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One of the principal goals of the
Tamarind Institute is the training of printers. Over the years, the training of these professionals has evolved since its creation in 1960. What began as an eight-week basic training course eventually developed into a two-year program. There are five levels in the
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inks, durable and consistent printmaking paper, precise registration systems, aluminum plate printing, and lightweight, large diameter rollers are but a few important aspects of printmaking which either originated at or were refined by
Tamarind. The workshop also established several now-customary
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Tamarind can be credited with single-handedly reviving the medium of lithography in the US, both insofar as they made the medium "respectable" and viable and also in that their dedicated research led to technical and economic breakthroughs with a visible impact on lithography in particular and
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June Wayne's critical vision—a perception at the core of the
Tamarind proposal—was that there were many facets to the problem, none of which could be solved in isolation from the whole. It would be insufficient to entice artists to make lithographs if they could not find opportunities for true
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Tamarind was founded in the absence of an
American print shop dedicated to serving artists, and during a period when American artists tended to reject lithography and collaborative printing in favor of the more "direct...immediate" possibilities of
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To habituate each artist and artisan to intimate collaboration so that each becomes responsive and stimulating to the other in the work situation encouraging both to experiment widely and extend the expressive potential of the
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program: student printer, candidate printer, assistant printer, senior printer, and master printer. There have been over 100 Master
Program certificates awarded by the Tamarind Institute.
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Within a year he was the first master printer trained at
Tamarind. As he said in his oral history, "I absolutely fell in love with the idea of working closely with artists all day."
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collaboration with highly qualified artisan-printers, and it would be insufficient to establish fine workshops without thought to the economic climate in which they might exist.
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Faced with a paucity of opportunities on all fronts and a medium which seemed on the verge of extinction, Wayne sought to create more than just a studio:
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on
Tamarind Avenue in Los Angeles in 1960. Both the current Institute and the original Lithography Workshop are referred to informally as "Tamarind."
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Tamarind
Institute's website lists the following goals, developed by founding director June Wayne with associate director
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procedures for editioned prints, such as precisely recording and documenting every edition, and affixing both a workshop
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779:. New York: H.N. Abrams in association with Mary and Leigh Block Gallery, Northwestern University. p. 50.
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and a printer's chop to each proof or impression in recognition of the printer's important role.
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To restore the prestige of lithography by actually creating a collection of extraordinary prints.
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Below is a partial list of some of the many artists who have created editions at
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To create a pool of master artisan-printers in the United States by training apprentices;
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To develop a group of
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was the first Tamarind fellow, serving between 1960 and 1961. From 1972 to 1973,
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Tamarind Institute Document Archive, New Mexico Digital Collections
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676:. Albuquerque : University of New Mexico Press. pp. 177–184.
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Zaslow, Sandra R. (June 20–21, 1990). "Art Show Set in Wyncote".
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Lithography workshop currently at the University of New Mexico
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709:. Albuquerque : University of New Mexico Press. p. 2.
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The first master printer graduate from Tamarind was
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85:and technical director
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643:Devon, 2000, p. 80.
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1273:Carlisle Gymnasium
1153:Rio Grande Rivalry
1112:University Stadium
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998:College of Nursing
991:Tamarind Institute
876:Tamarind: 40 Years
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390:Master Printmaking
232:Richard Diebenkorn
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257:Sam Francis
252:Walton Ford
237:Lesley Dill
202:Willie Cole
182:Sandow Birk
157:Anni Albers
42:Albuquerque
34:lithography
1415:Categories
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1100:Facilities
951:Located in
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801:"Joe Funk"
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430:References
377:June Wayne
357:Kiki Smith
212:Amy Cutler
177:Ruth Asawa
89:in 1960:"
69:painting.
46:June Wayne
1253:Art Annex
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408:Joe Funk
312:Hung Liu
242:Jim Dine
1217:Faculty
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