251:
series on the Silver Screen. In this series, Hochbaum takes screenshots of classic movies broadcast on TV, warping images of
Hollywood starlets (Audrey Hepburn, Greta Garbo and Lillian Gish among them) before printing the image on aluminum panels. She has published a book with Daylight Books of the same name, SILVER SCREEN. Along with these series, she has created a number of slide shows to music; each contain hundreds of her images. Two of these pieces were commissioned by the University of North Carolina at Chapel Hill. One,
242:
three) or 12 (four rows of three) parts. The second, superimposed layer, also gridded, has anywhere from 9 to 841 parts. These images are screen shots from what has become my camera of choice, my iPhone. ... My gridded constructions are, in essence, anti-selfies. ... These self-portraits are consciously self-centered; they are considered, vibrant, multi-layered creations that state, “I am here, and this is my story”.
22:
246:
Hochbaum's previous body of work consisted of composite photo collages, in black and white and color. In these pieces, she begins with a grid of between 25 and 50 photos set up in columns and rows and works digitally to blend the individual panels to make a whole, a single picture plane. She always
241:
The self-portrait is, by its very nature, linked to the artist’s identity. She insists on her relevance, her existence even, through her representation of the self. To create the first layer in the self-portraits titled "Through The
Looking Glasses", I capture my face in a grid of 9 (three rows of
250:
Previous to this portfolio, Hochbaum created shaped images, made up of individual panels printed into aluminum. She has used three distinct shapes - the symmetrical cross, the lintel or doorway and the Bi square, the empty square, or the squaring off of the Bi disc shape. She has also produced a
228:
She had a solo exhibition, "OVER/TIME: Imaging
Landscape" at CAM (Contemporary Art Museum) Raleigh in 2018, and a solo exhibition of Self-Portraits, "As If A Mirror", at the Horace Williams House in Chapel Hill from October through December, 2023.
247:
leaves a hint of fog at the border between the modules, never making a seamless image, to remind the viewer that this is no window one is looking through, this is the act of seeing itself, over time.
237:
Hochbaum has been interested in making work about the passage of time. Her recent work is a portfolio of self-portraits titled "As If A Mirror". In her artist statement about this work she states:
50:
262:
Her work is in the collections of the Museum of Fine Arts, Boston and the Benton Museum in Storrs, Connecticut, and in the corporate collections of Credit Suisse and Truist Bank.
255:, a collaboration with her husband the composer Allen Anderson, was screened in Memorial Hall in February 2011 as part of the North Carolina Digital Arts Festival. Another,
528:
523:
54:
518:
513:
372:
508:
209:
503:
488:
30:
222:
In 1991, during a four-month stay in Italy, an old interest in photography that had begun during her time in Paris re-emerged.
414:"'Water of Life: Artistic Expressions' UNC Global Program Uniquely Deepens Concerns about World Water through Art and Music"
104:
493:
76:
123:
83:
259:, was screened at the FedEx Global Education Center as part of the Water of Life Festival in the Spring of 2013.
204:
in Fine Arts. Upon graduation, she was awarded a Thomas J. Watson
Foundation Fellowship to study printmaking at
90:
279:
72:
274:
189:
498:
46:
431:
35:
358:
39:
394:
483:
333:
216:
478:
97:
8:
201:
303:
61:
225:
In 1996, she and her family moved to North
Carolina, where she currently lives.
413:
472:
205:
461:
200:
Hochbaum was born in New York City, and received her BA from
172:
60:
from the article and its talk page, especially if potentially
270:
Hochbaum's work is held in the following public collections:
373:"New and old galleries adapt to a shifting landscape"
208:
in Paris. She later received a MFA in painting from
188:(born 1953) is an artist and photographer living in
296:
470:
282:at the University of Connecticut in Storrs, CT
327:
325:
323:
53:about living persons that is unsourced or
529:21st-century American women photographers
524:20th-century American women photographers
320:
124:Learn how and when to remove this message
331:
471:
411:
15:
519:21st-century American photographers
514:20th-century American photographers
412:Powers, Doris B. (March 21, 2013).
405:
13:
509:Artists from Newton, Massachusetts
356:
14:
540:
504:Photographers from North Carolina
453:
489:Photographers from New York City
20:
424:
420:. Chapel Hill, North Carolina.
387:
365:
350:
334:"Tama Hochbaum: Silver Screen"
332:Smithson, Aline (2015-06-02).
265:
1:
289:
280:William Benton Museum of Art
31:biography of a living person
7:
494:Artists from North Carolina
436:Museum of Fine Arts, Boston
275:Museum of Fine Arts, Boston
215:She worked as a painter in
190:Chapel Hill, North Carolina
149:1953 (age 70–71)
58:must be removed immediately
10:
545:
232:
167:
157:
145:
138:
308:georgelawsongallery.com
195:
244:
45:Please help by adding
399:George Lawson Gallery
239:
217:Newton, Massachusetts
161:Brandeis University,
51:Contentious material
359:"Tama Hochbaum Bio"
202:Brandeis University
499:Atelier 17 alumni
183:
182:
134:
133:
126:
108:
34:needs additional
536:
465:
464:
462:Official website
447:
446:
444:
442:
428:
422:
421:
409:
403:
402:
391:
385:
384:
382:
380:
369:
363:
362:
357:Lawson, George.
354:
348:
347:
345:
344:
329:
318:
317:
315:
314:
300:
212:in NYC in 1981.
179:
176:
174:
136:
135:
129:
122:
118:
115:
109:
107:
66:
47:reliable sources
24:
23:
16:
544:
543:
539:
538:
537:
535:
534:
533:
469:
468:
460:
459:
456:
451:
450:
440:
438:
430:
429:
425:
410:
406:
395:"Tama Hochbaum"
393:
392:
388:
378:
376:
371:
370:
366:
355:
351:
342:
340:
330:
321:
312:
310:
304:"Tama Hochbaum"
302:
301:
297:
292:
268:
235:
198:
171:
162:
158:Alma mater
153:
150:
141:
130:
119:
113:
110:
73:"Tama Hochbaum"
67:
65:
44:
25:
21:
12:
11:
5:
542:
532:
531:
526:
521:
516:
511:
506:
501:
496:
491:
486:
481:
467:
466:
455:
454:External links
452:
449:
448:
432:"Magnolia '99"
423:
404:
386:
375:. indyweek.com
364:
349:
319:
294:
293:
291:
288:
287:
286:
283:
277:
267:
264:
234:
231:
219:for 20 years.
210:Queens College
197:
194:
181:
180:
169:
165:
164:
163:Queens College
159:
155:
154:
151:
147:
143:
142:
139:
132:
131:
55:poorly sourced
28:
26:
19:
9:
6:
4:
3:
2:
541:
530:
527:
525:
522:
520:
517:
515:
512:
510:
507:
505:
502:
500:
497:
495:
492:
490:
487:
485:
484:Living people
482:
480:
477:
476:
474:
463:
458:
457:
437:
433:
427:
419:
415:
408:
400:
396:
390:
379:September 19,
374:
368:
360:
353:
339:
335:
328:
326:
324:
309:
305:
299:
295:
285:Credit Suisse
284:
281:
278:
276:
273:
272:
271:
263:
260:
258:
257:return:radius
254:
248:
243:
238:
230:
226:
223:
220:
218:
213:
211:
207:
203:
193:
191:
187:
186:Tama Hochbaum
178:
175:.tamahochbaum
170:
166:
160:
156:
152:New York City
148:
144:
140:Tama Hochbaum
137:
128:
125:
117:
114:February 2024
106:
103:
99:
96:
92:
89:
85:
82:
78:
75: –
74:
70:
69:Find sources:
63:
59:
56:
52:
48:
42:
41:
37:
32:
27:
18:
17:
439:. Retrieved
435:
426:
417:
407:
398:
389:
377:. Retrieved
367:
352:
341:. Retrieved
337:
311:. Retrieved
307:
298:
269:
261:
256:
252:
249:
245:
240:
236:
227:
224:
221:
214:
199:
185:
184:
120:
111:
101:
94:
87:
80:
68:
57:
40:verification
33:
479:1953 births
266:Collections
473:Categories
343:2018-04-23
338:LENSCRATCH
313:2018-04-27
290:References
206:Atelier 17
84:newspapers
36:citations
418:cvnc.org
253:Graffito
62:libelous
441:2 March
233:Process
168:Website
98:scholar
100:
93:
86:
79:
71:
105:JSTOR
91:books
29:This
443:2016
381:2016
196:Life
177:.com
146:Born
77:news
38:for
173:www
475::
434:.
416:.
397:.
336:.
322:^
306:.
192:.
49:.
445:.
401:.
383:.
361:.
346:.
316:.
127:)
121:(
116:)
112:(
102:·
95:·
88:·
81:·
64:.
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.