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surrounded by objects, often the tools of various trades, such as axes, knives, scissors, mill-wheels, or a pair of scales, all of which are wounding Christ afresh. Objects with blades or sharp points have these pointing towards Christ, and blood can be seen dripping or even spurting in jets from
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These painted images, dating from the mid-fourteenth to the mid-sixteenth century, occur in clusters in two geographically distinct areas, namely southern
England and Wales, and the Alpine regions of France, Germany, Austria, Switzerland, Slovenia and northern Italy. Some isolated examples also
109:. But for many tradespeople, the sheer number of such days meant that they had to work during them to be able to make a living. These depictions of Christ were intended to give a vivid warning to those who worked on days of obligation that they were re-crucifying Christ by their actions.
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In medieval times, catechetical wall paintings were used to illustrate various teachings of the
Catholic church. Many were simply artistic representations of stories, and others were simplifications of theological ideas – the
132:, and were described as showing Christ blessing the tools of various trades. However, the way that Christ always has fresh wounds associated with some of the tools is at odds with such an interpretation.
60:. The Sunday Christ is also known as 'Feiertagschristus' in German, 'Christ du Dimanche' in French, 'Cristo della domenica' in Italian, and 'Sveta nedelja' in Slovenian.
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fresh wounds caused by these. This fresh suffering of Christ has strong echoes of the Song of the
Suffering Servant in Isaiah 53.
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in north east Italy is a particularly fine example. A very good surviving
English example is in
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were declared by the church. These were days when all people were supposed to go to Mass, and
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to abstain from those works and affairs which hinder the worship to be rendered to God
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In
Victorian times, these graphic images were reinterpreted, often referred to as
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appear in
Bohemia and on the Baltic coast. The fresco in the church in
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The Sunday Christ: Sabbatarianism in
English Medieval Wall Painting
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The appearance of these depictions is thought to have followed the
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nearby. Yet another fine
English example is to be found in
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church in
Suffolk. An example from Wales can be found at
152:. New Haven: Yale University Press. p. 111.
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204:by Athene Reiss: Oxford Archaeopress, 2000.
175:"Church of St Cybi, Llangybi, Monmouthshire"
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196:Times Literary Supplement
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148:Orme, Nicholas (2022).
119:Seven cardinal virtues
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66:San Pietro di Feletto
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130:Christ of the Trades
103:Days of Obligation
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117:and the
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46:sabbath
22:Urtijëi
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