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298:), which was developing its own vigorous style of abstract expressionism. In 1947, after ten months in Woodstock on an Alfred Bender travel grant, Diebenkorn returned to the CSFA, where he adopted abstract expressionism as his vehicle for self-expression. He was offered a place on the CSFA faculty in 1947 and taught there until 1950. He was influenced at first by
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in 1955, teaching until 1958. He established his home in
Berkeley and lived there until 1966. During the first few years of this period, Diebenkorn abandoned his strict adherence to abstract expressionism and began to work in a more representational style. By the mid-1950s, Diebenkorn had become an
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had studied art in Europe in the 1920s and brought their first-hand knowledge of
European modernism to their teaching. Neuhaus emigrated from Germany in 1904 and was a seminal figure in establishing the Bay Area as a center of art appreciation and education on the West Coast. On the East Coast, when
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From fall 1964 to spring 1965, Diebenkorn traveled through Europe, and he was granted a cultural visa to visit important Soviet museums and view their holdings of
Matisse's paintings. When he returned to painting in the Bay Area in mid-1965, his works summed up all he had learned from more than a
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Also at
Stanford, Diebenkorn met his fellow student and future wife, Phyllis Antoinette Gilman. They married in 1943 and went on to have two children together, a daughter, Gretchen (1945), and a son, Christopher (1947). The beginning of the United States's involvement in World War II interrupted
531:, where he built a new studio. In 1989 he began suffering serious health issues related to heart disease. Though still producing prints, drawings, and smaller paintings, his poor health prevented him from completing larger paintings. In 1990, Diebenkorn produced a series of six etchings for the
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in Palo Alto, California, an appointment that lasted until June 1964. His only responsibility in this position was to produce art in a studio provided by the university. Students were allowed to visit him in the studio during scheduled times. Though he created a few paintings during his time at
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for a friend who was a big admirer of the artist's work. At the back of the painting, Benton wrote a message signed with
Diebenkorn's name. When the friend died in 1995, his estate was evaluated and an appraiser, not knowing the paintings provenance, marked the work as worth $ 50–60,000.
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For the academic year 1952–53, Richard
Diebenkorn took a faculty position at the University of Illinois in Urbana, where he taught painting and drawing. In November and December 1952, he had his first solo exhibit at a commercial art gallery, the Paul Kantor Gallery in Los Angeles.
403:. This project was the first publication of Crown Point's catalog). Diebenkorn would not do any more etching again until 1977 when Brown renewed their artistic relationship. From then until 1992, Diebenkorn returned almost yearly to Crown Point Press to produce work.
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Diebenkorn began to have a measure of success with his artwork during this period. He was included in several group shows and had several solo exhibits. In 1960, a mid-career retrospective was presented by the
Pasadena Art Museum (now the
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Also in the fall of 1961, Diebenkorn became a faculty member at the San
Francisco Art Institute, where he taught periodically until 1966. He also taught intermittently during these years at a number of other colleges, including the
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he transferred to the base in
Quantico, Diebenkorn took advantage of his location to visit art museums in Washington, DC, Philadelphia, and New York City. This allowed him to study in person the paintings of modern masters such as
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described
Diebenkorn as "one of the premier American painters of the postwar era, whose deeply lyrical abstractions evoked the shimmering light and wide-open spaces of California, where he spent virtually his entire life."
464:, Diebenkorn saw both Matisse paintings in an exhibition in Los Angeles in 1966, which enormously affected him and his work. Livingston said about the January 1966 Matisse exhibition that Diebenkorn saw in Los Angeles,
503:, where he would host an artist collective. In the winter of 1966–67, he returned to abstraction, this time in a distinctly personal, geometric style that departed from his early abstract expressionist period. The
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In 1986, Diebenkorn decided to leave Santa Monica and Southern California. After traveling and looking around several different areas in the western United States, in 1988, Diebenkorn and his wife settled in
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and perhaps the view from his studio window, these large-scale abstract compositions were named after a community in Santa Monica, where he had his studio. Diebenkorn retired from UCLA in 1973. The
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It is difficult not to ascribe enormous weight to this experience for the direction his work took from that time on. Two pictures he saw there reverberate in almost every
499:. He moved into a small studio space in the same building as his old friend from the Bay Area, Sam Francis. During this time, he lived in a house on Amalfi Drive in
603:, July–September 2013, at the De Young Museum, San Francisco; an exhibition of small works, June 6–August 23, 2015, at the Sonoma Valley Museum of Art, Sonoma; and
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152:. His family moved to San Francisco, California, when he was two years old. From the age of four or five he was continually drawing. In 1940, Diebenkorn entered
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252:. Also at this time, he had his first exposure to the new New York–based artists who were beginning their abstract Surrealism-based paintings. The work of
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In 1945, Diebenkorn was scheduled to deploy to Japan; however, with the war's end in August 1945, he was discharged and returned to life in the Bay Area.
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In September 1953, Diebenkorn moved to back to the San Francisco Bay Area from New York City, where he had spent the summer. He took a position at
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series, begun in 1967 and developed for the next 18 years, became his most famous work and resulted in approximately 135 paintings. Based on the
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164:. Hopper's influence can be seen in Diebenkorn's representational work of this time. While attending Stanford, Diebenkorn visited the home of
160:, who guided Diebenkorn in classical formal discipline with oil paint, and Daniel Mendelowitz, with whom he shared a passion for the work of
607:, a major show highlighting Matisses's influence on Richard Diebenkorn, March 11–May 29, 2017, at the San Francisco Museum of Modern Art.
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While enlisted, Diebenkorn continued to study art and expanded his knowledge of European modernism, first while enrolled briefly at the
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380:, Diebenkorn first became acquainted with printmaking when his graduate assistant introduced him to the printmaking technique of
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of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the
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in Buffalo, New York, in 1976–77; the show, then traveled to Washington, DC, Cincinnati, Los Angeles, and Oakland. In 1989,
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310:. Diebenkorn became a leading abstract expressionist on the West Coast. From 1950 to 1952, Diebenkorn was enrolled under the
1189:. Berkeley and Los Angeles California: The Fine Arts Museum of San Francisco and University of California Press. p. 7.
294:. In 1946, Diebenkorn enrolled as a student in the California School of Fine Arts (CSFA) in San Francisco (now known as the
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Stanford, he produced many drawings. Stanford presented an extensive show of these drawings at the end of his residency.
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1232:. New Haven, CT: Fine Arts Museum of San Francisco in association with Yale University Press. pp. 219, 223, 225.
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in New York, organized a show of Diebenkorn's works on paper, which constituted an important part of his production.
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Upon his return to Berkeley in the fall of 1961, Diebenkorn began seriously exploring drypoint and printmaking with
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Deibenkorn's education at Stanford, and he was not able complete his degree at that time. Diebenkorn entered the
120:(April 22, 1922 – March 30, 1993) was an American painter and printmaker. His early work is associated with
1143:. New Haven, CT: San Francisco Museum of Fine Arts in association with Yale University Press. pp. 219–225.
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Sarah Bancroft, "Richard Diebenkorn: The Ocean Park Series". Newport Beach: Orange County Museum of Art, 2012,
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1096:. New Haven, CT: The Fine Art Museum of San Francisco in association with Yale University Press. p. 219.
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painted in 1984 became the most expensive picture by the artist auctioned when it went for $ 23.9 million at
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350:. His subject matter during this period included interiors, landscapes, still lifes, and the human figure.
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1056:. New Haven, CT: Fine Art Museum of San Francisco in association with Yale University Press. p. 219.
384:. Also while in Southern California, Diebenkorn was a guest at the Tamarind Lithography Workshop (now the
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2014:
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is home to 29 of Diebenkorn's sketchbooks as well as a collection of paintings and other works on paper.
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During the late 1940s and early 1950s, Diebenkorn lived and worked in various places: San Francisco and
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1693:"Christie's Will Sell a Major Diebenkorn 'Ocean Park' Painting Owned by the Late Mary Tyler Moore"
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318:’s graduate fine arts department, where he continued to adapt his abstract expressionist style.
256:, in particular, left an impression. Diebenkorn began his own experiments in abstract painting.
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1260:. Palo Alto, CA: Board of Trustees of the Leland Stanford Junior University. p. 3.
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in San Francisco 1948. The first important retrospective of his work took place at the
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Livingston, J: "The Art of Richard Diebenkorn", pages 20–21. Whitney California, 1997.
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paintings, these paintings were instrumental to his achievement of worldwide acclaim.
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Livingston, Jane. "The Art of Richard Diebenkorn". In: 1997–1998 Exhibition catalog,
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932:. Buck, Robert T., Albright-Knox Art Gallery. Buffalo: Albright-Knox Art Gallery.
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1301:"Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914 - MoMA"
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American Abstract and Figurative Expressionism: Style Is Timely Art Is Timeless.
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1622:"Warhol, Lawrence and Diebenkorn Troves to Cantor Arts Center – Art in America"
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Diebenkorn's work can be found in a number of public collections including the
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In September 1963, Diebenkorn was named the first artist-in-residence at
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852:"Richard Diebenkorn Foundation, Timeline, Student and Wartime 1940-1945"
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in San Francisco. In the summer of 1961, while a visiting instructor at
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1968:
456:, both from 1914, exerted tremendous influence on Richard Diebenkorn's
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156:, where he met his first two artistic mentors, professor and muralist
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1978:
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All 43 Works From Bunny Mellon’s Collection Sell at Sotheby’s Auction
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painting. After World War II, the art world's focus shifted from the
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American Abstract Expressionism of the 1950s An Illustrated Survey,
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New York. The previous record from 2012, also at Christie's, was
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Thirty-Five Years at Crown Point Press: Making Prints, Doing Art
215:. While enrolled at Berkeley he had three influential teachers:
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as an Associate member, and became a full Academician in 1982.
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Major recent shows in the San Francisco Bay Area have included
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Richard Clifford Diebenkorn Jr. was born on April 22, 1922, in
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Chang, Richard (February 25, 2012). "Swimming in Diebenkorn".
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series bridged his earlier abstract expressionist works with
480:, painted in 1914, were on view for the first time in the US.
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Richard Diebenkorn : paintings and drawings, 1943-1976
758:(1975), an abstract image of a sunset, for $ 9.68 million.
496:
388:), where he worked on a suite of prints completed in 1962.
1485:"Podcast: Gretchen Diebenkorn Grant on Richard Diebenkorn"
1840:
Nancy Marmer, "Richard Diebenkorn: Pacific Extensions,"
172:, and first saw the works of European modernist masters
898:. Richard Diebenkorn Catalogue Raisonné. Archived from
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important figurative painter, in a style that bridged
211:, and later on the East Coast, while stationed at the
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372:). That autumn, a variation of the show moved to the
1823:. Newport Beach: Orange County Museum of Art, 2012,
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Members of the American Academy of Arts and Letters
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711:for outstanding contributions to American culture.
484:Livingston said, "Diebenkorn must have experienced
395:at her newly established fine arts printing press,
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689:Iris & B. Gerald Cantor Center for Visual Arts
1557:"Honolulu Museum of Art » Ocean Park No. 78"
1230:Richard Diebenkorn: The Berkeley Years, 1955–1966
1141:Richard Diebenkorn: The Berkeley Years, 1955–1966
1094:Richard Diebenkorn: The Berkeley Years. 1955–1966
302:, who also taught at the CSFA from 1946 to 1950,
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1118:"TIMELINE: BERKELEY ABSTRACTION: FALL 1953–1955"
1054:Richard Diebenkorn: The Berkeley Years 1953–1966
750:'s private collection, Italian fashion designer
584:, curated by Sarah C. Bancroft, traveled to the
290:to the United States and, in particular, to the
1875:Richard Diebenkorn Artwork Examples on AskART.
1081:. Los Angeles. November 16, 1952. p. 118.
742:painted in 1971 for $ 13.5 million. At a 2014
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1660:Lifetime Honors – National Medal of Arts
789:Richard Diebenkorn Lyrical Painter Dies at 71
765:made a painting in the style of Diebenkorn's
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282:(1953–1966). He developed his own style of
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1888:
1274:, p.56, 1997–1998 Exhibition catalog, The
1077:"Romantic-Abstract Work Well Integrated".
549:Diebenkorn died due to complications from
1821:Richard Diebenkorn: The Ocean Park Series
1771:, Ruth E. Fine, and Jane Livingston. The
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582:Richard Diebenkorn: The Ocean Park Series
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563:California Palace of the Legion of Honor
542:, with poems selected and introduced by
439:decade as a leading figurative painter.
374:California Palace of the Legion of Honor
352:
334:and abstract expressionism. Diebenkorn,
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2719:Artists from the San Francisco Bay Area
1965:Harris & Carroll Sterling Masterson
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491:In September 1966, Diebenkorn moved to
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1844:January/February 1978, pp. 95–99.
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460:paintings. According to art historian
2764:Honorary members of the Royal Academy
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1732:Wilkinson, Alec (November 25, 1996).
1691:Kinsella, Eileen (October 24, 2018).
1677:Souren Melikian (November 16, 2012),
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1293:
1211:"Timeline: Berkeley Figurative Years"
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988:
657:Hirshhorn Museum and Sculpture Garden
561:Diebenkorn had his first show at the
425:University of California, Los Angeles
409:California College of Arts and Crafts
327:California College of Arts and Crafts
192:in 1943, where he served until 1945.
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1010:"New York Winter Exhibition Preview"
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829:, page 18. Whitney California, 1997.
714:In 1991, Diebenkorn was awarded the
703:In 1978, Diebenkorn was awarded The
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1344:. In 1997–1998 Exhibition catalog,
718:. In 1979, he was elected into the
203:, 1973, oil on canvas, 100 Ă— 81 in.
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2769:20th-century American male artists
2729:San Francisco Art Institute alumni
2724:National Academy of Design members
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1175:
991:"Can You Feel The Bay Area Light?"
989:Frank, Priscilla (June 28, 2013).
962:"Department History, Art Practice"
677:San Francisco Museum of Modern Art
209:University of California, Berkeley
14:
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2759:20th-century American printmakers
2704:Artists from Berkeley, California
2684:American Figurative Expressionism
1911:National Medal of Arts recipients
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1718:Carol Vogel (November 11, 2014),
1679:Investors Fly to Contemporary Art
914:
841:
495:, and took up a professorship at
417:University of Southern California
213:Marine base in Quantico, Virginia
1393:"Visual Critic Series – Part II"
1228:Burgard, Timothy Anglin (2013).
1139:Burgard, Timothy Anglin (2013).
1092:Burgard, Timothy Anglin (2013).
1052:Burgard, Timothy Anglin (2013).
1008:Robert Ayers (January 3, 2008).
661:Los Angeles County Museum of Art
31:
2744:University of New Mexico alumni
2679:American Expressionist painters
1808:(New York School Press, 2009.)
1791:(New York School Press, 2003.)
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1120:. Richard Diebenkorn Foundation
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586:Modern Art Museum of Fort Worth
553:in Berkeley on March 30, 1993.
421:University of Colorado, Boulder
16:American painter and printmaker
2749:20th-century American painters
2699:American contemporary painters
2674:Abstract expressionist artists
1773:Whitney Museum of American Art
1765:The Art of Richard Diebenkorn,
1681:, International Herald Tribune
1423:. pp. Show Saturday 1, 8.
1346:Whitney Museum of American Art
1322:Whitney Museum of American Art
1276:Whitney Museum of American Art
954:
870:
832:
819:
794:
780:
698:
685:Whitney Museum of American Art
610:
601:Diebenkorn: The Berkeley Years
556:
1:
2714:Artists from Portland, Oregon
1979:Southeastern Bell Corporation
1870:Richard Diebenkorn Foundation
1397:Richard Diebenkorn Foundation
1342:The Art of Richard Diebenkorn
1280:The Art of Richard Diebenkorn
1272:The Art of Richard Diebenkorn
827:The Art of Richard Diebenkorn
773:
725:
1626:www.artinamericamagazine.com
1258:Drawings: Richard Diebenkorn
926:Diebenkorn, Richard (1976).
681:Solomon R. Guggenheim Museum
669:Museum of Fine Arts, Houston
665:Minneapolis Institute of Art
348:Bay Area Figurative Movement
143:
126:Bay Area Figurative Movement
98:Bay Area Figurative Movement
7:
2544:Steppenwolf Theatre Company
1505:Peggy Guggenheim Collection
653:Kalamazoo Institute of Arts
590:Orange County Museum of Art
296:San Francisco Art Institute
10:
2790:
2734:Stanford University alumni
2669:American abstract painters
1757:
1537:. New Mexico Museum of Art
1420:The Orange County Register
720:National Academy of Design
486:French Window at Collioure
478:French Window at Collioure
448:French Window at Collioure
190:United States Marine Corps
37:Richard Diebenkorn in 1986
2709:Painters from Los Angeles
2623:
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2486:
2420:
2349:
2277:
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2133:
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1987:
1918:
629:Albright–Knox Art Gallery
567:Albright–Knox Art Gallery
266:(1946–47 and 1947–1950),
93:
83:
64:
42:
30:
23:
1847:Gerald Nordland (1987).
1305:The Museum of Modern Art
647:, Washington, D.C.; the
633:Art Institute of Chicago
619:, Santa Fe, New Mexico;
617:New Mexico Museum of Art
580:In 2012, an exhibition,
573:, then a curator at the
493:Santa Monica, California
316:University of New Mexico
2377:Eduardo "Lalo" Guerrero
2256:Catherine Filene Shouse
1665:April 11, 2012, at the
645:Corcoran Gallery of Art
637:Baltimore Museum of Art
594:Corcoran Gallery of Art
362:The Phillips Collection
272:Albuquerque, New Mexico
168:, the sister-in-law of
2754:American male painters
1033:Cite journal requires
730:In 2018, Diebenkorn's
716:National Medal of Arts
705:Edward MacDowell Medal
621:Honolulu Museum of Art
529:Healdsburg, California
482:
364:
284:abstract expressionist
204:
122:abstract expressionism
102:abstract expressionism
2739:United States Marines
2504:Ramblin' Jack Elliott
2499:Antoine "Fats" Domino
2150:Cabell "Cab" Calloway
2010:John Carter Brown III
1851:. New York: Rizzoli.
1640:"Macdowell Medalists"
1586:collection.kiarts.org
1460:"Diebenkorn, Richard"
1435:"Diebenkorn, Richard"
1367:"Diebenkorn, Richard"
878:"Student and Wartime"
802:"Diebenkorn, Richard"
748:Rachel Lambert Mellon
631:, Buffalo, New York;
466:
401:41 Etchings Drypoints
356:
198:
2539:Sara Lee Corporation
2412:Boys Choir of Harlem
2015:Charles "Honi" Coles
709:The MacDowell Colony
683:, New York; and the
675:, Washington, D.C.;
659:, Washington, D.C.;
623:, Honolulu, Hawaii;
575:Museum of Modern Art
517:color field painting
306:, Hassel Smith, and
280:Berkeley, California
199:Richard Diebenkorn,
106:Color Field painting
76:Berkeley, California
2600:Harvey Lichtenstein
2180:Robert Rauschenberg
2035:Kitty Carlisle Hart
1961:David Lloyd Kreeger
1609:Marlborough Gallery
1489:royalacademy.org.uk
1185:Fine, Ruth (1997).
693:Stanford University
673:Phillips Collection
627:, Vienna, Austria;
596:in Washington, DC.
521:lyrical abstraction
501:Santa Monica Canyon
432:Stanford University
370:Norton Simon Museum
268:Woodstock, New York
154:Stanford University
110:lyrical abstraction
2443:Daniel Urban Kiley
2110:Denise Scott Brown
2025:Richard Diebenkorn
1849:Richard Diebenkorn
1802:Marika Herskovic,
1785:Marika Herskovic,
1606:Richard Diebenkorn
1561:honolulumuseum.org
1502:Richard Diebenkorn
1340:Livingston, Jane.
1165:"Solo Exhibitions"
787:NY Times obituary
752:Valentino Garavani
641:Carnegie Institute
605:Matisse/Diebenkorn
474:View of Notre Dame
453:View of Notre-Dame
386:Tamarind Institute
365:
205:
118:Richard Diebenkorn
25:Richard Diebenkorn
2656:
2655:
2494:Jacques d'Amboise
2145:Leonore Annenberg
1995:Maurice Abravanel
1956:Riley "B.B." King
1829:978-3-7913-5138-4
1819:Bancroft, Sarah,
1814:978-0-9677994-2-1
1799:. p. 102–105
1763:Jane Livingston,
1522:978-3-7913-5138-4
1491:. April 10, 2015.
1270:Jane Livingston,
1239:978-0-884-01140-8
1150:978-0-884-01140-8
1103:978-0-884-01140-8
1079:Los Angeles Times
1063:978-0-88401-140-8
687:, New York. The
679:, San Francisco;
651:, San Francisco;
488:as an epiphany."
397:Crown Point Press
308:Willem de Kooning
254:Robert Motherwell
227:. Both Ryder and
201:Ocean Park No. 67
137:Michael Kimmelman
115:
114:
2781:
2585:Juilliard School
2478:MacDowell Colony
2428:Louise Bourgeois
2407:Stephen Sondheim
2372:Zelda Fichandler
2328:Roy Lichtenstein
2318:James Ingo Freed
2290:Gwendolyn Brooks
2160:Bess Lomax Hawes
2071:James Earl Jones
2005:Pietro Belluschi
1941:Merce Cunningham
1904:
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1722:, New York Times
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1217:. July 23, 2018.
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902:on March 8, 2009
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509:aerial landscape
415:in Oakland, the
276:Urbana, Illinois
158:Victor Arnautoff
150:Portland, Oregon
71:
57:Portland, Oregon
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2570:Aretha Franklin
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2514:Barbara Handman
2482:
2468:Edward Villella
2448:Angela Lansbury
2416:
2345:
2333:Arthur Mitchell
2273:
2270:Young Audiences
2216:Harry Belafonte
2204:
2129:
2054:
2030:R. Philip Hanes
1983:
1914:
1908:
1866:
1842:Art in America,
1837:
1835:Further reading
1816:. p. 80–83
1769:John Elderfield
1767:with essays by
1760:
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358:Girl with Plant
340:Henry Villierme
292:New York School
288:School of Paris
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1734:"My Left Foot"
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756:Ocean Park #89
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234:Pierre Bonnard
225:Eugene Neuhaus
170:Gertrude Stein
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2549:Gwen Verdon
2534:Philip Roth
2509:Frank Gehry
2458:Tito Puente
2338:Bill Monroe
2304:Ossie Davis
2299:Iris Cantor
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2020:John Crosby
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1611:, New York.
1541:December 9,
1469:January 28,
1444:January 28,
1376:January 28,
862:November 4,
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699:Recognition
635:, Chicago;
611:Collections
557:Exhibitions
539:W. B. Yeats
535:edition of
533:Arion Press
419:(USC), the
217:Worth Ryder
166:Sarah Stein
2663:Categories
2473:Doc Watson
2438:Agnes Gund
2246:Gene Kelly
2226:Celia Cruz
1969:Ian McHarg
1645:August 22,
939:091478207X
774:References
767:Ocean Park
736:Christie's
726:Art market
592:, and the
513:Ocean Park
505:Ocean Park
470:Ocean Park
458:Ocean Park
446:paintings
423:, and the
344:David Park
229:Erle Loran
221:Erle Loran
134:Art critic
130:Ocean Park
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2392:Vera List
2295:B. Gerald
2000:Roy Acuff
1582:"eMuseum"
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1126:2019
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1058:ISBN
1039:help
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