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218:. He interrupted work on that piece on 8 October to return to the Quartet; he completed the middle movement on 26 November, and the final movement on 24 December. He completed the Piano Quintet in January 1919. The Quartet was first performed privately at Elgar's London home Severn House in January 1919, with
241:
The String
Quartet in E minor was dedicated to the Brodsky Quartet, led by Adolph Brodsky, in honour of the promise Elgar had made years earlier to write a work for them. However, the members of the Brodsky Quartet were now around 70 years of age. The Quartet's public premiere was given by Albert
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remarked: ″Surely that is as fine as a movement by
Beethoven.″ Elgar agreed: ″Yes it is, and there is something in it that has never been done before.″ When asked what he meant, Elgar merely replied: ″Nothing you would understand, merely an arrangement of notes". Brian Newbould has proposed that
205:
London. He began work on the String
Quartet on 25 March 1918, while recovering at home at Severn House after having his tonsils removed. He finished only the first subject of the first movement at that time. In May, Lady Elgar found "Brinkwells", a cottage surrounded by woods near
157:
Elgar may have hinted at a shortened restatement of the opening theme before the coda. Presumably after the completion of the movement, he crossed the fourth bar (between bb. 263 and 264) through, but was still able to retain the original harmonisation.
446:, p. 734 "Before they packed for the final evacuation, on 24 December the Quartet was finished. Keeping an old promise from the turn of the century, dedicated it to the Brodsky Quartet. Adolf Brodsky was now nearly seventy."
316:, p. 754: "The funeral was on 10 April ... W.H. Reed remembered: ... Sammons, Tertis, Salmond and I went to Malvern and played in the little gallery at the west end of the Church."
371:, which may well have occasioned in Elgar a sense of satisfaction.″ Newbould also discusses similar techniques in works by Beethoven, whose name provoked the remark, and in Brahms'
529:, p. 122: "The author was there ... helping, with his violin in the writing of the chamber music, much as he had done with the violin Concerto eight years before."
246:, London, the Piano Quintet in A minor also receiving its premiere on this occasion. The group was billed as the "British String Quartet". (Some sources say the
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8, but destroyed it. He made several other attempts, which all came to nothing. For example, he put aside work on a quartet to work on his
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367:, p. 236: ″This deletion of both melody and harmony, and stitching together of the exposed edges, is something of a technical
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When he visited the composer during his final illness and after having listened to a gramophone recording of the second movement,
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406:, p. 299: "Early in February Edward and Alice were in Manchester again for the second of two Richter performances of the
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517:, p. 740: "On 26 April 'a very distinguished gathering' was invited to Frank Schuster's house ... to hear the Quartet."
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304:, p. 281: "Lady Elgar was particularly fond of the C major slow movement (it was played at her funeral service)."
375:, which shares with the second movement of Elgar's quartet a tonal ambiguity between the tonic and its relative major.
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in Sussex, in which he could work in seclusion away from the cares of the world. Now he turned his focus to the
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in 1909–10, by his great friend W. H. Reed, who also led the quartet in the first private play-throughs.
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Sammons and W. H. Reed, violins; Raymond Jeremy, viola; and Felix
Salmond, cello on 21 May 1919, at the
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Elgar resumed work on the Piano
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292:... His wife likened the movement to 'captured sunshine' ... He finished on Christmas Eve 1918."
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387:"Elgar: String Quartet in E minor, Op.83 / Piano Quintet in A minor, Op. 84 - About this Album"
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present, among others. Another private performance was given at the London home of his friend
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Elgar had written a string quartet much earlier in his career, to which he assigned the
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and his wife, and to Carl Fuchs. Fuchs then asked Elgar to compose a quartet for them.
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gave the premiere, but Albert
Sammons was the only member common to both groups.)
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Elgar was assisted in the violin writing, as he had been in the writing of the
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The String
Quartet lasts for around 25 minutes and is in three movements:
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214:, completing it on 15 September. He then immediately set to work on the
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184:. In February 1900, Elgar and his wife attended a performance of his
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This quartet originated from a request by Carl Fuchs, cellist of the
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288:, p. 177 "At its reprise Elgar seamlessly quotes from his
490:. Berkeley, California: Univ. of California Press. p.
194:. At supper after the concert Richter introduced Elgar to
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The slow middle movement was a favourite of Elgar's wife
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653:(1996). "′Never Done Before′: Elgar's Other Enigma".
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269:"String Quartet in E minor, Op. 83 - Edward Elgar"
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486:Proof Through the Night: Music and the Great War
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587:(Third ed.). Oxford University Press.
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713:International Music Score Library Project
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201:In 1917, Elgar was ill and depressed by
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613:. Woodbridge, Suffolk: Boydell Press.
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1451:There are seven that pull the thread
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1416:Dry those fair, those crystal eyes
1085:Duett for trombone and double bass
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458:"Elgar: String Quartet · Quintet"
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182:Royal Manchester College of Music
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35:in 1918. The others were the
27:. 83, was one of three major
190:in Manchester, conducted by
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1186:From the Bavarian Highlands
635:. Oxford University Press.
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231:Violin Concerto in B minor
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43:, Op. 84. Along with the
1507:The Chariots of the Lord
1493:Was it some Golden Star?
1337:Is she not passing fair?
952:Introduction and Allegro
373:Clarinet Quintet Op. 115
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216:Piano Quintet in A minor
212:Violin Sonata in E minor
78:Piacevole (poco andante)
41:Piano Quintet in A minor
37:Violin Sonata in E minor
1692:Compositions in E minor
1572:Elgar Birthplace Museum
1286:Like to the Damask Rose
1258:The Language of Flowers
1008:Une voix dans le désert
839:(1932–34; completed by
629:Moore, Jerrold Northrop
482:Watkins, Glenn (2003).
385:Walton, Andrew (1997).
1393:Sabbath Morning at Sea
1194:The Dream of Gerontius
960:In the South (Alassio)
709:String Quartet (Elgar)
154:Arthur Troyte Griffith
31:works composed by Sir
1486:Oh, soft was the song
1423:Always and Everywhere
1344:As I laye a-thynkynge
1314:Through the Long Days
1239:The Spirit of England
907:Three Bavarian Dances
789:The Starlight Express
609:Elgar the Music Maker
248:London String Quartet
180:and professor at the
1535:The Immortal Legions
899:Serenade for Strings
758:List of compositions
1430:Come, Gentle Night!
1328:The Shepherd's Song
867:Powick Asylum Music
773:Diarmuid and Grania
667:10.1093/ml/77.2.228
655:Music & Letters
538:No relation to the
434:, pp. 721–731.
220:George Bernard Shaw
1528:The Blue Mountains
1465:Follow the Colours
928:Cockaigne Overture
781:The Crown of India
226:on 26 April 1919.
39:, Op. 82, and the
18:String Quartet in
1687:1918 compositions
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1577:The Elgar Sisters
1542:Pageant of Empire
1293:Queen Mary's Song
1265:The Self Banished
915:Enigma Variations
859:The Wand of Youth
620:978-1-84383-295-9
585:Portrait of Elgar
460:. Chandos Records
187:Enigma Variations
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1300:A Song of Autumn
1231:The Music Makers
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29:chamber music
26:
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21:
1592:
1560:Other topics
1540:
1458:In Moonlight
1372:Sea Pictures
1370:
1279:Seven Lieder
1277:
1237:
1229:
1223:The Apostles
1221:
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1197:(1899–1900)
1192:
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1152:Organ Sonata
1128:
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749:Edward Elgar
686:
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632:
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584:
564:Kennedy 1987
559:
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464:26 September
462:. Retrieved
451:
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380:
368:
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348:
341:McVeagh 2007
336:
329:McVeagh 2007
309:
302:Kennedy 1987
297:
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286:McVeagh 2007
281:
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262:
244:Wigmore Hall
240:
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200:
192:Hans Richter
185:
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118:
115:2nd movement
104:
95:
86:
77:
68:
59:
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33:Edward Elgar
17:
15:
1616:Alice Elgar
1437:In the Dawn
1409:" (1897–99)
1407:The Swimmer
1207:The Kingdom
1039:Concertante
870:(1879–1884)
862:(1869–1907)
683:Reed, W. H.
208:Fittleworth
167:opus number
1671:Categories
1272:A War Song
1065:(1918–19)
1048:(1901–10)
851:Orchestral
828:(1909–11)
817:(1907–08)
808:Symphonies
765:Incidental
574:References
552:Moore 1984
515:Moore 1984
444:Moore 1984
432:Moore 1984
420:Moore 1984
408:Variations
404:Moore 1984
353:Moore 1984
314:Moore 1984
161:Background
121:Lady Elgar
1460:" ((1904)
1242:(1915–17)
1226:(1902–03)
1210:(1901–06)
1189:(1895–96)
1181:(1889–93)
1137:(1918–19)
963:(1904–05)
955:(1904–05)
939:(1901–30)
931:(1900–01)
883:Froissart
875:Sevillana
792:(1915–16)
784:(1911–12)
527:Reed 1946
141:quotation
129:W. H Reed
51:Structure
1634:Category
1552:" (1930)
1537:" (1924)
1530:" (1924)
1523:" (1917)
1516:" (1916)
1509:" (1914)
1502:" (1910)
1500:Twilight
1495:" (1910)
1488:" (1910)
1481:" (1909)
1474:" (1908)
1472:Pleading
1467:" (1907)
1453:" (1901)
1446:" (1901)
1439:" (1901)
1432:" (1901)
1425:" (1901)
1418:" (1899)
1386:In Haven
1367:" (1900)
1360:" (1900)
1353:" (1888)
1346:" (1888)
1339:" (1886)
1330:" (1892)
1323:" (1894)
1316:" (1885)
1309:" (1892)
1302:" (1892)
1295:" (1889)
1288:" (1892)
1274:" (1884)
1267:" (1875)
1260:" (1872)
1145:Keyboard
992:Carillon
976:Falstaff
843:in 1997)
685:(1946).
631:(1984).
605:(2007).
583:(1987).
273:AllMusic
237:Premiere
203:war-time
1078:Chamber
1057:Romance
1000:Polonia
984:Sospiri
918:(1899)
695:8858707
20:E minor
1647:Portal
1604:Family
1595:(film)
1545:(1924)
1321:Rondel
1234:(1912)
1218:(1902)
1170:Choral
1162:(1901)
1154:(1898)
1131:(1918)
1125:(1918)
1119:(1899)
1111:(1897)
1103:(1888)
1095:(1883)
1092:Idylle
1087:(1887)
1059:(1910)
1031:(1930)
1025:(1930)
1019:(1917)
1011:(1915)
1003:(1915)
995:(1914)
987:(1914)
979:(1913)
971:(1909)
947:(1902)
910:(1898)
902:(1894)
894:(1894)
886:(1890)
878:(1884)
800:(1917)
776:(1901)
693:
673:
639:
617:
591:
498:
1593:Elgar
1358:After
1250:Vocal
968:Elegy
841:Payne
687:Elgar
671:JSTOR
254:Notes
691:OCLC
637:ISBN
615:ISBN
589:ISBN
496:ISBN
466:2010
135:and
16:The
1550:XTC
663:doi
1673::
669:.
659:77
657:.
494:.
492:44
468:.
389:.
321:^
271:.
173:.
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131:,
127:,
98:,
80:,
62:,
25:Op
23:,
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741:e
734:t
727:v
697:.
677:.
665::
645:.
623:.
597:.
504:.
393:.
275:.
105:4
87:8
69:8
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