592:
915:, calling them "sleeper" albums, and wrote that while the title and artwork are interesting, the music falls "just short of being excellent, and in the rock music business, that classifies them with the bad, or worse, with the mediocre." While adding that the music is occasionally unique and groovy, he contended that the group should "stick to blues...they have great potential if they would concentrate on one particular area and develop their music, their vocals, their sound in general."
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883:, which they considered one of the best British blues albums. The reviewers praised the group's musicianship and their "use of dynamics and the way they hold themselves back so that when all the stops are pulled out it has some meaning and great dramatic effect", considering the resulting music to be "impossible to classify" but, with help from Vernon's production, "totally effective". They concluded that it was one of the year's best albums. Alan Jones of
529:, who were also expanding beyond their boogie rock sound in the period. According to Horowitz, Alvin minimised his fleeting guitar playing, "preferring to work his style into a more organic fusion", and noted that "A Sad Song" has no speedy guitar solos. According to critic Allen Evans, Alvin's vocals "range from the gutbucket to faraway, Oriental sadness, with lead guitar playing to match." The group and Vernon also experimented with primitive
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1069:(1985), Robert Santelli writes that while the album does not feature any of Ten Years After's most popular songs, it is "the best example of the group's jazz and blues flavor", and described "Going to Try" and "Hear Me Calling" as "intriguing tracks since they incorporate an odd assortment of blues and jazz riffs that never really settle into one mold." Reviewing the record for
1073:, Hal Horowitz emphasised the group's attempts to broaden their sound, and wrote that while it does not always gel – singling out the four solo pieces as "an interesting idea that ends up as a distraction" – the album "boasts some terrific performances by a group that was hitting its peak." He also praised the panning and tape manipulation for being impressive.
31:
1082:, Hugh Fielder wrote that the album could be fairly described as Ten Years After's "most innovative album: light and trippy on the insistent 'Going To Try' and the bouncy 'Hear Me Calling', a positively spooky on 'A Sad Song'. And despite the substances the band were tight and confident." Alan Clayson of
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stamping ("Hear Me
Calling"), and a "steel on steel effect" ("No Title"). The musician recalled that there were "ipes and stuff like that all over the place" during the recording, and described the process as being defined by "not particularly what we wanted to do, but the way we did what we happened
904:
writer Frank
Arganbright called it a progressive blues album which "actually swings", and considered it "a good English jam ... flirting with different bags and coming up with a nice tight sound." He also highlighted Alvin's "extremely capable" guitar work and called Lyons "the most highly-regarded
872:
to be "a most ear-worthy effort, varied in content and all self-written", and contended that the group "could go places". He praised the scat singing on "Skoobly-Oobly-Doobob" and Lyons' bass work on "Faro", while describing
Churchill's organ and piano solos as "real knock-outs". The 'pop panel' at
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in 1969 but found it "certainly very strange" to listen to contemporarily, believing "Hear Me
Calling" to the best song and adding that the album is "probably best listened to stoned." Ric Lee enjoys the album for being "very experimental for its time." In 1972, "Hear Me Calling" was covered by
561:, the track was included so that Ric "could share in the royalties for allegedly songwriting". The eight-minute "No Title" creates a moody atmosphere for the first half until Alvin plays a "terse, loud extension on its main riff", setting up a ghostly organ solo from Churchill. According to
650:
in style, was one of the earliest album covers to depict
Stonehenge. The foldout sleeve features an illustration of the stone circle's surviving northeast sector, with a stylised mid-summer sun rising through the stones, while the landscape around the monument is described by
388:
as a radical change in direction. He recalled: "I was so happy with . When I first heard it I thought, what are we going to do next? After that my attitude was, 'Let's go into the studio and experiment, because we've already made the ultimate album'." Ten Years After recorded
359:(1967) was largely ignored, although it essayed the group's "raw, jazzy approach to the blues", and their popularity only began to blossom via months of fatiguing club work. Having believed the record did not capture their live sound, the group followed it with the live album
544:
in content, spanning rockers and low-key, moody material, and features four short solo pieces for each member alone on their instrument. The swinging "Woman
Trouble" evidences the group's more jazz- and blues-inflected sound, while "Skoobly-Oobly-Doobob" features
714:
described the album title as "uncannily far-seeing", due to the emergence of an academic theory that
Stonehenge was designed as a venue for worshippers to enter "shamanistic trances" to "travel through time and space to visit their ancestral spirits."
1088:
considered "Hear Me
Calling" and "Speed Kills" to be among the album's highlights, while noting that listeners in a "perverse mood" would instead favour "Three Blind Mice". In their list of the band's best songs, Dave Swanson of
809:"set up Ten Years After for a momentous year." The release of the album coincided with the band beginning to regularly play in the US, and the record's strong sales won the group an invite to play at the Woodstock festival in
485:
material, resulting in an album that is hard to classify. Author Eric vd Luft wrote that although it is as "mostly bluesy" as the group's earlier albums, it "rocked a bit harder". The album has been described as
1138:. In August 1988, the LP was re-released by Request Records. The album made its CD debut in June 1989, when reissued by Deram. A remastered version appeared in 2002 with liner notes from Ric Lee and four
775:
chart, becoming their first album to reach the top 100. The album was one of many London releases at the time that combined for the label's strongest ever sales, and it joined other successful albums by
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ranked "A Sad Song" fourth, calling it one of the group's "most haunting tunes" and singling out its "brutally sparse arrangement", and "Hear Me
Calling" third, comparing its "bouncey bluesy groove" to
843:(in the only year that rock bans were allowed on the bill). The group's touring of the US, and their "direct, prolonged contact" with the country's music scene, influenced their subsequent album,
1176:
they put it out themselves." According to Alvin, the group tried to prevent the album's release, but found that the issue of such a collection was permitted in their contract with the label.
521:
at that point, and we were making music for that audience – for ourselves, really, because we were that audience too." Lyons agreed that the album was an attempt to experiment, adding: "
317:
and the band's performances. The album set the group up for a heavy year of touring and performances at numerous
American festivals, including a famous appearance at
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in January 1969, referring to the group as "exciting, different, and wild!" A single, "A Sad Song", was also released in Japan. The group's touring helped both
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would popularize later on." "Speed Kills", the closing song, returns the group to a more familiar, rocking sound, although it features a "surprise ending".
3185:
3180:
1065:"probably the best example of the varied influences in Ten Years After's music. But once again the band got hung up on repeating themselves." In his book
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831:(1970) catapulted the band to "superstar status". Alongside Woodstock, Ten Years After played five other festivals that summer, including the
471:
combined with fairly untypical Ten Years After material". According to critic Hal Horowitz, the group experimented to expand their basic
639:"seemed to be an attempt at tuning in cosmic vibrations, perhaps because Lee has a feeling for the strange atmosphere that the ancient
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525:
records had just begun to appear on the scene and we tried to do something different." Another influence was the group's tour mates
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sound, working with Vernon to steer into "a more jazz- and blues-oriented direction" without losing their "basic concept", while
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764:, becoming their first top ten album, and stayed at the position for three weeks. In the US, where Deram was a subsidiary of
631:. According to author Thomas E. Harkins, "it was the album's title, as much as anything, that would endear the group to the
575:
could get", writing that its "structure—beginning as near silence, with instruments being added until it turns to a harsh
425:" on "No Title", while Smith is credited for providing the "train effect" on "Speed Kills". Alvin Lee's credits include "
290:. Although largely written by Lee, the record also feature solo pieces from all four band members. The title alludes to
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called it an "electrifying" album that showcases the band's talents, including Alvin Lee's "lightning guitar solos".
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1142:, including a single edit of "I'm Going Home" and the 15-minute "Boogie On". Further CD reissues appeared in 2004 (
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1406:
Co, Chris (1999). "Ten Years After". In Buckley, Jonathan; Duane, Orla; Ellingham, Mark; Spicer, Al (eds.).
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as among the "most eagerly awaited albums" of its time, the album was dismissed by Alvin Lee as comprising "
898:
wrote that the group have "scores of good material" and prove that "they're tuned to the youthful current."
549:. "Hear Me Calling" reveals the influence of Canned Heat, and has been dubbed the album's stand-out track. "
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deemed it a "magnificent" album where Ten Years After advance their music "several stages further" from
819:, the group's "energy and good-natured performance generated a strong audience response". According to
673:(1970), and both sleeves have been described as doing "much to further popularise the site within the
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said that although there are still traces of blues, the record also heavily incorporates jazz and
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was "not only an outstanding guitarist, but the fastest by a mile." It was their first record to
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album, while author Robert Santelli wrote that, as with the band's other 1960s records, it is a
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writer Chris Coe, the inclusion of their performance of "I'm Going Home" in the companion film
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in 1969 alongside Ten Years After, also depicted the stone circle on the sleeve of his album
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Simon Stable (credited as "Count Simon (Stable) de la Bedoyere") – bongos on "Going to Try"
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Alvin Lee wrote that the album was frequently "very experimental" as he was into his "
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features seven songs written by Alvin Lee, along with a song each from bass guitarist
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384:, considering it to have captured the group's sound perfectly, that he conceived
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ruins at Stonehenge reportedly has hanging round it. Hence the name of the LP."
30:
2582:(4th ed.). New York, NY: Fireside/Simon & Schuster. pp. 807–808.
765:
635:." Correlating the music and the site, journalist Rory O'Connor says that that
558:
530:
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398:
283:
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3086:
2142:"Chapter Ten: Right Here Right Now! – Prehistoric Monuments in Rock and Roll"
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1846:
Die at the Right Time! A Subjective Cultural History of the American Sixties
242:(1968) had already perfectly captured their talents, frontman and guitarist
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2146:
Written on Stone: The Cultural Reception of British Prehistoric Monuments
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785:
781:
619:. The site had become linked with popular music in the 1960s, as various
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After forming in 1965, Ten Years After were distinguished from hardcore
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album than the group's earlier work, deploying "a lot of trickery and
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1239:
1185:
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1150:) and 2015 (Deram). In 1972, Deram released the outtakes compilation
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608:
580:
554:
495:
446:
370:
318:
298:, the latter of which is illustrated on the psychedelic album cover.
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243:
94:
2364:"Something different, but strong: A Brief History of Deram Records"
1070:
942:
682:
620:
553:" is an adaptation of the nursery rhyme, performed as a one-minute
426:
2899:
2148:. Newcastle upon Tyne: Cambridge Scholars Publisher. p. 136.
2949:
1304:
1229:
624:
454:
2852:. Menomonee Falls, Wisconsin: Record Research Inc. p. 872.
1739:
Woodstock FAQ: All That's Left to Know About the Fabled Garden
3012:
1672:"'Stonedhenge': Ten Years After's Monument to the Late 1960s"
1170:
album. It didn't get put on, and because we left Deram after
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338:
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was the band's biggest album yet, reaching number six on the
189:
38:
430:
346:
263:
1849:. North Syracuse, New York: Gegensatz Press. p. 332.
365:(1968), recorded at a small club in London. According to
1410:(2nd ed.). London: Rough Guides. pp. 997–998.
760:
outsold the former. The album reached number six on the
2420:. Vol. 81, no. 17. 26 April 1969. p. 6
579:
wail—isn’t far from the studio art that the likes of
2105:"Alvin Lee Goes Home – And His Toussaint Connection"
1696:
1694:
1692:
905:
bassist in England". Less favourably, Bob Harvey of
607:, described as a "not-so-subtle" choice, alludes to
2406:
2187:. Milton Park, Oxfordshire: Routledge. p. 30.
1329:
Martin Smith – train sound effects on "Speed Kills"
1130:was one of four Ten Years After albums released on
401:between 3–15 September 1968, working with producer
325:has been re-released several times, including with
731:stage, where Ten Years After played in August 1969
2576:Brackett, Nathan; Hoard, Christian, eds. (2004).
1689:
627:beliefs increased in popularity with the nascent
3176:Albums produced by Mike Vernon (record producer)
3152:
1812:"Magnificent! The Only Word for Ten Years After"
2320:: CS1 maint: others in cite AV media (notes) (
2217:
2215:
2213:
2211:
2069:A Fabulous Creation: How the LP Saved Our Lives
1650:: CS1 maint: others in cite AV media (notes) (
1615:: CS1 maint: others in cite AV media (notes) (
2672:"An Interview with Ric Lee of Ten Years After"
1875:
1873:
947:
685:'s frequent use of the site on their sleeves.
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2575:
2178:
1228:"Three Blind Mice" (traditional, arranged by
3201:Experimental music albums by English artists
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1939:
1937:
1809:
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742:. The record was advertised on the front of
517:on the record. He added: "It was still very
369:, the album "spread the word" that frontman
3186:Psychedelic music albums by English artists
3181:Progressive music albums by English artists
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1870:
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341:groups in Britain by mixing the genre with
332:
274:styles, with deployment of studio effects,
2922:
2908:
2885:"Ten Years After – Stonedhenge at Discogs"
2806:"Ten Years After: Alvin Lee & Company"
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2133:
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2129:
2127:
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2033:
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1731:
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1723:
1519:"Ten Years After Biography by Mark Deming"
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421:. Baker is also credited for the "special
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1946:"Ten Years After / Leo Lyons / Interview"
1943:
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1471:
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1465:
1463:
1442:Larkin, Colin (1997). "Ten Years After".
1313:– bass, bow-bass, string bass, percussion
1261:"Hear Me Calling" (single version) – 3:44
700:celebrations at the stone circle and the
377:in the United Kingdom and United States.
2849:Joel Whitburn's Top Pop Albums 1955-2001
2845:
2803:
2794:
2780:"Stonedhenge – Ten Years After Releases"
2769:
2696:Sanders, Charles H. (26 December 1970).
2609:
2603:
2390:Joel Whitburn's Top Pop Albums 1955–1996
2387:
2248:
2065:
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1974:
1972:
1970:
1968:
1966:
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1427:
1267:"I'm Going Home" (single version) – 3:34
722:
718:
696:for his review of that year's ill-fated
590:
18:1969 studio album by Ten Years After
2823:
2695:
2689:
2643:
2334:
2139:
2122:
2039:
2028:
1838:
1836:
1735:
1720:
1632:
1630:
1628:
1626:
1487:
1446:. London: Virgin Books. p. 1,170.
1253:
857:
599:, which is also depicted on the sleeve.
505:phase", noting the strong influence of
282:. Influences on the recording included
3153:
2722:
2548:
2542:
2521:
2515:
2361:
2310:(liner). Ten Years After. Deram. 1969.
2185:Pop Pagans: Paganism and Popular Music
2169:
2102:
2093:
1944:Bleznikar, Klemen (14 February 2016).
1669:
1640:(liner). Ten Years After. Deram. 1969.
1605:(liner). Ten Years After. Deram. 2002.
1574:. London: DK Publishing. p. 996.
1460:
1441:
1103:
911:considered the record to be as bad as
802:wrote that the album "sold millions".
409:and Martin Smith. Vernon had acquired
236:Believing that the group's live album
213:, and third album overall, by English
2903:
2494:
2488:
2438:
2179:Weston, Donna; Bennett, Alan (2014).
1978:
1963:
1805:
1803:
1742:. London: Backbeat Books. p. 217
1658:
1568:Rees, Dafydd; Crampton, Luke (1999).
1538:
1536:
1507:
1424:
1401:
1399:
1338:– backing vocals on "Hear Me Calling"
1295:– vocals, guitar, piano, Chinese fans
928:
852:
805:Music critic Hugh Fielder wrote that
768:, the album reached number 61 on the
646:The artwork, described by Harkins as
2669:
1842:
1833:
1786:"Stonedhenge Review by Hal Horowitz"
1783:
1623:
1444:Virgin Encyclopedia of Popular Music
862:In a contemporary four-star review,
586:
490:' and the group's sole example of a
309:and number 61 in the United States.
2929:
2616:. Contemporary Books. p. 218.
1913:. Contemporary Books. p. 217.
1880:Arganbright, Frank (19 July 1969).
1561:
1264:"Woman Trouble" (US version) – 4:48
949:
738:was released on 7 February 1969 by
571:, the song "showed how imaginative
13:
3041:Rock & Roll Music to the World
2644:Swanson, Dave (19 December 2015).
2569:
2222:O'Connor, Rory (7 November 1969).
2072:. London: Transworld. p. 39.
1800:
1533:
1516:
1405:
1396:
1114:, Lyons reflected that he enjoyed
788:in helping London succeed in what
349:, and were part of the burgeoning
14:
3212:
2877:
2804:Esposito, Jim (3 February 1973).
2579:The New Rolling Stone Album Guide
2522:Harada, Wayne (6 February 1969).
2251:"It sounds great. Whatever it is"
1979:Evans, Allen (15 February 1969).
1810:MM Pop Panel (22 February 1969).
1670:Sexton, Paul (22 February 2023).
1025:
987:
2670:Daly, Andrew (22 January 2021).
2613:Sixties Rock: A Listener's Guide
2439:Smart, Andy (27 February 1993).
2414:"London's Album Sales Exploding"
2392:. Record Research. p. 774.
2335:Perrone, Pierre (8 March 2013).
1910:Sixties Rock: A Listener's Guide
1279:Adapted from the liner notes of
1179:
1067:Sixties Rock: A Listener's Guide
1044:
1039:
1034:
1029:
1024:
1006:
1001:
996:
991:
986:
968:
963:
958:
953:
948:
837:Texas International Pop Festival
225:. It was recorded with producer
2839:
2830:"Official Albums Chart Top 100"
2743:
2716:
2663:
2646:"10 Best Ten Years After Songs"
2637:
2432:
2381:
2362:Easlea, Daryl (17 April 2015).
2355:
2328:
2300:
2269:
2242:
2040:Clayson, Alan (22 March 2013).
2002:
1111:It's Psychedelic Baby! Magazine
796:derby". In 1993, Andy Smart of
353:scene. The group's debut album
221:, released in February 1969 by
3094:Live at the Fillmore East 1970
2723:Jasper, Tony (2 August 1988).
2249:Sweeting, Adam (11 May 1998).
2103:Milano, Brett (8 March 2013).
1950:It's Psychedelic Baby Magazine
1595:
1200:"I Can't Live Without Lydia" (
437:
254:album, it expands the group's
1:
2698:"Tapes for the new equipment"
2549:Harvey, Bob (21 March 1969).
2495:Jones, Alan (21 April 1969).
2144:. In Parker, Jonathan (ed.).
1981:"LPs Reviewed by Allen Evans"
1488:Fielder, Hugh (August 2003).
1389:
1326:– sound effects on "No Title"
1210:"Skoobly-Oobly-Doobob" – 1:44
1018:The Rolling Stone Album Guide
980:Encyclopedia of Popular Music
813:in August 1969. According to
611:and the prehistoric monument
413:pedigree, having worked with
3139:I'd Love to Change the World
2288:. 25 January 1969. p. 1
1369:
1274:
250:as a change in direction. A
7:
2016:: 124. 17–23 September 1999
1736:Harkins, Thomas E. (2019).
1571:VH1 Rock Stars Encyclopedia
892:In the US, Wayne Harada of
498:album with "a blues core."
429:" ("Skooby-Oobly-Doobob"),
313:have discussed the album's
10:
3217:
2836:. Retrieved 17 July 2023.
2476:. London: 31. 9 March 2013
1245:"Speed Kills" (Alvin Lee,
868:writer Allen Evans deemed
659:-esque beats and people."
3123:
3103:
3071:
2990:
2937:
2610:Santelli, Robert (1985).
2140:Darvill, Timothy (2009).
1907:Santelli, Robert (1985).
1359:
1352:
1349:
1342:
1108:In a 2016 interview with
936:
933:
557:by Ric Lee. According to
294:and the ancient monument
262:territory, incorporating
165:
157:
145:
133:
117:
81:
66:
58:
50:
37:
28:
23:
2066:Hepworth, David (2019).
1843:Luft, Eric v.d. (2009).
1260:
1213:"Hear Me Calling" – 5:41
756:sell steadily, although
380:Lee was so pleased with
333:Background and recording
2846:Whitburn, Joel (2001).
2834:Official Charts Company
2729:Manchester Evening News
2528:The Honolulu Advertiser
2388:Whitburn, Joel (1996).
2337:"Obituaries: Alvin Lee"
2010:"Clubs: Rock & Pop"
1408:The Rough Guide to Rock
1224:
1061:, Rory O'Connor called
919:Retrospective appraisal
895:The Honolulu Advertiser
702:Battle of the Beanfield
690:Christopher Chippindale
688:In 1985, archaeologist
633:American counterculture
3166:Ten Years After albums
1882:"Listening on records"
1207:"Woman Trouble" – 4:37
1188:, except where noted.
732:
600:
3114:Alvin Lee and Company
2650:Ultimate Classic Rock
1197:"Going to Try" – 4:52
1184:All songs written by
1153:Alvin Lee and Company
1092:Ultimate Classic Rock
841:Newport Jazz Festival
726:
719:Release and promotion
655:as being "covered in
594:
463:, it is a more of an
3171:Deram Records albums
2555:The Edmonton Journal
1318:Additional personnel
1254:2002 CD bonus tracks
924:Professional ratings
908:The Edmonton Journal
858:Contemporary reviews
833:Seattle Pop Festival
595:The title refers to
3048:Positive Vibrations
2725:"Golden oldie time"
2474:The Daily Telegraph
2316:cite AV media notes
2308:A Sad Song (D-1053)
2181:"Part I: Histories"
1886:Journal and Courier
1646:cite AV media notes
1611:cite AV media notes
1270:"Boogie On" – 14:44
1225:"A Sad Song" – 3:24
1104:Legacy and reissues
925:
901:Journal and Courier
865:New Musical Express
816:The Daily Telegraph
692:borrowed the title
233:in September 1968.
62:3–15 September 1968
3191:Boogie rock albums
1126:In December 1970,
1055:In an article for
923:
853:Critical reception
849:(September 1969).
733:
601:
3148:
3147:
3020:Cricklewood Green
2757:: 80. 9 June 1989
2702:The Argus Roundup
2501:Lincolnshire Echo
2228:The Tampa Tribune
2224:"Ten Years After"
1706:Beat Instrumental
1702:"Ten Years After"
1544:"Ten Years After"
1490:"Ten Years After"
1387:
1386:
1235:"No Title" – 8:15
1166:material for the
1132:8-track cartridge
1058:The Tampa Tribune
1053:
1052:
886:Lincolnshire Echo
587:Title and artwork
535:tape manipulation
492:psychedelic blues
488:progressive blues
460:Beat Instrumental
351:progressive music
280:tape manipulation
252:psychedelic blues
202:
201:
198:
197:
105:progressive blues
90:Psychedelic blues
3208:
3196:Jazz-rock albums
2964:Colin Hodgkinson
2924:
2917:
2910:
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2454:
2452:
2441:"Ten out of ten"
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2109:OffBeat Magazine
2100:
2091:
2090:
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2063:
2057:
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2052:
2046:Record Collector
2037:
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1347:
1346:
1307:– drums, tympani
1085:Record Collector
1049:
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926:
922:
811:New York (state)
681:also pre-empted
663:, who played at
564:OffBeat Magazine
551:Three Blind Mice
503:musique concrète
272:musique concrète
258:sound into more
167:
166:
129:
128:
124:
33:
21:
20:
3216:
3215:
3211:
3210:
3209:
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3151:
3150:
3149:
3144:
3132:Love Like a Man
3119:
3105:
3099:
3067:
3034:A Space in Time
2999:Ten Years After
2986:
2957:Marcus Bonfanti
2943:Chick Churchill
2933:
2931:Ten Years After
2928:
2890:
2888:
2883:
2880:
2875:
2874:
2864:
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2860:
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2795:
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2758:
2755:Chicago Tribune
2749:
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2524:"On the Record"
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2341:The Independent
2333:
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2291:
2289:
2279:
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2270:
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2233:
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2220:
2209:
2199:
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2177:
2170:
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2158:
2156:
2138:
2123:
2113:
2111:
2101:
2094:
2084:
2082:
2080:
2064:
2060:
2050:
2048:
2042:"Goodbye Alvin"
2038:
2029:
2019:
2017:
2008:
2007:
2003:
1993:
1991:
1983:
1977:
1964:
1954:
1952:
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1791:
1789:
1784:Horowitz, Hal.
1782:
1755:
1745:
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1734:
1721:
1711:
1709:
1708:. December 1969
1700:
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1548:Official Charts
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1515:
1508:
1498:
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1486:
1461:
1454:
1440:
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1397:
1392:
1354:
1345:
1299:Chick Churchill
1287:Ten Years After
1277:
1256:
1202:Chick Churchill
1182:
1156:; described by
1106:
1076:In a piece for
1045:
1040:
1035:
1030:
1007:
1002:
997:
992:
969:
964:
959:
954:
921:
860:
855:
778:the Moody Blues
762:UK Albums Chart
721:
698:summer solstice
675:hippie movement
653:Timothy Darvill
589:
483:progressive pop
457:. According to
451:Chick Churchill
440:
356:Ten Years After
335:
268:progressive pop
219:Ten Years After
193:
184:
175:
159:Ten Years After
126:
122:
121:
54:7 February 1969
46:
44:Ten Years After
19:
12:
11:
5:
3214:
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2897:
2879:
2878:External links
2876:
2873:
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2277:"Melody Maker"
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1676:UDiscoverMusic
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1517:Deming, Mark.
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1301:– organ, piano
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766:London Records
720:
717:
629:counterculture
588:
585:
559:David Hepworth
540:The record is
531:stereo panning
515:Tod Dockstader
469:studio effects
449:, keyboardist
439:
436:
405:and engineers
399:West Hampstead
334:
331:
307:British charts
284:Tod Dockstader
276:stereo panning
209:is the second
200:
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3087:Recorded Live
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2991:Studio albums
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1378:Billboard 200
1374:
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1350:Chart (1969)
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1216:
1212:
1209:
1206:
1203:
1199:
1196:
1195:
1191:
1190:
1189:
1187:
1180:Track listing
1177:
1175:
1174:
1169:
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1149:
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1141:
1137:
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1015:
1014:
984:
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946:
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932:
929:Review scores
927:
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740:Deram Records
737:
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707:
706:Adam Sweeting
703:
699:
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686:
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672:
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661:Richie Havens
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1494:Classic Rock
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423:sound effect
415:Eric Clapton
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360:
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327:bonus tracks
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247:
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211:studio album
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110:experimental
39:Studio album
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3161:1969 albums
3104:Compilation
3072:Live albums
3006:Stonedhenge
2497:"New Discs"
2470:"Alvin Lee"
2368:Loudersound
1638:Stonedhenge
1603:Stonedhenge
1336:Mike Vernon
1281:Stonedhenge
1247:Mike Vernon
1168:Stonedhenge
1128:Stonedhenge
1116:Stonedhenge
1063:Stonedhenge
870:Stonedhenge
807:Stonedhenge
786:Savoy Brown
782:John Mayall
758:Stonedhenge
754:Stonedhenge
736:Stonedhenge
704:. In 1999,
694:Stonedhenge
679:Stonedhenge
648:psychedelic
637:Stonedhenge
605:Stonedhenge
527:Canned Heat
519:underground
507:avant-garde
473:boogie rock
443:Stonedhenge
438:Composition
403:Mike Vernon
391:Stonedhenge
386:Stonedhenge
323:Stonedhenge
303:Stonedhenge
288:Canned Heat
256:boogie rock
248:Stonedhenge
227:Mike Vernon
206:Stonedhenge
181:Stonedhenge
152:Mike Vernon
100:boogie rock
24:Stonedhenge
3155:Categories
3055:About Time
2865:10 October
2859:0898201470
2782:. AllMusic
2399:0898201179
1788:. AllMusic
1521:. AllMusic
1390:References
1098:Status Quo
670:Stonehenge
613:Stonehenge
603:The title
597:Stonehenge
577:electronic
573:blues-rock
511:industrial
296:Stonehenge
246:conceived
215:blues rock
161:chronology
2982:Joe Gooch
2977:Leo Lyons
2972:Alvin Lee
2887:. Discogs
2810:Zoo World
2551:"Records"
2418:Billboard
2014:LA Weekly
1361:UK Albums
1355:position
1324:Roy Baker
1311:Leo Lyons
1293:Alvin Lee
1275:Personnel
1240:Leo Lyons
1186:Alvin Lee
1159:Zoo World
1148:Universal
1146:), 2009 (
828:Woodstock
794:hard rock
790:Billboard
771:Billboard
745:Billboard
729:Woodstock
665:Woodstock
657:Beardsley
621:Paganisms
617:Wiltshire
609:marijuana
581:Brian Eno
555:drum solo
513:composer
496:jazz-rock
447:Leo Lyons
407:Roy Baker
371:Alvin Lee
329:in 2002.
319:Woodstock
292:marijuana
244:Alvin Lee
95:jazz-rock
2751:"Albums"
1249:) – 3:42
1242:) – 1:13
1238:"Faro" (
1232:) – 0:57
1218:Side two
1204:) – 1:23
1192:Side one
1164:inferior
1071:AllMusic
943:AllMusic
839:and the
683:Hawkwind
434:to do".
147:Producer
77:, London
59:Recorded
51:Released
41: by
3124:Singles
2950:Ric Lee
2891:26 July
2786:17 July
2681:17 July
2676:vwmusic
2655:17 July
2595:17 July
2373:17 July
2114:17 July
2051:17 July
1955:17 July
1792:16 July
1681:17 July
1553:17 July
1525:17 July
1305:Ric Lee
1230:Ric Lee
773:Top LPs
625:New Age
567:writer
455:Ric Lee
315:variety
194:(1969)
185:(1969)
176:(1968)
3106:albums
3080:Undead
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937:Rating
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542:varied
523:Stereo
382:Undead
362:Undead
239:Undead
172:Undead
118:Length
67:Studio
3013:Ssssh
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2761:4 May
2735:4 May
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2530:: G-6
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2424:7 May
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1984:(PDF)
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1136:Ampex
1121:Slade
846:Ssssh
641:Druid
375:chart
339:blues
217:band
190:Ssssh
140:Deram
135:Label
83:Genre
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2893:2010
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1996:2023
1990:: 11
1957:2023
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