741:, decided to build the set because "we couldn't find the atmosphere we wanted naturally." According to Larbalestier, Black Francis came up with the idea for the cover as he wrote songs in his father's "topless Spanish bar"; Larbalestier added the crucifix and torn poster, and they "sort of loaded that with all the Catholicism." Commenting on the cover in 2005, Francis said, "I just hope people find it tasteful." The cover booklet expands on the theme, and features photographs of the flamenco dancer in several other poses; there are no song lyrics or written content, apart from album credits, in the booklet.
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455:" and "Gigantic", he moved the equipment to record into a studio bathroom to achieve more "roomy" echo. John Murphy, Deal's then husband, said, "Albini didn't like the studio sound". Albini later said that the record could have been completed in a week, but "we ended up trying more experimental stuff basically to kill time and see if anything good materialized." An example was "Something Against You", where Albini filtered
439:
of refusing royalties from records he produces, viewing it as "an insult to the band." Along with Albini in the studio, Q Division's Jon Lupfer acted as studio assistant. The recording process took the entire booked period of ten working days to complete, with extra vocal mixes subsequently added in the studio. Albini planned to mix the record "somewhere else", but according to Lupfer, "He was unhappy there with it."
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758:, the album was originally entitled "Gigantic" after Deal's song, but the band feared misinterpretation of the cover and changed it to "Surfer Rosa." The "name" of the cover woman, and the album title, comes from the "Oh My Golly!" lyric "Besando chichando con surfer rosa", which roughly translates to "Kissing, having sex with Surfer Rosa".
572:". The album includes heavier material, and prominently features the band's trademark quiet-loud dynamic. Frontman and principal songwriter Black Francis wrote the material, the only exception being "Gigantic," which was co-written with Kim Deal. "Gigantic" is one of only two Pixies album tracks on which Deal sang lead vocals.
471:"I'm Amazed" begins with Deal recounting a story in which one of her former teachers who was "into field hockey players" was discreetly fired. Francis finishes Deal's sentences, joking that her response to hearing of the teacher's activities was to try to join the team. Albini later observed the use of studio banter on
475:: "It's on their record forever so I think now they are obliged to say that they're ok with it, but I honestly don't know that that idea would've ever come up if I hadn't done it. There are times when things like that are revealing and entertaining and I kind of felt it was a bit gimmicky on this record."
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was "a patchwork pinch loaf from a band who at their top dollar best are blandly entertaining college rock", and said of the band: "Their willingness to be 'guided' by their manager, their record company and their producers is unparalleled. Never have I seen four cows more anxious to be led around by
467:
The recording of a conversation held between
Francis and Albini can be heard at the end of "Oh My Golly!". Lupfer writes that "it was a concept he was going for to get some studio banter." As Deal was leaving the studio to smoke a cigarette, she exclaimed "If anybody touches my stuff, I'll kill ya."
639:
the following week. It spent 60 weeks in the chart, peaking at number 2. Until August of that year it was only available in the U.S. as an import. Although the label held worldwide distribution rights to Pixies, they did not have access to a distributor outside the UK. When 4AD signed a distribution
438:
Pixies entered Q Division in
December 1987, booking ten working days of studio time in which to record the album. 4AD allocated Pixies a budget of US$ 10,000, with the total costs amounting to about $ 18,000. Albini's producer's fee was US$ 1,500, and he received no royalties; Albini had a practice
2044:
Gil Norton's production leans towards the harsh garage grunge of 'Surfer Rosa', although the songs retain the strong melodies of 'Doolittle'. In many ways, 'Bossanova' is the composite Pixies LP, the most positive elements of its two predecessors blended together to make one of the most intriguing
586:
in "Break My Body" and "Broken Face", while references to superheroes appear on "Tony's Theme". Voyeurism appears in "Gigantic", and surrealistic lyrics are featured on "Bone
Machine" and "Where Is My Mind?". Puerto Rico references and Spanish lyrics are found on the tracks "Oh My Golly!" and
708:
468:
Francis replied with "I'll kill you, you fucking die, if anybody touches my stuff". The track begins at this point, with
Francis explaining the conversation to Albini, whose voice is not heard on the track. Lupfer later admitted that Albini knew "perfectly well what was going on."
1732:
The untitled eleventh track consists of a quiet recording of conversation in the studio. It exists as a separate track on some CD releases but is not listed on the artwork. As such, after track 10, the track listing numbering on the artwork does not match actual tracks on those
31:
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530:
2007:
The Boston band debuted in 1988 with "Surfer Rosa," introducing its unique form of quiet-to-loud art-punk and, over the course of a few years, hit the college airwaves with such songs as "Gigantic," "Monkey Gone to Heaven" and "Here Comes Your
1188:
as "the one that made me go, 'holy shit'. It was so fresh. It rocked without being lame." Corgan was impressed by the album's drum sound, and acknowledged that The
Smashing Pumpkins used to study the record for its technical elements. Musician
531:
1212:.' That was my immediate reaction, in other words, incredibly raw." Gary Smith, who at the time was in a disagreement with the band, admitted he "was really happy that they had made such a forceful, aggressive, record."
1116:
as one of the quintessential alternative rock records of the 1980s. The album has appeared on several all-time best album lists, and is consistently placed as one of the best albums of the 1980s in any genre.
1252:
their nose rings." In 2005, Albini apologized for the remarks, saying: "To this day I regret having done it. I don't think that I regarded the band as significantly as I should have." In 2023, he said
744:
The booklet's photographs were taken in one day at a pub opposite the 4AD offices, because, according to
Larbalestier, "it was one of the few places that had a raised stage". In a 1988 interview with
503:
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found the band's guitar riffs recognizable and their strong rhythms unique, but felt they had been overrated by critics who hailed them as "the
Amerindie find of the year". In a 2003 review of
1057:
magazine found the songs "well crafted, well delivered sketches which embrace commercial ideals as well as bizarre left-field out of control moments". John Dougan of
American music magazine
529:
3348:
1162:'s songwriting. When he first heard the album, Cobain discovered a template for the mix of heavy noise and pop he was aiming to achieve. He remarked in 1992 that he "heard songs off of
430:
to Albini. This created tension between Smith and
Kolderie, and Kolderie later remarked that "Gary almost killed me for the suggestion, he thought I was scheming to get the project."
610:" is narrated by a prison inmate who requests his girlfriend smear her dress with blood and mail it to him. "Gigantic" is about an illicit love affair and borrows from the 1986 film
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displays a mix of musical styles; pop guitar songs such as "Broken Face", "Break My Body", and "Brick Is Red" are featured alongside slower, more melodic tracks exemplified by "
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652:
has remained in print on CD in the UK, subsequent U.S. releases have seen the two released on separate CDs. These separate releases first appeared in
January 1992, when
3375:
1044:'s Ian Cranna wrote that "what sets the Pixies apart are their sudden bursts of memorable pop melody," and noted that "they could have a bright future ahead of them."
687:
at Blackwing Studios in London, early in May 1988. The remixed single was well met by critics. The single failed to sell, and spent just one week at number 93 on the
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2123:
1989:
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Albini met the band that evening, and they discussed how the next record should sound and be recorded. Albini said that, " were in the studio the next day."
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3237:
1403:
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described it as "beautifully brutal", and the magazine later named Pixies their musicians of the year. In a less enthusiastic contemporary review for
3568:
3338:
541:. This sample contains the end of the third verse and part of the chorus. Santiago's erratic lead guitar plays a key part in the song's melody.
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first reissued the band's first two albums. After 4AD reacquired rights to the band's U.S. distribution, they released both as separate CDs.
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that I'd written but threw out because I was too afraid to play them for anybody." Cobain hired Albini to produce Nirvana's 1993 album
3519:
2618:
2454:
1899:
665:
325:
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403:, Pixies ended up looking for a new producer and recording studio. On the advice of a 4AD colleague, Watts-Russell looked to hire
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4123:
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624:. He later said he had "this very small fish trying to chase me. I don't know why—I don't know too much about fish behavior."
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s Mark Sinker, reviewing the album in March 1988, said "they force the past to sound like them", while Dave Henderson from
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People connected with the band were impressed by the record. Ivo Watts-Russell recalled: "I remember when I first heard
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515:. This sample contains part of the chorus, with Francis' distorted screaming and a repeated guitar rhythm prominent.
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1077:, Christgau wrote that while he initially found Francis' fey and philosophically limited lyrics somewhat annoying,
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616:, in which a married woman falls in love with a teenager. Francis was inspired to write "Where Is My Mind?" after
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as a rerecorded version of the original song. Many of the themes explored on previous recordings are revisited on
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1752:. The studio banter that makes up the untitled track on other releases is on the same track as "Oh My Golly!".
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and "Gigantic", Ivo Watts-Russell has said that the response to the album was "times five" compared with
1201:
as one of the top 50 albums he thought were most influential to Nirvana's sound in his journal in 1993.
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was named one of the year's best albums on English critics' year-end lists. Independent music magazines
304:; however, it failed to chart in either country. Only one single was released, a rerecorded version of "
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contains many of the elements of Pixies' earlier output, including Spanish lyrics and references to
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1994:
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placed the album 10th and 14th, respectively. A number of music magazines have since positioned
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2627:. Vol. 7, no. 11. New York. p. 86. Archived from the original on April 21, 2009
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426:, who had worked at Fort Apache Studios with Smith, recommended the Boston recording studio
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1197:"blew my mind," and that she "immediately went to track down Steve Albini." Cobain listed
8:
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910:
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641:
382:
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Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991
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As of 2015, sales in the United States have exceeded 705,000 copies, according to
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features a photograph of a topless "friend of a friend" of the band, posing as a
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2158:
Britt, Bruce (September 6, 1989). "Bands Bring Fresh Sound to the Big Time".
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644:'s U.S. branch, the album was released on vinyl and cassette as part of the
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alongside experimental recording techniques and a distinctive drum sound.
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as the record's engineer and producer. Having sent a pre-release tape of
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111:
3036:"Pixies — Ephemera — Kurt Cobain on Pixies and The Breeders"
2690:. London. p. 31. Archived from the original on September 30, 2000
2484:
459:' voice through a guitar amp for "a totally ragged, vicious texture."
395:. However, due to differences between the band's manager Ken Goes and
3978:
3932:
3578:
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and Steve Albini's production of the album have been influential on
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Other unusual and offbeat subject matter is raised on the album. "
3925:
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2387:
2179:"They Don't Call Him the Martin Hannett of the '90s For Nothing."
300:, distribution in the United States was handled by British label
2224:
411:
to Albini, Goes invited him to a Boston dinner party at drummer
3201:"Musik Express/Sounds — Popular Music Best-Of-Lists lists"
1141:
680:
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121:
635:
was released in the UK by 4AD on March 21, 1988, entering the
334:
is often included on critics' lists of the best rock albums.
38:
30:
3313:"Rolling Stone – the 500 Greatest Albums of All Time (2012)"
3287:"Rolling Stone – the 500 Greatest Albums of All Time (2003)"
2480:
1736:
The album was re-mastered and released in 2007 as a Hybrid
599:; however, unlike on the band's later albums, the songs in
2854:(1995). "Pixies". In Weisbard, Eric; Marks, Craig (eds.).
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was "a better record than I thought it was at the time".
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898:
378:
270:
151:
3537:
Fool the World: The Oral History of a Band Called Pixies
3516:"American album certifications – Pixies – Surfer Rosa"
3454:"Canadian album certifications – Pixies – Surfer Rosa"
2124:
Fool the World: The Oral History of a Band Called Pixies
1081:
now seemed "audaciously funny and musically prophetic".
346:
have cited it as an inspiration; it was an influence on
3472:"British album certifications – Pixies – Surfer Rosa"
3146:"Steve Albini said he was "ashamed" of Pixies backlash"
3228:"Pitchfork: Staff Lists: Top 100 Albums of the 1980s"
2924:
Henderson, Dave (April 1988). "Pixies: Surfer Rosa".
1208:
thinking, 'I didn't know the Pixies could sound like
587:"Vamos." The latter track was previously featured on
2660:
Cameron, Keith (September 2019). "Perfectly Frank".
1220:, comparing the record to the later Pixies albums
691:. Despite the poor commercial performance of both
1847:
4075:
3550:Sisario, Ben. "Doolittle 33⅓." Continuum, 2006.
2832:. Vol. 20, no. 9. New York. p. 73
729:dancer, pitched against a wall which displays a
603:are not preoccupied with one overarching topic.
442:
2949:. Vol. 4, no. 4. New York. p. 93
1915:Shipments figures based on certification alone.
711:"Surfer Rosa#2" from the album's cover booklet.
1777: – vocals, rhythm guitar, acoustic guitar
668:in 2005, 17 years after its original release.
269:, released in March 1988 on the British label
3611:
1761:All information taken from the CD release of
2883:
2881:
966:
928:
866:
828:
790:
578:'s lyrical content includes examinations of
2617:Dolan, Jon (December 2008 – January 2009).
1744:from recently discovered, first-generation
433:
3618:
3604:
3492:. Capital Public Radio. February 3, 2015.
2616:
1821: – cover image, album booklet imagery
1392:
261:is the debut studio album by the American
29:
3520:Recording Industry Association of America
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2917:
2887:
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2548:
2546:
2438:
2436:
2388:Biel, Jean-Michel; Gourraud, Christophe.
2215:
2213:
737:, who contributed pictures to all Pixies
666:Recording Industry Association of America
326:Recording Industry Association of America
3033:
3001:
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2374:
2372:
2095:
2093:
2083:
2081:
2019:
1990:"Pixies will play Stage AE in September"
1300:Mojo 1000, the Ultimate CD Buyers guide
706:
683:, "River Euphrates", were rerecorded by
3424:"Best Albums of the 1980s | Music"
3293:from the original on September 23, 2020
3143:
3101:""Top 50 by Nirvana" [MIXTAPE]"
2905:from the original on September 14, 2015
2659:
1172:, primarily due to his contribution to
4076:
3261:"A Selection of Lists From Q Magazine"
3180:from the original on February 21, 2018
2977:Christgau, Robert (February 1, 2003).
2938:
2821:
2805:(March 19, 1988). "Catch This Wave!".
2722:
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2543:
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2408:
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2115:
1987:
1929:
1685:
1674:
1663:
1652:
3979:In Heaven (Lady in the Radiator Song)
3599:
3378:from the original on January 18, 2013
3339:"The 500 Greatest Albums of All Time"
3319:from the original on February 1, 2021
3267:from the original on October 19, 2018
3062:Come as You Are: The Story of Nirvana
2961:
2369:
2262:
2260:
2173:
2171:
2157:
2108:The exact date that the recording of
2090:
2078:
1981:
1824:Published by Rice 'n' Beans Music BMI
1696:
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1626:
1611:
1600:
1585:
1574:
1563:
1552:
1541:
771:
761:
3207:from the original on October 9, 2011
3015:from the original on August 20, 2017
2755:
2013:
1461:The Best Albums of the 80s, by Year
1442:Top 100 Albums of the Last 20 Years
364:Before the release of Pixies' debut
3496:from the original on April 16, 2019
2989:from the original on April 25, 2003
2737:from the original on April 10, 2022
2666:. No. 310. London. p. 39.
2457:from the original on March 12, 2022
2020:Staunton, Terry (August 11, 1990).
1404:The 500 Greatest Albums of All Time
1382:The 50 Heaviest Albums of All Time
13:
3838:Wave of Mutilation: Best of Pixies
3398:"Treble's Best Albums of the '80s"
2824:"Rock Music: A Pixies Discography"
2598:from the original on April 1, 2019
2442:
2396:from the original on April 1, 2019
2257:
2199:. Little Brown and Company, 2001.
2168:
2045:and listenable albums of the year.
1235:In 1991, as Pixies were recording
549:Problems playing these files? See
485:
14:
4135:
3562:
3490:"The Record: Unfinished Business"
3434:from the original on May 29, 2012
3351:from the original on May 12, 2021
3240:from the original on May 23, 2010
3009:"The Record: Unfinished Business"
2770:The New Rolling Stone Album Guide
2275:from the original on May 16, 2011
1828:
968:
930:
868:
830:
792:
675:" was the only single taken from
4056:
4055:
3369:
3171:
1512:", written by Black Francis and
1499:
1321:The 50 Best Albums from the 80s
987:
982:
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934:
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811:
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308:", and reached number 93 on the
4094:Albums produced by Steve Albini
3482:
3416:
3390:
3363:
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3305:
3279:
3252:
3226:Pitchfork (November 21, 2002).
3219:
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3165:
3137:
3128:
3119:
3084:
3075:
3054:
3027:
2970:
2932:
2844:
2822:Milner, Greg (September 2004).
2815:
2795:
2749:
2723:Powell, Mike (April 25, 2014).
2716:
2680:Sinker, Mark (March 19, 1988).
2653:
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2517:
2508:
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2469:
2381:
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2328:
2319:
2287:
2248:
2239:
2187:
2151:
2142:
1495:(*) designates unordered lists.
1241:, Albini told the fan magazine
1075:the Pixies' 2002 self-titled EP
3581:(streamed copy where licensed)
3144:Starkey, Arun (May 20, 2024).
2221:"Pixies Profile — Page 2"
2102:
2069:
2056:The Pixies' previous release,
2050:
1988:Mervis, Scott (June 8, 2021).
1960:
1529:
385:, where the band had produced
356:, which Albini also produced.
1:
4124:1980s Spanish-language albums
4023:Frank Black and the Catholics
3476:British Phonographic Industry
3258:
2979:"Consumer Guide: The Prelude"
2857:Spin Alternative Record Guide
1923:
1723:release, the eight tracks of
1011:Spin Alternative Record Guide
923:The Rolling Stone Album Guide
443:Albini's recording techniques
359:
2893:"Christgau's Consumer Guide"
2254:Frank, Ganz, 2005. pp. 80–81
1948:. March 19, 1988. p. 38
1882:Surfer Rosa/Come On Pilgrim
1756:
1729:appear after "Brick is Red".
1342:Top 100 Albums of the 1980s
1259:
1102:as their album of the year;
752:ad, you know?" According to
702:
316:was rereleased in the US by
285:. It includes references to
69:November & December 1987
7:
3535:Frank, Josh; Ganz, Caryn. "
650:Surfer Rosa/Come On Pilgrim
646:Surfer Rosa/Come On Pilgrim
415:'s house a few weeks after
16:1988 studio album by Pixies
10:
4140:
4119:Rough Trade Records albums
3625:
3529:
2939:Dougan, John (July 1988).
2928:. No. 13. p. 18.
2773:(4th ed.). New York:
2121:Frank, Josh; Ganz, Caryn.
1034:UK music press reviews of
627:
4051:
3988:
3942:
3854:
3808:
3769:
3751:
3684:
3633:
3090:Frank, Ganz, 2005. p. 120
3081:Frank, Ganz, 2005. p. 220
2941:"The Pixies: Surfer Rosa"
2759:(2004). "The Pixies". In
2708:: CS1 maint: unfit URL (
2645:: CS1 maint: unfit URL (
2573:Wolk, Douglas. "Pixies –
2527:. PolyHex. Archived from
2334:Francis, Black. Lyrics. "
2293:Francis, Black. Lyrics. "
2066:rather than a full album.
1912:
1897:
1870:
1855:
1844:
1841:
1742:Mobile Fidelity Sound Lab
1536:
1533:
1528:
1482:Best Albums of the 1980s
1471:
1452:
1431:
1402:
1399:
1371:
1352:
1331:
1310:
1289:
1284:
1281:
1278:
1275:
1272:
1127:
1038:were generally positive.
779:
776:
320:in 1992, and in 2005 was
250:
242:Released: August 22, 1988
229:
218:
214:
177:
169:
157:
145:
129:
98:
73:
65:
50:
37:
28:
23:
3400:. Treble. Archived from
3134:Frank, Ganz, 2005. p. 86
3125:Frank, Ganz, 2005. p. 85
2682:"Surf Pixies: Must Buy!"
2564:Frank, Ganz, 2005. p. 84
2552:Frank, Ganz, 2005. p. 87
2514:Frank, Ganz, 2005. p. 88
2366:Frank, Ganz, 2005. p. 80
2325:Frank, Ganz, 2005. p. 79
2245:Frank, Ganz, 2005. p. 83
2099:Frank, Ganz, 2005. p. 77
2087:Frank, Ganz, 2005. p. 76
2075:Frank, Ganz, 2005. p. 75
1709:
537:is the seventh track of
478:
451:'s vocals takes during "
434:Recording and production
54:March 21, 1988
3539:". Virgin Books, 2005.
3176:. RockListMusic.co.uk.
1995:Pittsburgh Post-Gazette
1567:"Something Against You"
497:"Something Against You"
4104:Elektra Records albums
3347:. September 22, 2020.
3174:"Mojo Ultimate Albums"
2891:(September 27, 1988).
2445:"Surfer Rosa – Pixies"
2415:Lazell, Barry (1997).
2269:"Pixies, by Joy Press"
2161:Los Angeles Daily News
1504:All tracks written by
712:
511:is the third track of
490:
3870:Monkey Gone to Heaven
3038:. 4AD. Archived from
2619:"Pixies: Surfer Rosa"
2592:"Pixies Titles/Names"
2390:"Pixies Titles/Names"
2223:. 4AD. Archived from
1178:The Smashing Pumpkins
710:
489:
273:. It was produced by
4114:Pixies (band) albums
2967:Sisario, 2006. p. 20
2864:. pp. 301–302.
2775:Simon & Schuster
2505:Sisario, 2006. p. 43
2477:"RIAA Certification"
2419:. Cherry Red Books.
2417:Indie Hits 1980–1999
2378:Sisario, 2006. p. 19
2148:Sisario, 2006. p. 46
2022:"Pixies – Bossanova"
1808: – production,
1361:100 Greatest Albums
1084:At the end of 1988,
767:Professional ratings
679:. The track and its
4012:Frank Black Francis
3877:Here Comes Your Man
3817:Death to the Pixies
3107:on October 18, 2014
3064:. Doubleday, 1994.
2531:on December 7, 2008
2112:began is uncertain.
2034:on October 12, 2000
1970:. Continuum, 2006.
1838:
1834:Certifications for
1789: – lead guitar
1525:
1269:
768:
733:and a torn poster.
613:Crimes of the Heart
522:"Where Is My Mind?"
383:Fort Apache Studios
302:Rough Trade Records
3965:Wave of Mutilation
3831:Complete 'B' Sides
3060:Azerrad, Michael.
2525:"UK Singles Chart"
2341:2007-11-13 at the
2300:2011-06-11 at the
2193:Azerrad, Michael.
1833:
1815:Simon Larbalestier
1520:
1264:
766:
762:Critical reception
735:Simon Larbalestier
713:
491:
338:artists including
80:Downtown Recorders
4084:1988 debut albums
4069:
4068:
3958:Where Is My Mind?
3912:Letter to Memphis
3824:Pixies at the BBC
3735:Beneath the Eyrie
3404:on April 28, 2007
3042:on April 21, 2007
2983:The Village Voice
2898:The Village Voice
2889:Christgau, Robert
2725:"Pixies: Catalog"
2443:Phares, Heather.
1921:
1920:
1916:
1887:
1810:audio engineering
1706:
1705:
1617:Where Is My Mind?
1604:"River Euphrates"
1496:
1492:
1491:
1156:as the basis for
1122:Nielsen SoundScan
1066:The Village Voice
1032:
1031:
1023:The Village Voice
591:, and appears on
570:Where Is My Mind?
532:
506:
453:Where Is My Mind?
375:Ivo Watts-Russell
373:in October 1987,
298:independent label
254:
253:
210:
209:
4131:
4059:
4058:
3989:Related articles
3620:
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3374:. RockList.net.
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3263:. RockList.net.
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3103:. Archived from
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2761:Brackett, Nathan
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2497:
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2494:
2492:
2487:on March 8, 2007
2483:. Archived from
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2030:. Archived from
2017:
2011:
2010:
2004:
2002:
1985:
1979:
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1941:
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1871:United Kingdom (
1839:
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1531:
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1270:
1263:
1138:alternative rock
1071:Robert Christgau
1052:
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769:
765:
720:
689:UK Singles Chart
534:
533:
508:
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488:
424:Paul Q. Kolderie
336:Alternative rock
310:UK Singles Chart
263:alternative rock
243:
240:
179:
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141:
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136:
107:Alternative rock
61:
59:
33:
21:
20:
4139:
4138:
4134:
4133:
4132:
4130:
4129:
4128:
4099:Art punk albums
4074:
4073:
4070:
4065:
4047:
3984:
3938:
3898:Planet of Sound
3850:
3804:
3765:
3760:Come On Pilgrim
3747:
3714:Trompe le Monde
3680:
3659:Emma Richardson
3629:
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3199:Musik Express.
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2599:
2594:. Alec Eiffel.
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2392:. Alec Eiffel.
2386:
2382:
2377:
2370:
2365:
2361:
2343:Wayback Machine
2333:
2329:
2324:
2320:
2302:Wayback Machine
2292:
2288:
2278:
2276:
2265:
2258:
2253:
2249:
2244:
2240:
2230:
2228:
2227:on June 6, 2011
2219:
2218:
2211:
2192:
2188:
2182:Forced Exposure
2177:Albini, Steve.
2176:
2169:
2156:
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2147:
2143:
2120:
2116:
2107:
2103:
2098:
2091:
2086:
2079:
2074:
2070:
2059:Come On Pilgrim
2055:
2051:
2037:
2035:
2018:
2014:
2000:
1998:
1986:
1982:
1965:
1961:
1951:
1949:
1939:
1935:
1934:
1930:
1926:
1898:United States (
1883:
1879:
1876:
1849:Certified units
1831:
1759:
1726:Come On Pilgrim
1721:Come On Pilgrim
1712:
1707:
1697:
1556:"Break My Body"
1502:
1262:
1244:Forced Exposure
1238:Trompe le Monde
1229:Trompe le Monde
1144:in particular.
1130:
1050:
988:
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697:Come On Pilgrim
654:Elektra Records
648:release. While
630:
589:Come On Pilgrim
561:Come On Pilgrim
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417:Come On Pilgrim
409:Come On Pilgrim
397:The Purple Tape
393:Come On Pilgrim
388:The Purple Tape
370:Come On Pilgrim
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318:Elektra Records
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3676:Paz Lenchantin
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3646:David Lovering
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3563:External links
3561:
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3428:Slant Magazine
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1738:Super Audio CD
1734:
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1700:
1694:
1693:
1690:
1689:"Brick Is Red"
1687:
1683:
1682:
1679:
1676:
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1668:
1665:
1661:
1660:
1657:
1656:"Oh My Golly!"
1654:
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1645:"Tony's Theme"
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855:
826:
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637:UK Indie Chart
629:
626:
546:
536:
525:
520:
519:
510:
500:
495:
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413:David Lovering
361:
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350:'s 1993 album
296:As 4AD was an
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15:
9:
6:
4:
3:
2:
4136:
4125:
4122:
4120:
4117:
4115:
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4109:Grunge albums
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4019:
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4014:
4013:
4009:
4007:
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3999:
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3697:
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3690:
3689:
3687:
3685:Studio albums
3683:
3677:
3674:
3672:
3669:
3667:
3664:
3663:
3660:
3657:
3655:
3654:
3653:Joey Santiago
3650:
3648:
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3643:
3641:
3640:
3639:Black Francis
3636:
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3621:
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3567:
3566:
3557:
3556:0-8264-1774-4
3553:
3549:
3546:
3545:0-312-34007-9
3542:
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3521:
3517:
3511:
3495:
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3477:
3473:
3467:
3459:
3455:
3449:
3438:September 14,
3433:
3429:
3425:
3419:
3403:
3399:
3393:
3377:
3373:
3366:
3350:
3346:
3345:
3344:Rolling Stone
3340:
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3318:
3314:
3308:
3292:
3288:
3282:
3266:
3262:
3255:
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3153:
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3096:
3087:
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3071:
3070:0-385-47199-8
3067:
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3004:
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2927:
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2904:
2900:
2899:
2894:
2890:
2884:
2882:
2873:
2871:0-679-75574-8
2867:
2863:
2862:Vintage Books
2859:
2858:
2853:
2847:
2831:
2830:
2825:
2818:
2810:
2809:
2804:
2798:
2790:
2788:0-7432-0169-8
2784:
2780:
2776:
2772:
2771:
2766:
2762:
2758:
2757:Wolk, Douglas
2752:
2736:
2732:
2731:
2726:
2719:
2711:
2705:
2704:cite magazine
2689:
2688:
2683:
2676:
2674:
2665:
2664:
2656:
2648:
2642:
2641:cite magazine
2626:
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2426:0-9517206-9-4
2422:
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2206:
2205:0-316-78753-1
2202:
2198:
2197:
2190:
2183:
2180:
2174:
2172:
2164:. p. L9.
2163:
2162:
2154:
2145:
2138:
2137:0-312-34007-9
2134:
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2084:
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2065:
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2046:
2033:
2029:
2028:
2023:
2016:
2009:
1997:
1996:
1991:
1984:
1977:
1976:0-8264-1774-4
1973:
1969:
1968:Doolittle 33⅓
1963:
1947:
1946:
1938:
1932:
1928:
1917:
1911:
1907:
1904:
1901:
1896:
1892:
1889:
1886:
1874:
1869:
1865:
1862:
1859:
1854:
1850:
1845:Certification
1840:
1837:
1823:
1820:
1816:
1813:
1811:
1807:
1804:
1803:
1799:
1798:
1795: – drums
1794:
1791:
1788:
1787:Joey Santiago
1785:
1782:
1779:
1776:
1775:Black Francis
1773:
1772:
1768:
1767:
1766:
1764:
1751:
1747:
1743:
1739:
1735:
1731:
1728:
1727:
1722:
1718:
1714:
1713:
1701:
1698:Total length:
1695:
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1673:
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1621:
1618:
1614:
1610:
1606:
1603:
1599:
1595:
1592:
1588:
1584:
1580:
1578:"Broken Face"
1577:
1573:
1569:
1566:
1562:
1558:
1555:
1551:
1547:
1544:
1540:
1527:
1524:track listing
1523:
1517:
1515:
1511:
1507:
1506:Black Francis
1500:Track listing
1497:
1487:
1484:
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1466:
1463:
1460:
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1422:
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1397:
1396:
1395:Rolling Stone
1391:
1387:
1384:
1381:
1378:
1376:
1375:
1370:
1366:
1363:
1360:
1357:
1355:
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1326:
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1320:
1317:
1315:
1314:
1313:Musik Express
1309:
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1268:
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1151:
1147:
1143:
1139:
1135:
1125:
1123:
1118:
1115:
1111:
1110:
1109:Record Mirror
1105:
1101:
1097:
1096:
1091:
1087:
1082:
1080:
1076:
1072:
1068:
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1062:
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1007:
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1000:
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919:
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863:
862:
858:
857:
827:
825:
824:
820:
819:
789:
787:
784:
783:
775:
772:Review scores
770:
759:
757:
756:
751:
747:
742:
740:
739:album sleeves
736:
732:
728:
724:
723:cover artwork
717:
709:
700:
698:
694:
690:
686:
682:
678:
674:
669:
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659:
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619:
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604:
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581:
577:
573:
571:
567:
563:
562:
554:
552:
540:
523:
514:
498:
476:
474:
469:
463:Studio banter
460:
458:
457:Black Francis
454:
450:
440:
431:
429:
425:
420:
418:
414:
410:
406:
402:
398:
394:
390:
389:
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372:
371:
367:
357:
355:
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337:
333:
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327:
323:
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315:
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272:
268:
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101:
97:
91:
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81:
78:
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76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
19:
4071:
4033:The Martinis
4018:The Breeders
4010:
3891:Dig for Fire
3843:
3836:
3829:
3822:
3815:
3809:Compilations
3797:
3790:
3783:
3776:
3758:
3740:
3733:
3728:Head Carrier
3726:
3719:
3712:
3705:
3698:
3692:
3691:
3671:Kim Shattuck
3658:
3651:
3644:
3637:
3585:
3569:
3510:
3498:. Retrieved
3484:
3466:
3458:Music Canada
3448:
3436:. Retrieved
3427:
3418:
3406:. Retrieved
3402:the original
3392:
3380:. Retrieved
3372:"Spin Lists"
3365:
3355:February 25,
3353:. Retrieved
3342:
3333:
3323:February 25,
3321:. Retrieved
3307:
3297:February 25,
3295:. Retrieved
3281:
3269:. Retrieved
3254:
3242:. Retrieved
3231:
3221:
3209:. Retrieved
3194:
3182:. Retrieved
3167:
3155:. Retrieved
3149:
3139:
3130:
3121:
3109:. Retrieved
3105:the original
3095:
3086:
3077:
3061:
3056:
3044:. Retrieved
3040:the original
3029:
3017:. Retrieved
3003:
2993:September 5,
2991:. Retrieved
2985:. New York.
2982:
2972:
2963:
2951:. Retrieved
2944:
2934:
2925:
2919:
2909:September 5,
2907:. Retrieved
2901:. New York.
2896:
2860:. New York:
2856:
2846:
2834:. Retrieved
2827:
2817:
2806:
2797:
2769:
2751:
2739:. Retrieved
2728:
2718:
2692:. Retrieved
2685:
2661:
2655:
2631:September 5,
2629:. Retrieved
2622:
2612:
2600:. Retrieved
2586:
2581:. July 2005.
2578:
2574:
2569:
2533:. Retrieved
2529:the original
2519:
2510:
2501:
2489:. Retrieved
2485:the original
2471:
2459:. Retrieved
2448:
2416:
2410:
2398:. Retrieved
2383:
2362:
2346:
2330:
2321:
2305:
2289:
2277:. Retrieved
2267:Press, Joy.
2250:
2241:
2229:. Retrieved
2225:the original
2194:
2189:
2181:
2159:
2153:
2144:
2129:Virgin Books
2122:
2117:
2109:
2104:
2071:
2057:
2052:
2043:
2036:. Retrieved
2032:the original
2025:
2015:
2006:
1999:. Retrieved
1993:
1983:
1967:
1962:
1950:. Retrieved
1943:
1937:"Music Week"
1931:
1913:
1884:1993 release
1878:
1858:Music Canada
1835:
1806:Steve Albini
1762:
1760:
1750:master tapes
1724:
1720:
1716:
1678:"I'm Amazed"
1521:
1503:
1493:
1472:
1453:
1432:
1393:
1372:
1353:
1332:
1311:
1290:
1273:Publication
1266:
1253:
1248:
1242:
1236:
1234:
1227:
1221:
1214:Dinosaur Jr.
1205:
1203:
1198:
1194:
1185:
1182:Billy Corgan
1173:
1167:
1163:
1157:
1153:
1133:
1131:
1119:
1113:
1107:
1103:
1099:
1093:
1090:Melody Maker
1089:
1085:
1083:
1078:
1064:
1058:
1054:
1045:
1039:
1035:
1033:
1021:
1009:
997:
959:
921:
909:
897:
859:
821:
755:Melody Maker
753:
743:
715:
714:
696:
692:
676:
670:
664:gold by the
657:
649:
645:
632:
631:
618:scuba diving
611:
605:
600:
596:
592:
588:
575:
574:
565:
559:
557:
548:
538:
512:
472:
470:
466:
446:
437:
421:
419:'s release.
416:
408:
405:Steve Albini
396:
392:
386:
368:
363:
351:
340:Billy Corgan
331:
330:
324:gold by the
313:
295:
278:
275:Steve Albini
257:
256:
255:
224:Surfer Rosa
223:
200:
192:
191:
182:
164:Steve Albini
39:Studio album
18:
4043:Zoo TV Tour
4038:Grand Duchy
3996:Discography
3943:Other songs
3905:Alec Eiffel
3752:Mini-albums
3721:Indie Cindy
3693:Surfer Rosa
3586:Surfer Rosa
3575:Adobe Flash
3570:Surfer Rosa
2926:Underground
2777:. pp.
2575:Surfer Rosa
2347:Surfer Rosa
2306:Surfer Rosa
2110:Surfer Rosa
1836:Surfer Rosa
1763:Surfer Rosa
1717:Surfer Rosa
1522:Surfer Rosa
1267:Surfer Rosa
1254:Surfer Rosa
1249:Surfer Rosa
1206:Surfer Rosa
1199:Surfer Rosa
1195:Surfer Rosa
1186:Surfer Rosa
1174:Surfer Rosa
1164:Surfer Rosa
1154:Surfer Rosa
1150:Kurt Cobain
1134:Surfer Rosa
1114:Surfer Rosa
1100:Surfer Rosa
1086:Surfer Rosa
1079:Surfer Rosa
1055:Underground
1036:Surfer Rosa
716:Surfer Rosa
693:Surfer Rosa
677:Surfer Rosa
658:Surfer Rosa
642:Rough Trade
633:Surfer Rosa
601:Surfer Rosa
597:Surfer Rosa
593:Surfer Rosa
576:Surfer Rosa
566:Surfer Rosa
539:Surfer Rosa
513:Surfer Rosa
473:Surfer Rosa
332:Surfer Rosa
314:Surfer Rosa
283:Puerto Rico
279:Surfer Rosa
258:Surfer Rosa
193:Surfer Rosa
24:Surfer Rosa
4089:4AD albums
4078:Categories
3072:, p. 103–4
3019:August 20,
2336:I'm Amazed
2271:. Option.
2184:#17. 1991.
2038:August 29,
2001:October 6,
1952:January 4,
1945:Music Week
1924:References
1508:, except "
1193:said that
1184:described
685:Gil Norton
640:deal with
580:mutilation
551:media help
428:Q Division
401:Gary Smith
377:, head of
366:mini-album
360:Background
287:mutilation
173:chronology
112:indie rock
90:Somerville
86:Q Division
58:1988-03-21
3933:Bam Thwok
3707:Bossanova
3700:Doolittle
3579:Radio3Net
3500:April 16,
3271:March 27,
3233:Pitchfork
2953:April 14,
2836:April 14,
2811:. London.
2741:April 25,
2730:Pitchfork
2602:April 15,
2535:March 31,
2491:March 25,
2461:March 31,
2279:April 15,
2062:, was an
1800:Technical
1757:Personnel
1748:original
1334:Pitchfork
1279:Accolade
1260:Accolades
1223:Bossanova
1191:PJ Harvey
1159:Nevermind
1140:, and on
911:Pitchfork
750:Obsession
746:Joy Press
703:Packaging
662:certified
622:Caribbean
399:producer
344:PJ Harvey
322:certified
291:voyeurism
202:Doolittle
4061:Category
4028:The Amps
4006:Tributes
3884:Velouria
3863:Gigantic
3845:Minotaur
3742:Doggerel
3666:Kim Deal
3494:Archived
3432:Archived
3408:April 8,
3382:April 7,
3376:Archived
3349:Archived
3317:Archived
3291:Archived
3265:Archived
3238:Archived
3211:April 8,
3205:Archived
3184:April 8,
3178:Archived
3046:April 1,
3013:Archived
2987:Archived
2903:Archived
2767:(eds.).
2735:Archived
2596:Archived
2455:Archived
2450:AllMusic
2400:April 7,
2394:Archived
2339:Archived
2298:Archived
2273:Archived
2231:April 6,
2207:, p. 344
2131:, 2005.
1908:705,000
1893:100,000
1856:Canada (
1781:Kim Deal
1740:disc by
1715:For the
1591:Gigantic
1514:Kim Deal
1510:Gigantic
1354:Pure Pop
1318:Germany
1276:Country
1218:J Mascis
1210:The Fall
1169:In Utero
786:AllMusic
731:crucifix
727:flamenco
673:Gigantic
449:Kim Deal
447:During
353:In Utero
306:Gigantic
237:Gigantic
159:Producer
117:art punk
82:(Boston)
66:Recorded
51:Released
41: by
3926:Debaser
3919:Head On
3855:Singles
3591:Last.fm
3530:Sources
3244:May 30,
3157:May 28,
3151:Far Out
2779:639–640
2694:May 26,
2624:Blender
2139:. p. 75
1978:. p. 18
1866:50,000
1851:/sales
1842:Region
1667:"Vamos"
1358:Mexico
1146:Nirvana
823:Blender
628:Release
620:in the
348:Nirvana
220:Singles
206:(1989)
197:(1988)
188:(1987)
56: (
3951:Cactus
3778:Pixies
3627:Pixies
3554:
3543:
3370:Spin.
3172:Mojo.
3111:May 8,
3068:
2868:
2808:Sounds
2785:
2423:
2203:
2135:
1974:
1769:Pixies
1746:analog
1632:Cactus
1537:Length
1454:Treble
1152:cited
1142:grunge
1128:Legacy
1098:named
1095:Sounds
961:Sounds
904:9.5/10
780:Rating
777:Source
681:B-side
608:Cactus
584:incest
267:Pixies
171:Pixies
130:Length
122:grunge
74:Studio
44:Pixies
4001:Songs
3577:) at
2357:1988.
2316:1988.
2295:Vamos
2008:Man."
1940:(PDF)
1905:Gold
1890:Gold
1863:Gold
1710:Notes
1702:33:21
1534:Title
1485:2012
1464:2006
1445:2005
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