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Putting Pants on Philip

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31: 229: 359:"One of their most unusual, and certainly one of their best with some brilliant pantomime from Laurel, some marvellous sight gags, and a methodical construction that builds steadily, it's a delight throughout. We're deliberately saying nothing about plot since, if you haven't seen it, the sheer shock value of some of it will pay off better through knowing nothing in advance." — 287:
Blvd at the corner of Irving Place and the pair work their way westbound, passing the historic Meralta Theater at 9632 Culver Blvd before ending at the corner of Culver Blvd and Lafayette Place. This entire block was demolished in the 1980s and the Culver City Fire Department and Meralta Office Plaza occupies the site today.
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The east side of the 9600 block of Culver Blvd is featured in a sequence where Mr. Mumblethunder (Hardy) is walking down the street, but wants Philip (Laurel) to stay behind him so that the townspeople don't realize Mumblethunder is associated with Philip. The sequence starts in front of 9608 Culver
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Unwilling to give up his pursuit of a young woman he encountered earlier, Philip leaves the tailor's shop. In an attempt to impress her, he removes his kilt to cover a mud puddle, only to be met with rejection when the woman effortlessly bypasses it. The situation further deteriorates when Piedmont,
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Piedmont Mumblethunder eagerly anticipates the arrival of his Scottish nephew, Philip, at a pier. Unfamiliar with Philip's appearance but armed with the knowledge that he becomes overwhelmed in the presence of women, Piedmont anxiously awaits his arrival. To his surprise, the misbehaving kilted man
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However, Piedmont soon discovers that Philip is far from shy and, in fact, exhibits an unabashed fondness for women. His behavior leads to several embarrassing encounters, including inadvertently causing two women to faint by exposing himself while walking over a ventilator grate. Frustrated by
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Although this was their first "official" film as a team, the iconic Stan and Ollie characters and costumes had yet to become a permanent fixture. Their first appearance as the now familiar "Stan and Ollie" characters was in
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during a ship examination turns out to be Philip. Initially taken aback by Philip's effeminate appearance, Piedmont attempts to engage him in conversation and guides him through the town.
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described the film as "one of the real gems of comedy from the late 1920s, and perhaps the most individual of all the Laurel and Hardy comedies, though not necessarily the funniest."
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stepping on the discarded kilt, tumbles into a muddy pit. The film ends on a close-up of Oliver Hardy's face showing "a soon to be classic look of chagrin."
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Philip's conduct, Piedmont decides to intervene and takes him to a tailor to procure trousers, which Philip vehemently opposes.
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The idea for the film was Stan Laurel's and was based on a story recounted by a friend while Laurel worked in
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The All New Adventures of Laurel & Hardy in For Love or Mummy
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Now, Chris Bungo Studios Filming Locations Then and.
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Now, Chris Bungo Studios Filming Locations Then and.
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Now, Chris Bungo Studios Filming Locations Then and.
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Now, Chris Bungo Studios Filming Locations Then and.
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Index


Clyde Bruckman
H.M. Walker
Hal Roach
Stan Laurel
Oliver Hardy
Charles A. Bachman
Ed Brandenburg
Harvey Clark
Dorothy Coburn
Sam Lufkin
George Stevens
Richard C. Currier
Metro-Goldwyn-Mayer
Silent film
silent
short film
comedy duo
Laurel and Hardy
The Second Hundred Years
Fred Guiol
Leo McCarey
Culver Hotel
music hall
Stan Laurel
Oliver Hardy
Charles A. Bachman
Harvey Clark
Dorothy Coburn
Sam Lufkin

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