784:, noting that songs like "Bugg'n", "Goooo", and "Easy Easy" best display the "oddball brilliance" of the EP. Amidon highlighted that, rather than "playing spot the influence with us or pointing at Atlanta groups like 1017 Brick Squad and Duct Tape Entertainment with ironic laughter", the two combined what was great about their very different styles "into a very synthetic, parasitical whole", calling the EP the year's "most unexpected – and welcome – entry into the club's current infatuation with trap rap's 808 abuse". Deviant, reviewing for Sputnikmusic, had a similar opinion, saying that while collaboration albums can normally be "tiresome affair", the collaboration of Lunice and Hudson Mahawke is a "rare yet perfect duality, where we can still see what each producer has on display but when entwined together it becomes impossible to discern where one ends and the other begins". A review published in
320:, with initially no plans for release. Mohawke described the project as "a proper click", unlike previous collaborations he had done with which he was dissatisfied because it felt "like you're compromising something of yourself in it". In 2012, the duo stated that the instrumentals on the EP were planned to include rappers: "Pretty much all the tracks on the EP are placed with MCs; most of them are gonna have MCs on them at some point, though we can't talk about who those people are at the moment".
621:
575:
716:
711:
706:
616:
611:
606:
601:
570:
565:
560:
555:
816:"big, dumb, and a lot of fun", he also wrote it felt like it was "the start of something great than a great record in itself". Deviant, stating that it "ends before it's even really begun", called it an overall "tremendous and kaleidoscopic introduction to a dream production duo that has already turned heads", but he wrote that only a small part of the duo's imagination shown at their live debut at
701:
696:
691:
686:
681:
676:
671:
826:
critic Glenn
Jackson thought the EP has tracks "that are surely bound to prove useful to DJs operating in the more booming regions of 140-plus-bpm fare", but criticized it for removing Mohawke's "noted penchant for sonic adventure" in place of Lunice's "proficiency for big-system bangers", concluding
803:
the label of "Best New Music" and called it "some of the year's most brazen, positively huge hip-hop sounds". He predicted that the two have "already yielded results so impressive and of-the-moment that it's likely we haven't heard the last of it". Lea shared a similar conclusion, predicting that all
300:
first met each other in 2008, when the former asked the latter to perform at a show for his Turbo Crunk crew. After a small number of years of the two focusing on their respective solo careers, Lunice decided he should produce much simpler music instead of being "all over the place, trying to push
415:
breakdowns away" from music produced by Mr. Bangladesh, and after that, the duo are fast to present "their adventurous side" starting with "Gooooo". "Top Floor" starts "in a bit of warped new-age territory" before quickly turning into a more bass-driven landscape with an almost
301:
how weird I could get, but the more I continued, the more I wanted to compress and refine my style to a point of, like, 'What if I just made a song out of one snare?' It's natural: After you've been experimenting, you calm down". After hearing
Mohawke's remix of
31:
365:
wrote, "Chasm-deep 808 basslines bellow beneath spacious marching-band drum grooves, super-sharp snare rolls and quirky snatches of sound, building the tension to near-unbearable levels before collapsing into frenetic, ground-shaking drops".
372:
magazine critic Tom Lea analyzed that, for most of the EP, kick and snare sounds "dominate" the drum parts, and noted "Higher Ground" to be the only song on the EP to feature the "rapid-fire hi-hats" typical in
339:
is modeled as, "Take a warped hook or two, bash it into the listeners skull with psychotic glee, add the explosive pyrotechnics of
Southern rap beats, and then tear at the seams". Derek Staples of
309:", in which Mohawke had started doing "really simple, huge, stabbing productions", Lunice met him to show him new material he had been working on, and the two formed TNGHT.
471:-fused "Higher Ground" has only – or "obliterates", as Bosman puts it – two hooks, one with looped second-long female vocal samples and another with a synthesized
483:-esque sound effect of a cooing baby and "glowing, trance-like synths" are played on "Bugg'n", which was analogized by Amidon as if "Diddy Kong got ahold of a
452:
reviewer Larry
Fitzmaurice opined that the "tight tonal coils" on the song "sound like hot knives slashing through metal by its high-anxiety conclusion".
1258:
476:
1629:
306:
497:" over samples of broken and smashed windows, looped car crash noises, and gun-cocking sounds used as percussion.
444:
of the song consists of a "keening, 8-bit lead, chanted whoops, death-spiral snare rolls and gabber-grade super
1655:
491:
closes with "Easy Easy", a song led by a "discombobulating synth that should soundtrack an animated version of
386:
1233:
849:
583:
332:
791:
Some reviewers felt that the group had yet to show more of their potential than what they recorded on
780:, Jon Cook, scoring it a 9 out of 10, said that listeners were right in having high expectations for
459:"to their meatiest elements", as elements including looped handclaps and the signature synth rise of
429:
1092:
827:
that "the five tracks here result in little more than the requisite head nod for the rest of us".
1768:
1758:
1499:
1266:
1229:
1024:
312:
The duo recorded their self-titled extended play in a few days at a very small studio outside of
411:
opens "fairly safely" with "Top Floor", a song "just a few 808 snare trills and pair of ambient
331:
was found by some critics to sound more representative of the solo work by Lunice. According to
433:
257:
125:
1763:
1607:
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480:
1585:
1738:
1734:
1720:
1716:
1702:
1698:
1684:
1676:
1409:
1262:
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862:
805:
593:
374:
340:
274:
484:
266:
received critical acclaim. It landed on numerous year-end lists of publications including
8:
1474:
253:
120:
1376:
468:
1446:
1332:
1042:
817:
630:
368:
1337:
809:
493:
1190:
1125:
1564:
1529:
1507:
1413:
1198:
785:
771:
724:
472:
252:. Recorded in a London studio in a couple of nights, it was released on the labels
86:
81:
1159:
1534:
1327:
1096:
1060:
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653:
449:
441:
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268:
135:
297:
245:
198:
148:
1752:
1010:
763:
479:
brass" popping "in and out to steamroll buildings" for humorous purposes. An
445:
421:
348:
313:
279:
237:
62:
38:
774:, it has an aggregate 7.8 out of ten, also a weighted average. Writing for
464:
398:
112:
1294:
456:
390:
356:
73:
393:, also noting its bass sounds were similar to those present in songs by
1503:
1380:
767:
663:
524:
460:
425:
404:
382:
302:
1539:
437:
420:-like voice sample in the mix. Tapping into the "gamer nostalgia" of
1194:
905:
All tracks are written by Lunice Fermin Pierre II and Ross
Birchard
762:
garnered critical acclaim upon release. The EP holds an aggregated
547:
1692:
1633:
874:
412:
394:
788:
called it "way more clever than your average thuggish bombast".
1630:"Albums of the Year: Ellie Goulding to Jessie Ware (Nos 40–31)"
417:
317:
293:
249:
143:
66:
1728:
1710:
1164:
822:
747:
241:
158:
43:
30:
1299:
804:
of the duo's qualities would be heard on their work with
776:
642:
361:
359:, and Orlando-based producer Big Makk. As a critic for
1670:
1699:"TNGHT Chart History (Top Dance/Electronic Albums)"
1403:
1401:
1399:
1397:
820:is present on the record. In a more mixed review,
795:. These included Larry Fitzmaurice, a critic for
1750:
1223:
1221:
1219:
1217:
1215:
1610:. Beats per Minute. 14 December 2012. p. 2
1394:
1494:
1492:
1212:
668:
1440:
1438:
1436:
1434:
1432:
1430:
1370:
1368:
1366:
1364:
1362:
1360:
1358:
1356:
1354:
598:
552:
397:and its rhythms resembled those by producer
1444:
1090:
355:similar to the works of Chrissy Murderbot,
1735:"TNGHT Chart History (Heatseekers Albums)"
1717:"TNGHT Chart History (Independent Albums)"
1489:
1468:
1466:
1464:
1184:
1182:
29:
1427:
1407:
1351:
1119:
1117:
1115:
1113:
424:music, Amidon described "Gooooo" as if "
1527:
1500:"Critic Reviews for TNGHT [EP]"
1472:
1461:
1256:
1179:
1157:
1153:
1151:
1149:
1147:
1145:
1143:
1751:
1374:
1321:
1319:
1317:
1227:
1123:
347:as a combination of "regional beats",
278:charts, debuting at number 180 on the
1288:
1286:
1284:
1252:
1250:
1110:
978:
967:
956:
945:
934:
923:
533:
510:
500:
1588:. Beats per Minute. 10 December 2012
1521:
1292:
1140:
1658:. Pitchfork Media. 20 December 2012
1445:Fitzmaurice, Larry (25 July 2012).
1408:Sherburne, Phillip (23 July 2012).
1325:
1314:
1188:
1091:Fitzmaurice, Larry (18 July 2012).
13:
1281:
1247:
670:
455:Carving the songs of English trio
14:
1780:
600:
554:
407:reviewer David Amidon wrote that
244:, the collaboration of producers
1259:"Album Review: TNGHT – TNGHT EP"
899:
770:based on nine reviews, while on
714:
709:
704:
699:
694:
689:
684:
679:
674:
669:
619:
614:
609:
604:
599:
573:
568:
563:
558:
553:
1648:
1622:
1600:
1578:
1553:
1528:Martins, Chris (25 July 2012).
1375:Amidon, David (8 August 2012).
1257:Staples, Derek (31 July 2012).
1228:Bosman, Chris (6 August 2012).
1158:Jackson, Glenn (26 July 2012).
812:song. However, while he called
335:'s Chris Bosman, every song of
1743:. Retrieved January 29, 2016.
1725:. Retrieved January 29, 2016.
1707:. Retrieved January 29, 2016.
1689:. Retrieved January 29, 2016.
1084:
911:
323:
272:. It was also on the American
1:
1230:"Album Review: TNGHT – TNGHT"
1124:Dombal, Ryan (15 June 2012).
1078:
288:
1071:
1053:
1035:
1017:
893:
890:
881:
878:
869:
866:
857:
854:
830:
436:-like goth club overseen by
7:
1656:"The Top 50 Albums of 2012"
1025:Top Dance/Electronic Albums
432:chair and was planted in a
10:
1785:
1530:"TNGHT, 'TNGHT EP' (Warp)"
1293:Cook, Jon (21 July 2012).
487:on the honeycomb levels".
1326:Lea, Tom (25 July 2012).
1058:
1040:
1022:
1008:
1001:
998:
991:
918:
915:
910:
541:
538:
518:
515:
236:is the self-titled debut
225:
208:
197:
193:
165:
157:
134:
111:
95:
72:
58:
50:
37:
28:
23:
1473:Deviant (25 July 2012).
1093:"TNGHT: "Higher Ground""
1608:"Top 50 Albums of 2012"
1475:"Review: TNGHT – TNGHT"
217:Released: July 18, 2012
1677:"TNGHT Chart History (
766:of 83 out of 100 from
1586:"The Top EPs of 2012"
481:AOL Instant Messenger
1295:"TNGHT – 'TNGHT' EP"
1263:Consequence of Sound
863:Consequence of Sound
594:Consequence of Sound
506:Professional ratings
341:Consequence of Sound
18:2012 EP by TNGHT
507:
428:took a seat in the
1636:. 11 December 2012
1061:Heatseekers Albums
1043:Independent Albums
818:South by Southwest
505:
501:Critical reception
377:. Bosman compared
260:on July 23, 2012.
1449:. Pitchfork Media
1447:"TNGHT: TNGHT EP"
1377:"TNGHT: TNGHT EP"
1338:The Vinyl Factory
1128:. Pitchfork Media
1076:
1075:
988:
987:
897:
896:
810:Waka Flocka Flame
808:and a remix of a
757:
756:
463:are present, the
229:
228:
189:
188:
1776:
1744:
1732:
1726:
1714:
1708:
1696:
1690:
1674:
1668:
1667:
1665:
1663:
1652:
1646:
1645:
1643:
1641:
1626:
1620:
1619:
1617:
1615:
1604:
1598:
1597:
1595:
1593:
1582:
1576:
1575:
1573:
1571:
1561:"TNGHT by TNGHT"
1557:
1551:
1550:
1548:
1546:
1525:
1519:
1518:
1516:
1514:
1508:Rovi Corporation
1496:
1487:
1486:
1484:
1482:
1470:
1459:
1458:
1456:
1454:
1442:
1425:
1424:
1422:
1420:
1414:Resident Advisor
1405:
1392:
1391:
1389:
1387:
1372:
1349:
1348:
1346:
1344:
1323:
1312:
1311:
1309:
1307:
1290:
1279:
1278:
1276:
1274:
1269:on 3 August 2012
1265:. Archived from
1254:
1245:
1244:
1242:
1240:
1234:Beats per Minute
1225:
1210:
1209:
1207:
1205:
1199:Rovi Corporation
1186:
1177:
1176:
1174:
1172:
1160:"TNGHT TNGHT EP"
1155:
1138:
1137:
1135:
1133:
1121:
1108:
1107:
1105:
1103:
1088:
996:
995:
981:
913:
908:
907:
850:Beats per Minute
835:
834:
786:Resident Advisor
725:Resident Advisor
719:
718:
717:
713:
712:
708:
707:
703:
702:
698:
697:
693:
692:
688:
687:
683:
682:
678:
677:
673:
672:
624:
623:
622:
618:
617:
613:
612:
608:
607:
603:
602:
584:Beats per Minute
578:
577:
576:
572:
571:
567:
566:
562:
561:
557:
556:
511:Aggregate scores
508:
504:
473:Southern hip-hop
381:to the works of
333:Beats per Minute
218:
215:
167:
166:
107:
106:
102:
33:
21:
20:
1784:
1783:
1779:
1778:
1777:
1775:
1774:
1773:
1749:
1748:
1747:
1733:
1729:
1715:
1711:
1697:
1693:
1675:
1671:
1661:
1659:
1654:
1653:
1649:
1639:
1637:
1628:
1627:
1623:
1613:
1611:
1606:
1605:
1601:
1591:
1589:
1584:
1583:
1579:
1569:
1567:
1565:AnyDecentMusic?
1559:
1558:
1554:
1544:
1542:
1526:
1522:
1512:
1510:
1498:
1497:
1490:
1480:
1478:
1471:
1462:
1452:
1450:
1443:
1428:
1418:
1416:
1410:"TNGHT – TNGHT"
1406:
1395:
1385:
1383:
1373:
1352:
1342:
1340:
1324:
1315:
1305:
1303:
1291:
1282:
1272:
1270:
1255:
1248:
1238:
1236:
1226:
1213:
1203:
1201:
1191:"TNGHT – TNGHT"
1189:Kellman, Andy.
1187:
1180:
1170:
1168:
1156:
1141:
1131:
1129:
1126:"Rising: TNGHT"
1122:
1111:
1101:
1099:
1097:Pitchfork Media
1089:
1085:
1081:
1003:
994:
989:
979:
949:"Higher Ground"
902:
887:Pitchfork Media
833:
797:Pitchfork Media
772:AnyDecentMusic?
715:
710:
705:
700:
695:
690:
685:
680:
675:
654:Pitchfork Media
620:
615:
610:
605:
574:
569:
564:
559:
503:
450:Pitchfork Media
442:instrumentation
326:
291:
269:Pitchfork Media
221:
216:
214:"Higher Ground"
213:
212:
184:
177:
153:
130:
104:
100:
99:
91:
46:
19:
12:
11:
5:
1782:
1772:
1771:
1769:Electronic EPs
1766:
1761:
1759:2012 debut EPs
1746:
1745:
1727:
1709:
1691:
1669:
1647:
1621:
1599:
1577:
1552:
1520:
1488:
1477:. Sputnikmusic
1460:
1426:
1393:
1350:
1328:"TNGHT: TNGHT"
1313:
1280:
1246:
1211:
1178:
1139:
1109:
1082:
1080:
1077:
1074:
1073:
1070:
1056:
1055:
1052:
1038:
1037:
1034:
1020:
1019:
1016:
1006:
1005:
1000:
993:
990:
986:
985:
982:
976:
975:
972:
969:
965:
964:
961:
958:
954:
953:
950:
947:
943:
942:
939:
936:
932:
931:
928:
925:
921:
920:
917:
914:
903:
901:
898:
895:
894:
892:
889:
883:
882:
880:
877:
871:
870:
868:
865:
859:
858:
856:
853:
846:
845:
842:
839:
832:
829:
799:, who awarded
755:
754:
751:
743:
742:
739:
731:
730:
727:
721:
720:
666:
660:
659:
656:
650:
649:
646:
638:
637:
634:
626:
625:
596:
590:
589:
586:
580:
579:
550:
544:
543:
540:
536:
535:
531:
530:
527:
521:
520:
517:
513:
512:
502:
499:
325:
322:
298:Hudson Mohawke
290:
287:
246:Hudson Mohawke
227:
226:
223:
222:
220:
219:
209:
206:
205:
195:
194:
191:
190:
187:
186:
179:
170:
163:
162:
155:
154:
152:
151:
149:Hudson Mohawke
146:
140:
138:
132:
131:
129:
128:
123:
117:
115:
109:
108:
97:
93:
92:
90:
89:
84:
78:
76:
70:
69:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
1781:
1770:
1767:
1765:
1762:
1760:
1757:
1756:
1754:
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1587:
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1566:
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1556:
1541:
1537:
1536:
1531:
1524:
1509:
1505:
1501:
1495:
1493:
1476:
1469:
1467:
1465:
1448:
1441:
1439:
1437:
1435:
1433:
1431:
1415:
1411:
1404:
1402:
1400:
1398:
1382:
1378:
1371:
1369:
1367:
1365:
1363:
1361:
1359:
1357:
1355:
1339:
1335:
1334:
1329:
1322:
1320:
1318:
1302:
1301:
1296:
1289:
1287:
1285:
1268:
1264:
1260:
1253:
1251:
1235:
1231:
1224:
1222:
1220:
1218:
1216:
1200:
1196:
1192:
1185:
1183:
1167:
1166:
1161:
1154:
1152:
1150:
1148:
1146:
1144:
1127:
1120:
1118:
1116:
1114:
1098:
1094:
1087:
1083:
1068:
1067:
1062:
1057:
1050:
1049:
1044:
1039:
1032:
1031:
1026:
1021:
1015:
1013:
1007:
999:Chart (2012)
997:
983:
980:Total length:
977:
973:
970:
966:
962:
959:
955:
951:
948:
944:
940:
937:
933:
929:
926:
922:
909:
906:
900:Track listing
888:
885:
884:
876:
873:
872:
864:
861:
860:
851:
848:
847:
843:
840:
837:
836:
828:
825:
824:
819:
815:
811:
807:
802:
798:
794:
789:
787:
783:
779:
778:
773:
769:
765:
764:weighted mean
761:
752:
750:
749:
745:
744:
740:
738:
737:
733:
732:
728:
726:
723:
722:
667:
665:
662:
661:
657:
655:
652:
651:
647:
645:
644:
640:
639:
635:
633:
632:
628:
627:
597:
595:
592:
591:
587:
585:
582:
581:
551:
549:
546:
545:
537:
534:Review scores
532:
528:
526:
523:
522:
514:
509:
498:
496:
495:
490:
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1764:TNGHT albums
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971:"Easy Easy"
927:"Top Floor"
806:Danny Brown
391:Swizz Beatz
357:machinedrum
324:Composition
240:of the duo
1753:Categories
1662:29 January
1640:29 January
1614:29 January
1592:29 January
1570:28 January
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1513:28 January
1504:Metacritic
1481:29 January
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1381:Popmatters
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1102:30 January
1079:References
768:Metacritic
664:Popmatters
525:Metacritic
494:Black Swan
461:Drumma Boy
426:Samus Aran
405:Popmatters
385:producers
383:GOOD Music
375:trap music
343:described
303:Gucci Mane
289:Background
161:chronology
87:electronic
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1004:position
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438:Shao Khan
387:Mike Dean
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1195:Allmusic
960:"Bugg'n"
548:Allmusic
475:-style "
136:Producer
59:Recorded
51:Released
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1634:Gigwise
938:"Goooo"
875:Gigwise
440:". The
413:dubstep
395:Hit-Boy
353:electro
258:LuckyMe
199:Singles
185:(2019)
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992:Charts
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658:8.5/10
542:Rating
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529:83/100
519:Rating
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465:bounce
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318:London
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144:Lunice
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1681:200)"
1165:XLR8R
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916:Title
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1002:Peak
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469:juke
467:and
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446:saws
389:and
369:Fact
305:'s "
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1059:US
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485:9MM
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