 7598: 7594: 7591: 7587: 7584: 7580: 7577: 7573: 7570: 7566: 7563: 7559: 7556: 7552: 7549: 7545: 7542: 7538: 7535: 7531: 7528: 7524: 7521: 7517: 7514: 7510: 7507: 7503: 7500: 7496: 7493: 7489: 7488: 7486: 7484: 7480: 7473: 7469: 7466: 7462: 7459: 7455: 7452: 7448: 7445: 7441: 7438: 7434: 7431: 7427: 7424: 7420: 7417: 7413: 7410: 7406: 7403: 7399: 7396: 7392: 7389: 7385: 7382: 7378: 7375: 7371: 7368: 7364: 7361: 7357: 7354: 7350: 7347: 7343: 7340: 7336: 7333: 7329: 7326: 7322: 7319: 7315: 7312: 7308: 7305: 7301: 7298: 7294: 7291: 7287: 7284: 7280: 7277: 7273: 7270: 7266: 7263: 7259: 7256: 7252: 7249: 7245: 7242: 7238: 7235: 7231: 7228: 7224: 7221: 7217: 7214: 7210: 7207: 7203: 7200: 7196: 7193: 7189: 7186: 7182: 7179: 7175: 7172: 7168: 7165: 7161: 7158: 7154: 7151: 7147: 7144: 7140: 7137: 7133: 7130: 7126: 7123: 7119: 7116: 7112: 7109: 7105: 7102: 7098: 7095: 7091: 7088: 7084: 7081: 7077: 7074: 7070: 7067: 7063: 7060: 7056: 7053: 7049: 7046: 7042: 7039: 7035: 7032: 7028: 7025: 7021: 7018: 7014: 7011: 7007: 7004: 7000: 6997: 6993: 6990: 6986: 6983: 6979: 6976: 6972: 6971: 6969: 6967: 6963: 6960: 6958: 6954: 6940: 6939: 6934: 6928: 6927: 6922: 6916: 6915: 6910: 6904: 6903: 6898: 6892: 6891: 6886: 6880: 6879: 6874: 6868: 6867: 6862: 6856: 6855: 6850: 6844: 6843: 6838: 6837: 6835: 6831: 6824: 6820: 6817: 6813: 6810: 6806: 6803: 6799: 6796: 6792: 6789: 6785: 6782: 6778: 6775: 6771: 6768: 6764: 6761: 6757: 6754: 6750: 6747: 6743: 6740: 6736: 6733: 6729: 6726: 6722: 6719: 6715: 6712: 6708: 6705: 6701: 6698: 6694: 6691: 6687: 6684: 6680: 6677: 6673: 6670: 6666: 6663: 6659: 6656: 6652: 6649: 6645: 6642: 6638: 6635: 6631: 6628: 6624: 6623: 6621: 6619: 6615: 6608: 6604: 6601: 6597: 6594: 6590: 6587: 6583: 6580: 6576: 6573: 6569: 6566: 6562: 6559: 6555: 6552: 6548: 6545: 6541: 6538: 6534: 6531: 6527: 6524: 6520: 6517: 6513: 6510: 6506: 6503: 6499: 6496: 6492: 6489: 6485: 6482: 6478: 6475: 6471: 6468: 6464: 6461: 6457: 6454: 6450: 6447: 6443: 6440: 6436: 6433: 6429: 6426: 6422: 6419: 6415: 6412: 6408: 6405: 6401: 6398: 6394: 6391: 6387: 6384: 6380: 6377: 6373: 6370: 6366: 6365: 6363: 6361: 6357: 6354: 6352: 6351:Literary arts 6348: 6341: 6337: 6334: 6330: 6327: 6323: 6320: 6316: 6313: 6309: 6303: 6302: 6296: 6295: 6293: 6292:Neoplasticism 6289: 6286: 6282: 6279: 6275: 6272: 6268: 6263: 6259: 6258: 6256: 6255:Functionalism 6252: 6249: 6245: 6240: 6236: 6232: 6231: 6225: 6221: 6220: 6214: 6213: 6211: 6210:Expressionism 6207: 6204: 6200: 6197: 6193: 6190: 6186: 6183: 6182:Ashcan School 6179: 6175: 6174: 6168: 6164: 6163: 6157: 6154: 6150: 6149: 6147: 6143: 6139: 6132: 6127: 6125: 6120: 6118: 6113: 6112: 6109: 6096: 6093: 6090: 6089:Tran Anh Hung 6087: 6084: 6081: 6078: 6075: 6072: 6069: 6066: 6063: 6060: 6059:Sofia Coppola 6057: 6054: 6050: 6047: 6044: 6041: 6038: 6035: 6032: 6029: 6026: 6023: 6020: 6017: 6014: 6011: 6008: 6005: 6002: 5999: 5996: 5993: 5990: 5987: 5984: 5981: 5978: 5975: 5972: 5969: 5966: 5962: 5959: 5956: 5952: 5949: 5948: 5946: 5942: 5935: 5932: 5929: 5926: 5923: 5920: 5917: 5914: 5911: 5908: 5905: 5902: 5899: 5898:Nanni Moretti 5896: 5893: 5890: 5887: 5886:Robert Altman 5884: 5881: 5878: 5875: 5872: 5869: 5866: 5863: 5860: 5857: 5854: 5851: 5848: 5845: 5844:André Téchiné 5842: 5839: 5836: 5833: 5829: 5826: 5823: 5822:Werner Herzog 5820: 5817: 5814: 5811: 5810:Nagisa Ōshima 5808: 5805: 5802: 5801: 5799: 5795: 5788: 5784: 5783:Michel Brault 5781: 5778: 5777:Miklós Jancsó 5775: 5772: 5769: 5766: 5765:Glauber Rocha 5762: 5761:Vojtěch Jasný 5759: 5756: 5753: 5750: 5747: 5744: 5741: 5738: 5735: 5732: 5729: 5726: 5723: 5720: 5717: 5714: 5711: 5708: 5704: 5701: 5698: 5695: 5692: 5689: 5686: 5683: 5680: 5677: 5676: 5674: 5670: 5666: 5659: 5654: 5652: 5647: 5645: 5640: 5639: 5636: 5624: 5621: 5619: 5618: 5614: 5612: 5611: 5607: 5605: 5604: 5600: 5599: 5597: 5593: 5587: 5586: 5582: 5580: 5579: 5575: 5574: 5572: 5568: 5557: 5556: 5552: 5551: 5549: 5547:Documentaries 5545: 5538: 5537: 5536:The Sacrifice 5533: 5530: 5529: 5525: 5522: 5521: 5517: 5514: 5513: 5509: 5506: 5505: 5501: 5498: 5497: 5496:Andrei Rublev 5493: 5490: 5489: 5485: 5484: 5482: 5480:Feature films 5478: 5471: 5470: 5466: 5463: 5462: 5458: 5455: 5454: 5450: 5449: 5447: 5445:Student films 5443: 5440: 5436: 5430: 5427: 5425: 5422: 5421: 5418: 5414: 5407: 5402: 5400: 5395: 5393: 5388: 5387: 5384: 5378: 5374: 5371: 5369: 5366: 5364: 5361: 5359: 5355: 5352: 5349: 5345: 5341: 5338: 5335: 5330: 5326: 5323: 5322: 5312: 5308: 5304: 5300: 5296: 5292: 5288: 5284: 5280: 5275: 5274: 5262: 5256: 5250: 5244: 5240: 5237: 5236: 5227: 5222: 5218: 5213: 5209: 5203: 5199: 5198: 5192: 5188: 5182: 5178: 5173: 5169: 5165: 5161: 5157: 5153: 5148: 5146: 5142: 5138: 5134: 5130: 5124: 5120: 5115: 5111: 5106: 5102: 5096: 5092: 5087: 5083: 5077: 5073: 5072: 5066: 5062: 5056: 5052: 5051: 5045: 5041: 5036: 5032: 5026: 5021: 5020: 5013: 5009: 5005: 4999: 4995: 4994: 4988: 4987: 4985: 4984: 4966: 4965:News Unrolled 4962: 4956: 4941: 4937: 4931: 4922: 4915: 4900: 4896: 4890: 4875:. 15 May 2019 4874: 4870: 4864: 4862: 4860: 4852: 4848: 4841: 4825: 4821: 4815: 4800: 4796: 4790: 4775:. 1 June 2019 4774: 4770: 4764: 4749: 4748: 4747:Hyperallergic 4743: 4736: 4721: 4720: 4715: 4708: 4692: 4688: 4682: 4666: 4662: 4656: 4648: 4642: 4638: 4634: 4627: 4620: 4614: 4606: 4604:9781137437907 4600: 4596: 4589: 4573: 4569: 4562: 4546: 4542: 4535: 4520: 4516: 4509: 4502: 4497: 4495:9781400884421 4491: 4487: 4480: 4472: 4470:9781861892232 4466: 4462: 4455: 4448: 4436: 4435:Russia Beyond 4432: 4425: 4417: 4415:9781578062201 4411: 4407: 4400: 4385: 4381: 4375: 4367: 4366: 4361: 4355: 4347: 4346: 4341: 4335: 4319: 4315: 4311: 4305: 4289: 4285: 4281: 4275: 4260: 4256: 4249: 4233: 4226: 4224: 4208: 4204: 4197: 4195: 4193: 4183: 4167: 4163: 4162:panoramio.com 4159: 4153: 4137: 4133: 4127: 4119: 4113: 4109: 4105: 4098: 4082: 4078: 4072: 4064: 4060: 4054: 4046: 4042: 4036: 4028: 4024: 4018: 4010: 4003: 3995: 3991: 3985: 3969: 3965: 3961: 3955: 3947: 3943: 3937: 3921: 3920: 3915: 3909: 3901: 3894: 3892: 3875: 3871: 3864: 3848: 3844: 3838: 3834: 3833: 3825: 3809: 3805: 3801: 3797: 3790: 3774: 3770: 3766: 3759: 3750: 3748: 3738: 3732: 3724: 3718: 3703: 3699: 3692: 3676: 3672: 3671:To the Screen 3668: 3661: 3649: 3643: 3627: 3623: 3621: 3620:The Sacrifice 3613: 3597: 3593: 3589: 3582: 3575: 3574:Gianvito 2006 3570: 3554: 3550: 3544: 3528: 3524: 3518: 3503: 3499: 3493: 3486: 3485:Gianvito 2006 3481: 3465: 3461: 3457: 3453: 3446: 3439: 3426: 3422: 3415: 3399: 3395: 3388: 3373: 3369: 3362: 3353: 3337: 3333: 3327: 3323: 3322: 3314: 3305: 3297: 3291: 3283: 3282:La Repubblica 3279: 3273: 3266:(in Italian). 3265: 3264:La Repubblica 3261: 3254: 3238: 3234: 3227: 3219: 3213: 3209: 3208: 3200: 3185: 3178: 3170: 3164: 3160: 3150: 3143: 3142: 3137: 3132: 3124: 3118: 3114: 3110: 3109: 3101: 3094: 3088: 3081: 3080:Gianvito 2006 3076: 3061: 3057: 3051: 3035: 3031: 3030: 3025: 3018: 3016: 3007: 3001: 2997: 2996: 2988: 2980: 2974: 2970: 2969: 2961: 2953: 2949: 2942: 2926: 2920: 2904: 2903: 2898: 2889: 2883:, in Russian) 2882: 2879:, 1890–1907 ( 2878: 2872: 2866: 2859: 2845: 2841: 2835: 2828: 2824: 2818: 2812: 2810: 2794: 2793: 2788: 2781: 2766: 2762: 2761: 2753: 2751: 2742: 2738: 2734: 2730: 2723: 2708: 2707: 2702: 2695: 2687: 2681: 2677: 2670: 2663: 2659: 2658: 2644: 2640: 2634: 2626: 2622: 2616: 2612: 2603: 2600: 2598: 2595: 2593: 2590: 2589: 2580: 2575: 2571: 2567: 2566:Sergei Bodrov 2563: 2559: 2555: 2549: 2544: 2543:Tarkovskyfest 2539: 2536: 2533: 2532: 2531: 2526:Film festival 2523: 2520: 2519: 2514: 2509: 2507: 2506: 2501: 2500: 2495: 2490: 2488: 2487: 2481: 2480: 2479:Andrei Rublev 2475: 2470: 2468: 2467:Steven Dillon 2463: 2461: 2457: 2452: 2450: 2449: 2444: 2440: 2437:The Japanese 2435: 2433: 2429: 2424: 2422: 2421: 2416: 2411: 2409: 2408:Andrei Rublev 2405: 2400: 2398: 2394: 2389: 2387: 2386: 2381: 2377: 2376: 2371: 2370: 2365: 2360: 2358: 2354: 2350: 2349: 2344: 2339: 2336: 2335:Stan Brakhage 2331: 2329: 2328: 2323: 2319: 2314: 2312: 2308: 2304: 2299: 2297: 2296: 2291: 2290: 2284: 2279: 2277: 2276: 2271: 2266: 2264: 2259: 2256: 2251: 2249: 2244: 2236: 2234: 2230: 2226: 2222: 2217: 2215: 2214: 2209: 2205: 2204:The Sacrifice 2201: 2197: 2193: 2189: 2188: 2182: 2180: 2176: 2172: 2168: 2163: 2161: 2157: 2153: 2152:Yuri Norstein 2149: 2145: 2140: 2138: 2134: 2130: 2126: 2118: 2117: 2116:The Sacrifice 2112: 2108: 2105:In 1987, the 2104: 2101: 2097: 2096:Best Director 2093: 2089: 2085: 2081: 2073: 2069: 2067: 2066: 2061: 2057: 2053: 2052: 2051: 2047: 2034: 2031: 2028: 2025: 2022: 2019: 2016: 2012: 2011: 2007: 2004: 2001: 1998: 1994: 1993: 1989: 1986: 1983: 1980: 1979:Tonino Guerra 1976: 1972: 1971: 1967: 1966: 1960: 1957: 1952: 1950: 1946: 1945: 1940: 1936: 1932: 1928: 1918: 1917: 1907: 1903: 1899: 1895: 1890: 1886: 1882: 1879: 1876: 1872: 1869: 1866: 1862: 1858: 1854: 1849: 1844: 1839: 1837: 1833: 1823: 1817: 1815: 1811: 1807: 1797: 1796: 1789: 1776: 1772: 1768: 1765: 1762: 1758: 1754: 1750: 1747: 1744: 1740: 1739:9780500286142 1736: 1732: 1729: 1726: 1722: 1718: 1715: 1712: 1711:9780857424921 1708: 1704: 1703: 1699: 1696: 1695:0-292-77624-1 1692: 1688: 1687: 1683: 1682: 1676: 1673: 1672: 1671:The Sacrifice 1667: 1666: 1661: 1660: 1655: 1654: 1649: 1648: 1643: 1642: 1637: 1636: 1635:Andrei Rublev 1631: 1630: 1624: 1622: 1621: 1616: 1612: 1608: 1607: 1606:Boris Godunov 1602: 1601: 1592: 1591: 1590:The Sacrifice 1587: 1584: 1583: 1579: 1576: 1575: 1571: 1568: 1567: 1563: 1560: 1559: 1555: 1552: 1551: 1550:Andrei Rublev 1547: 1544: 1543: 1539: 1538: 1537: 1533: 1523: 1521: 1520: 1515: 1511: 1507: 1503: 1502: 1501:The Sacrifice 1491: 1488: 1478: 1476: 1472: 1468: 1464: 1463: 1462:Autumn Sonata 1456: 1455: 1449: 1447: 1442: 1440: 1439:Andrei Rublev 1436: 1432: 1431: 1426: 1422: 1421: 1420:Andrei Rublev 1415: 1413: 1409: 1405: 1401: 1400: 1394: 1392: 1386: 1384: 1379: 1377: 1373: 1362: 1360: 1359: 1354: 1350: 1349: 1344: 1343:James Cameron 1339: 1337: 1336: 1331: 1327: 1323: 1319: 1314: 1312: 1308: 1304: 1300: 1299: 1294: 1290: 1286: 1285: 1280: 1276: 1275: 1274:Seven Samurai 1270: 1266: 1265: 1260: 1256: 1255: 1250: 1246: 1245: 1240: 1236: 1235: 1230: 1229: 1224: 1223: 1218: 1214: 1213: 1208: 1207: 1200: 1198: 1193: 1191: 1185: 1183: 1179: 1169: 1167: 1166: 1161: 1157: 1152: 1150: 1146: 1142: 1138: 1133: 1131: 1127: 1123: 1119: 1114: 1112: 1111: 1106: 1098: 1093: 1084: 1082: 1078: 1074: 1070: 1069:The Sacrifice 1066: 1063: 1059: 1055: 1054:The Sacrifice 1050: 1048: 1044: 1040: 1039: 1038:The Sacrifice 1033: 1031: 1026: 1018: 1013: 1009: 1007: 1003: 999: 998: 997:Boris Godunov 993: 989: 985: 981: 977: 973: 969: 965: 960: 958: 957: 952: 951:Tonino Guerra 948: 947: 936: 934: 930: 926: 922: 918: 914: 910: 906: 905:The First Day 901: 899: 895: 891: 887: 883: 879: 875: 874: 869: 865: 864: 859: 858: 852: 850: 846: 842: 838: 837: 832: 828: 827: 821: 819: 815: 811: 807: 806: 800: 798: 794: 790: 786: 782: 781:Stanisław Lem 778: 777: 772: 771: 765: 763: 762: 761:Andrei Rublev 757: 752: 750: 746: 741: 740:Andrei Rublev 737: 733: 732:Andrei Rublev 729: 728: 727:Andrei Rublev 720: 715: 711: 709: 706:award at the 705: 701: 700: 689: 687: 683: 682: 677: 673: 672: 667: 663: 658: 656: 652: 647: 645: 641: 640: 635: 631: 630: 625: 620: 618: 614: 613: 608: 604: 600: 596: 592: 588: 584: 580: 575: 570: 568: 564: 554: 552: 548: 544: 540: 536: 532: 527: 525: 524: 518: 514: 508: 505: 501: 496: 494: 490: 485: 483: 479: 475: 471: 467: 463: 459: 454: 452: 448: 447:Kropyvnytskyi 444: 440: 436: 432: 428: 424: 409: 407: 401: 400: 396:—featured in 395: 391: 387: 386:Andrei Rublev 383: 379: 378:The Sacrifice 375: 371: 367: 363: 359: 355: 351: 347: 343: 338: 336: 332: 331: 326: 325: 324:The Sacrifice 320: 319: 314: 310: 309: 304: 303: 298: 297: 292: 291: 290:Andrei Rublev 286: 285: 280: 276: 271: 269: 262: 256: 244: 240: 232: 229: 225: 222: 219: 215: 198: 191: 190: 169: 162: 161: 159: 155: 151: 147: 141:film theorist 140: 137: 135:Film director 134: 133: 131: 127: 124: 121: 117: 113: 110: 108:Resting place 106: 102:Paris, France 94: 90: 85: 81: 77: 60: 56: 47: 40: 37: 33: 19: 9337: 9330: 9077:Ecomodernism 8985: 8973: 8961: 8949: 8937: 8925: 8915:The Firebird 8913: 8901: 8889: 8877: 8865: 8853: 8279: 8269:Citizen Kane 8267: 8258:Fallingwater 8248:Villa Savoye 8235: 8223: 8211: 8199: 8187: 8177:Black Square 8175: 8163: 8151: 8139: 8127: 8115: 8103: 7995:Le Corbusier 7923:Architecture 7848: 6936: 6924: 6912: 6902:Mrs Dalloway 6900: 6888: 6876: 6864: 6852: 6840: 6725:Lowell (Amy) 6095:Miguel Gomes 5971:Gus Van Sant 5965:Im Kwon-taek 5944:2001–present 5922:John Boorman 5916:Wong Kar-wai 5874:Pavel Lungin 5831: 5804:Ettore Scola 5787:Costa-Gavras 5771:John Boorman 5743:Liviu Ciulei 5703:Jules Dassin 5685:René Clément 5679:René Clément 5623:Bibliography 5615: 5608: 5603:Moscow Elegy 5601: 5583: 5576: 5553: 5534: 5526: 5518: 5510: 5502: 5494: 5486: 5467: 5459: 5451: 5412: 5289:(1): 59–84. 5286: 5282: 5259:) family of 5249:Russian SFSR 5243: 5234: 5233: 5225: 5216: 5196: 5176: 5162:(2): 49–62. 5159: 5155: 5151: 5140: 5136: 5118: 5109: 5090: 5069: 5049: 5039: 5018: 5008:the original 4992: 4983:Bibliography 4982: 4981: 4969:. 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Retrieved 2633: 2624: 2615: 2562:Pavel Lungin 2529: 2516: 2510: 2503: 2497: 2491: 2486:The Revenant 2484: 2478: 2471: 2464: 2459: 2453: 2446: 2443:Mamoru Oshii 2436: 2431: 2425: 2418: 2412: 2401: 2396: 2390: 2383: 2373: 2367: 2364:Chris Marker 2361: 2357:Yasujirō Ozu 2346: 2340: 2332: 2325: 2321: 2315: 2310: 2306: 2300: 2293: 2287: 2280: 2273: 2267: 2260: 2252: 2245: 2242: 2218: 2211: 2208:Chris Marker 2203: 2195: 2187:Moscow Elegy 2185: 2183: 2171:minor planet 2164: 2159: 2158:awarded the 2147: 2141: 2132: 2122: 2114: 2102:three times. 2063: 2049: 2032: 2026: 2020: 2015:Chris Marker 2008: 2002: 1992:Moscow Elegy 1990: 1984: 1974: 1968: 1953: 1942: 1916:Hoffmanniana 1915: 1914: 1913: 1867: 1843:Hoffmanniana 1842: 1835: 1831: 1818: 1814:concentrates 1805: 1794: 1793: 1792: 1787: 1766: 1753:Stephen Gill 1748: 1730: 1716: 1700: 1684: 1679:Publications 1669: 1663: 1657: 1651: 1650:in 1975 and 1645: 1639: 1633: 1627: 1625: 1618: 1610: 1604: 1598: 1596: 1588: 1580: 1572: 1564: 1556: 1548: 1540: 1535: 1517: 1506:Sven Nykvist 1499: 1497: 1494:Sven Nykvist 1484: 1460: 1458: 1452: 1451: 1443: 1438: 1428: 1418: 1416: 1410:proposed by 1403: 1397: 1395: 1387: 1382: 1380: 1372:metaphysical 1368: 1356: 1353:George Lucas 1346: 1340: 1333: 1322:Boris Barnet 1317: 1315: 1296: 1282: 1272: 1262: 1252: 1242: 1232: 1226: 1222:Winter Light 1220: 1210: 1204: 1201: 1194: 1186: 1182:Mikhail Romm 1175: 1163: 1153: 1134: 1129: 1115: 1108: 1102: 1068: 1067: 1057: 1053: 1051: 1047:Sven Nykvist 1036: 1034: 1022: 995: 983: 963: 961: 954: 944: 942: 919:and starred 908: 904: 902: 877: 871: 861: 855: 853: 848: 834: 826:Hoffmanniana 824: 822: 817: 813: 809: 803: 801: 774: 768: 766: 759: 753: 739: 736:icon painter 725: 723: 697: 695: 679: 669: 665: 659: 654: 648: 637: 627: 624:Mikhail Romm 621: 610: 609:(whose film 571: 560: 528: 521: 509: 497: 486: 455: 433:(modern-day 420: 397: 393: 389: 385: 377: 369: 339: 334: 328: 322: 316: 306: 305:(1975), and 300: 294: 288: 282: 279:Mikhail Romm 272: 238: 237: 138:screenwriter 97:(1986-12-29) 84:Russian SFSR 72:4 April 1932 36: 9379:1986 deaths 9374:1932 births 9332:Romanticism 9289:Remodernism 9170:Incoherents 9029:Avant-garde 9020:Armory Show 8627:Maeterlinck 8530:Villa-Lobos 8516:Szymanowski 8495:Stockhausen 8432:Lutosławski 8157:(1909–1910) 6957:Visual arts 6930:(1928–1940) 6846:(1913–1927) 6369:Apollinaire 6333:Synchromism 6173:Art Nouveau 5977:Tony Gatlif 5955:David Lynch 5934:Edward Yang 5856:Wim Wenders 5755:Ferenc Kósa 5691:Luis Buñuel 5595:Works about 5453:The Killers 5424:Filmography 4971:7 September 4945:7 September 4904:7 September 4879:7 September 4830:7 September 4804:7 September 4779:7 September 4578:13 December 4172:27 November 4087:30 November 3853:30 December 3800:Res Publica 3470:25 December 3342:26 December 3243:19 December 3040:27 November 2931:18 February 2909:25 November 2798:3 September 2597:Slow cinema 2581:on 22 July. 2554:Mikhail Men 2546: [ 2415:Alex Proyas 2385:Sans Soleil 2343:Wim Wenders 2144:Lenin Prize 2129:Perestroika 2062:of the for 2060:Golden Lion 1935:Thomas Mann 1931:Tallinnfilm 1892:Publication 1857:Short story 1832:Concentrate 1806:Kontsentrat 1795:Concentrate 1788:Concentrate 1526:Filmography 1487:Vadim Yusov 1481:Vadim Yusov 1318:City Lights 1254:City Lights 1249:Luis Buñuel 1110:Martyrology 909:Pervyj Dyen 704:Golden Lion 655:Clear Skies 629:The Killers 382:Lenin Prize 362:Golden Lion 321:(1983) and 129:Occupations 9363:Categories 9219:Maximalism 9154:Literature 8829:Wiesenthal 8731:Cunningham 8724:Balanchine 8704:Witkiewicz 8676:Strindberg 8662:Pirandello 8634:Mayakovsky 8509:Stravinsky 8481:Schoenberg 8300:Performing 8225:Metropolis 8016:Mendelsohn 7821:Rossellini 7814:Richardson 7625:Fassbinder 7611:Eisenstein 7548:Cassavetes 7304:Modigliani 7178:Goncharova 7164:Giacometti 6558:Dos Passos 6360:Literature 6319:Surrealism 6230:Die Brücke 6077:Leos Carax 5892:Mike Leigh 5528:Nostalghia 5226:Revue NUNC 5137:Nostalghia 4697:4 November 4547:. Fandango 4389:30 January 4142:15 January 3880:14 October 3814:16 January 3779:14 January 3681:14 January 3632:14 January 3602:14 January 3141:Cencrastus 2881:Wikisource 2850:17 January 2660:. Том 31. 2608:References 2499:Antichrist 2441:filmmaker 2380:film essay 2320:voted for 2100:Palme d'Or 1975:Nostalghia 1922:Гофманиана 1900:Screenplay 1897:Media type 1868:Гофманиана 1801:Концентрат 1665:Nostalghia 1582:Nostalghia 1519:Nostalghia 1376:long takes 992:Palme d'Or 964:Nostalghia 956:Nostalghia 810:Confession 797:Palme d'Or 791:, won the 572:The early 567:Irma Raush 543:Turukhansk 318:Nostalghia 251:pronounced 168:Irma Raush 68:1932-04-04 9268:Pulp noir 9226:Modernity 9091:Film noir 8815:St. Denis 8738:Diaghilev 8474:Schaeffer 8397:Hindemith 8376:Dutilleux 8348:Boulanger 8153:The Dance 7849:Tarkovsky 7842:Sternberg 7674:Hitchcock 7590:Dovzhenko 7506:Antonioni 7451:Stieglitz 7290:Metzinger 7241:Kokoschka 7220:Kandinsky 6634:Aldington 6627:Akhmatova 6544:Marinetti 6537:Mansfield 6488:Hemingway 6326:Symbolism 6145:Movements 6138:Modernism 5951:Joel Coen 5910:Joel Coen 5880:Joel Coen 5797:1976–2000 5672:1946–1975 5311:143836755 5019:Tarkovsky 4873:Festagent 4869:"Zerkalo" 4719:Criterion 4671:11 August 4551:30 August 4519:OffScreen 2875:from the 2712:11 August 2625:forvo.com 2579:Yuryevets 2167:Yuryevets 1944:Peer Gynt 1644:in 1972, 1638:in 1966, 1611:Turnabout 1444:Director 1430:Stalker's 1412:Aristotle 1391:real time 1358:Star Wars 1307:Jean Vigo 1212:Mouchette 1149:1991 coup 1099:in France 814:White day 617:Mizoguchi 500:Yuryevets 423:Zavrazhye 152:1958–1986 76:Zavrazhye 18:Tarkovsky 9350:Category 8951:Fountain 8855:Don Juan 8794:Nijinsky 8690:Wedekind 8669:Piscator 8564:Anderson 8488:Scriabin 8404:Honegger 8065:Sullivan 8051:Saarinen 8044:Rietveld 8037:Niemeyer 8009:Melnikov 7939:Bunshaft 7870:Truffaut 7835:Sjöström 7779:Pudovkin 7751:Minnelli 7716:Kurosawa 7709:Kuleshov 7639:Flaherty 7465:Vuillard 7444:Steichen 7402:Rousseau 7367:Pissarro 7346:O'Keeffe 7311:Mondrian 7262:Malevich 7255:Magritte 7227:Kirchner 7171:van Gogh 7122:Doesburg 7101:Delaunay 7094:Delaunay 7017:Brâncuși 7003:Boccioni 6966:Painting 6816:Williams 6739:Mallarmé 6655:Cendrars 6565:Platonov 6523:Lawrence 6516:Koestler 6453:Flaubert 6446:Faulkner 6411:Bulgakov 6340:Tonalism 6301:De Stijl 6285:Lettrism 6271:Futurism 6162:Art Deco 5303:40645258 5255:Дубасовы 4753:30 March 4725:30 March 4264:24 April 4108:Springer 3942:"Андрей" 3707:11 March 3431:22 March 3189:13 March 3113:Calcutta 3034:Archived 2586:See also 2125:Glasnost 1884:Language 1475:pastiche 1425:Rublev's 1295:'s film 898:allegory 591:Kurosawa 504:Red Star 352:and the 299:(1972), 293:(1966), 287:(1962), 9005:Related 8867:Ubu Roi 8822:Tamiris 8808:Sokolow 8787:Massine 8655:Osborne 8648:O'Neill 8641:O'Casey 8599:Chekhov 8585:Beckett 8571:Anouilh 8555:Theatre 8502:Strauss 8460:Russolo 8439:Milhaud 8418:Janáček 8390:Górecki 8383:Feldman 8369:Debussy 8362:Copland 8320:Antheil 8058:Steiner 7981:Johnson 7960:Guimard 7953:Gropius 7800:Resnais 7702:Kubrick 7632:Fellini 7618:Epstein 7604:Edwards 7569:Cocteau 7555:Chaplin 7527:Bresson 7520:Bergman 7499:Aldrich 7492:Akerman 7437:Soutine 7409:Schiele 7360:Picasso 7353:Picabia 7283:Matisse 7157:Gauguin 7129:Duchamp 7087:Kooning 7066:Claudel 7059:Chirico 7052:Chagall 7045:Cézanne 7038:Cassatt 7010:Bonnard 6996:Bellows 6989:Balthus 6866:Ulysses 6788:Stevens 6781:Seferis 6600:Unamuno 6439:Forster 6418:Chekhov 6383:Beckett 6312:Orphism 6278:Imagism 6262:Bauhaus 6248:Fauvism 6153:Acmeism 5520:Stalker 5504:Solaris 5342:at the 5152:Solaris 4899:Zerkalo 4895:"About" 4851:YouTube 4824:Zerkalo 4440:15 July 4324:20 June 4294:20 June 4259:Variety 4212:20 June 3974:29 June 3926:12 June 3404:20 July 3065:26 July 2648:3 April 2574:Ivanovo 2460:Solaris 2420:Stalker 2397:Stalker 2375:Stalker 2289:Solaris 2109:of the 2078:At the 2054:At the 1956:Goskino 1887:Russian 1874:Country 1827:отлично 1653:Stalker 1641:Solaris 1574:Stalker 1558:Solaris 1467:Fellini 1383:Solaris 1244:Nazarín 1234:Persona 1165:Stalker 1000:at the 968:Mosfilm 929:Goskino 857:Stalker 776:Solaris 770:Solaris 686:Mosfilm 676:Lenfilm 603:Bresson 599:Bergman 545:in the 539:Kureyka 482:Kozelsk 437:of the 429:of the 425:in the 394:Stalker 364:at the 356:at the 335:Stalker 308:Stalker 296:Solaris 243:Russian 210: 202: 188: 176: 172: 157:Spouses 114:, Paris 8991:(1953) 8979:(1928) 8967:(1921) 8955:(1917) 8943:(1913) 8931:(1912) 8919:(1910) 8907:(1905) 8903:Salome 8895:(1902) 8883:(1899) 8871:(1896) 8859:(1888) 8836:Wigman 8766:Graham 8759:Fuller 8752:Fokine 8745:Duncan 8697:Wilder 8683:Toller 8620:Kaiser 8592:Brecht 8578:Artaud 8537:Webern 8523:Varèse 8453:Partch 8425:Ligeti 8355:Boulez 8327:Bartók 8285:(1943) 8273:(1941) 8261:(1936) 8251:(1931) 8241:(1929) 8229:(1927) 8217:(1925) 8205:(1923) 8193:(1920) 8181:(1915) 8169:(1912) 8145:(1907) 8133:(1889) 8121:(1887) 8109:(1886) 8086:Wright 8072:Tatlin 8030:Neutra 7932:Breuer 7898:Welles 7884:Vertov 7807:Renoir 7758:Murnau 7744:Marker 7737:Lupino 7695:Keaton 7681:Hubley 7667:Godard 7653:Fuller 7597:Dreyer 7576:Dassin 7534:Buñuel 7430:Sisley 7423:Signac 7416:Seurat 7388:Renoir 7206:Hopper 7108:Demuth 7031:Calder 7024:Braque 6975:Albers 6942:(1929) 6918:(1926) 6906:(1925) 6894:(1924) 6882:(1922) 6870:(1922) 6858:(1915) 6809:Valéry 6795:Thomas 6760:Pessoa 6704:George 6697:Elytis 6690:Éluard 6676:Desnos 6648:Cavafy 6618:Poetry 6579:Proust 6572:Porter 6474:Hamsun 6432:Döblin 6425:Conrad 6397:Breton 6376:Barnes 6196:Cubism 6097:(2024) 6091:(2023) 6085:(2022) 6079:(2021) 6073:(2019) 6067:(2018) 6061:(2017) 6055:(2016) 6045:(2015) 6039:(2014) 6033:(2013) 6027:(2012) 6021:(2011) 6015:(2010) 6009:(2009) 6003:(2008) 5997:(2007) 5991:(2006) 5985:(2005) 5979:(2004) 5973:(2003) 5967:(2002) 5957:(2001) 5936:(2000) 5930:(1999) 5924:(1998) 5918:(1997) 5912:(1996) 5906:(1995) 5900:(1994) 5894:(1993) 5888:(1992) 5882:(1991) 5876:(1990) 5870:(1989) 5864:(1988) 5858:(1987) 5852:(1986) 5846:(1985) 5840:(1984) 5834:(1983) 5824:(1982) 5818:(1979) 5812:(1978) 5806:(1976) 5789:(1975) 5779:(1972) 5773:(1970) 5767:(1969) 5757:(1967) 5751:(1966) 5745:(1965) 5739:(1961) 5733:(1959) 5727:(1958) 5721:(1957) 5715:(1956) 5709:(1955) 5699:(1952) 5693:(1951) 5687:(1949) 5681:(1946) 5558:(1983) 5539:(1986) 5531:(1983) 5523:(1979) 5515:(1975) 5512:Mirror 5507:(1972) 5499:(1966) 5491:(1962) 5472:(1961) 5464:(1959) 5456:(1956) 5429:Awards 5331: 5309: 5301: 5204: 5183: 5125: 5097: 5078: 5057: 5027: 5000: 4643: 4601: 4492: 4467: 4447:last." 4412: 4238:24 May 4114: 3839: 3328: 3214: 3165: 3119: 3002: 2975: 2771:25 May 2682: 2662:Москва 2505:Mirror 2322:Mirror 2295:Mirror 2225:Moscow 2082:, the 2058:, the 2021:Andrey 1773: 1759: 1737: 1723: 1709: 1693: 1647:Mirror 1600:Hamlet 1593:(1986) 1585:(1983) 1577:(1979) 1569:(1975) 1566:Mirror 1561:(1972) 1553:(1966) 1545:(1962) 1471:Buñuel 1404:Mirror 1399:Mirror 1309:, and 1281:, and 1264:Ugetsu 1231:, and 1160:cancer 1079:, the 1052:While 1030:Latina 1017:Latina 966:, but 849:Sardor 836:Hamlet 805:Mirror 595:Buñuel 531:Arabic 523:Mirror 403:'s 392:, and 390:Mirror 348:, the 302:Mirror 227:Awards 217:Father 9161:Post- 9147:Music 8846:Works 8801:Shawn 8780:Laban 8715:Dance 8613:Jarry 8606:Ibsen 8544:Weill 8467:Satie 8341:Berio 8311:Music 8096:Works 8023:Nervi 7967:Horta 7946:Gaudí 7905:Wiene 7877:Varda 7863:Trnka 7772:Pabst 7730:Losey 7688:Jones 7660:Gance 7583:Deren 7562:Clair 7541:Carné 7513:Avery 7395:Rodin 7381:Redon 7339:Nolde 7332:Munch 7325:Moore 7318:Monet 7269:Manet 7248:Léger 7213:Kahlo 7192:Grosz 7150:Ernst 7143:Ensor 7080:Degas 6833:Works 6823:Yeats 6802:Tzara 6774:Rilke 6767:Pound 6746:Moore 6718:Lorca 6711:Jacob 6683:Eliot 6662:Crane 6641:Auden 6607:Woolf 6593:Svevo 6586:Stein 6551:Musil 6509:Kafka 6502:Joyce 6495:Hesse 6481:Hašek 6404:Broch 6239:Music 5570:Books 5438:Films 5307:S2CID 5299:JSTOR 5235:Notes 4365:Salon 3919:Seans 3157:[ 2950:[ 2858:Itogy 2550:] 2518:async 2439:anime 1949:dacha 1939:Ibsen 1810:taiga 1435:sepia 1433:case 1335:Earth 1190:Haiku 1105:diary 1087:Death 1025:Milan 986:with 607:Wajda 551:taiga 541:near 204:( 200: 178:( 174: 8773:Holm 8446:Nono 8411:Ives 8334:Berg 8302:arts 8079:Mies 8002:Loos 7988:Kahn 7912:Wood 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