Laurel and Hardy - Knowledge

1124: 1077:(1934) remains a perennial on American television during the Christmas season. When interviewed, Hal Roach spoke scathingly about the film and Laurel's behavior. Roach himself had written a treatment detailing the characters and storyline, only to find that Laurel considered Roach's effort totally unsuitable. Roach, affronted, tried to argue in favor of his treatment, but Laurel was adamant. Roach angrily gave up and allowed Laurel to make the film his way. The rift damaged Roach-Laurel relations to the point that Roach said that after 1324: 924: 509: 970:"—some, because they felt sound was irrelevant to their craft of conveying stories with body language; and others, because their spoken voices were considered inadequate for the new medium. However, the addition of spoken dialogue only enhanced Laurel's and Hardy's performances; both had extensive theatrical experience, and could use their voices to great comic effect. Their films also continued to feature much visual comedy. In these ways, they made a seamless transition to their first sound film, 891:: "Of all the questions we're asked, the most frequent is, how did we come together? I always explain that we came together naturally." Laurel and Hardy were joined by accident and grew by indirection. In 1926, both were part of the Roach Comedy All Stars, a stock company of actors who took part in a series of films. Laurel's and Hardy's parts gradually grew larger, while those of their fellow stars diminished, because Laurel and Hardy had superior pantomime skills. Their teaming was suggested by 1826: 920:

productions, many film historians and aficionados consider him an uncredited director. He ran the Laurel and Hardy set, no matter who was in the director's chair, but never asserted his authority. Roach remarked: "Laurel bossed the production. With any director, if Laurel said 'I don't like this idea,' the director didn't say 'Well, you're going to do it anyway.' That was understood." As Laurel made so many suggestions, there was not much left for the credited director to do.

1959: 396: 2078:, was written and directed by German film-maker Andreas Baum. It includes many movie clips, rare and unpublished photographs, interviews with family, fans, friends, showbiz pals and newly recovered footage. Laurel's daughter Lois Laurel Hawes said of the film: "The best documentary about Laurel and Hardy I have ever seen!". It has also been released as a Director's Cut with a length of 105 minutes, plus 70 minutes of bonus materials on DVD. 308: 590:. Laurel and Hardy would accidentally damage someone's property, and the injured party would retaliate by ruining something belonging to Laurel or Hardy. After calmly surveying the damage, one or the other of the "offended" parties found something else to vandalize, and the conflict escalated until both sides were simultaneously destroying items in front of each other. An early example of the routine occurs in their classic short 55: 2584: 2572: 1051:

in exchange. Roach would not agree so he built his own prison set, a very expensive item for a two-reeler. So expensive was it indeed that he added four more reels to bring it into the feature category and, it was hoped, the bigger market." The experiment was successful, and the team continued to make features along with their established short subjects until 1935, when they converted to features exclusively.

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allowed them more input, and they starred in eight features until the end of 1944. These films, while far from their best work, were still very successful. Budgeted between $ 300,000 and $ 450,000 each, they earned millions at the box office for Fox and MGM. The Fox films were so profitable that the studio kept making Laurel and Hardy comedies after it discontinued its other "B" series films.

870: 806: 2560: 1310:, Laurel and Hardy took some months off to deal with health issues. On their return to the European stage in 1952, they undertook a well-received series of public appearances, performing a short Laurel-written sketch, "A Spot of Trouble". The following year, Laurel wrote a routine entitled "Birds of a Feather". On September 9, 1953, their boat arrived in 895:, their supervising director from 1927 and 1930. During that period, McCarey and Laurel jointly devised the team's format. McCarey also influenced the slowing of their comedy action from the silent era's typically frantic pace to a more natural one. The formula worked so well that Laurel and Hardy played the same characters for the next 30 years. 1389:, a British variety organization. Laurel and Hardy provided a filmed insert where they reminisced about their friends in British variety. They made their final appearance on camera in 1956 in a private home movie, shot by a family friend at the Reseda, California home of Stan Laurel's daughter, Lois. The three-minute film has no audio. 539:

natural contrast. Laurel kept his hair short on the sides and back, growing it long on top to create a natural "fright wig". Typically, at times of shock, he simultaneously screwed up his face to appear as if crying while pulling up his hair. In contrast, Hardy's thinning hair was pasted on his forehead in spit curls and he sported a

472:. In total, Hardy starred or co-starred in more than 250 silent shorts, of which roughly 150 have been lost. He was rejected for enlistment by the Army during World War I due to his large size. In 1917, following the collapse of the Florida film industry, Hardy and his wife Madelyn moved to California to seek new opportunities. 1050:

Just as Laurel and Hardy's teaming was accidental, so was their entry into the field of feature films. In the words of biographer John McCabe, "Roach planned to use the MGM set for a simple prison-break two-reeler but MGM suddenly added a proviso: Laurel and Hardy would have to do a picture for them

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on the Laurel and Hardy films, Laurel, who had a considerable background in comedy writing, often rewrote entire sequences and scripts. He also encouraged the cast and crew to improvise, then meticulously reviewed the footage during editing. By 1929, he was the pair's head writer, and it was reported

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and, in frustration, stares directly at the audience. Hardy said: "I had to become exasperated, so I just stared right into the camera and registered my disgust." Offscreen, Laurel and Hardy were quite the opposite of their movie characters: Laurel was the industrious "idea man", while Hardy was more

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was developed; they tested Laurel, and found the problem was solved. Laurel and Hardy were then put together in a film, and they seemed to complement each other. Comedy teams were usually composed of a straight man and a funny man, but these two were both comedians; however, each knew how to play the

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In 1956, while following his doctor's orders to improve his health due to a heart condition, Hardy lost over 100 pounds (45 kg; 7.1 st), but nonetheless suffered several strokes causing reduced mobility and speech. Despite his long and successful career, Hardy's home was sold to help cover

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to direct the Laurel and Hardy scenes. During filming, Hardy developed an irregular heartbeat, while Laurel experienced painful prostate complications that caused his weight to drop to 114 pounds. Critics were disappointed with the storyline, English dubbing, and Laurel's sickly physical appearance.

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in 1941 and MGM in 1942. However, their working conditions were now completely different: they were simply hired actors, relegated to both studios’ B-film units, and not initially allowed to contribute to the scripts or improvise, as they had always done. When their films proved popular, the studios

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One of their best-remembered dialogue devices was the "Tell me that again" routine. Laurel would tell Hardy a genuinely smart idea he came up with, and Hardy would reply, "Tell me that again." Laurel would then try to repeat the idea, but, having instantly forgotten it, babble utter nonsense. Hardy,

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Seeing film comedies inspired him to take up comedy himself and, in 1913, he began working with Lubin Motion Pictures in Jacksonville. He started by helping around the studio with lights, props, and other duties, gradually learning the craft as a script-clerk for the company. It was around this time

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Though it is one of those songs that seems to have always been around, like "Happy Birthday" or "Auld Lang Syne", it was actually written in 1928 by Thomas Marvin Hatley. Born in Reed, Oklahoma on April 3, 1905, Hatley could play almost any musical instrument by then time he entered his late teens.

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The love and affection we found that day at Cobh was simply unbelievable. There were hundreds of boats blowing whistles and mobs and mobs of people screaming on the docks. We just couldn't understand what it was all about. And then something happened that I can never forget. All the church bells in

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was a significant one for Hardy because two of his enduring trademarks were developed. The first was his "tie twiddle" to demonstrate embarrassment. Hardy, while acting, had received a pail of water in the face. He said, "I had been expecting it, but I didn't expect it at that particular moment. It

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Laurel and Hardy were favorites around the world, and Hal Roach catered to international audiences by filming many of their early talkies in other languages. They spoke their dialogue phonetically, in Spanish, Italian, French, or German. The plots remained similar to the English versions, although

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Its production details have not survived, but film historian Bo Berglund has placed it between September 1920 and January 1921. According to interviews they gave in the 1930s, the pair's acquaintance at the time was casual, and both had forgotten their initial film entirely. The plot sees Laurel's

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paid her to leave Laurel and to return to her native Australia. In 1925, Laurel joined the Hal Roach film studio as a director and writer. From May 1925 to September 1926, he received credit in at least 22 films. Laurel appeared in over 50 films for various producers before teaming up with Hardy.

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Since the 1930s, their works have been released in numerous theatrical reissues, television revivals, 8-mm and 16-mm home movies, feature-film compilations, and home videos. In 2005, they were voted the seventh-greatest comedy act of all time by a UK poll of professional comedians. The official

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Stan Laurel was of average height and weight, but appeared comparatively small and slight next to Oliver Hardy, who was 6 ft 1 in (185 cm) and weighed about 280 lb (127 kg; 20 st 0 lb) in his prime. Details of their hair and clothing were used to enhance this

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Hardy was quite happy to leave the writing to his partner. He said, "After all, just doing the gags was hard enough work, especially if you have taken as many falls and been dumped in as many mudholes as I have. I think I earned my money." Laurel eventually became so involved in their films'

1290:, and a 1944 NBC pilot for "The Laurel and Hardy Show," casting Stan and Ollie in different occupations each episode. The surviving audition record, "Mr. Slater's Poultry Market," has Stan and Ollie as meat-market butchers mistaken for vicious gangsters. A third attempt was commissioned by 488:

recounted how Laurel and Hardy became a team: Hardy was already working for Roach (and others) when Roach hired Laurel, whom he had seen in vaudeville. Laurel had very light blue eyes, and Roach discovered that, due to the technology of film at that time, Laurel's eyes would not photograph

376:. While working with Mae, he began using the name "Stan Laurel" and changed his name legally in 1931. Dahlberg demanded roles in his films, but her tempestuous nature made her difficult to work with. Dressing room arguments were common between the two; it was reported that producer 1172:

The busy team decided to take a rest during 1946, but 1947 saw their first European tour in 15 years. A film based in the charters of "Robin Hood" was planned during the tour, but not realized. In 1947, Laurel and Hardy famously attended the reopening of the Dungeness loop of the

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style of violence. Their ineptitude and misfortune precluded them from making any real progress, even in the simplest endeavors. Much of their comedy involves "milking" a joke, where a simple idea provides a basis for multiple, ongoing gags without following a defined narrative.

1145:(1939). Meanwhile, Hal Roach wanted to demonstrate his new idea of making four-reel, 40-minute featurettes—twice the length of standard two-reel, 20-minute comedies—which Roach felt could fit more conveniently into double-feature programs. He referred to these extended films as 650:. His thumb ignites and he matter-of-factly lights Hardy's pipe. Amazed at seeing this, Hardy unsuccessfully attempts to duplicate it throughout the film. Much later he finally succeeds, only to be terrified when his thumb catches fire. Laurel expands the joke in the 1938 film 1479:

Dick Van Dyke was a longtime fan, and based his comedy and dancing styles on Laurel's. When he discovered Laurel's home number in the phone book and called him, Laurel invited him over for the afternoon. Van Dyke hosted a television tribute to Stan Laurel the year he died.

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from 1941 to 1945. After finishing their film commitments at the end of 1944, they concentrated on performing stage shows, and embarked on a music hall tour of England, Ireland, Wales, and Scotland. They made their last film in 1950, a French–Italian co-production called

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and screenwriter Byron Morgan is stronger than usual for a Laurel & Hardy comedy. Stan and Ollie are henpecked husbands who want to attend a convention held by the Sons of the Desert fraternal lodge. They tell their wives that Ollie requires an ocean voyage to

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who had difficulty understanding Laurel's idea when expressed clearly, would then understand the jumbled version perfectly. While much of their comedy remained visual, humorous dialogue often occurred in Laurel and Hardy's talking films as well. Examples include:

418:, the Palace Theater, financed in part by his mother. For his stage name he took his father's first name, calling himself "Oliver Norvell Hardy", while offscreen his nicknames were "Ollie" and "Babe". The nickname "Babe" originated from an Italian barber near the 1221:, it was plagued by problems with language barriers, production issues, and both actors' serious health issues. When Laurel received the script's final draft, he felt its heavy political content overshadowed the comedy. He quickly rewrote it, with screen comic 322:, Lancashire, England, into a theatrical family. His father, Arthur Joseph Jefferson, was a theatrical entrepreneur and theater owner in northern England and Scotland who, with his wife, was a major force in the industry. In 1905, the Jefferson family moved to 1110:, with the announcement that this would be Laurel and Hardy's farewell film. Stan Laurel's contract with Roach then expired, and Roach did not renew it. Oliver Hardy's contract was still in force, however, and Roach starred Hardy solo in the antebellum comedy 2116:, and John Municino as founding members, with the sanction of Stan Laurel. Since the group's inception, well over 150 chapters of the organization have formed across North America, Europe, and Australia. An Emmy-winning film documentary about the group, 656:

by pouring tobacco into his clenched fist and smoking it as though it were a pipe, again to Hardy's bemusement. This time, the joke ends when a match Laurel was using relights itself, Hardy throws it into the fireplace, and it explodes with a loud bang.

1801:, the Roach studio's radio station. Laurel heard the tune on the station and asked Hatley if they could use it as the Laurel and Hardy theme song. The original theme, recorded by two clarinets in 1930, was recorded again with a full orchestra in 1935. 357:

In 1912, Laurel left England with the Fred Karno Troupe to tour the United States. Laurel had expected the tour to be merely a pleasant interval before returning to London; however, he decided to remain in the U.S. In 1917, Laurel was teamed with

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During this period, most of his communication was in the form of written correspondence, and he insisted on personally answering every fan letter. Late in life, he welcomed visitors from the new generation of comedians and celebrities, including

810: 4238: 2055:, successor-in-interest to the companies that previously held such rights (Cabin Fever, RHI, Hallmark, and Sonar), while the CCA owns international rights, and Larry Harmon's estate owns the likenesses and trademarks to Laurel & Hardy. 1946:

which were released to television and issued on VHS videocassettes. Most of the Laurel & Hardy sound shorts were ultimately colorized for distribution in Europe; The pixel-based color process and the conversion from the American

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Prior to that, he experienced only modest success. It was difficult for producers, writers, and directors to write for his character, with American audiences knowing him either as a "nutty burglar" or as a Charlie Chaplin imitator.

866:, a classic pie-throwing short involving over 3,000 real pies; only a fragment of the film was known to exist until the first half resurfaced in the 1970s; a more complete print was discovered in 2015 by historian Jon Mirsalis. 668:

threw me mentally and I couldn't think what to do next, so I waved the tie in a kind of tiddly-widdly fashion to show embarrassment while trying to look friendly." His second trademark was the "camera look", where he breaks the

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his medical expenses. He died of a stroke on August 7, 1957, and longtime friend Bob Chatterton said Hardy weighed just 138 pounds (63 kg; 9.9 st) at the time of his death. Hardy was laid to rest at Pierce Brothers'

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Rather than showing Hardy suffering the pain of misfortunes, such as falling down stairs or being beaten by a thug, banging and crashing sound effects were often used so the audience could visualize the mayhem. The 1927 film

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character befriended by a stray dog which, after some lucky escapes, saves him from being blown up by dynamite. Hardy's character is a mugger attempting to rob Laurel. They later signed separate contracts with the

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among many others, have acknowledged an artistic debt. Starting in the 1960s, the exposure on television of (especially) their short films has ensured a continued influence on generations of comedians and fans.

850:, who worked closely with the three men for many years, said, "It could not have happened if Laurel, Hardy, and Roach had not met at the right place and the right time." Their first "official" film together was 4122: 221:

Prior to emerging as a team, both had well-established film careers. Laurel had acted in over 50 films, and worked as a writer and director, while Hardy was in more than 250 productions. Both had appeared in

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for his health, and they sneak off to the convention. They are unaware that the Honolulu-bound ship they were supposedly aboard is sinking, and the wives confront their errant husbands when they get home.

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comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" (by Hollywood composer

4230: 448:, which were released up to the end of 1917. Exhibiting a versatility in playing heroes, villains and even female characters, Hardy was in demand for roles as a supporting actor, comic villain or 3409: 1845:, stated "They were the funniest comedy team in the world." Many critics and film scholars throughout the years have agreed with this assessment; writers, artists, and performers as diverse as 260:

They appeared as a team in 107 films, starring in 32 short silent films, 40 short sound films, and 23 full-length feature films. They also made 12 guest or cameo appearances, including in the

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There are three Laurel and Hardy museums. One is in Laurel's birthplace of Ulverston, England and another is in Hardy's birthplace of Harlem, Georgia, United States. The third is located in

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Hal Roach is considered the most important person in the development of Laurel's and Hardy's film careers. He brought them together, and they worked for Roach for almost 20 years. Director

741:, the phrase becomes "Well, here's another nice bucket of suds you've gotten me into!" The catchphrase, in its original form, was used as the last line of dialogue in the duo's last film, 3908:

While attending UCLA in California, Hatley found work at KFVD, a radio station located on the Hal Roach Studios lot. He wrote the simple and endearing "Ku-Ku" as a radio time signal.

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one month short of his 16th birthday. Arthur Jefferson secured Laurel his first acting job with the juvenile theatrical company of Levy and Cardwell, which specialized in Christmas

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as Oliver was released in 2018 and chronicled the duo's 1953 tour of Great Britain and Ireland. The film received positive reviews from critics, garnering a 94% "Fresh" rating on

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Since the 1930s, the works of Laurel and Hardy have been released again in numerous theatrical reissues, television revivals (broadcast, especially public television and cable),

807: 713:. When Hardy said the phrase, Laurel's frequent, iconic response was to start to cry, pull his hair up, exclaim "Well, I couldn't help it...", then whimper and speak gibberish. 4153: 3116: 1081:, he did not want to produce for Laurel and Hardy. Although their association continued for another six years, Roach no longer took an active hand in Laurel and Hardy films. 3740: 1180:

In 1948, on the team's return to America, Laurel was sidelined by illness and temporarily unable to work. He encouraged Hardy to take movie roles on his own. Hardy's friend

495:, where an attempt was made to compensate for the problem by applying heavy makeup to Laurel's eyes. For about a year, Roach had Laurel work at the studio as a writer. Then 1424:

accepted the award on his behalf. Despite not appearing on screen after Hardy's death, Laurel did contribute gags to several comedy filmmakers. His favorite TV comedy was

4266: 1589:, a balding, mustachioed Scotsman known for displays of indignation and squinting, pop-eyed "double takes," made 33 appearances and is perhaps their most celebrated foil. 2666: 1930:

versions of Laurel and Hardy features and shorts have been reproduced by several studios. The process was introduced in 1983 by Colorization, Inc. in partnership with

4114: 4314: 1298:, and the comedians staged a read-through, which was not recorded. The team was forced to withdraw due to Hardy's declining health, and the project was abandoned. 942:

is by far the most critically acclaimed. Laurel and Hardy are Christmas tree salesmen who are drawn into a classic tit-for-tat battle, with a character played by

4482:, 1999. Retrieved: March 1, 2010. Pinchot would also play the role opposite Mark Linn Baker as Oliver Hardy in the Perfect Strangers season 7 episode The Gazebo. 4336: 1955:

system often affected the sharpness of the image, so since 2011 video distributors have issued the original, more accurately rendered black-and-white editions.

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wrapped in April 1951, Laurel and Hardy returned to America and used the remainder of the year to rest. Stan appeared, in character, in a silent TV newsreel,

773:, who appeared in 33 Laurel and Hardy films, used a variation: "D'oh!" The phrase, expressing surprise, impatience, or incredulity, inspired the trademark " 3819: 1420:. In 1960, Laurel was given a special Academy Award for his contributions to film comedy, but was unable to attend the ceremony due to poor health. Actor 500:

straight man when the script required it. Roach said, "You could always cut to a close-up of either one, and their reaction was good for another laugh."

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did finally turn a profit when it was rereleased in other countries. In 1954, an American distributor removed 18 minutes of footage and released it as

976:(1929) (whose title was a play on the familiar phrase, "Unaccustomed as I am to public speaking"). In the opening dialogue, Laurel and Hardy began by 3920: 1793:

The duo's famous signature tune, known variously as "The Cuckoo Song", "Ku-Ku" or "The Dance of the Cuckoos", was composed by Roach musical director

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musical westerns sweeping America at the time, the film combines Laurel and Hardy's slapstick routines with songs and dances performed by the stars.

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Cobh started to ring out our theme song "Dance of the Cuckoos" and Babe (Oliver Hardy) looked at me and we cried. I'll never forget that day. Never.

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promotional film of 1936. On December 1, 1954, they made their sole American television appearance, when they were surprised and interviewed by

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splendor, and suffers mishaps involving the kilts. His uncle, played by Hardy, tries to put trousers on him. Also in 1927, the pair starred in

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claimed ownership of Laurel's and Hardy's likenesses and has issued Laurel and Hardy toys and coloring books. He also co-produced a series of

1996:. This is treated as a clear example of "interpretative illustration" wherein the comedians' inclusion harked back to the author's childhood. 6419: 3012: 228:(1921), but were not teamed at the time. They first appeared together in a short film in 1926, when they signed separate contracts with the 6414: 3538: 17: 4492: 1488: 1905:

home movies, feature-film compilations and home video. After Stan Laurel's death in 1965, there were two major motion-picture tributes:

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and say "That's nice-a baby!" Other actors in the Lubin company mimicked this, and Hardy was billed as "Babe Hardy" in his early films.

6424: 5440: 1161:(both 1940), were prepared as featurettes. United Artists overruled Roach and insisted that they be released as full-length features. 6429: 6399: 4145: 3049: 1397:, North Hollywood. Following Hardy's death, scenes from Laurel and Hardy's early films were seen once again in theaters, featured in 1377:

ran a color spread on the team with current photos. That year, they made their final public appearance together while taking part in

1371:. However, the plans had to be shelved as the aging comedians continued to suffer from declining health. In 1955, America's magazine 5144: 3776: 3113: 1096:

It appeared that the team would split permanently in 1938. Hal Roach had become dissatisfied with his distribution arrangement with

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composed the majority of the music used in the Laurel and Hardy short sound films. A compilation of songs from their films, titled

3737: 2737: 760:"OH!" (or drawn out as "Ohhhhh-OH!") was another catchphrase used by Hardy. He uses the expression in the duo's first sound film, 723:

Ollie impatiently says to Stan, "Well...", and Stan continues for him: "Here's another nice mess I've gotten you into." The films

2052: 1272:(1927), after years of obscurity, is now almost complete but a few minutes are missing. In the 1930 operatic Technicolor musical 2991: 1294:

in 1953: "Laurel and Hardy Go to the Moon," a series of science-fiction comedies. A sample script was written by Tony Hawes and

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Laurel lived to see the duo's work rediscovered through television and classic film revivals. He died on February 23, 1965, in

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that the writing sessions were gleefully chaotic. Stan had three or four writers who competed with him in a perpetual game of

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Laurel and Hardy's best-known catchphrase is, "Well, here's another nice mess you've gotten me into!" It was earlier used by

4598:"A fan club just for 'The Boys' : Films: The Sons of the Desert has been meeting since 1965 to honor Laurel and Hardy." 856:, released December 3, 1927. The plot involves Laurel as Philip, a young Scotsman who arrives in the United States in full 642:

In some cases, their comedy bordered on the surreal, in a style Laurel called "white magic". For example, in the 1937 film

4716: 3486: 1355:, the doors opened to their suite, #205, flooding the room with light and Edwards' voice. The telecast was preserved on a 3871: 3626: 1174: 4450: 4311: 707:

mess you've gotten me into", which was never spoken by Hardy—a misunderstanding that stems from the title of their film

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Laurel and Hardy are popular around the world but are known under different names in various countries and languages.

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The film was not commercially successful on its first release, and brought an end to Laurel and Hardy's film careers.

1059:(1933) is often cited as Laurel and Hardy's best feature-length film. The situation-comedy script by actor-playwright 6394: 6220: 6108: 5333: 5273: 5104: 5074: 5041: 5026: 4983: 4953: 4904: 4889: 4829: 4754: 4682: 4668: 4654: 4640: 4626: 1359:

and later released on home video. Partly due to the broadcast's positive response, the team began renegotiating with

1278:, Laurel and Hardy appeared as comedy relief in 10 sequences; only one exists. The complete soundtrack has survived. 1252:

Most Laurel and Hardy films have survived and are still in circulation. Only three of their 107 films are considered

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were cast playing the lookalike nephews of Laurel and Hardy named Stanley Thinneus Laurel and Oliver Fatteus Hardy.

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dedicated to "Mr. Laurel and Mr. Hardy". For many years the duo were impersonated by Jim MacGeorge (as Laurel) and

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shirts, with Hardy wearing a necktie which he would twiddle when he was particularly self-conscious; and Laurel, a

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that Hardy married his first wife, Madelyn Saloshin. In 1914, Hardy was billed as "Babe Hardy" in his first film,

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the slow and self-conscious speech of the early talking actors which became a routine they would use regularly.

6374: 6069: 5433: 725: 457: 4649:(Movie Paperbacks). Berkeley: University of California Press, 1968; First edition 1967, London: Studio Vista. 2000:

used cut-outs of Stan Laurel and Oliver Hardy in the cutout celebrity crowd for the cover of their 1967 album

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Sendak described his early upbringing as sitting in movie houses fascinated by the Laurel and Hardy comedies.

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Laurel and Hardy made at least two audition recordings for radio, a half-hour NBC series, based on the skit,

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used for emphasis. They often had physical arguments (in character) which were quite complex and involved a

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Laurel and Hardy's influence over a very broad range of comedy and other genres has been considerable.

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In moments of particular distress or frustration, Hardy often exclaims, "Why don't you do something to

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Laurel and Hardy's films included a supporting cast of comic actors, some of whom appeared regularly:

414:, United States. By his late teens, Hardy was a popular stage singer and he operated a movie house in 6359: 6252: 5989: 5901: 5674: 5634: 5594: 5498: 5426: 4400: 2030: 1579: 1386: 862: 839: 3714: 1713:, a former policewoman, was featured in several sound shorts, including Oliver's formidable wife in 1470:. Jerry Lewis offered Laurel a job as consultant, but he chose to help only on Lewis's 1960 feature 6304: 6164: 5714: 5658: 3659: 2538: 1703: 1484: 1403: 1338: 1085: 938: 634: 592: 489:

properly—blue photographed as white. This problem is apparent in their first silent film together,

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Currently, the North American rights to a majority of the Laurel & Hardy library are owned by

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On May 17, 1954, Laurel and Hardy made their last live stage performance in Plymouth, UK at the

6338: 6333: 6116: 6013: 5949: 5893: 5829: 5805: 5757: 5530: 2245: 2093: 2087: 2028:. His animated versions of Laurel and Hardy guest-starred in a 1972 episode of Hanna-Barbera's 1788: 1565:

appeared as a cross-eyed bartender and telegram messenger, as well as the genial shoplifter in

1032: 1026: 972: 951: 762: 597: 415: 281: 3565:, "UA Orders Hal Roach to Tack On Footage to Laurel-Hardy 4-Reelers," November 15, 1939, p. 2. 3046: 5941: 5602: 5578: 5506: 5283:. Anaheim, California: Past Times Publishing Co., 1996; First edition 1987, Moonstone Press. 1986:

showed three identical Oliver Hardy figures as bakers preparing cakes for the morning in his

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Laurel's and Hardy's first film pairing, although as separate performers, was in the silent

6364: 5885: 5837: 5570: 5538: 5522: 5047: 2602: 2337: 2197: 2101: 1992: 1680: 1264: 1258: 1014: 888: 540: 331: 243: 1351:. Lured to the Knickerbocker Hotel under the pretense of a business meeting with producer 1000:

the supporting actors were often changed to those who were fluent in the native language.

232:

film studio. They officially became a team in 1927 when they appeared in the silent short

8: 6244: 5997: 5965: 5690: 5642: 5618: 3773: 2517: 2213: 1842: 1668: 1467: 1442:

as carpenters. Laurel enjoyed the Astin-Ingels chemistry and sent two-man gags to Stern.

1097: 703:

in 1930. In popular culture, the catchphrase is often misquoted as "Well, here's another

367: 247: 214:) was heard over their films' opening credits, and became as emblematic of them as their 1665:, master of the "slow burn," often appeared as a cop, a hostile neighbor, or a relative. 1410:

For the remaining eight years of his life, Stan Laurel refused to perform, and declined

1164:

Hoping for greater artistic freedom, Laurel and Hardy split with Roach, and signed with

1120:

as Hardy's comic foil. This fueled rumors that Laurel and Hardy had split on bad terms.

966:

of film was coming to an end. Many silent-film actors failed to make the transition to "

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made many appearances, most notably as bombastic, blustery characters such as those in

1574: 1226: 1055: 1038: 718: 445: 372: 285: 117: 2321: 2289: 1123: 6196: 6188: 6172: 6021: 5853: 5821: 5626: 5399: 5390: 5359: 5344: 5329: 5314: 5299: 5296:

Following the Comedy Trail: A Guide to Laurel & Hardy and Our Gang Film Locations

5284: 5269: 5254: 5239: 5224: 5209: 5194: 5179: 5164: 5150: 5133: 5118: 5100: 5085: 5070: 5055: 5037: 5022: 5007: 4993: 4979: 4964: 4949: 4934: 4915: 4900: 4885: 4870: 4855: 4840: 4825: 4807: 4792: 4778: 4764: 4750: 4736: 4722: 4706: 4692: 4678: 4664: 4650: 4636: 4622: 3483: 2988: 1931: 1555: 1323: 1191: 1151: 1141: 1089:(1937) was a personal favorite of both Stan Laurel and Oliver Hardy. A satire of the 929: 834: 709: 625: 616: 548: 496: 113: 4070: 2273: 543:. To achieve a flat-footed walk, Laurel removed the heels from his shoes. Both wore 206:". From the late 1920s to the mid-1950s, they were internationally famous for their 6268: 6228: 6061: 5610: 5554: 3795: 2564: 2181: 2100:(1933). It was established in New York City in 1965 by Laurel and Hardy biographer 1923:(as Hardy) in children's TV shows and television commercials for various products. 1814: 1733: 1731:

appeared in several early silent films, most notably as the beautiful cave girl in

1425: 1165: 782: 735:

use the phrase "Well, here's another nice kettle of fish you've pickled me in!" In

731: 663: 531: 5418: 4549: 3623: 2647: 2006:. A 2005 poll by fellow comedians and comedy insiders of the top 50 comedians for 1881: 6326: 6140: 6077: 6037: 5973: 4581: 4503: 4499: 4476: 4454: 4407: 4384: 4362: 4340: 4318: 4295: 3891: 3875: 3844: 3823: 3802: 3780: 3744: 3721: 3630: 3413: 3199: 3120: 3088: 3053: 3016: 2995: 2741: 2716: 2670: 2513: 2496: 2353: 2059: 2045: 2041: 2034:. In 1999, Harmon produced a direct-to-video feature live-action comedy entitled 1987: 1750: 1686: 1512:

often played the formidable Mrs. Hardy and other characters, particularly sultry

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in 1992. Another short film which revolves around such an altercation was titled

560: 523: 453: 411: 347: 262: 129: 31: 5036:. Beverly Hills: Moonstone Press, 1990; First edition 1974, Doubleday & Co. 508: 6045: 6029: 5877: 5730: 5722: 5514: 4115:"Another Nice Mess: The Laurel and Hardy Story (Audiobook) by Raymond Valinoti" 3655: 2509: 2165: 2062:

was known as the Indian Laurel and Hardy. In 2011 the German/French TV station

1983: 1911: 1877: 1858: 1846: 1740: 1722: 1710: 1692: 1640: 1634: 1627: 1540: 1528: 1459: 1411: 1382: 1274: 1112: 1101: 989: 911: 847: 693: 579: 436: 83: 4633:

A Fine Mess: Verbal and Visual Gems from The Crazy World of Laurel & Hardy

3868: 1825: 1218: 623:"I was dreaming I was awake, but I woke up and found meself asleep." (Laurel, 350:. Laurel said of Karno, "There was no one like him. He had no equal. His name 6353: 6156: 5933: 5925: 5813: 5797: 5773: 5546: 5490: 4447: 4288: 3490: 2674: 2576: 2025: 1916: 1885: 1873: 1869: 1854: 1794: 1778:

made many appearances as a dowager, high society matron, or posh party guest.

1746: 1728: 1662: 1619:, who usually played angry, diminutive adversaries, appeared nearly 50 times. 1603: 1598: 1550: 1546: 1534: 1525:, a writer/director of several Laurel and Hardy films, made four appearances. 1522: 1518: 1503: 1463: 1455: 1360: 1342: 1295: 1222: 1117: 1008: 984: 923: 916: 907: 827: 817: 778: 682: 514: 491: 469: 427: 370:

husband and wife. The same year, Laurel made his film debut with Dahlberg in

267: 224: 211: 97: 4071:"Laurel and Hardy | Biographies, Movies, & Facts | Britannica" 3992: 3967: 1909:

was Robert Youngson's compilation of the team's silent-film highlights, and

1211:

In 1950–51, Laurel and Hardy made their final feature-length film together,

874: 5789: 5466: 2709: 2505: 2501: 2113: 2014: 1967: 1920: 1861: 1838: 1802: 1769: 1592: 1439: 1149:. To test his theory, Roach rehired Laurel and Hardy. The resulting films, 1136: 1104:. He still owed MGM one last feature, and made the Laurel and Hardy comedy 1060: 988:(1932), with the pair delivering a piano up a long flight of steps, won an 899: 787: 575: 559:

was a little small and done up with one straining button, whereas Laurel's

461: 407: 390: 359: 195: 155: 4718:

Vaudeville, Old and New: An Encyclopedia of Variety Performers in America.

1958: 1595:

appeared in a number of Laurel and Hardy films, often cast as Mrs. Laurel.

1238:; widely released on film and video, it is the film's best-known version. 6204: 6180: 6005: 5765: 5738: 5698: 5682: 5461: 5082:

The Golden Age of Sound Comedy: Comic Films and Comedians of the Thirties

4817: 2588: 1997: 1963: 1865: 1850: 1756: 1622: 1609: 1472: 1451: 1447: 1256:

and have not been seen in complete form since the 1930s. The silent film

1199: 1195: 1157: 1106: 903: 892: 737: 669: 652: 567: 465: 318:(June 16, 1890 – February 23, 1965) was born Arthur Stanley Jefferson in 315: 302: 199: 191: 151: 125: 121: 4897:

Stan and Ollie: The Roots of Comedy: The Double Life of Laurel and Hardy

4882:

Stan and Ollie: The Roots of Comedy: The Double Life of Laurel and Hardy

4517: 4469: 570:" fight with an adversary. It could be with their wives—often played by 6236: 6212: 5909: 5395: 5386: 4355: 3968:"A Walking Tour of the Hal Roach Studios Back Lot: Map, Key, and Notes" 2109: 2105: 1898: 1762: 1674: 1562: 1435: 1421: 1181: 1090: 967: 963: 687: 556: 544: 449: 441: 363: 343: 339: 215: 203: 183: 4854:. New York: Da Capo Press, 1990, First edition 1975, Alfred A. Knopf. 4470:"The All New Adventures of Laurel & Hardy in 'For Love or Mummy'." 4377: 1135:, Laurel rejoined Hardy and the team signed with independent producer 395: 338:. In 1909, Laurel was employed by Britain's leading comedy impresario 6100: 5981: 5917: 5404: 2076:

Laurel and Hardy: Die komische Liebesgeschichte von "Dick & Doof"

1971: 1927: 1902: 1766: 1759:

appeared several times before her own career as a comic leading lady.

1715: 1509: 1356: 1291: 1268:(1927) is lost, and the second half has yet to be released on video. 1253: 1002: 571: 527: 485: 335: 319: 229: 207: 140: 109: 30:"Stan and Ollie" redirects here. For the 2018 biographical film, see 4933:. New York: Crown Publishers, 1972.) New York: Da Capo Press, 1983. 3923: 1695:

appeared in several early silent films, and later talkies including

1577:

made several appearances, notably as the belligerent taxi driver in

614:"You can lead a horse to water, but a pencil must be led." (Laurel, 307: 5666: 2744: 1979: 1373: 1065: 774: 377: 54: 5379: 5343:. Carbondale, Illinois: Southern Illinois University Press, 2006. 5054:. New York: Bonanza Books, 1983; First edition 1975, E.P. Dutton. 5006:. Chicago: University of Chicago Press, 1979; First edition 1973. 4574: 3848:

Dick Van Dyke finds his life reflects Stan Laurel's. Baltimore Sun

238:. They remained with Roach until 1940, and then appeared in eight 166: 6319:

The All New Adventures of Laurel & Hardy in For Love or Mummy

6276: 5861: 4789:

Film Clowns of the Depression: Twelve Defining Comic Performances

3738:"1956 Home movie: Laurel & Hardy together for the last time." 2516:. For their performances, Reilly and Coogan were nominated for a 2037:

The All New Adventures of Laurel & Hardy in For Love or Mummy

1655: 1213: 1020: 869: 766:(1929) when his character's wife smashes a record over his head. 743: 647: 552: 323: 253: 239: 5409: 2404:"Lamboo Jamboo" (లంబూ జంబూ) (Laurel and Hardy) (Fat and Skinny) 5957: 5326:

Laurel or Hardy: The Solo Films of Stan Laurel and Oliver Hardy

2092:

The official Laurel and Hardy appreciation society is known as

1830: 1813:

was released as a single in the UK and reached number 2 in the

1697: 1683:

made a handful of appearances, usually as a sourpuss adversary.

977: 330:, and Laurel made his stage debut in a Glasgow hall called the 5236:

Another Fine Dress: Role Play in the Films of Laurel and Hardy

2571: 410:(January 18, 1892 – August 7, 1957) was born Norvell Hardy in 4867:

World of Laughter: The Motion Picture Comedy Short, 1910–1930

5130:

The Laurel & Hardy Digest: A Cocktail of Love and Hisses

4914:. New York: New American Library, 1985; First edition 1970. 1677:

appeared several times, usually as a husky authority figure.

5069:. London: Robson Books, 2004; First edition 1989, Citadel. 4822:

The Art of Laurel and Hardy: Graceful Calamity in the Films

4522: 4218:

The Art of Laurel and Hardy: Graceful Calamity in the Films

2063: 1948: 1798: 1671:

played grizzled, unshaven, physically threatening villains.

1631:(1929) and two other films in the early part of her career. 1311: 857: 4731:

Durgnat, Raymond. "Beau Chumps and Church Bells" (essay).

4619:

Famous Lines: A Columbia Dictionary of Familiar Quotations

4212: 4210: 3827:

Dick Cavett article on meeting Stan Laurel. New York Times

2710:"Forgotten Laurel & Hardy film emerges on French DVD." 1892: 1743:, an English actor and gag writer, appeared several times. 5356:

Canned Goods as Caviar: American Film Comedy of the 1930s

5191:

Stan Without Ollie: The Stan Laurel Solo Films: 1917–1927

4733:

The Crazy Mirror: Hollywood Comedy and the American Image

3624:"A Guide to the lost films of Laurel and Hardy – Update." 2067: 1952: 1364: 815:

Laurel and Hardy appeared for the first time together in

5193:. Jefferson, North Carolina: McFarland & Co., 2012. 5178:. Jefferson, North Carolina: McFarland & Co., 1989. 4869:. Norman, Oklahoma: University of Oklahoma Press, 1966. 4824:. Jefferson, North Carolina: McFarland & Co., 2006. 4791:. Jefferson, North Carolina: McFarland & Co., 2007. 4312:"Laurel & Hardy – The Collection (21-disc Box Set)." 716:

Some variations on the phrase occurred. For example, in

503: 4806:. New York: Stein & Day, 1991; First edition 1980. 4207: 3993:"Call Change History: KFVD-KPOP-KGBS-KTNQ, Los Angeles" 3648: 3339: 3337: 5125:; first edition: Lanham, Maryland: Vestal Press, 1998. 3884: 3540:

The Making of Stan Laurel: Echoes of a British Boyhood

3179: 3177: 1725:

was featured as Oliver's diminutive but daunting wife.

1643:

was the only actress to appear as wife to both Laurel

898:

Although Roach employed writers and directors such as

5080:

McCaffrey, Donald W. "Duet of Incompetence" (essay).

5019:

Mr. Laurel & Mr. Hardy: An Affectionate Biography

4948:. Sanibel Island, Florida: Ralph Curtis Books, 1973. 4837:

Together Again!: Stories of the Great Hollywood Teams

4715:

Cullen, Frank, Florence Hackman and Donald McNeilly.

2548: 2066:

released in co-production with the German TV station

1543:

appeared as a scowling, menacing villain or opponent.

1262:

from 1927 has vanished completely. The first half of

632:"A lot of weather we've been having lately." (Hardy, 5298:. Littleton, Massachusetts: G.J. Enterprises, 1984. 4689:

The National Society of Film Critics on Movie Comedy

3334: 2349:

Croatia, Serbia, Bosnia, North Macedonia, Montenegro

1915:

was a large-scale salute to slapstick that director

946:, that eventually destroys his house and their car. 452:. For 10 years he memorably assisted star comic and 5448: 3913: 3174: 2396:"Moota Paatla" (Laurel and Hardy) (Fat and Skinny) 198:(1892–1957). Starting their career as a duo in the 5313:. London: Angus & Robertson Publishers, 1987. 996:remains one of the duo's most widely known films. 6117:Fra Diavolo / The Devil's Brother / Bogus Bandits 5176:The Boys: The Cinematic World of Laurel and Hardy 4946:The Laurel & Hardy Book (Curtis Films Series) 3786:, February 23, 2010. Retrieved: December 7, 2013. 2475:"L-Oħxon u l-Irqiq" ("The Fat and the Thin One") 1689:appeared as a bartender or exasperated policeman. 1006:(1931) was reshot in all four foreign languages. 646:, Laurel flicks his thumb upward as if working a 190:era of American cinema, consisting of Englishman 6351: 5163:. New York: Batsford, 2010; First edition 1995. 4603:, November 9, 1989. Retrieved: December 7, 2013. 4431:Salamon, Julie. "Sendak in All His Wild Glory." 3700: 3698: 3609: 3607: 3126:, December 5, 2013. Retrieved: December 8, 2013. 1753:who played authority figures, usually policemen. 399:Oliver Hardy without his trademark moustache in 5328:. Manchester, New Hampshire: Split Reel, 1996. 5149:Sarasota, Florida: Pineapple Press Inc., 1998. 4749:. New York: Citadel, 2000; First edition 1967. 3205:July 21, 2007, p. 15. Retrieved: July 25, 2010. 3067: 3065: 2938: 2936: 2908: 2906: 2747:, January 2, 2005. Retrieved: December 3, 2013. 1531:appeared in nearly a dozen early silent shorts. 1249:, judging a local California swimming contest. 1225:contributing visual gags, and hired old friend 326:to be closer to their business mainstay of the 5358:. Chicago: University of Chicago Press, 1985. 4677:. Hilversum, Netherlands: Blotto Press, 1997. 4301:, November 30, 2007. Retrieved: March 1, 2010. 4143: 3934: 3806:The Stan Laurel Correspondence Archive Project 3660:"Laurel & Hardy Behind The Mike, Take Two" 1414:'s offer of a cameo in his landmark 1963 film 1314:in Ireland. Laurel recounted their reception: 475: 202:era, they later successfully transitioned to " 59:Stan Laurel and Oliver Hardy, promotional shot 5434: 5281:Laurel and Hardy: The Magic Behind the Movies 5253:. New York: Jonathan David Publishers, 1982. 5132:. Ayrshire, Scotland: Willie McIntyre, 1998. 4621:. New York: Columbia University Press, 1997. 4448:"Laurel and Hardy cartoons by Hanna-Barbera." 4174:Patterson, Michael in Brewer, Mary F. (2009) 3695: 3604: 3544:McFarland, 2011. Retrieved: December 7, 2013. 3431: 3114:"Laurel and Hardy: It's still comedy genius." 3082:"Laurel & Hardy: The Hat Facts (Part 1)." 2945: 2483:"อ้วนผอมจอมยุ่ง" ("The Clumsy Fat and Thin") 2122:The Laurel and Hardy Collection, Vol. 1. 1217:. A French-Italian co-production directed by 284:, after a fictional fraternal society in the 5117:. Second edition: New York: iUniverse, 2009 5115:Laurel & Hardy: From the Forties Forward 4777:. Burnham Bucks, UK: Greenwood Press, 1990. 4585:The International Laurel & Hardy Society 4356:"Laurel and Hardy Museum of Harlem, Georgia" 3924:"Film notes: BRATS (1930) Hal Roach Studios" 3751:, May 13, 2011. Retrieved: December 7, 2013. 3727:, March 13, 2011. Retrieved: April 16, 2012. 3355: 3156: 3062: 2933: 2903: 2308:", "Stan en Ollie", "De Dikke en de Dunne" ( 1772:comedy star, made two memorable appearances. 1100:, and had begun releasing his films through 1030:was remade in both Spanish and Italian, and 1024:were remade in French and Spanish versions. 5221:The Great Funnies: A History of Film Comedy 5208:. Manchester, UK: Pocket Essentials, 2008. 4518:"Laurel & Hardy: Their Lives and Magic" 4063: 3533: 3531: 3529: 3047:"The Legacy of Mr. Laurel & Mr. Hardy." 3001:, Summer 1975. Retrieved: December 3, 2013. 2388:"जाड्या आणि रड्या" (Fatso and the Crybaby) 2376:"Hondros kai Lignos" (Χοντρός και Λιγνός) ( 5441: 5427: 4437:, April 15, 2005. Retrieved: May 28, 2008. 4231:"Laurel and Hardy: Two angels of our time" 3407:"Complete National Film Registry Listing." 2096:, after a fraternal society in their film 2074:. The film, titled in the original German 1637:made several appearances as a comic drunk. 1494: 53: 4703:Laurel and Hardy: Clown Princes of Comedy 3193:"What's the story with... Homer's D'oh!". 3108: 3106: 3104: 3102: 3100: 2695: 2693: 2072:Laurel & Hardy: Their Lives and Magic 1521:, the Hal Roach film star and brother of 280:Laurel and Hardy appreciation society is 4992:. Hitchen, Herts, UK: AJ Marriot, 2011. 4978:. Hitchen, Herts, UK: AJ Marriot, 1993. 4763:. New York: Museum of Modern Art, 1971. 3768: 3766: 3526: 2678:July 20, 2010. Retrieved: June 18, 2012. 1974:, Cumbria, England (Laurel's birthplace) 1957: 1824: 1322: 1122: 922: 868: 804: 507: 394: 366:for stage and film; they were living as 306: 5405:Official The Sons of the Desert website 5206:The Pocket Essential Laurel & Hardy 5050:, with Al Kilgore and Richard W. Bann. 4839:. New York: Doubleday & Co., 1981. 4687:Byron, Stuart and Elizabeth Weis, eds. 4146:"Arts: What a fine mess they got us in" 3041: 3039: 3037: 3035: 3033: 2981: 2081: 2053:Chicken Soup for the Soul Entertainment 1893:Posthumous revivals and popular culture 1820: 1749:was a tall, burly, physically imposing 440:. Between 1914 and 1916 Hardy made 177 14: 6352: 4899:. New York: St. Martin's Press, 2002. 4775:Laurel & Hardy: A Bio-Bibliography 4747:The Complete Films of Laurel and Hardy 4661:The Life and Times of Laurel and Hardy 4390:(German) Retrieved: December 30, 2014. 4346:, June 2004. Retrieved: March 1, 2010. 4304: 4269:from the original on November 17, 2018 4241:from the original on November 17, 2018 4195:from the original on November 26, 2011 4156:from the original on November 17, 2018 4125:from the original on November 17, 2018 4095:from the original on November 17, 2018 3654: 3097: 2730: 2728: 2690: 2264:also as "Cric e Croc" up to the 1970s 2120:, has been released on DVD as part of 785:) in the long-running animated comedy 757:me?", as Laurel stands helplessly by. 697:(1896). It was first used by Hardy in 6410:20th Century Studios contract players 5422: 5004:The Comic Mind: Comedy and the Movies 4976:Laurel & Hardy: The British Tours 4334:"Laurel & Hardy Museum: Ulverston 3869:"Laurel and Hardy Films: The People." 3763: 2003:Sgt. Pepper's Lonely Hearts Club Band 1970:outside the Coronation Hall Theatre, 1625:had a small role in the silent short 1553:films, played one of the students in 837:, and next appeared in the 1926 film 582:—or with a neighbor, often played by 504:Style of comedy and characterizations 6420:Metro-Goldwyn-Mayer contract players 4963:. New York: Crown Publishers, 1978. 4675:The Laurel & Hardy Stock Company 4635:. New York: Crown Publishers, 1975. 4378:"Laurel & Hardy Museum Solingen" 4144:Rampton, James (September 1, 1998). 3808:, 2013. Retrieved: December 7, 2013. 3094:, 2010. Retrieved: December 8, 2013. 3030: 2681: 992:for Best Live Action Short Subject. 887:Laurel said to the duo's biographer 6415:Hal Roach Studios short film series 5161:The Laurel & Hardy Encyclopedia 4884:. London: Faber & Faber, 2001. 4735:. New York: Dell Publishing, 1970. 4691:. New York: Grossman/Viking, 1977. 2735:"Cook voted 'comedians' comedian'." 2725: 2126: 1175:Romney, Hythe and Dymchurch Railway 24: 5341:A History of the Hal Roach Studios 4705:. New York: Columbus Books, 1987. 1829:Silhouette portrait of the duo in 1369:Laurel and Hardy's Fabulous Fables 927:Laurel and Hardy in the 1939 film 522:The humor of Laurel and Hardy was 460:, and appeared in the comedies of 426:, who would rub Hardy's face with 25: 6441: 6425:20th-century American male actors 5371: 5311:Slapstick!: The Illustrated Story 5268:. New York: HarperCollins, 1970. 5189:Okuda, Ted and James L. Neibaur. 5146:Dreamers, Schemers and Scalawags. 4530:from the original on June 2, 2019 3965: 2118:Revenge of the Sons of the Desert 1549:, well before becoming a star in 342:as a supporting actor, and as an 36:Laurel and Hardy (disambiguation) 6430:20th-century English male actors 6400:American male silent film actors 5251:The Laurel & Hardy Scrapbook 4990:Laurel and Hardy: The U.S. Tours 4590: 4575:"Welcome to Sons Of The Desert." 4567: 4542: 4510: 4493:"Bollywood comedy comes of age." 4485: 4463: 4440: 4425: 4416: 4393: 4371: 4349: 4327: 4281: 4253: 4223: 4189:"Laurel Letters Sold At Auction" 4181: 4168: 4137: 4107: 4077: 4054: 4028: 4019: 4010: 3985: 3959: 3919: 2621: 2582: 2570: 2558: 2527: 2301:The Netherlands, Flemish Belgium 1907:Laurel and Hardy's Laughing '20s 1045: 954:as a national treasure in 1992. 291: 6405:English male silent film actors 5223:. New York: E.P. Dutton, 1969. 5084:. New York: A.S. Barnes, 1973. 5034:The Comedy World of Stan Laurel 4176:Harold Pinter's The Dumb Waiter 3892:"The Music of Laurel and Hardy" 3862: 3853: 3832: 3811: 3789: 3754: 3730: 3707: 3686: 3677: 3639: 3616: 3595: 3586: 3577: 3568: 3556: 3547: 3517: 3508: 3499: 3476: 3467: 3458: 3449: 3440: 3422: 3400: 3391: 3382: 3373: 3364: 3346: 3325: 3316: 3307: 3298: 3289: 3280: 3271: 3262: 3253: 3244: 3235: 3226: 3217: 3208: 3186: 3165: 3147: 3138: 3129: 3074: 3004: 2972: 2963: 2954: 2924: 2915: 2894: 2885: 2876: 2867: 2858: 2849: 2840: 2831: 2822: 2813: 2804: 2795: 2786: 2777: 2720:The Laurel & Hardy Magazine 2651:Britannica Online Encyclopedia. 1417:It's a Mad, Mad, Mad, Mad World 950:was added to the United States 676: 596:(1929), which was added to the 384: 5067:Babe: The Life of Oliver Hardy 4587:. Retrieved: December 7, 2013. 4085:"Samuel Beckett's funny turns" 3850:. Retrieved: October 16, 2019. 3829:. Retrieved: January 29, 2019. 3692:MacGillivray 2009, p. 247-248. 3683:MacGillivray 2009, p. 132-133. 3484:"Laurel & Hardy Overseas." 3059:. Retrieved: December 8, 2013. 2768: 2759: 2750: 2702: 2664:"Top 10 across-the-pond duos." 2656: 2641: 2342:The Fat One and the Skinny One 2250:The Fat One and the Skinny One 2202:The Fat One and the Skinny One 1301: 957: 296: 13: 1: 5099:. London: Bison Group, 1992. 4804:Stan: The Life of Stan Laurel 4663:. New York: Smithmark, 1992. 4368:Retrieved: December 30, 2014. 4299:chuckmccann.net: Chuck McCann 4289:"Laurel & Hardy Tribute." 4262:Slapstick or Lonesome No More 3796:"Letters from Stan.com 1961." 3634:The Laurel and Hardy Magazine 2609: 1797:as the on-the-hour chime for 5846:The Laurel-Hardy Murder Case 4366:www.laurelandhardymuseum.com 3664:Leonard Maltin's Movie Crazy 3636:. Retrieved: April 20, 2011. 3027:, issue 6, Spring 1970, p. 4 2534:Laurel and Hardy filmography 1809:, was released in 1975. The 1491:in Los Angeles, California. 801:Laurel and Hardy filmography 700:The Laurel-Hardy Murder Case 480: 18:Stan Laurel and Oliver Hardy 7: 5651:Should Married Men Go Home? 4498:September 23, 2013, at the 4460:. Retrieved: March 1, 2010. 4388:www.laurel-hardy-museum.com 3052:September 16, 2013, at the 2921:Cullen et al. 2007, p. 661. 2595: 2494:A biographical film titled 1489:Forest Lawn-Hollywood Hills 1401:'s silent-film compilation 1345:on his live NBC-TV program 769:Mustachioed Scottish actor 476:History as Laurel and Hardy 270:on his live NBC-TV program 27:British-American comedy duo 10: 6446: 4413:Retrieved: April 20, 2011. 4406:February 21, 2010, at the 4383:December 17, 2014, at the 4324:Retrieved: April 20, 2011. 3801:December 11, 2013, at the 3779:December 11, 2013, at the 3743:December 12, 2013, at the 3629:December 17, 2010, at the 3601:MacGillivray 2009, p. 126. 3592:MacGillivray 2009, p. 190. 3496:Retrieved: April 20, 2011. 3419:Retrieved: March 22, 2020. 3370:Skretvedt 1987, pp. 59–61. 2989:"The comedian's comedian." 2969:Louvish 2001, pp. 107–108. 2241:Spanish-speaking countries 2085: 2070:the 90-minute documentary 1807:Trail of the Lonesome Pine 1786: 1327:Laurel and Hardy on NBC's 798: 563:jacket was loose-fitting. 388: 300: 29: 6390:American male film actors 6287: 6092: 5749: 5595:The Battle of the Century 5499:45 Minutes from Hollywood 5482: 5475: 5457: 5412:Laurel and Hardy Magazine 5238:. London: Cassell, 1995. 4961:The Great Movie Comedians 4721:London: Routledge, 2007. 4631:Anobile, Richard J., ed. 4580:December 5, 2013, at the 4339:October 20, 2007, at the 4294:January 23, 2009, at the 3997:Radio Heritage Foundation 3881:Retrieved: April 3, 2011. 3843:October 17, 2019, at the 3822:January 22, 2019, at the 3725:The Sydney Morning Herald 3720:January 10, 2012, at the 3023:. April 22, quoting from 2715:October 20, 2013, at the 2653:Retrieved: June 12, 2011. 2489: 2324:" (Roughly translates to 2031:The New Scooby-Doo Movies 2026:Hanna-Barbera Productions 1431:I'm Dickens, He's Fenster 1387:Grand Order of Water Rats 1270:The Battle of the Century 863:The Battle of the Century 840:45 Minutes From Hollywood 566:A popular routine was a " 194:(1890–1965) and American 161: 147: 136: 92: 82: 74: 64: 52: 45: 6395:English male film actors 6305:Oliver Hardy filmography 5563:The Second Hundred Years 4191:. Laurel-and-hardy.com. 3896:Laurel and Hardy Central 3879:laurelandhardyfilms.com, 3874:October 3, 2011, at the 3583:MacGillivray 2009, p. 9. 3574:MacGillivray 2009, p. 6. 3553:MacGillivray 2009, p. 3. 3015:October 4, 2018, at the 2994:January 2, 2014, at the 2740:August 23, 2008, at the 2669:August 21, 2013, at the 2539:Oliver Hardy filmography 2413:Ohukainen ja Paksukainen 2310:The Fat and the Skinny 1782: 1404:The Golden Age of Comedy 1306:Following the making of 1281: 1198:got him a small part in 1184:hired him to co-star in 1127:Laurel and Hardy in 1938 794: 182:were a British-American 6380:American male comedians 6300:Stan Laurel filmography 5587:Putting Pants on Philip 4927:Selected Short Subjects 4802:Guiles, Fred Lawrence. 4401:"In the Night Kitchen." 4344:akedistrictletsgo.co.uk 3464:Skretvedt 1987, p. 230. 3087:March 21, 2014, at the 2828:McCabe 1987, pp. 42–43. 2544:Stan Laurel filmography 2008:The Comedian's Comedian 1951:system to the European 1495:Supporting cast members 1367:specials, to be called 1187:The Fighting Kentuckian 1139:for the comedy feature 853:Putting Pants on Philip 235:Putting Pants on Philip 93:Notable works and roles 6385:English male comedians 6339:The Sons of the Desert 5758:Unaccustomed As We Are 5531:Why Girls Love Sailors 4931:The Great Movie Shorts 4761:The Films of Hal Roach 4475:July 26, 2018, at the 4361:June 16, 2019, at the 4317:April 9, 2007, at the 3514:Mitchell 2010, p. 268. 3489:September 6, 2012, at 3446:Mitchell 2010, p. 305. 3412:March 3, 2020, at the 3379:Skretvedt 1987, p. 61. 3352:Skretvedt 1987, p. 50. 3331:Skretvedt 1987, p. 54. 3322:Mitchell 2010, p. 188. 3286:Mitchell 2010, p. 229. 3232:Mitchell 2010, p. 180. 3214:Mitchell 2010, p. 181. 3119:June 23, 2015, at the 2846:Mitchell 2010, p. 158. 2837:Mitchell 2010, p. 169. 2801:Mitchell 2010, p. 159. 2783:Mitchell 2010, p. 200. 2465:The Fat and the Skinny 2453:The Fat and the Skinny 2441:The Fat and the Skinny 2417:Thin one and Thick one 2234:The Whole and the Half 2218:The Whole and the Half 2094:The Sons of the Desert 2088:The Sons of the Desert 2058:The Indian comedy duo 1975: 1834: 1789:Laurel and Hardy music 1395:Valhalla Memorial Park 1363:for a series of color 1334: 1321: 1128: 973:Unaccustomed As We Are 952:National Film Registry 933: 884: 873:Laurel and Hardy with 822: 763:Unaccustomed As We Are 598:National Film Registry 519: 416:Milledgeville, Georgia 404: 312: 282:The Sons of the Desert 34:. For other uses, see 6375:Silent film comedians 6221:A-Haunting We Will Go 6109:Pack Up Your Troubles 5339:Ward, Richard Lewis. 5174:Nollen, Scott Allen. 4573:MacGillivray, Scott. 4453:May 30, 2007, at the 4411:commonsensemedia.org. 4025:Louvish 2002, p. 268. 4016:Louvish 2001, p. 267. 3523:Mitchell 2010, p. 27. 3455:Louvish 2002, p. 252. 3397:Mitchell 2010, p. 38. 3388:Mitchell 2010, p. 39. 3343:Mitchell 2010, p. 28. 3241:Gehring 1990, p. 273. 3198:May 15, 2010, at the 3171:Andrews 1997, p. 389. 2891:Louvish 2002, p. 117. 2873:Louvish 2002, p. 182. 2864:Louvish 2002, p. 170. 2855:Louvish 2002, p. 113. 1990:1970 children's book 1961: 1828: 1326: 1316: 1126: 926: 872: 814: 511: 424:Jacksonville, Florida 398: 310: 286:film of the same name 6313:(animated TV series) 6295:Combined filmography 5579:Do Detectives Think? 5539:With Love and Hisses 5266:In the Night Kitchen 4929:(First published as 4759:Everson, William K. 4745:Everson, William K. 4216:Harness, Kyp (2006) 3715:"History's harbour." 3704:McCabe 1975, p. 398. 3613:McGarry 1992, p. 73. 3505:McCabe 1987, p. 162. 3437:McCabe 1987, p. 153. 3417:Library of Congress. 3313:McCabe 1987, p. 120. 3304:McCabe 1987, p. 118. 3295:McCabe 1987, p. 117. 3277:Gehring 1990, p. 263 3268:Gehring 1990, p. 62. 3259:McCabe 1987, p. 100. 3203:The Herald, Glasgow, 3183:Gehring 1990, p. 42. 3153:McCabe 1987, p. 124. 3144:McCabe 1987, p. 123. 3092:laurel-and-hardy.com 3057:laurel-and-hardy.com 2951:Everson 2000, p. 22. 2900:Louvish 2001, p. 37. 2882:McCabe 1987, p. 249. 2810:Louvish 2001, p. 18. 2792:Louvish 2002, p. 25. 2774:Louvish 2002, p. 22. 2765:Louvish 2002, p. 14. 2756:Louvish 2002, p. 11. 2699:McGarry 1992, p. 67. 2524:award respectively. 2437:ha-Shamen ve ha-Raze 2154:i Holli dhe i Trashi 2082:Appreciation society 1993:In the Night Kitchen 1841:of the famed duo of 1821:Influence and legacy 541:toothbrush moustache 512:Laurel and Hardy in 332:Britannia Panopticon 311:Stan Laurel, c. 1930 6261:Nothing But Trouble 6245:The Dancing Masters 5998:The Midnight Patrol 5966:Their First Mistake 5643:Their Purple Moment 5635:You're Darn Tootin' 5619:The Finishing Touch 5324:Stone, Rob, et al. 5234:Sanders, Jonathan. 5111:MacGillivray, Scott 4237:. January 4, 2019. 4042:. November 22, 1975 3859:Smith 1984, p. 187. 3774:"Stan Laurel dies." 3760:Smith 1984, p. 191. 3736:Rascher, Matthias. 3658:(August 27, 2018). 3645:Haines 1993, p. 13. 3473:McCabe 2004, p. 73. 3428:Sagert 2010, p. 40. 3361:McCabe 1987, p. 54. 3250:McCabe 1987, p. 98. 3162:Gehring 1990, p. 5. 3135:McCabe 1975, p. 18. 2978:McCabe 1989, p. 32. 2960:McCabe 1989, p. 30. 2942:McCabe 1989, p. 19. 2930:McIver 1998, p. 36. 2912:Bergen 1992, p. 26. 2819:McCabe 1987, p. 26. 2722:. December 3, 2013. 2648:"Laurel and Hardy." 2246:El Gordo y el Flaco 1843:Abbott and Costello 1098:Metro-Goldwyn-Mayer 917:'Can You Top This?' 248:Metro-Goldwyn-Mayer 188:Classical Hollywood 6125:Sons of the Desert 6081:(1936 promotional) 6070:Thicker than Water 5870:Chickens Come Home 5603:Leave 'Em Laughing 5279:Skretvedt, Randy. 5143:McIver, Stuart B. 5128:McIntyre, Willie. 5097:Laurel & Hardy 5052:Laurel & Hardy 4912:Movie Comedy Teams 4491:Pednekar, Aparna. 4434:The New York Times 4422:Lanes 1980, p. 47. 4119:Bearmanormedia.com 4060:McCabe 1983, p. 8. 4040:Officialcharts.com 4036:"LAUREL AND HARDY" 3966:Heath, Dave Lord. 3942:"Laurel and Hardy" 3928:Patrick J. Picking 3045:Bann, Richard W.. 3025:The Silent Picture 3021:Research into Film 2687:Smith 1984, p. 24. 2352:"Stanlio i Olio" ( 2338:O Bucha e o Estica 1976: 1835: 1776:Ellinor Vanderveer 1385:program about the 1379:This Is Music Hall 1335: 1333:, December 1, 1954 1129: 1056:Sons of the Desert 1039:Chickens Come Home 936:Their 1929 silent 934: 885: 823: 726:Thicker than Water 719:Chickens Come Home 520: 446:Vim Comedy Company 405: 313: 143:, Cumbria, England 118:Sons of the Desert 6347: 6346: 6197:A Chump at Oxford 6189:The Flying Deuces 6149:The Bohemian Girl 6088: 6087: 6022:Oliver the Eighth 5854:Another Fine Mess 5627:From Soup to Nuts 5523:Love 'em and Weep 5364:978-0-226-87664-1 5349:978-0-8093-2637-2 5319:978-0-207-15030-2 5309:Staveacre, Tony. 5289:978-0-94041-077-0 5264:Sendak, Maurice. 5259:978-0-8246-0278-9 5249:Scagnetti, Jack. 5244:978-0-304-33196-3 5229:978-0-289-79643-6 5219:Robinson, David. 5214:978-1-84243-285-3 5199:978-0-7864-4781-7 5184:978-0-7864-1115-3 5169:978-1-905287-71-0 5159:Mitchell, Glenn. 5155:978-1-56164-155-0 5138:978-0-9532958-0-7 5090:978-0-498-01048-4 5060:978-0-491-01745-9 5012:978-0-226-50978-5 4998:978-0-9521308-2-6 4969:978-0-517-53241-6 4959:Maltin, Leonard. 4944:Maltin, Leonard. 4939:978-0-452-25694-1 4925:Maltin, Leonard, 4920:978-0-452-25694-1 4910:Maltin, Leonard. 4875:978-0-8061-0693-9 4865:Lahue, Kalton C. 4860:978-0-306-80387-1 4852:The Silent Clowns 4845:978-0-385-17471-8 4812:978-0-8128-8528-6 4797:978-0-7864-2892-2 4769:978-0-87070-559-5 4741:978-0-385-28184-3 4727:978-0-415-93853-2 4711:978-0-86287-344-8 4701:Crowther, Bruce. 4697:978-0-670-49186-5 4617:Andrews, Robert. 4601:Los Angeles Times 4265:. Penguin.co.uk. 4220:, McFarland, p. 5 4178:, Rodolpi, p. 249 3972:Another Nice Mess 3946:classicthemes.com 3537:Lawrence, Danny. 3494:patfullerton.com. 3080:St. Mark, Tyler. 2487: 2486: 2427:"Steini og Olli" 2326:Wacky and Pompous 2198:O Gordo e o Magro 1932:Hal Roach Studios 1681:Charles Middleton 1556:A Chump at Oxford 1487:and is buried at 1348:This Is Your Life 1330:This Is Your Life 1265:Now I'll Tell One 1192:Republic Pictures 1152:A Chump at Oxford 1142:The Flying Deuces 930:The Flying Deuces 835:Hal Roach Studios 812: 710:Another Fine Mess 626:Oliver the Eighth 497:panchromatic film 444:as Babe with the 401:Yes, Yes, Nanette 328:Metropole Theatre 273:This Is Your Life 186:during the early 177: 176: 169:.laurel-and-hardy 114:Another Fine Mess 88:Slapstick, comedy 16:(Redirected from 6437: 6360:Laurel and Hardy 6327:Stan & Ollie 6311:Laurel and Hardy 6277:Atoll K / Utopia 6269:The Bullfighters 6229:Air Raid Wardens 6133:Babes in Toyland 6062:The Fixer Uppers 5611:Flying Elephants 5555:Sailors, Beware! 5480: 5479: 5451:Laurel and Hardy 5443: 5436: 5429: 5420: 5419: 5383: 5382: 5380:Official website 5354:Weales, Gerald. 5095:McGarry, Annie. 4895:Louvish, Simon. 4880:Louvish, Simon. 4787:Gehring, Wes D. 4773:Gehring, Wes D. 4659:Bergen, Ronald. 4647:Laurel and Hardy 4604: 4594: 4588: 4571: 4565: 4564: 4562: 4560: 4554:laurel-and-hardy 4546: 4540: 4539: 4537: 4535: 4514: 4508: 4489: 4483: 4467: 4461: 4444: 4438: 4429: 4423: 4420: 4414: 4397: 4391: 4375: 4369: 4353: 4347: 4331: 4325: 4308: 4302: 4285: 4279: 4278: 4276: 4274: 4257: 4251: 4250: 4248: 4246: 4227: 4221: 4214: 4205: 4204: 4202: 4200: 4185: 4179: 4172: 4166: 4165: 4163: 4161: 4141: 4135: 4134: 4132: 4130: 4111: 4105: 4104: 4102: 4100: 4081: 4075: 4074: 4067: 4061: 4058: 4052: 4051: 4049: 4047: 4032: 4026: 4023: 4017: 4014: 4008: 4007: 4005: 4003: 3989: 3983: 3982: 3980: 3978: 3963: 3957: 3956: 3954: 3952: 3938: 3932: 3931: 3921:Bann, Richard W. 3917: 3911: 3910: 3904: 3902: 3888: 3882: 3866: 3860: 3857: 3851: 3836: 3830: 3815: 3809: 3793: 3787: 3770: 3761: 3758: 3752: 3734: 3728: 3713:Baker, Glenn A. 3711: 3705: 3702: 3693: 3690: 3684: 3681: 3675: 3674: 3672: 3670: 3652: 3646: 3643: 3637: 3622:Dorman, Trevor. 3620: 3614: 3611: 3602: 3599: 3593: 3590: 3584: 3581: 3575: 3572: 3566: 3560: 3554: 3551: 3545: 3535: 3524: 3521: 3515: 3512: 3506: 3503: 3497: 3482:Fullerton, Pat. 3480: 3474: 3471: 3465: 3462: 3456: 3453: 3447: 3444: 3438: 3435: 3429: 3426: 3420: 3404: 3398: 3395: 3389: 3386: 3380: 3377: 3371: 3368: 3362: 3359: 3353: 3350: 3344: 3341: 3332: 3329: 3323: 3320: 3314: 3311: 3305: 3302: 3296: 3293: 3287: 3284: 3278: 3275: 3269: 3266: 3260: 3257: 3251: 3248: 3242: 3239: 3233: 3230: 3224: 3223:Barr 1967, p. 9. 3221: 3215: 3212: 3206: 3190: 3184: 3181: 3172: 3169: 3163: 3160: 3154: 3151: 3145: 3142: 3136: 3133: 3127: 3112:Chilton, Martin. 3110: 3095: 3078: 3072: 3069: 3060: 3043: 3028: 3008: 3002: 2999:Liberty Magazine 2985: 2979: 2976: 2970: 2967: 2961: 2958: 2952: 2949: 2943: 2940: 2931: 2928: 2922: 2919: 2913: 2910: 2901: 2898: 2892: 2889: 2883: 2880: 2874: 2871: 2865: 2862: 2856: 2853: 2847: 2844: 2838: 2835: 2829: 2826: 2820: 2817: 2811: 2808: 2802: 2799: 2793: 2790: 2784: 2781: 2775: 2772: 2766: 2763: 2757: 2754: 2748: 2732: 2723: 2706: 2700: 2697: 2688: 2685: 2679: 2660: 2654: 2645: 2628: 2625: 2587: 2586: 2585: 2575: 2574: 2563: 2562: 2561: 2554: 2497:Stan & Ollie 2359: 2262:Stanlio e Ollio" 2214:Helan och Halvan 2134: 2133: 2127:Around the world 2098:of the same name 2020:Laurel and Hardy 1815:UK singles chart 1734:Flying Elephants 1659:, respectively). 1426:Leonard B. Stern 1288:Driver’s License 1166:20th Century-Fox 1074:Babes in Toyland 813: 783:Dan Castellaneta 732:The Fixer Uppers 664:Sailors, Beware! 244:20th Century Fox 212:T. Marvin Hatley 180:Laurel and Hardy 173: 170: 168: 102:Babes in Toyland 70:American (Hardy) 68:British (Laurel) 57: 48: 47:Laurel and Hardy 43: 42: 32:Stan & Ollie 21: 6445: 6444: 6440: 6439: 6438: 6436: 6435: 6434: 6350: 6349: 6348: 6343: 6283: 6141:Bonnie Scotland 6084: 6078:Galaxy of Stars 6038:Them Thar Hills 5974:Towed in a Hole 5950:County Hospital 5745: 5471: 5453: 5449:Filmography of 5447: 5378: 5377: 5374: 5369: 5204:Robb, Brian J. 4988:Marriot, A. J. 4974:Marriot, A. J. 4835:Kanin, Garson. 4673:Brooks, Leo M. 4645:Barr, Charles. 4608: 4607: 4595: 4591: 4582:Wayback Machine 4572: 4568: 4558: 4556: 4548: 4547: 4543: 4533: 4531: 4516: 4515: 4511: 4507:, July 8, 2014. 4504:Hindustan Times 4500:Wayback Machine 4490: 4486: 4477:Wayback Machine 4468: 4464: 4458:toontracker.com 4455:Wayback Machine 4445: 4441: 4430: 4426: 4421: 4417: 4408:Wayback Machine 4398: 4394: 4385:Wayback Machine 4376: 4372: 4363:Wayback Machine 4354: 4350: 4341:Wayback Machine 4332: 4328: 4319:Wayback Machine 4309: 4305: 4296:Wayback Machine 4287:McCann, Chuck. 4286: 4282: 4272: 4270: 4259: 4258: 4254: 4244: 4242: 4235:The Independent 4229: 4228: 4224: 4215: 4208: 4198: 4196: 4187: 4186: 4182: 4173: 4169: 4159: 4157: 4150:The Independent 4142: 4138: 4128: 4126: 4113: 4112: 4108: 4098: 4096: 4083: 4082: 4078: 4073:. 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