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rather that when they (the proto-ONCE group composers) visited the
Stratford festival, the featured composers at that festival could not be approached by outsiders due to the management. They were physically inaccessible - the visiting folks from Ann Arbor weren't allowed to talk to the elder visiting composers at Stratford...
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I'm not directly involved with this article at the moment, but I was talking with Roger
Reynolds about the ONCE festivals recently, and he mentioned this Stratford UNESCO Festival event in question. It wasn't "inaccessibility" in the sense that the music was difficult and avant-garde (etc...), but
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There is an ambiguous statement that needs attention from the original contributor: "Frustrated by the inaccessibility of contemporary composers and compositions at
Stratford..." 'Inaccessibility' is a somewhat loaded term when discussing contemporary music. Were the young composers frustrated
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because they couldn't approach (access) the festival's featured composers for discourse? or because they couldn't relate to (access) the music they heard? or because the festival programming was not open to (accessible by) truly modern composers and their music?
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The detail of each specific work can go in the
History section by year, or the individual artist's article. As prose, example. For the 1962 event, X presented Y which was about Z. (reception detail). X2 presented Y2, which was about
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This is a noble and appreciated article on an important series of events for new music. It deserves a good proofread and further cleanup, I just dusted a few things that caught my eye and I didn't get all the way through.
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because of the issues specified below, or the other tags now found on this article. Once these issues have been addressed, and any related tags have been cleared, please
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Article should focus on the history of the group, the formation of the ONCE festivals, major events from each festival, and the impact of the group in the art world.
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But I agree that "inaccessible" should be removed, because of the associations with reception. It is confusing in the context of "new music" related article...
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There's some paragraph in the lead that lists a bunch of artists in a photo, clearly a cut and paste from "Once upon a time in Ann Arbor" article.
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Needs timeline or chart of major festival gatherings. If it's an annual event, list dates, locations, participants, titles of their works.
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Please add references for all of the information described. Much of the text seems like it is lifted from a festival brochure or website.
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Each of the main participants can be grouped in one category such as
Members. See MAIN template or link to expound on group positions.
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