236:
represent luck, and still others refer to the body and the mind. But rather than ascribe a defined set of meanings, Carnwath leaves room for the viewer to interpret the paintings and prints in their own way. In an interview with author and curator Karen
Tsujimoto, she stated "There are subtexts, which are the real texts, and then there are the things like the 'story line,' the thing you thought you saw, but it wasn't the real information."
249:
into more fluid arrangements of diverse elements, which include structural motifs as well as "decorative" patterns. Similarly, her iconography, which was initially tied to a relatively circumscribed personal symbology, has both expanded and grown more allusive. The early lists, litanies, injunctions, and poetic observations have been joined by more casual notations, which often lend a topical immediacy to her work.
227:. Carnwath was awarded the Lee Krasner Award from the Pollock-Krasner Foundation in its 2018-19 grant cycle. She was inducted into the National Academy of Design along with 15 others in the class of 2019. National Academicians are nominated and selected by over 430 living members, and the honor recognizes each artist's contributions to American culture.
260:
Text appears in many of
Carnwath's paintings, works on paper, and prints. In an interview with Bart Schneider, she explained " Language kind of messes things up. That's what I like about it. I like that it slows us down. It's incremental. First the letters, then the words, then a phrase, a sentence,
248:
Although
Carnwath quickly established a distinctive personal style, some aspects of her work have undergone gradual transformations. The strongly geometric structure— characterized by grids, quadrants, and contrasting color bands and fields—of her paintings of the 1980s and early 1990s has loosened
192:
Carnwath has described herself ironically as a "painting chauvinist" due to an abiding preference for that medium, although she is also an accomplished printmaker and has created sophisticated
Jacquard tapestries, artist books, and mixed media works in addition to her oil and alkyd works on canvas.
269:
During the 1990s, Carnwath created series of list paintings, which included paintings describing color, gender norms, and fears, among other topics. Many of the paintings follow a similar format, with a list of associated words grouped in one portion of the canvas, and colors or imagery charted on
818:
to establish the
Artists' Legacy Foundation (ALF). According to the Foundation's website, their mission is "... to support and encourage fellow artists through awards and grants, promoting and protecting the legacy of deceased "Legacy Artists," and generally supporting the visual arts, especially
286:
As a continuation of her list-making practice, Carnwath produced a series of paintings containing song titles set in blocks of color starting around 2014. Read as a text, the song titles provide a perspective on contemporary music, personal taste, and the way songs can be connected or arranged to
219:
Following the exhibition, Carnwath focused on paintings and works on paper. Early 1980s artworks included interior scenes, stylized figures, and everyday objects like cups and vases, with titles often painted into wide borders. Her work was exhibited at
Goldeen Gallery in San Francisco and Van
235:
While
Carnwath's icons have shifted over the course of her career, they play an essential role in her compositions. The icons symbolize various elements of culture and history, and blend Carnwath's personal history with universal topics of humanity. Some represent the passing of time, others
291:(2015), for example, the titles painted in various shades of pink, red and purple reflect many different aspects of gender, from innate character to performative identity to social function: "I Was Born This Way," "Bang Bang,""Piece of My Heart,""I Am Woman."
188:
Carnwath has a distinctive and recognizable style which combines diaristic and personal elements with universal or existential themes. Her paintings "combine text and images on abstract fields of color to express sociopolitical and spiritual concerns."
822:
In 2017, she launched Roll Up
Project, a window display space for Bay Area artists. Located in Oakland's Jack London district, the project aims to celebrate and promote a diverse range of local artists and their work.
2488:
2483:
799:, is a 160-page retrospective of Carnwath's career. It features more than 80 color reproductions and essays by Tsujimoto and art critic and poet John Yau (co-published by Pomegranate, 2009).
806:. This book accompanied an exhibition of works on paper, which traveled to the College of Marin Fine Arts Gallery, Jordan Schnitzer Museum of Art, and the American University Museum.
2014:
1835:
1073:
688:
287:
create new meaning. In an Art in
America review, critic Tatiana Istomina stated "the found poetry of individual song titles accumulates to powerful effect. In
242:
In an essay for a 2001 Flintridge
Foundation catalog, Noriko Gamblin describes the evolution of Carnwath's approach to composition and subject matter:
146:
35:
270:
the remaining portion. For example, the words slime, jade, salad, and sickness are included in a list above swatches of green in the color painting
2468:
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327:
1480:
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339:
2458:
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342:, among others. She retired in 2010. She taught at the University of California, Berkeley from 1982 until 2010, having previously taught at
196:
Soon after graduating with an MFA, Carnwath began to receive recognition for her work. She received a Visual Arts Fellowship grant from the
2392:
169:
2433:
1226:
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278:, Tsujimoto writes "Carnwath has produced a visual analogy of humankind's attempt to impose structure and order on unruly meaning."
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239:
In the mid-1980s, Carnwath produced a series of works based on dog toys including balls, bones, a hand, and a Kong toy.
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787:
In 2009, the professional association between artist Squeak Carnwath and Karen Tsujimoto, senior curator of art at the
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208:, which included a solo exhibition at the museum. The exhibition featured a large sculptural installation titled
197:
101:
1885:
1987:
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713:
129:(born 1947) is an American contemporary painter and arts educator. She is a professor emerita of art at the
2175:
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614:
552:
1734:
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768:
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896:
2039:
Albright, Thomas. "Emerging, Diverging, and Submerging at Oakland Museum". San Francisco Chronicle.
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a paragraph. Language confounds the image. It calls into question what we think we already know."
1903:
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519:
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1156:
Fowler, Carol (26 March 1984). "Some Objects Larger Than Life in Hearst Gallery Exhibition".
563:
335:
224:
96:
1634:
571:
Pay Attention…I hope you learned your lesson: Works from the Collection of Laila Twigg-Smith
2418:
732:
316:
2003:
Matthews, Lydia (14 February 1991). "Stories History Didn't Tell Us". No. 6. Artweek.
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8:
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875:
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Scarborough, James (20 March 1982). "Squeak Carnwath at Hansen Fuller Goldeen Gallery".
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1983:
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1008:
515:
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71:
1054:
Butterfield, David (10 November 1980). "National Recognition for Alameda Artist".
1836:"Review: Who knew? Paul Allen Collection does abstraction at Pivot Art + Culture"
682:
676:
312:
51:
2318:
2225:
1256:
384:, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California
347:
304:
201:
2412:
1659:
180:. She received her MFA from California College of Arts and Crafts in 1977.
566:, University of California Los Angeles, Los Angeles, California (traveling)
1609:
2489:
University of California, Berkeley College of Letters and Science faculty
1810:"Rise Up! Social Justice in Art From the Collection of J. Michael Bewley"
308:
66:
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Squeak Carnwath prints, artist books and tapestries at Magnolia Editions
2387:
815:
498:
Rise Up! Social Justice in Art From the Collection of J. Michael Bewley
165:
819:
where the hand of the artist is a significant factor in making art."
795:(April 25 through August 23, 2009). The exhibition's companion book,
173:
1785:"Building a Different Model: Selections From the di Rosa Collection"
971:
647:
Carnwath's work is represented in the following public collections:
1227:"Pollock-Krasner Foundation Awards More Than $ 3 Million in Grants"
486:, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
470:
Society for the Encouragement of Contemporary Art (SECA) Award 1980
153:
61:
2388:
Squeak Carnwath paintings and tapestries at Turner Carroll Gallery
2343:
638:, Orange County Center for Contemporary Art, Santa Ana, California
597:
Fine Arts Museums of San Francisco - M.H. de Young Memorial Museum
491:
Building a Different Model: Selections From the di Rosa Collection
484:
Taking Space: Contemporary Women Artists and the Politics of Scale
398:, American University Museum, Katzen Arts Center, Washington, D.C.
2050:
223:
In 1994, Carnwath was awarded the Guggenheim fellowship from the
157:
2371:
814:
In 2000, Carnwath partnered with husband Gary Knecht and artist
113:
1610:"Everyday is not the Same: Squeak Carnwath's Prints and Papers"
780:
In 1996, Chronicle Books published a 108-page monograph titled
707:
472:, San Francisco Museum of Modern Art, San Francisco, California
149:. She has explained "Squeak" as "a childhood name that stuck".
2484:
People from Abington Township, Montgomery County, Pennsylvania
923:"Weekend Studio Visit: Squeak Carnwath in Oakland, California"
624:, Art Museum of South Texas, Corpus Christi, Texas (traveling)
389:
Everyday is Not the Same: Squeak Carnwath's Prints and Papers
2382:
1126:
Albright, Thomas (8 March 1982). "Imagism and a New Look".
164:, where she studied ceramics, painting, and sculpture with
611:
Herstory: Narrative Art by Contemporary California Artists
560:
The Missing Peace Project: Artists Consider the Dalai Lama
465:, Hansen Fuller Goldeen Gallery, San Francisco, California
1348:"Review: Squeak Carnwath Speaks With Her Varied Palette"
303:. During this time, the art department faculty included
299:
From 1983 to 1998, Carnwath was Professor of Art at the
784:
with essays by Leah Levy and James and Ramsay Breslin.
493:, di Rosa Center for Contemporary Art, Napa, California
94:
Flintridge Foundation Award for Visual Artists (2001),
1105:. San Francisco: San Francisco Museum of Modern Art.
999:
North American women artists of the twentieth century
1954:"The Missing Peace: Artists Consider the Dalai Lama"
1141:
Boettger, Suzaan (March 1984). "Out of This World".
458:, Getler/Pall/Saper Gallery, New York City, New York
322:
In 1998, Carnwath moved from the UC Davis campus to
1886:"The Female Gaze: Women Artists Making Their World"
1485:
Practice of Art, University of California, Berkeley
782:
Squeak Carnwath: Lists, Observations & Counting
424:
Squeak Carnwath Being Human: Paintings & Prints
419:, Oakland Museum of California, Oakland, California
1635:"Squeak Carnwath: Crazy Papers and Sister Objects"
996:
2301:"Squeak Carnwath: Painting is No Ordinary Object"
1710:"Squeak Carnwath: Painting is No Ordinary Object"
527:The Female Gaze: Women Artists Making Their World
449:Squeak Carnwath: New Paintings and Works on Paper
426:, Olin Art Gallery, Kenyon College, Gambier, Ohio
2410:
2377:"Squeak Carnwath in Conversation with John Yau."
1370:"Squeak Carnwath's Guilt-Free Zone is Our Space"
673:, University of California, Berkeley, California
433:, David Beitzel Gallery, New York City, New York
391:, Jordan Schnitzer Museum of Art, Eugene, Oregon
1081:Flintridge Foundation Awards for Visual Artists
1071:
793:Squeak Carnwath: Painting Is No Ordinary Object
417:Squeak Carnwath: Painting Is No Ordinary Object
412:, Triton Museum of Art, Santa Clara, California
363:, Jane Lombard Gallery, New York City, New York
1977:
995:Heller, Jules; Heller, Nancy G., eds. (1995).
500:, San Jose Museum of Art, San Jose, California
1980:Bay Area Art From the Morgan Flagg Collection
593:Bay Area Art from the Morgan Flagg Collection
538:Fifty Years of Bay Area Art – The SECA Awards
137:, where she has lived and worked since 1970.
1325:. Oakland: Kelly's Cove Press. p. 101.
1103:Fifty Years of Bay Area Art: The SECA Awards
1100:
994:
1929:"American Contemporary Printing Exhibition"
1685:"Squeak Carnwath: All Thought and Pleasure"
1481:"Squeak Carnwath, Emerita: Practice of Art"
1186:"Squeak Carnwath at van Straaten Gallery".
1170:
1053:
1027:
751:The Rutgers University Fine Arts Collection
370:, James Harris Gallery, Seattle, Washington
255:
152:After high school, Carnwath studied art in
140:
2080:Anderson Collection at Stanford University
1660:"Squeak Carnwath: What Before Comes After"
1560:"Squeak Carnwath: Not All Black and White"
1363:
1361:
1067:
1065:
507:, Pivot Art + Culture, Seattle, Washington
405:, Jane Lombard Gallery, New York, New York
2055:Orange County Center for Contemporary Art
1323:Horizon on Fire: Works on Paper 1979-2013
1280:
1206:John Simon Guggenheim Memorial Foundation
972:"History: California College of the Arts"
804:Horizon on Fire: Works on Paper 1979-2013
631:, The Oakland Museum, Oakland, California
629:From the Sunny Side: Six East Bay Artists
604:Abstraction, The Bermuda National Gallery
451:, Van Straaten Gallery, Chicago, Illinois
410:Squeak Carnwath: All Thought and Pleasure
225:John Simon Guggenheim Memorial Foundation
2379:The Brooklyn Rail. Retrieved 2009-04-11.
2002:
1404:
1320:
1301:San Jose Museum of Art Online Collection
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1125:
230:
2469:National Endowment for the Arts Fellows
2454:Artists from the San Francisco Bay Area
2276:"Squeak Carnwath Artwork in Collection"
2251:"Squeak Carnwath Artwork in Collection"
2226:"Squeak Carnwath Artwork in Collection"
2201:"Squeak Carnwath Artwork in Collection"
2176:"Squeak Carnwath Artwork in Collection"
2151:"Squeak Carnwath Artwork in Collection"
2126:"Squeak Carnwath Artwork in Collection"
2101:"Squeak Carnwath Artwork in Collection"
2076:"Squeak Carnwath Artwork in Collection"
1358:
1062:
2411:
2383:UC Berkeley Department of Art Practice
1982:. Fine Arts Museums of San Francisco.
1535:"Squeak Carnwath: Unveiling Territory"
1155:
1101:Gass, Alison; Zimbardo, Tanya (2011).
988:
802:In 2014, Kelly's Cove Press published
2459:California College of the Arts alumni
1890:Pennsylvania Academy of the Fine Arts
1764:Pennsylvania Academy of the Fine Arts
1585:"Squeak Carnwath: How the Mind Works"
1345:
1339:
1276:
1274:
642:
531:Pennsylvania Academy of the Fine Arts
344:California College of Arts and Crafts
162:California College of Arts and Crafts
48:California College of Arts and Crafts
2449:21st-century American women painters
2439:20th-century American women painters
2038:
903:. University of California, Berkeley
838:
836:
652:American Academy of Arts and Letters
636:Emerging Northern California Artists
476:
1789:di Rosa Center for Contemporary Art
1510:"Squeak Carnwath: Pattern Language"
1367:
1346:Smith, Roberta (31 December 2015).
920:
438:Squeak Carnwath: Seeing in the Dark
382:Squeak Carnwath: How the Mind Works
353:
13:
2404:San Francisco Museum of Modern Art
2399:Squeak Carnwath on Making Her Work
2230:San Francisco Museum of Modern Art
1833:
1271:
1030:"Squeak Carnwath at David Beitzel"
757:San Francisco Museum of Modern Art
695:Fine Arts Museums of San Francisco
442:Luther Burbank Center for the Arts
206:San Francisco Museum of Modern Art
131:University of California, Berkeley
14:
2505:
2434:20th-century American printmakers
2365:
2015:"Third Western States Exhibition"
952:Tamarind Institute of Lithography
889:
833:
809:
622:The Third Western States Biennial
326:. There, her colleagues included
281:
264:
1978:Anglin Burgard, Timothy (1997).
1405:Istomina, Tatiana (2016-01-06).
1285:. Pomegranate Press. p. 62.
848:John Simon Guggenheim Foundation
377:, Jane Lombard Gallery, New York
212:. Works on paper related to the
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791:, culminated in the exhibition
775:
727:University of California, Davis
396:Crazy Papers and Sister Objects
301:University of California, Davis
198:National Endowment for the Arts
102:National Endowment for the Arts
2444:21st-century American painters
2429:20th-century American painters
1735:"SECA Award Winners 1967-2012"
1614:Jordan Schnitzer Museum of Art
1297:"Fall Ball by Squeak Carnwath"
1283:Painting is No Ordinary Object
1188:Art Now/New York Gallery Guide
1072:Gamblin, Noriko (2006-10-08).
1047:
1021:
976:California College of the Arts
964:
940:
914:
860:
797:Painting Is No Ordinary Object
714:The Metropolitan Museum of Art
512:Building Forward, Looking Back
1:
1904:"Fifty Years of Bay Area Art"
1431:"Art Studio Emeritus Faculty"
1368:Yau, John (1 November 2015).
1003:. New York: Garland. p.
921:Yau, John (19 January 2014).
826:
613:, January 12 – March 24, the
274:. Reflecting on the painting
220:Straaten Gallery in Chicago.
145:Carnwath was born on 1947 in
2205:Oakland Museum of California
1933:National Art Museum of China
1714:Oakland Museum of California
1392:Oakland Museum of California
789:Oakland Museum of California
739:Oakland Museum of California
679:Art Museum, Brunswick, Maine
615:Oakland Museum of California
555:, Beijing, China (traveling)
553:National Art Museum of China
533:, Philadelphia, Pennsylvania
440:, California Museum of Art,
7:
2280:Yale University Art Gallery
2180:Museum of Fine Arts, Boston
897:"Squeak Carnwath, Emeritus"
769:Yale University Art Gallery
759:, San Francisco, California
720:Museum of Fine Arts, Boston
697:, San Francisco, California
599:, San Francisco, California
544:, San Francisco, California
294:
216:series were also included.
32:1947 (age 76–77)
10:
2510:
2494:American women printmakers
2479:Painters from Pennsylvania
2323:Artists' Legacy Foundation
2155:Metropolitan Museum of Art
2105:Bowdoin College Art Museum
1639:American University Museum
1456:"Emeriti, Practice of Art"
1253:National Academy of Design
948:"Artists: Squeak Carnwath"
747:, Palm Springs, California
745:Palm Springs Desert Museum
735:, West Palm Beach, Florida
456:Squeak Carnwath: Paintings
2372:Squeak Carnwath's website
2019:Art Museum of South Texas
1321:Carnwath, Squeak (2014).
1281:Tsujimoto, Karen (2009).
1229:. Artforum. 17 April 2019
522:, Santa Clara, California
108:
90:
77:
57:
43:
28:
21:
2474:Painters from California
771:, New Haven, Connecticut
706:List Visual Art Center,
691:, Sacramento, California
549:American Printmaking Now
444:, Santa Rosa, California
256:Use of text in paintings
141:Early life and education
2344:"About Roll Up Project"
1128:San Francisco Chronicle
872:vcresearch.berkeley.edu
753:, Brunswick, New Jersey
710:, Boston, Massachusetts
667:, Little Rock, Arkansas
657:Anderson Collection at
586:Staatsgalerie Stuttgart
575:The Contemporary Museum
403:What Before Comes After
375:Not All Black and White
183:
2464:Goddard College alumni
2255:San Jose Museum of Art
1814:San Jose Museum of Art
765:, San Jose, California
763:San Jose Museum of Art
701:Honolulu Museum of Art
661:, Stanford, California
520:Santa Clara University
147:Abington, Pennsylvania
133:. She has a studio in
36:Abington, Pennsylvania
1589:Pepperdine University
844:"Squeak Carnwath Bio"
741:, Oakland, California
689:Crocker Museum of Art
617:, Oakland, California
231:Repeating iconography
160:before attending the
97:Guggenheim Fellowship
84:The Story of Painting
1958:Art Works for Change
1689:Triton Museum of Art
1664:Jane Lombard Gallery
1564:Jane Lombard Gallery
1539:James Harris Gallery
1514:Jane Lombard Gallery
1028:King, Sarah (1998).
733:Norton Museum of Art
716:, New York, New York
685:, Brooklyn, New York
654:, New York, New York
588:, Stuttgart, Germany
582:The Magic of Numbers
317:Lynn Hershman Leeson
1491:on February 3, 2019
703:, Honolulu, Hawai'i
671:Berkeley Art Museum
665:Arkansas Art Center
659:Stanford University
606:, Hamilton, Bermuda
577:, Honolulu, Hawai'i
368:Unveiling Territory
135:Oakland, California
1861:"Building Forward"
1352:The New York Times
1259:on 1 November 2019
1158:Contra Costa Times
1056:Alameda Times-Star
725:The Shrem Museum,
643:Public collections
332:Katherine Sherwood
307:, Mike Henderson,
1407:"Squeak Carnwath"
1374:Hyperallergic.com
1332:978-0-9891664-2-3
1202:"Squeak Carnwath"
1074:"Squeak Carnwath"
868:"Squeak Carnwath"
516:de Saisset Museum
505:Color and Pattern
477:Group exhibitions
253:
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204:in 1980 from the
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1487:. Archived from
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1198:
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1190:. February 1985.
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1130:. San Francisco.
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178:Dennis Leon
67:Printmaking
2413:Categories
2319:"About Us"
1989:0884010945
1865:de Saisset
1819:1 November
1794:1 November
1769:26 January
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981:2018-03-23
957:2016-09-12
932:20 January
907:2016-01-20
882:2016-01-20
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170:Art Nelson
166:Viola Frey
1143:City Arts
174:Jay DeFeo
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