Jim Steranko - Knowledge

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director for an ad agency in the afternoon, played in a rock band at night, and worked on my comic book pages early in the morning. It's a peculiar thing, but the more I learned about storytelling, the slower I became. Eventually I had to stop playing in the band; later I left the agency. There were plenty of hassles with Stan Lee, of course. I felt that if I was good enough to work for them, then they should accept my work without a lot of maddening editorial changes. But now, I think I may have been wrong. After all, Marvel was paying the tab. Stan is a great editor. He stresses storytelling and really knows the comics business, probably better than anyone else.

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The meek husband said, "I'm nervous because it's closer to midnight" or something like that; simply a gratuitous line. It wasn't my title and it didn't have that line in it. Stan originally wanted that story to be called "Let Them Eat Cake," which I didn't approve of. We had disagreements about the way I told stories. ... If you're a publisher and you want my work, you get it my way or you don't get it at all. ... Anyway, I have an agreement now, a working agreement with them, and everything's cool.

3952: 925:; and the spy-fi sequel "What Ever Happened to Scorpio?" (#5). Yet after deadline pressures forced a fill-in "origin" story by another team in issue #4, Steranko produced merely a handful of additional covers, then dropped the book. Decades afterward, however, their images are among comics' best known, and homages to his art have abounded – from updates of classic covers with different heroes in place of Fury, to recreations of famous pages and layouts. 293:(and I tested positive), I began third grade at what was called an 'open-window' school, a facility across the city that had a healthy program for kids with special problems. I was bused to school for four years, then dropped into standard junior high." There, being smaller and younger than his classmates, he found himself a target for bullies and young gang-members until he studied boxing and self-defense at the local 364:. I still think Robbins is one of the greatest storytellers of all time. Fans seem to have a lot less opinion of Robbins for some reason, just because they're more enamored of lines. Fans seem to think that the more lines that go into a drawing the better it is. Actually, the opposite is generally true. The fewer lines you can put into a drawing the quicker it reads, and the simpler it is. 687:#151 (Dec. 1966), just as many fellow new Marvel artists did at the time. Two issues later, Steranko took over full penciling and also began drawing the every-other-issue "Nick Fury" cover art. Then, in a rarity for comics artists of the era, he took over the series' writing with #155 (April 1967), following 983:, editor Lee, who had already rejected Steranko's cover for that issue, clashed with Steranko over panel design, dialog, and the story title, initially "The Lurking Fear at Shadow House". According to Steranko at a 2006 panel and elsewhere, Lee disliked or did not understand the homage to horror author 994:

The reason I had a little altercation with them is because they edited some of my work. They changed certain things that I didn't feel should be changed. And I insisted that we couldn't continue on that basis. ... For example, my horror story "At the Stroke of Midnight" had a line of dialogue added.

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novels, and claims that the influence went both ways: "Although Steranko was primarily influenced by spy movies, after Nick Fury came on the comics scene, the directors of those same movies began to borrow heavily from Steranko himself!" He absorbed, adapted and built upon the groundbreaking work of

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So one panel had the stereo in Fury's apartment to show there was music playing, cigarettes in the ash tray in one, there was a sequence of intercut shots where she moved closer to him, much more intimately, there was a kiss, there was a rose, and then there was one panel with the telephone off the

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to look at his work and basically brush him off. Stan was busy and didn't want to be bothered that day. But when I saw Jim's work, ... on an impulse I took it in to Sol and said, 'I think Stan should see this'. Sol agreed, and took it in to Stan. Stan brought Steranko into his office, and Jim left

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with the surrealism of Richard Powers and Salvador Dalí. Steeped in cinematic techniques picked up from that medium's masters, Jim synthesized ... an approach different from anything being done in mainstream comics, though it did include one standard attraction: lots of females in skintight, sexy

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I was getting the top pay at Marvel, along with Kirby and John Buscema, and I felt privileged to be considered in their class. Both of them were better comic artists. But working at Marvel was also a serious cut in pay compared to my advertising work. My life was hectic then. I worked as the art

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into the medium. His work has been published in many countries and his influence on the field has remained strong since his comics heyday. He went on to create book covers, become a comics historian who published a pioneering two-volume history of the birth and early years of comic books, and to

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Steranko then branched into other areas of publishing, including most notably book-cover illustration. Lacking any experience as a painter, his decision to effectively quit comics in 1969 led him to "an artist friend who earned his living as a painter", from whom Steranko obtained an "hour-long

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Steranko had begun drawing while very young, opening and flattening envelopes from the mail to use as sketch paper. Despite his father's denigration of Steranko's artistic talent, and the boy's ambition to become an architect, Steranko paid for his art supplies by collecting discarded

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hook, which the comic book code made him put back on. ... he last panel on that page had Nick and his old lady kneeling, with their arms around each other, and that was entirely too much for the Code, so the panel was replaced with a picture of a gun in its holster.

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toilet facilities. He slept on a couch in the nominal living room until he was more than 10 years old. Steranko's father and five uncles showed musical inclination, performing in a band that played on Reading radio in the 1930s, Steranko has said.

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with the 'S.H.I.E.L.D.' assignment. ... I think Jim's legacy to Marvel was demonstrating that there were ways in which the Kirby style could be mutated, and many artists went off increasingly in their own directions after that.

1273:#400 (Oct. 1984), the 10-page story "The Exile at the Edge of Eternity," which he wrote, drew, colored and lettered. A 1997 attempt to negotiate Steranko's return to S.H.I.E.L.D. did not bear fruit. In 2008, he worked with 3146: 896:), used the published final panel, although the appendix included the original art, showing the page as initially drawn. Each instance uses Steranko's original telephone panel, not the redrawn published version. 754:

were embedded into the design of the pages – and the pages were designed as a whole, not just as a series of panels. All this, executed in a crisp, hard-edged style, seething with drama and anatomical tension."

277:. Steranko later said his father and uncles "would bootleg coal – they would go up into a mountain and open up a shaft." One of three children, all boys, Steranko spent his early childhood during the American 2692:

The Man of Steel celebrated his 400th issue in star-studded fashion with the help of some of the comic industry's best and brightest ... the issue also featured a visionary tale written and drawn by Jim

546:. Steranko recalled in 2003, "It was the first full script I'd ever seen, complete with panel descriptions and dialogue. I learned a lot from it and eventually went on to create a few comics of my own." 2106:#113 (October 2012), p. 55, "I've confronted Roy numerous times about being rejected by Marvel in 1965. It's bogus! ... I had no comics portfolio in 1965 or, for that matter, ever afterward." 2110:

editor Thomas, in an editor's note that same issue, p. 56, replied, "Roy regrets it if he has misremembered events of 1965. All he truly recalls now is Jim coming up to the Marvel offices in

706:, "ven the dullest of readers could sense that something new was happening. ... With each passing issue Steranko's efforts became more and more innovative. Entire pages would be devoted to 956:" fan page in spring 1969 announced that, "In case you've been wondering what happened to Jaunty Jim Steranko, ... is working on a brand-new feature, which will shortly be spotlighted in 817:#159 (Aug. 1967) by flooring Nick Fury during a training session, proving that she could take care of herself! She looked like a character who had just stepped out of a James Bond poster. 2847: 1565: 616:" Steranko self-published it in 1970 in the limited-edition "Steranko Portfolio One"; it appeared again 30 years later in slightly altered form in the 2000 trade-paperback collection 710:

of drawings ignored panel boundaries and instead worked together on planes of depth. The first pages ... became incredible production numbers similar in design to the San Francisco

698:"Nick Fury, Agent of S.H.I.E.L.D." soon became one of the creative zeniths of the Silver Age, and one of comics' most groundbreaking, innovative and acclaimed features. Wrote 3020: 1247:/ Pyramid Books. Aside from occasional covers and pinup illustrations, he has rarely worked in comics since, although he did illustrate a serialized comics adaptation of the 3142: 2383: 2148:, never did the sample-pages inking, and was supposedly given his choice of drawing any comic in Marvel's line. Eduardo Lopez Lafuente's biographical portrait in the 2000 2885: 578: 2102:#50 (July 2005), p. 23, "I met Jim ; he brought his work up to Marvel then, I think, but it wasn't considered quite pro quality yet." Steranko disputed this, saying in 1378:, Vanguard Productions in 2002 sponsored Steranko's "The Spirit of America" benefit print, created to fund an art scholarship "for victims of anti-American terrorism". 987:, and devised his own title for the story. After much conflict, Steranko either quit or was fired. Lee phoned him about a month later, after the two had cooled down. 1155:

industry, though no subsequent volumes have appeared. Written by Steranko, with hundreds of black-and-white cover reproductions as well as a complete reprint of one

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in the history of comics!" All the while, Steranko spun outlandishly action-filled plots of intrigue, barely sublimated sensuality, and a cool-jazz hi-fi hipness.

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and began to successfully fight back. His youngest brother was born when Steranko was 14, "severing even the minimal interaction between me and my parents."

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Dan Phillips in New York City, fencing. At 17, Steranko and another teenage boy were arrested for a string of burglaries and car thefts in Pennsylvania.

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He has "amassed an enormous portfolio of more than sixty projects (which he called the 'Theater of Concepts') designed to be seen in multimedia form".

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side by side simultaneously! Then I topped that by having the girls do a discreet strip routine. Two years later, the go-go girl craze swept America".

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coal-mining region of eastern Pennsylvania. Steranko's father, one of nine siblings, began working in the mines at age 10, and as an adult became a

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Steranko's work has been exhibited internationally in more than 160 shows. Among others, his work has been shown in the following locations:

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shading, the couple is beginning to embrace, with Fury standing and the Countess on one knee, getting up. Another reprinting, in

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Steranko also formed his own publishing company, Supergraphics, in 1969, and the following year worked with writer-entrepreneur

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During the day, Steranko made his living as an artist for a printing company in his hometown of Reading, designing and drawing

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He initially entered the comics industry in 1957, not long out of high school, working for a short time inking pencil art by

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guitar, often performed in the same local venues, sometimes on the same bill, and became friendly with Haley guitarist

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DeFalco "1960s" in Gilbert (2008), p. 135: "'Destroy him!' Madame Hydra shouted about Cap, when she first appeared in

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For the film industry, Steranko has done sketches and preliminary paintings for movie posters, including for the 1977

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story that precipitated a breakup with Marvel. Though that seven-page tale, "At the Stroke of Midnight", published in

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as a folded-tabloid periodical on stiff, non-glossy paper, reporting on the comics field. It evolved in stages into

475:. Steranko, whose first band, in 1956, was called The Lancers, did not perform under his own name, claiming he used 4732: 3983: 3645: 3624: 2419: 1510: 1648: 1165:, it included some of the first and in some cases only interviews with numerous creators from the 1930s and 1940s 798:

Steranko's Marvel work became a benchmark of '60s pop culture, combining the traditional comic book art styles of

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bottles for the bottle deposit and bundled old newspapers to sell to scrap-paper dealers. He studied the Sunday

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collection quotes Stan Lee, without providing a source, as asking Steranko "Which title do you want to draw?"

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Fury's adventures continued in his own series, for which Steranko contributed four 20-page stories: "Who is

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Steranko has won awards in fields as varied as magic, comics and graphic design. A partial list includes:

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is one of the few guys who can simplify an illustration to a minimum of lines with a maximum of impact.

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Steranko won three 1968 Alley Awards, for Best Pencil Artist, Best Feature Story ("Today Earth Died",

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the first page, which included a diagram of a robotic hand that was reprinted as an inset on artist

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The following year, he won 1969 Alley Awards for Best Feature Story ("At the Stroke of Midnight",

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in Colletta's New York City studio before returning to Reading. In 1966, he landed assignments at

3551: 3477: 3281: 1596: 1318: 900: 236: 2057: 1034:#1–2 (each successively cover-dated Dec. 1972 and Feb. 1973), and ending with the reprint comic 877:), however, Steranko's original final panel was reinserted: In a black-and-white long shot with 774:, ultimately synthesizing a style he termed "Zap Art." A.M. Viturtia notes Steranko drew on the 4777: 4767: 4529: 4264: 3652: 3436: 3078: 2765: 2730: 2313: 1030: 652:#135 (Aug. 1965), with Kirby supplying such inventive and enduring gadgets and hardware as the 566: 1141:, distributed to elementary schools nationwide. In 1970 and 1972, Supergraphics published two 1064:. He had previously been associated with Marvelmania, producing two of the club's 12 posters. 3743: 3509: 3441: 3235: 3162:"Post-Show: The 2016 Inkwell Awards Award Ceremony Speech Transcript (Updated: And Video!!!)" 3016: 2716: 2061: 1694: 1269: 1105: 990:

In a contemporaneous interview, conducted November 14, 1969, Steranko reflected on the tiff:

669: 262: 69: 626:, a "split book" that shared each issue with another feature. Future Marvel editor-in-chief 4717: 4133: 3851: 3769: 3713: 3679: 3529: 3240: 3090: 2842: 2770: 2750: 2566: 2098: 1903: 1687: 1498: 1327: 1259: 1142: 1024: 941: 783:(particularly for cityscapes), and in the use of full- and double-page-spreads. Indeed, in 1678:. Fantastic Fanzine (11). Gary Groth. Via Meyer, Ken. Jr. 1970. p. 25. Archived from 8: 4519: 4198: 4168: 4014: 3561: 2362: 1587: 1332: 1152: 554: 2644: 1734:. Online excerpt from Steranko: Graphic Prince of Darkness, Vanguard Productions, 1998. 344:

Steranko in 1978 described some influences and their impact on his creative philosophy:

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at the time. One example is a silent, one-page seduction sequence with the Countess in

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The Superhero Book: The Ultimate Encyclopedia of Comic-Book Icons and Hollywood Heroes

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Lee and Kirby had initiated the 12-page "Nick Fury, Agent of S.H.I.E.L.D." feature in

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Writer/artist Jim Steranko had begun to draw the 'Nick Fury, Agent of SHIELD' in

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Steranko introduced or popularized in comics such art movements of the day as

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In 1973, Steranko became founding editor of Marvel's official fan magazine,

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for local dance clubs and the like. He moved on after five years to join an

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to help protect himself from enemies. He also claims to have put the first

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Steranko recalled beginning school at age 4. Later, "Because my father had

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Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen

1016:#5, Feb. 1970) and becoming the cover artist for 15 comics beginning with 4653: 4648: 4613: 4593: 4583: 4499: 4489: 4340: 4274: 4259: 4203: 4188: 4183: 4173: 4153: 4138: 4097: 4052: 4034: 3514: 3497: 3386: 3214: 3079:"New York Comic Con Releases Expanded Guest List for their February Show" 2711: 2414: 2229: 2162: 1851:

Burchett, Rick; Mantels, Ed (Summer 1978). "Whizzard Talks to Steranko".

1401: 1285:. In 2012, he did poster art for RZG Comics and a variant cover for DC's 1248: 1162: 1081: 1057: 980: 908: 841: 829: 759: 751: 699: 653: 635: 609: 456: 383: 326: 306: 192: 185: 2615: 4603: 4534: 4456: 4395: 4380: 4360: 4350: 4330: 4325: 4234: 4178: 4092: 4057: 4044: 3968: 3920: 3487: 3411: 3366: 3341: 3313: 2247: 2093: 2072: 1453: 1223: 1207: 1187: 1118: 1018: 878: 837: 803: 799: 775: 725: 721: 688: 627: 605: 503: 488: 476: 464: 460: 403: 350: 318: 302: 270: 222: 934:(#50–51, Nov.–Dec. 1968), for which he designed a new cover logo, and 821: 4244: 4148: 4024: 3546: 3504: 3346: 3297: 1465: 1337: 1326:. He also served in a similar capacity as "project conceptualist" on 1264: 1073: 747: 733: 562: 535: 523: 365: 2031:

Marshall, Frances Ireland (February 1961). "Who Is This Steranko?".

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page, "Awe-Inspiring Announcements to Yawn With!" in Marvel Comics

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calendar, "The Supergirls", consisting of 12 illustrations of sexy

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Steranko also approached Marvel Comics in 1966. He met with editor

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in his teens before forming his own bands during the early days of

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Summing up this initial stint in comics, Steranko said in 1979,

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create conceptual art and character designs for films including

3228:, "Ink Stains" 25 (column), ComicAttack.net, December 1, 2010. 2382:. Diversions of the Grooovy Kind (fan site). October 31, 2008. 1492: 940:(#110–111, 113, Feb.–March, May 1969). Steranko introduced the 763: 714: 570: 447: 423: 391: 2020:. No. 112. p. 55 (caption "Strange Board=Fellows!"). 1439:: Outstanding Achievement by an Individual: Jim Steranko (for 903:?" (issue #1); "So Shall Ye Reap ... Death" (#2), inspired by 828:#111 (March 1969): Steranko's signature surrealism. Inking by 2672:

Manning, Matthew K. (2010). "1980s". In Dolan, Hannah (ed.).

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was based in nearby Philadelphia and Steranko, who played a

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recounts his time living with and working for Sterkano and

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She and Steranko's other skintight leather-clad version of

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as a fan and was treated to a tour of the office by editor

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Steranko's first published comic book art: inset in artist

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His peers took note of his experimentation. Writer-artist

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Steranko wrote, drew, and produced the illustrated novel

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This led to Lee's assigning him the Nick Fury feature in

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act, and in his teens spent several summers working with

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living in a three-room house with a tar-paper roof and

3021:"Time Machine: Comic Book Superheroes Unmasked (2003)" 2291:"A Life Long Love Affair with the Pop Culture Pin Up!" 952:. With no new work immediately forthcoming, a "Marvel 514:"by an earlier career of writer-artist Jim Steranko". 1471:

2016 Steranko made a special appearance to honor the

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what it is!" The referred-to project never appeared.

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Sgt. Fury & his Howling Commandos: Shotgun Opera

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at the Unofficial Handbook of Marvel Comics Creators

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Steranko returned briefly to Marvel, contributing a

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Library of Congress Catalog Card Number 75-169-104.

1277:, doing covers, character and logo designs for its 1104:piece. This led to a career illustrating dozens of 455:Up through his early 20s, Steranko performed as an 191:His most famous comic book work was with the 1960s 149: 1884:, February 4, 1956, reprinted in Steranko et al., 1413:#168; first page depicted above), and Best Cover ( 634:e came up to the office ... and I was sent out by 569:." Here Steranko created and wrote the characters 3839:Captain America and Nick Fury: The Otherworld War 3217:, Her Majesty's Secret Servant (fan site), 2000. 2253:Nick Fury, Agent of S.H.I.E.L.D.: Who Is Scorpio? 1466:Nick Fury, Agent of S.H.I.E.L.D. Artist's Edition 1041: 867:Nick Fury, Agent of S.H.I.E.L.D.: Who Is Scorpio? 341:, and other popular culture also influenced him. 4709: 1821:Lafuente, Eduardo Lopez (2000). "Jim Steranko". 1100:Howard Winters, to whom he immediately sold his 962:. And talk about a secret – he hasn't even told 3089:from the original on June 16, 2011 – via 2792:for which Jim Steranko also designed the world. 1850: 1613: 1611: 1390:In addition to himself being inducted into the 249:He was inducted into the comic-book industry's 2453: 2400:#110, an issue by writer/artist Jim Steranko." 2189:#151 and started writing it four issues later. 1639: 1637: 1635: 1562:"James F. Steranko, Reading, PA, 72 years old" 1291:#1. Steranko drew the 1970s variant cover for 668:. Marvel's all-purpose terrorist organization 581:for the company's short-lived superhero line, 502:notes that the influential comic-book creator 3984: 3282: 1172:Supergraphics projects included the proposed 1068:lecture", and the suggestion that he work in 188:, publisher and film production illustrator. 2808:. RZG Comics (official site). Archived from 2806:"The Great Steranko's Finished Masterpiece!" 1897:Von Busack, Richard (December 12–18, 2002). 1878:"Escape Artist One of Youths Under Arrest", 1829:trade-paperback collection; biography page. 1816: 1608: 912:; "Dark Moon Rise, Hell Hound Kill" (#3), a 809:Countess Valentina (Val) Allegro De Fontaine 766:, drawing specifically on the "aesthetic of 2897: 2895: 2373:Dead link; pertinent passages reprinted at 2288: 2199: 2197: 1814: 1812: 1810: 1808: 1806: 1804: 1802: 1800: 1798: 1796: 1632: 1507:, New South Wales, Australia (January 1986) 1301: 675:Steranko began his stint on the feature by 377: 3991: 3977: 3832:Captain America and Nick Fury: Blood Truce 3289: 3275: 3126:. Hahn Library Comic Book Awards Almanac. 3108:. Hahn Library Comic Book Awards Almanac. 2984: 2731:"Jim Steranko covers Radical's 'Hercules'" 2435: 2234:Comix: A History of Comic Books in America 2165:(2008). "1960s". In Gilbert, Laura (ed.). 2066: 1896: 1194:in costumes recalling such superheroes as 886:: Nick Fury Agent of S.H.I.E.L.D. Volume 2 704:Comix: A History of Comic Books in America 40: 2674:DC Comics Year By Year A Visual Chronicle 2432:DeFalco "1960s" in Gilbert (2008), p. 137 2357: 1725: 1723: 1721: 1381: 1349:In 2003, Steranko was interviewed by the 585:. His first published comics art came in 483:onstage. The seminal rock and roll group 4803:Will Eisner Award Hall of Fame inductees 3998: 3887:Nick Fury, Agent of S.H.I.E.L.D.: Empyre 3015: 2901: 2892: 2715:. No. 69. Raleigh, North Carolina: 2609: 2595: 2301:from the original on September 16, 2010. 2203: 2194: 2030: 2016:(October 2012). "The Unknown Steranko". 1989: 1987: 1859: 1820: 1793: 1036:Nick Fury and his Agents of S.H.I.E.L.D. 820: 794:Writer Steven Ringgenberg assessed that 432: 172:; born November 5, 1938) is an American 3112:from the original on September 5, 2015. 2997:from the original on September 11, 2012 2838:variants by Steranko, Rude, Pope, more" 2831: 2704: 2671: 2386:from the original on November 27, 2010. 2306: 2228: 2167:Marvel Chronicle A Year by Year History 2161: 2012: 1980:from the original on December 17, 2010. 1968: 1962: 1206:, which premiered with a December 1972 1176:, illustrations of which appeared in a 348:Early influences were Chester Gould's 14: 4710: 3159: 3140: 2496:from the original on December 28, 2013 2053: 2051: 2049: 2047: 2045: 2043: 2002:from the original on February 2, 2011. 1718: 1665: 1661:from the original on February 5, 2011. 1586: 1463:for Best Domestic Reprint Project for 1151:, a planned six-volume history of the 1012:story ("My Heart Broke in Hollywood", 643: 386:using paraphernalia from his father's 4743:American magazine publishers (people) 3972: 3900:Nick Fury (Marvel Cinematic Universe) 3270: 3256:Internet Speculative Fiction Database 2985:Kilpatrick, Conor (August 12, 2010). 2941:. September 29, 2006. pp. 72–82. 2778:from the original on February 4, 2010 2763: 2741:from the original on February 4, 2010 2466:from the original on February 8, 2013 2353: 2351: 2349: 2312: 1993: 1984: 1890: 1695:"Ink Stains 23: Fantastic Fanzine 11" 1108:covers, popularly including those of 969:Steranko went on to write and draw a 4788:Musicians from Reading, Pennsylvania 4753:American people of Ukrainian descent 2951: 2888:from the original on August 9, 2018. 2551:. Vintage Paperbacks & Digests. 2517:"1970s" in Gilbert (2008), p. 158: " 1767: 1748: 1729: 1697:. ComicAttack.net. October 1, 2010. 1643: 1511:The Butler Institute of American Art 840:pushed what was allowable under the 104:The Strange Death of Captain America 3781:Fury: S.H.I.E.L.D. 50th Anniversary 3618:Sgt. Fury and his Howling Commandos 3067:from the original on July 21, 2011. 2705:Addiego, Frankie (December 2013). " 2546: 2289:Ringgenberg, Steven (Spring 1989). 2040: 1915:from the original on July 14, 2011. 1776:from the original on July 24, 2011. 1757:from the original on July 24, 2011. 1738:from the original on April 1, 2011. 1701:from the original on March 1, 2011. 1690:reads, "Next issue due out June 20" 1564:. PeopleFinders.com. Archived from 1501:, Winnipeg, Manitoba, Canada (1978) 1392:Will Eisner Comic Book Hall of Fame 517: 251:Will Eisner Comic Book Hall of Fame 24: 4808:Writers from Reading, Pennsylvania 4793:American role-playing game artists 3172:from the original on July 8, 2019. 3149:from the original on July 3, 2017. 3130:from the original on July 9, 2012. 2850:from the original on July 15, 2012 2575:. Omnigraphics, Inc. p. 422. 2555:from the original on May 16, 2011. 2363:"Steranko and Simon: Back to Back" 2346: 2279:#167 (Marvel, April 1967), pp. 2–5 1263:magazine. His only major work for 979:#1 (Sept. 1969), would win a 1969 604:, who had Steranko ink a two-page 25: 4819: 3201: 2803: 1600:. Iola, Wisconsin. Archived from 1400:was inducted into comic fandom's 683:"finishes" over Kirby layouts in 630:, then a staff writer, recalled, 467:, and musician, having played in 382:By his account, Steranko learned 3951: 3950: 3880:Nick Fury: Agent of S.H.I.E.L.D. 3625:Nick Fury, Agent of S.H.I.E.L.D. 2832:Melrose, Kevin (July 12, 2012). 2330:of transcription. Archived from 2150:Nick Fury, Agent of S.H.I.E.L.D. 1528: 1415:Nick Fury, Agent of S.H.I.E.L.D. 1397:Nick Fury, Agent of S.H.I.E.L.D. 1245:Byron Preiss Visual Publications 928:Steranko also had short runs on 850:#2, described by Robin Green in 847:Nick Fury, Agent of S.H.I.E.L.D. 618:Nick Fury, Agent of S.H.I.E.L.D. 197:Nick Fury, Agent of S.H.I.E.L.D. 136: 97:Nick Fury, Agent of S.H.I.E.L.D. 3176: 3153: 3134: 3116: 3098: 3071: 3045: 3009: 2978: 2945: 2928: 2862: 2825: 2797: 2764:Furey, Emmett (July 31, 2009). 2757: 2723: 2698: 2665: 2654: 2638: 2621: 2596:Steranko, Jim (July 10, 2005). 2589: 2559: 2540: 2528: 2508: 2478: 2447: 2426: 2403: 2390: 2282: 2269: 2241: 2222: 2206:Nick Fury, Agent of S.H.I.E.L.D 2155: 2134: 2121: 2096:, then a staff writer, said in 2086: 2024: 2006: 1949: 1932: 1919: 1872: 1843: 1823:Nick Fury, Agent of S.H.I.E.L.D 1780: 1517: 1365: 1356:Comic Book Superheroes Unmasked 1312:and was a conceptual artist on 1309:Sinbad and the Eye of the Tiger 1234:YouTube interview in May 2020. 779:Jack Kirby, both in the use of 614:Nick Fury Agent of S.H.I.E.L.D. 325:, as well as the characters of 221:, particularly his infusion of 2902:Walentis, Al (June 14, 1981). 2870:"DC Unveils Final Variant For 2618:, at The Drawings of Steranko. 2092:Future Marvel editor-in-chief 1761: 1742: 1705: 1580: 1554: 1483: 1441:The Steranko History of Comics 1148:The Steranko History of Comics 1130:to produce the title instead. 1042:Publisher and paperback artist 608:sample of typical art for the 337:, Saturday movie matinées and 111:The Steranko History of Comics 13: 1: 4728:20th-century American artists 4723:20th-century American writers 3646:Nick Fury's Howling Commandos 3357:Valentina Allegra de Fontaine 3296: 3226:"1970 Jim Steranko Portfolio" 3160:Almond, Bob (June 23, 2016). 2600:. Comicon.com. Archived from 2303:Via TheDrawingsOfSteranko.com 1621:; de la Calle, Angel (2002). 1548: 1533: 1054:Merry Marvel Marching Society 672:was introduced here as well. 256: 3825:Fury/Black Widow: Death Duty 3141:Almond, Bob (June 9, 2016). 2645:Comixscene/Mediascene/Prevue 2525:writer/artist Jim Steranko." 2376:"Frightening First Fridays: 2255:. Marvel Enterprises. 2001. 2208:. Marvel Enterprises, 2000. 1998:. The Drawings of Steranko. 1976:. P.O.V. Online. p. 1. 1473:2016 Inkwell Awards Ceremony 1137:on an anti-drug comic book, 7: 3737:Nick Fury, Agent of Nothing 2935:"Raiders of the Lost Ark". 2822:Additional, April 18, 2012. 2140:Another account appears in 2037:reprinted in Gilbert, p. 53 1592:"Comics Industry Birthdays" 1394:in 2006, Steranko's series 1353:for the documentary titled 1279:Hercules: The Thracian Wars 869:(Marvel Enterprises, 2001; 211:subsequent eponymous series 27:American artist (born 1938) 10: 4824: 4798:Silver Age comics creators 4356:Walter "The Shadow" Gibson 3673:Nick Fury vs. S.H.I.E.L.D. 2956:. London, United Kingdom: 2882:Diamond Comic Distributors 2676:. London, United Kingdom: 2569:; Misiroglu, Gina (2005). 2236:. New York: Bonanza Books. 2169:. London, United Kingdom: 2077:Don Markstein's Toonopedia 1629:/ Semana Negra. pp. 11–12. 1521: 1376:Diamond Comic Distributors 1288:Before Watchmen: Rorschach 888:(Marvel Publishing, 2009; 4758:Artists from Pennsylvania 4667: 4563: 4439: 4313: 4227: 4106: 4007: 3946: 3908: 3869: 3760: 3662: 3609: 3600: 3574: 3470: 3329: 3322: 3304: 2766:"CCI: Radical Publishing" 2606:Additional, June 5, 2008. 1849:Steranko, interviewed in 1524:Jim Steranko bibliography 1513:, Youngstown, Ohio (2022) 1167:Golden Age of Comic Books 915:Hound of the Baskervilles 770:," with inspiration from 485:Bill Haley and his Comets 372: 219:Silver Age of Comic Books 86: 82:Writer, Artist, Publisher 76: 51: 39: 34: 3236:"Jim Steranko Interview" 3023:. Movies & TV Dept. 2989:Justice League Unlimited 2549:"Jim Steranko Cover Art" 1881:Stroudsburg Daily Record 1541:Justice League Unlimited 1499:The Winnipeg Art Gallery 1370:In a joint venture with 1343:Justice League Unlimited 1302:Film and television work 1230:in Reading, PA during a 1145:-sized volumes entitled 1112:' reissues of the 1930s 406:and in acts involving a 398:, working his way up to 378:Illusionist and musician 178:comic book writer/artist 4733:American comics writers 2952:Skal, David J. (2004). 2629:"Steranko Bibliography" 2547:Bonfils, Robert (ed.). 2537:#1–4 (Feb.-Summer 1973) 2204:Viturtia, A.M. (2000). 1319:Raiders of the Lost Ark 918:homage, replete with a 567:anthropomorphic animals 463:, close-up magician in 237:Raiders of the Lost Ark 4265:George Clayton Johnson 4068:William R. "Bill" Lund 3795:The Scorpio Connection 3248:(requires scrolldown). 3124:"Inkpot Award Winners" 3095:(Requires scrolldown). 2904:"Steranko Helped Sell 2316:(September 16, 1971). 1505:The Sydney Opera House 1495:, Paris, France (1967) 1382:Awards and recognition 1031:Supernatural Thrillers 1006: 997: 863: 833: 819: 728:spacesuit revamped by 664:) and even automobile 641: 452: 370: 4738:American illustrators 3145:. First Comics News. 3055:The Spirit of America 2788:Hine is also writing 2717:TwoMorrows Publishing 2627:Robertson, Tony, ed. 2417:June 1969, including 2062:Grand Comics Database 1604:on February 18, 2011. 1404:Hall of Fame in 1969. 1333:Bram Stoker's Dracula 1251:1981 sci-fi thriller 1001: 992: 858: 824: 796: 632: 436: 346: 263:Reading, Pennsylvania 261:Steranko was born in 243:Bram Stoker's Dracula 70:Reading, Pennsylvania 4783:Marvel Comics people 4773:Inkpot Award winners 4134:Edgar Rice Burroughs 3714:Fury: My War Gone By 3680:Fury of S.H.I.E.L.D. 3244:, October 10, 2001. 3241:Comic Book Resources 3091:Comic Book Resources 3085:. January 20, 2009. 3061:Vanguard Productions 2843:Comic Book Resources 2771:Comic Book Resources 2751:Comic Book Resources 2490:Lambiek Comiclopedia 2454:Steranko interview. 2295:Betty Pages Magazine 1627:Vanguard Productions 1597:Comics Buyer's Guide 1588:Miller, John Jackson 1426:#1) and Best Cover ( 1328:Francis Ford Coppola 1025:Shanna the She-Devil 469:drum and bugle corps 422:, and later took up 4199:Barry Windsor-Smith 4015:Forrest J. Ackerman 3788:Wolverine/Nick Fury 3562:Werner von Strucker 3246:WebCitation archive 3230:WebCitation archive 3219:WebCitation archive 3106:"1968 Alley Awards" 2790:Ryder on the Storm, 2649:WebCitation archive 2633:WebCitation archive 2420:The Incredible Hulk 2014:Gilbert, Michael T. 1340:animated TV series 1186:magazine #5, and a 959:Marvel Super-Heroes 660:– as well as LMDs ( 644:Silver Age Steranko 4748:American magicians 4411:Stanley Ralph Ross 4366:Robert A. Heinlein 3938:Ultimate Nick Fury 3083:New York Comic Con 3033:on January 5, 2014 3026:The New York Times 2737:. April 23, 2008. 2678:Dorling Kindersley 2661:Cartoonist Kayfabe 2334:on October 7, 2010 2171:Dorling Kindersley 2142:Steranko Arte Noir 1957:Steranko Arte Noir 1940:Steranko Arte Noir 1927:Steranko Arte Noir 1886:Steranko Arte Noir 1867:Steranko Arte Noir 1827:Marvel Enterprises 1788:Steranko Arte Noir 1713:Steranko Arte Noir 1685:on July 13, 2011. 1623:Steranko Arte Noir 1619:Spurlock, J. David 1568:on August 10, 2017 1283:Ryder on the Storm 1240:Chandler: Red Tide 1232:Cartoonist Kayfabe 1174:Talon the Timeless 884:Marvel Masterworks 865:When reprinted in 834: 811:made her debut in 744:graphic influences 532:advertising agency 453: 4705: 4704: 4214:Theodore Sturgeon 4083:Charles M. Schulz 3966: 3965: 3894:For Your Eye Only 3865: 3864: 3857: 3775: 3701: 3582:Howling Commandos 3570: 3569: 3352:Monica Chang-Fury 3081:(Press release). 2971:978-0-571-21158-6 2884:. March 7, 2018. 2812:on April 18, 2012 2733:(Press release). 2719:. pp. 68–70. 2687:978-0-7566-6742-9 2616:Talon Art Gallery 2442:Fantastic Fanzine 2411:Bullpen Bulletins 2371:. PW Comics Week. 2368:Publishers Weekly 2361:(March 7, 2006). 2083:November 5, 2011. 1994:Robertson, Tony. 1955:Steranko et al., 1938:Steranko et al., 1925:Steranko et al., 1865:Steranko et al., 1786:Steranko et al., 1711:Steranko et al., 1647:(July 21, 2010). 1590:(June 10, 2005). 1493:The Louvre Museum 1090:sword-and-sorcery 1038:#2 (April 1973). 954:Bullpen Bulletins 894:978-0-7851-3503-6 772:Richard M. Powers 662:Life Model Decoys 498:Comics historian 269:to settle in the 132:James F. Steranko 129: 128: 55:James F. Steranko 16:(Redirected from 4815: 4763:Comics colorists 4579:Dale Enzenbacher 3993: 3986: 3979: 3970: 3969: 3954: 3953: 3916:Life Model Decoy 3855: 3773: 3707:Fury: Peacemaker 3699: 3607: 3606: 3447:Clay Quartermain 3397:Happy Sam Sawyer 3327: 3326: 3291: 3284: 3277: 3268: 3267: 3196: 3195: 3194:. July 12, 2016. 3180: 3174: 3173: 3157: 3151: 3150: 3138: 3132: 3131: 3120: 3114: 3113: 3102: 3096: 3094: 3075: 3069: 3068: 3049: 3043: 3042: 3040: 3038: 3029:. Archived from 3013: 3007: 3006: 3004: 3002: 2982: 2976: 2975: 2949: 2943: 2942: 2932: 2926: 2925: 2923: 2921: 2899: 2890: 2889: 2866: 2860: 2859: 2857: 2855: 2829: 2823: 2821: 2819: 2817: 2804:Platt, Rachael. 2801: 2795: 2794: 2785: 2783: 2761: 2755: 2754: 2748: 2746: 2727: 2721: 2720: 2702: 2696: 2695: 2669: 2663: 2658: 2652: 2642: 2636: 2625: 2619: 2613: 2607: 2605: 2604:on June 5, 2008. 2593: 2587: 2586: 2563: 2557: 2556: 2544: 2538: 2532: 2526: 2515:Sanderson, Peter 2512: 2506: 2505: 2503: 2501: 2482: 2476: 2475: 2473: 2471: 2460:The Comic Reader 2451: 2445: 2439: 2433: 2430: 2424: 2407: 2401: 2394: 2388: 2387: 2378:Tower of Shadows 2372: 2359:Sanderson, Peter 2355: 2344: 2343: 2341: 2339: 2310: 2304: 2302: 2286: 2280: 2273: 2267: 2266: 2250:, Introduction, 2245: 2239: 2237: 2226: 2220: 2219: 2201: 2192: 2191: 2159: 2153: 2138: 2132: 2125: 2119: 2090: 2084: 2070: 2064: 2055: 2038: 2036: 2033:The Linking Ring 2028: 2022: 2021: 2010: 2004: 2003: 1991: 1982: 1981: 1966: 1960: 1953: 1947: 1936: 1930: 1923: 1917: 1916: 1894: 1888: 1876: 1870: 1863: 1857: 1856: 1847: 1841: 1840: 1818: 1791: 1784: 1778: 1777: 1765: 1759: 1758: 1746: 1740: 1739: 1727: 1716: 1709: 1703: 1702: 1692: 1684: 1677: 1669: 1663: 1662: 1641: 1630: 1615: 1606: 1605: 1584: 1578: 1577: 1575: 1573: 1558: 1423:Tower of Shadows 1314:Steven Spielberg 1092:") and met with 976:Tower of Shadows 717:of the period". 658:aircraft carrier 518:Early art career 279:Great Depression 193:superspy feature 182:comics historian 171: 170: 167: 166: 163: 160: 157: 154: 151: 148: 145: 142: 79: 67: 64:November 5, 1938 63: 61: 46:Steranko in 2012 44: 32: 31: 21: 4823: 4822: 4818: 4817: 4816: 4814: 4813: 4812: 4708: 4707: 4706: 4701: 4663: 4644:John Romita Sr. 4639:Marshall Rogers 4629:Jerry Pournelle 4589:Virginia French 4574:Steve Englehart 4559: 4525:Gilbert Shelton 4435: 4386:Harvey Kurtzman 4309: 4305:Maggie Thompson 4240:Sergio Aragonés 4223: 4102: 4003: 3997: 3967: 3962: 3942: 3904: 3861: 3762: 3761:Graphic novels 3756: 3751:Fury's Big Week 3664: 3658: 3639:Secret Warriors 3596: 3566: 3542:Mitchell Carson 3466: 3422:Captain America 3382:Pinky Pinkerton 3318: 3300: 3295: 3224:Meyer, Ken Jr. 3213:Koening, Bill. 3204: 3199: 3182: 3181: 3177: 3158: 3154: 3139: 3135: 3122: 3121: 3117: 3104: 3103: 3099: 3077: 3076: 3072: 3051: 3050: 3046: 3036: 3034: 3014: 3010: 3000: 2998: 2983: 2979: 2972: 2958:Faber and Faber 2950: 2946: 2934: 2933: 2929: 2919: 2917: 2900: 2893: 2868: 2867: 2863: 2853: 2851: 2836:Before Watchmen 2830: 2826: 2815: 2813: 2802: 2798: 2781: 2779: 2762: 2758: 2744: 2742: 2729: 2728: 2724: 2703: 2699: 2688: 2680:. p. 209. 2670: 2666: 2659: 2655: 2643: 2639: 2626: 2622: 2614: 2610: 2594: 2590: 2583: 2567:Roach, David A. 2564: 2560: 2545: 2541: 2533: 2529: 2513: 2509: 2499: 2497: 2484: 2483: 2479: 2469: 2467: 2452: 2448: 2444:(11), pp. 11–12 2440: 2436: 2431: 2427: 2408: 2404: 2398:Captain America 2395: 2391: 2374: 2356: 2347: 2337: 2335: 2311: 2307: 2287: 2283: 2275:Steranko, Jim. 2274: 2270: 2263: 2251: 2246: 2242: 2227: 2223: 2216: 2202: 2195: 2181: 2173:. p. 130. 2160: 2156: 2139: 2135: 2126: 2122: 2091: 2087: 2071: 2067: 2056: 2041: 2029: 2025: 2011: 2007: 1992: 1985: 1967: 1963: 1954: 1950: 1937: 1933: 1924: 1920: 1899:"Escape Artist" 1895: 1891: 1877: 1873: 1864: 1860: 1848: 1844: 1837: 1819: 1794: 1785: 1781: 1768:Steranko, Jim. 1766: 1762: 1749:Steranko, Jim. 1747: 1743: 1730:Steranko, Jim. 1728: 1719: 1710: 1706: 1693: 1682: 1675: 1671: 1670: 1666: 1642: 1633: 1617:Steranko, Jim; 1616: 1609: 1585: 1581: 1571: 1569: 1560: 1559: 1555: 1551: 1536: 1531: 1526: 1520: 1486: 1429:Captain America 1384: 1368: 1351:History Channel 1304: 1196:Captain America 1153:American comics 1044: 985:H. 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Lovecraft 948:Captain America 937:Captain America 826:Captain America 695:by that issue. 646: 583:Harvey Thriller 540:Julius Schwartz 520: 451:#1 (Sept. 1966) 412:sleight-of-hand 402:performer as a 380: 375: 259: 139: 135: 125: 89: 77: 68: 65: 59: 57: 56: 47: 28: 23: 22: 15: 12: 11: 5: 4821: 4811: 4810: 4805: 4800: 4795: 4790: 4785: 4780: 4775: 4770: 4765: 4760: 4755: 4750: 4745: 4740: 4735: 4730: 4725: 4720: 4703: 4702: 4700: 4699: 4694: 4689: 4684: 4679: 4674: 4668: 4665: 4664: 4662: 4661: 4656: 4651: 4646: 4641: 4636: 4634:Nestor Redondo 4631: 4626: 4621: 4616: 4611: 4609:Victor Moscoso 4606: 4601: 4596: 4591: 4586: 4581: 4576: 4571: 4570:Craig Anderson 4567: 4565: 4561: 4560: 4558: 4557: 4552: 4550:Mort Weisinger 4547: 4542: 4537: 4532: 4527: 4522: 4517: 4512: 4507: 4502: 4497: 4492: 4487: 4482: 4477: 4472: 4467: 4464: 4459: 4454: 4449: 4443: 4441: 4437: 4436: 4434: 4433: 4428: 4423: 4418: 4413: 4408: 4403: 4398: 4393: 4388: 4383: 4378: 4376:Michael Kaluta 4373: 4371:Gene Henderson 4368: 4363: 4358: 4353: 4348: 4346:Jackie Estrada 4343: 4338: 4336:Howard Chaykin 4333: 4328: 4323: 4321:Alfredo Alcala 4317: 4315: 4311: 4310: 4308: 4307: 4302: 4297: 4292: 4287: 4282: 4277: 4272: 4267: 4262: 4257: 4252: 4247: 4242: 4237: 4231: 4229: 4225: 4224: 4222: 4221: 4216: 4211: 4206: 4201: 4196: 4191: 4186: 4181: 4176: 4171: 4166: 4161: 4156: 4151: 4146: 4144:Richard Butner 4141: 4136: 4131: 4126: 4121: 4116: 4110: 4108: 4104: 4103: 4101: 4100: 4095: 4090: 4085: 4080: 4075: 4070: 4065: 4060: 4055: 4050: 4047: 4042: 4037: 4032: 4027: 4022: 4017: 4011: 4009: 4005: 4004: 3996: 3995: 3988: 3981: 3973: 3964: 3963: 3961: 3960: 3947: 3944: 3943: 3941: 3940: 3935: 3928: 3923: 3918: 3912: 3910: 3906: 3905: 3903: 3902: 3897: 3890: 3883: 3875: 3873: 3871:In other media 3867: 3866: 3863: 3862: 3860: 3859: 3849: 3842: 3835: 3828: 3821: 3814: 3813: 3812: 3809:Scorpio Rising 3805: 3802:Bloody Choices 3798: 3784: 3777: 3766: 3764: 3758: 3757: 3755: 3754: 3747: 3740: 3733: 3726: 3719: 3718: 3717: 3710: 3703: 3690: 3683: 3676: 3668: 3666: 3665:and storylines 3660: 3659: 3657: 3656: 3649: 3642: 3635: 3634: 3633: 3621: 3613: 3611: 3604: 3598: 3597: 3595: 3594: 3589: 3584: 3578: 3576: 3572: 3571: 3568: 3567: 3565: 3564: 3559: 3554: 3549: 3544: 3539: 3534: 3533: 3532: 3522: 3517: 3512: 3507: 3502: 3501: 3500: 3495: 3485: 3483:Baron Strucker 3480: 3474: 3472: 3468: 3467: 3465: 3464: 3459: 3454: 3449: 3444: 3439: 3434: 3429: 3424: 3419: 3414: 3409: 3407:Jasper Sitwell 3404: 3399: 3394: 3389: 3384: 3379: 3377:Junior Juniper 3374: 3369: 3364: 3359: 3354: 3349: 3344: 3339: 3333: 3331: 3324: 3320: 3319: 3317: 3316: 3311: 3305: 3302: 3301: 3294: 3293: 3286: 3279: 3271: 3265: 3264: 3258: 3249: 3233: 3222: 3211: 3203: 3202:External links 3200: 3198: 3197: 3175: 3166:Inkwell Awards 3152: 3133: 3115: 3097: 3070: 3044: 3008: 2977: 2970: 2944: 2927: 2891: 2861: 2824: 2796: 2756: 2735:Radical Comics 2722: 2697: 2686: 2664: 2653: 2637: 2620: 2608: 2588: 2582:978-0780807723 2581: 2558: 2539: 2527: 2507: 2486:"Jim Steranko" 2477: 2446: 2434: 2425: 2402: 2389: 2345: 2305: 2297:. No. 4. 2281: 2268: 2261: 2240: 2221: 2214: 2193: 2180:978-0756641238 2179: 2154: 2133: 2120: 2116:Secret Agent X 2085: 2065: 2039: 2023: 2005: 1983: 1961: 1948: 1931: 1918: 1909:Silicon Valley 1889: 1871: 1858: 1842: 1835: 1792: 1779: 1760: 1741: 1717: 1704: 1664: 1645:Ross, Jonathan 1631: 1607: 1579: 1552: 1550: 1547: 1546: 1545: 1535: 1532: 1530: 1527: 1522:Main article: 1519: 1516: 1515: 1514: 1508: 1502: 1496: 1485: 1482: 1481: 1480: 1469: 1457: 1456:'s Julie Award 1450: 1444: 1433: 1418: 1405: 1383: 1380: 1367: 1364: 1303: 1300: 1275:Radical Comics 1128:Michael Kaluta 1043: 1040: 1014:Our Love Story 656:– an airborne 645: 642: 551:Vince Colletta 519: 516: 512:Mister Miracle 388:stage magician 379: 376: 374: 371: 335:Radio programs 258: 255: 231:graphic design 215:sequential art 174:graphic artist 127: 126: 124: 123: 114: 107: 100: 92: 90: 87: 84: 83: 80: 74: 73: 53: 49: 48: 45: 37: 36: 26: 9: 6: 4: 3: 2: 4820: 4809: 4806: 4804: 4801: 4799: 4796: 4794: 4791: 4789: 4786: 4784: 4781: 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