102:—growls through the scarce laid breezes. Action! Action! Once more, Action! And money is fetched out, to pay the best of lawyers, to get documents produced, to enter caveats.—O ye foolish people, have ye lost your hiking for your gold? I know somebody who for five francs will make you five waltzes, each of them better than that misery of the wealthy master's!" At the time when Wagner wrote this, he was still in his late twenties and he had not yet had much success with the acceptance of his own music in the French capital.
2007:
17:
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under Marcus Creed and
Christoph Spering, both with accomplished, less hefty solo ensembles and correspondingly smaller orchestral and choral forces. None is without its points of interest, but as overall satisfying encounters with this wonderfully entertaining work, I’ll take the lightweights, first choice being Spering’s (on the Opus 111 label) for its verve and clarity, and for contralto
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Tadolini, before the end of 1841. The brothers LĂ©on and Marie
Escudier, who had purchased the performing rights of Rossini's final version of the score from Troupenas for 8,000 francs, sold them to the director of the Théâtre-Italien for 20,000 francs, who began making preparations for its first performance.
1013:
Osborne, Richard (1989): "Extant recordings have yet to reach double figures and of those only three—the
Giulini/DG, the Muti/EMI, and the deleted 1955 DG recording conducted by Ferenc Fricsay—have any real merit. ... is strongly cast and has the advantage of some dedicated choral contributions from
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carried the pseudonymous essay, penned by Wagner under the name of "H. Valentino", in which he claimed to find
Rossini's popularity incomprehensible: "It is extraordinary! So long as this man lives, he'll always be the mode." Wagner concluded his polemic with the following observation: "That dreadful
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Dubins, Jerry (2010): "As archival material that documents the accomplishment of one of the great conductors of the 20th century, not to mention the artistry of some of its finest singers, this release will be indispensable to
Fricsay collectors. ...sounds a bit constricted, recessed, and muffled in
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Kasow, Joel, (2001), fanfairarchive.com: "This is a literal reading: The tempos are quite jaunty, with blaring brass instruments more appropriate to the Dies Irae from Verdi's
Requiem.... None of the singers is particularly distinctive.... My recommendation remains the Chung recording on DG, though
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Osborne, Richard (1989): "Scimone's conducting ... isn't perfunctory but it is uneven, often distractingly quick, and frequently guilty of a degree of rhythmic regimentation that leaves the soloists unable to breathe or phrase at all adequately. ... understands
Rossini's neo-classical heroic style
75:
When Varela died, his heirs sold the work for 2,000 francs to a
Parisian music publisher, Antoine Aulagnier, who printed it. Rossini protested, claiming that he had reserved publication rights for himself, and disowned Aulagnier's version, since it included the music by Tadolini. Although surprised
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Glass, Herbert (2004): "The present production emerges several sizes too large in terms of orchestral and choral weight. ... The numerous CD versions of the Stabat Mater include large-scale affairs such as the present one and those under Kertész, Giulini, Muti, and Chung, and the period editions
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on 31 October 1841, at which only the six pieces by
Rossini were performed. In fact, Rossini had already sold the publication rights for 6,000 francs to another Paris publisher, Eugène Troupenas. Lawsuits ensued, and Troupenas emerged the victor. Rossini finished the work, replacing the music by
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Osborne, Richard, (1999): "The conducting is bold and warm-hearted, the soloists accomplished, the recording generous. ... Morandi draws expressive singing from the
Hungarian State Opera Chorus in slower, quieter music; elsewhere, the singing is no match for the choral work on rival full-price
175:
in an essay on Rossini, criticised the work as "too worldly, sensuous, too playful for the religious subject." In response the French music historian Gustave Chouquet has remarked that "it must not be forgotten that religion in the South is a very different thing from what it is in the North."
166:
The enthusiasm is impossible to describe. Even at the final rehearsal, which Rossini attended, in the middle of the day, he was accompanied to his home to the shouting of more than 500 persons. The same thing the first night, under his window, since he did not appear in the
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section "Cuius animam", with its rollicking and memorable tune, is often performed apart from the work's other movements as a demonstration of the singer's bravura technique. The first theme in "Cujus animam" was also quoted note-for-note in the 1941
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using 'original' instruments, but if the performance is to be so literal and unimaginative, then the result is pointless. ...search out the rival recording on DG by Chung, who shows us what a conductor ... can make of this deceptively simple music."
134:
Rossini's name was shouted out amid the applause. The entire work transported the audience; the triumph was complete. Three numbers had to be repeated...and the audience left the theater moved and seized by an admiration that quickly won all
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the loudest passages. ...there are quite a few later available in far better sound and in performances at least equal to if not superior to this one—Kertész with Lorengar, Minton, Pavarotti, Sotin, and the LSO comes to mind..."
71:
to compose six additional movements. Rossini presented the completed work to Varela as his own. It was premiered on Holy Saturday of 1833 in the Chapel of San Felipe el Real in Madrid, but this version was never again performed.
355:
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Rossini's extensive operatic career had divided the public into admirers and critics. The announcement of the premiere of Rossini's Stabat Mater provided an occasion for a wide-ranging attack by
88:, who was in Paris at the time, not only on Rossini but more generally on the current European fashion for religious music and the money to be made from it. A week before the scheduled concert
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sequence for chorus and soloists. It was composed late in his career after retiring from the composition of opera. He began the work in 1831 but did not complete it until 1841.
1935:
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in 1832, but ill health made it impossible for him to complete the commission. Having written only half the score (nos. 1 and 5–9), he asked his friend
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Osborne, Richard (2000), "Rossini's Stabat mater with opera-house forces — a risky venture or a piece of inspired casting?" p. 99, on gramophone.com
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59:. In the course of the trip, Fernández Varela, a state councillor, commissioned a setting of the traditional liturgical text, the
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Rossini divided the poem's twenty 3-line verses into ten movements and used various combinations of forces for each movement:
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Despite the fact that the work is markedly different from his secular compositions, Northern German critics, as reported by
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acquaintance with the Fricsay recording (also DG) has its rewards despite the choppy phrasing of the singers."
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Arthur Oldham's LSO Chorus. But none of this is to much avail when the conducting itself is so perfunctory."
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Audite 95587 (mono, live recording from Berlin Konzertsaal der Hochschule, 22 September 1954)
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The Stabat Mater was performed complete for the first time in Paris at the Théâtre-Italien's
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In 1831 Rossini was traveling in Spain in the company of his friend the Spanish banker
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The New Grove Masters of Italian Opera: Rossini, Donizetti, Bellini, Verdi, Puccini
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and thus outmanoeuvres Pavarotti (Decca) in the 'Cuius animam'" on gramophone.com
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by this, Aulangier went ahead and arranged for a public performance at the
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Soloists: Patrizia Pace, Gloria Scalchi, Antonio Siragusa, Carlo Colombara
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921:(R. Wagner), "Rossini's Stabat Mater," translated by William Ashton Ellis
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1991:
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Re-issued 2011 as part of a 7-CD box "Stabat Mater", DGG 00289 4805010.
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In sempiterna saecula. Amen (not part of the standard text) – Chorus
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Greenwald, Helen M. (2010). "Gioachino Rossini. 'Stabat Mater'".
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Quando corpus morietur (verse 20) – Chorus and all four soloists
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Stabat Mater dolorosa (verse 1) – Chorus and all four soloists
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1110:. Gramophone Guide 2008: rated 1 of 4 (Strongly recommended)
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Orchestra dell'Accademia Santa Cecilia, orchestra and chorus
209:
850:
Boston Symphony Orchestra Program Notes for March 18, 2010
130:(baritone) as the soloists. The Escudiers reported that:
63:. Rossini managed to complete part of the setting of the
1412:
L'occasione fa il ladro, ossia Il cambio della valigia
253:
Quis est homo (verses 5–6) – Soprano and mezzo-soprano
2021:
259:
Eja, Mater (verses 9–10) – Bass recitative and chorus
1663:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1499:
Il barbiere di Siviglia, ossia L'inutile precauzione
1131:
versions under conductors such as Hickox and Creed."
184:
The Stabat Mater is scored for four vocal soloists (
1936:
Conservatorio Statale di Musica "Gioachino Rossini"
898:. "Rossini, Gioacchino Antonio" in Maitland (1908)
162:(tenor). Donizetti reported the public's reaction:
1624:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
938:
2045:
1420:Il signor Bruschino, ossia Il figlio per azzardo
1388:Ciro in Babilonia, ossia La caduta di Baldassare
1173:. Accessed July 27, 2010. Subscription required.
1158:: "This may be the first recording of Rossini's
1090:
1088:
1004:. Accessed July 27, 2010. Subscription required.
1679:MoĂŻse et Pharaon, ou Le passage de la mer rouge
1552:Adelaide di Borgogna, ossia Ottone, re d'Italia
1241:Gossett, Philip (1983). "Gioachino Rossini" in
1215:. Accessed 29 July 2010. Subscription required.
1194:. Accessed 29 July 2010. Subscription required.
268:Inflammatus (verses 18–19) – Soprano and chorus
262:Sancta Mater (verses 11–15) – All four soloists
1068:2008: 4 of 4 stars, "Key recording", "Rosette"
1608:Bianca e Falliero, ossia Il consiglio dei tre
1512:La gazzetta, ossia Il matrimonio per concorso
1300:
1085:
418:Decca Ovation 417 766-2 (reissued from 1971)
265:Fac ut portem (verses 16–17) – Mezzo-soprano
945:. New York, London: W. W. Norton. pp.
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865:
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842:
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662:Hungarian State Opera Orchestra and Chorus
147:with great success. The soloists included
39:based on the traditional structure of the
1528:La Cenerentola, ossia La bontĂ in trionfo
1280:International Music Score Library Project
1262:Grove's Dictionary of Music and Musicians
939:Deathridge, John; Dahlhaus, Carl (1984).
2054:Choral compositions by Gioachino Rossini
973:Blue Flame: Woody Herman's Life in Music
862:
835:
15:
969:
884:
2046:
1243:The New Grove Masters of Italian Opera
356:Chor der St. Hedwigs-Kathedrale Berlin
105:
1314:
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1002:, Vol. 33 (3), January/February 2010
278:Written in 1841 for tenor solo, the
606:Phillips Digital Classics 426 312-2
13:
1265:(five volumes). London: Macmillan.
1213:Vol. 27 (3), January/February 2004
718:Das neue Orchester, Chorus Musicus
625:, Vienna State Opera Concert Choir
14:
2080:
2069:Collaborations in classical music
1568:Adina, ossia Il califfo di Bagdad
1269:
583:Bavarian Radio Symphony Orchestra
250:Cujus animam (verses 2–4) – Tenor
20:Portrait of Gioachino Rossini by
2031:
2006:
2005:
1699:
1520:Otello, ossia Il Moro di Venezia
1503:
1483:Elisabetta, regina d'Inghilterra
690:Soloists: Krassimira Stoyanova,
682:Academy for Ancient Music Berlin
287:jazz number, "Blues on Parade".
256:Pro peccatis (verses 7–8) – Bass
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752:Royal Concertgebouw Orchestra
290:
715:Christoph Spering, conductor
143:led the Italian premiere in
7:
1208:’s standout contribution."
1192:(2), November/December 2001
976:. Purdue University Press.
970:Kriebel, Robert C. (1995).
855:September 27, 2011, at the
10:
2085:
1171:(3), January/February 2000
1100:Classical Music Guide 2008
1094:Jolly, James, ed. (2007).
1021:. Accessed July 27, 2010.
859:. Accessed March 17, 2010.
754:; Netherlands Radio Chorus
721:Soloists: Iride Martinez,
701:Harmonia Mundi HMC90 1693.
471:Maggio Musicale Fiorentino
94:Neue Zeitschrift fĂĽr Musik
2001:
1974:Duetto buffo di due gatti
1959:
1928:
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1825:
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1364:La cambiale di matrimonio
1340:
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1143:. Accessed July 27, 2010.
494:EMI Classics CDC7 47402-2
395:London Symphony Orchestra
310:, Berlin Women's Chorus,
26:Museo Teatrale alla Scala
1913:(1991 biographical film)
1905:(1942 biographical film)
523:, Margarita Zimmermann,
204:, and an orchestra of 2
179:
114:on 7 January 1842, with
1815:Petite messe solennelle
873:Gossett (1983), p. 59.
832:Gossett, (1983). p. 55.
585:, Bavarian Radio Chorus
555:Soloists: Helen Field,
547:City of London Sinfonia
446:Lucia Valentini Terrani
308:RIAS Symphony Orchestra
1946:Rossini Opera Festival
1760:Ecco, ridente in cielo
1404:La pietra del paragone
1372:L'equivoco stravagante
1276:Stabat Mater (Rossini)
1257:Fuller Maitland, J. A.
805:Ildebrando D'Arcangelo
551:London Symphony Chorus
435:Philharmonia Orchestra
169:
137:
29:
2059:Stabat Mater settings
1968:La boutique fantasque
1883:The Barber of Seville
448:, Dalmacio Gonzalez,
164:
132:
19:
1864:Péchés de vieillesse
1671:Le siège de Corinthe
1459:Aureliano in Palmira
1436:L'italiana in Algeri
1327:List of compositions
1245:. New York: Norton.
1238:, W. W. Norton, Inc.
1152:Kasow, Joel (1999),
1035:2008: 2.5 of 4 stars
1019:, July 1989, page 78
942:The New Grove Wagner
657:Pier Giorgio Morandi
602:Ferruccio Furlanetto
352:Berliner Symphoniker
1980:Matinées musicales
1894:Cultural depictions
1848:La regata veneziana
1576:Ricciardo e Zoraide
1491:Torvaldo e Dorliska
623:Vienna Philharmonic
478:Catherine Malfitano
429:Carlo Maria Giulini
106:Performance history
1951:Rossini in Wildbad
1833:Six string sonatas
1592:Eduardo e Cristina
1467:Il turco in Italia
1356:Demetrio e Polibio
926:2007-10-22 at the
767:Giuseppe Sabbatini
727:Charles Castronovo
686:RIAS Chamber Choir
642:Roberto Scandiuzzi
530:Erato/RCA MCE75493
314:, RIAS Boy's Choir
312:RIAS Chamber Choir
280:andantino maestoso
30:
22:Vincenzo Camuccini
2064:1841 compositions
2019:
2018:
1986:Messa per Rossini
1929:Named for Rossini
1910:Rossini! Rossini!
1867:(1857–1868)
1767:Largo al factotum
1718:
1717:
1650:
1649:
1600:La donna del lago
1446:
1445:
1316:Gioachino Rossini
1259:, editor (1908).
1251:978-0-393-30089-5
1108:978-0-86024-962-7
956:978-0-393-30092-5
896:Chouquet, Gustave
801:Lawrence Brownlee
769:, Michele Pertusi
735:OPUS 111 OP 30247
703:Period instrument
698:, Daniel Borowski
515:Ambrosian Singers
442:Katia Ricciarelli
410:Luciano Pavarotti
141:Gaetano Donizetti
128:Antonio Tamburini
122:(mezzo-soprano),
90:Robert Schumann's
69:Giovanni Tadolini
37:Gioachino Rossini
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1960:Related articles
1875:Film adaptations
1781:Una voce poco fa
1708:Ugo, re d'Italia
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1396:La scala di seta
1380:L'inganno felice
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617:Myung-Whun Chung
598:Francisco Araiza
563:, Roderick Earle
511:I Solisti Veneti
450:Ruggero Raimondi
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594:Cecilia Bartoli
505:Claudio Scimone
327:Ernst Haefliger
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1120:Naxos 8.554443
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649:
648:
647:
646:DG 449 178-2GH
644:
626:
620:
609:
608:
607:
604:
586:
580:
577:Semyon Bychkov
569:
568:
567:
564:
553:
544:
541:Richard Hickox
533:
532:
531:
528:
521:Cecilia Gasdia
517:
508:
497:
496:
495:
492:
486:Robert Gambill
474:
468:
457:
456:
455:
452:
438:
432:
421:
420:
419:
416:
402:Pilar Lorengar
398:
392:
389:István Kertész
381:
380:
379:
376:
362:Pilar Lorengar
358:
349:
338:
337:
336:
333:
323:Marianna Radev
315:
305:
302:Ferenc Fricsay
292:
289:
276:
275:
272:
269:
266:
263:
260:
257:
254:
251:
248:
181:
178:
173:Heinrich Heine
153:Nicola Ivanoff
151:(soprano) and
107:
104:
86:Richard Wagner
48:
45:
9:
6:
4:
3:
2:
2081:
2070:
2067:
2065:
2062:
2060:
2057:
2055:
2052:
2051:
2049:
2039:
2029:
2028:
2025:
2012:
2004:
2003:
2000:
1994:
1993:
1989:
1987:
1984:
1982:
1981:
1977:
1975:
1972:
1970:
1969:
1965:
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1958:
1952:
1949:
1947:
1944:
1942:
1939:
1937:
1934:
1933:
1931:
1927:
1920:
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1915:
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1911:
1907:
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1899:
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1866:
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1837:
1834:
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1817:
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1800:
1796:
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1778:
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1764:
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1757:
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1710:
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1613:
1610:
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1597:
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1573:
1570:
1569:
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1549:
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1533:
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1525:
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1514:
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1509:
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1500:
1496:
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1484:
1480:
1477:
1476:
1472:
1469:
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1464:
1461:
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1456:
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1449:
1438:
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1433:
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1429:
1425:
1422:
1421:
1417:
1414:
1413:
1409:
1406:
1405:
1401:
1398:
1397:
1393:
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1382:
1381:
1377:
1374:
1373:
1369:
1366:
1365:
1361:
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1357:
1353:
1352:
1350:
1346:
1343:
1339:
1333:
1330:
1328:
1325:
1324:
1321:
1317:
1310:
1305:
1303:
1298:
1296:
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1287:
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1277:
1274:
1273:
1264:
1263:
1258:
1255:
1252:
1248:
1244:
1240:
1237:
1233:
1229:
1226:
1225:
1224:
1223:
1214:
1212:
1207:
1206:Sara Mingardo
1200:
1193:
1191:
1187:
1179:
1172:
1170:
1167:
1161:
1157:
1156:
1149:
1142:
1137:
1127:
1121:
1116:
1109:
1105:
1101:
1099:
1091:
1089:
1082:
1079:
1074:
1067:
1066:
1065:Penguin Guide
1060:
1050:
1041:
1034:
1033:
1032:Penguin Guide
1027:
1020:
1018:
1010:
1003:
1001:
993:
985:
983:9781557530738
979:
975:
974:
966:
958:
952:
948:
944:
943:
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929:
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922:
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892:
890:
888:
880:
876:
870:
868:
866:
858:
854:
851:
845:
843:
841:
839:
829:
825:
823:
822:
808:
806:
802:
798:
794:
793:Anna Netrebko
790:
787:
784:
781:
780:
779:
776:
771:
768:
764:
763:Sonia Ganassi
760:
756:
753:
750:
747:
744:
743:
742:
739:
734:
732:
728:
724:
723:Sara Mingardo
720:
717:
714:
713:
712:
709:
704:
700:
697:
693:
689:
687:
683:
680:
677:
674:
673:
672:
669:
664:
661:
658:
655:
654:
653:
650:
645:
643:
639:
635:
631:
627:
624:
621:
618:
615:
614:
613:
610:
605:
603:
599:
595:
591:
587:
584:
581:
578:
575:
574:
573:
570:
565:
562:
561:Arthur Davies
558:
554:
552:
548:
545:
542:
539:
538:
537:
534:
529:
527:, José Garcia
526:
525:Chris Merritt
522:
518:
516:
512:
509:
506:
503:
502:
501:
498:
493:
491:
490:Gwynne Howell
487:
483:
479:
475:
472:
469:
466:
465:Riccardo Muti
463:
462:
461:
458:
453:
451:
447:
443:
439:
436:
433:
430:
427:
426:
425:
422:
417:
415:
411:
407:
406:Yvonne Minton
403:
399:
396:
393:
390:
387:
386:
385:
382:
377:
375:
374:Josef Greindl
371:
367:
363:
359:
357:
353:
350:
347:
344:
343:
342:
339:
334:
332:
328:
324:
320:
316:
313:
309:
306:
303:
300:
299:
298:
295:
294:
288:
286:
281:
273:
270:
267:
264:
261:
258:
255:
252:
249:
246:
245:
244:
241:
239:
235:
231:
227:
223:
219:
215:
211:
207:
203:
199:
195:
191:
190:mezzo-soprano
187:
177:
174:
168:
163:
159:
154:
150:
149:Clara Novello
146:
142:
136:
131:
129:
126:(tenor), and
125:
121:
117:
113:
103:
101:
96:
95:
91:
87:
82:
79:
73:
70:
66:
62:
58:
54:
44:
42:
38:
35:is a work by
34:
27:
23:
18:
1990:
1978:
1966:
1941:Prix Rossini
1916:
1908:
1900:
1882:
1862:
1854:
1846:
1838:
1818:(1864, 1867)
1813:
1810:(1831, 1841)
1807:Stabat mater
1806:
1805:
1797:
1791:Sacred music
1774:Sombre forĂŞt
1741:Robert Bruce
1739:
1731:
1711:(unfinished)
1706:
1693:
1687:Le comte Ory
1685:
1677:
1669:
1661:
1638:
1630:
1622:
1614:
1606:
1598:
1590:
1582:
1574:
1566:
1558:
1550:
1542:
1534:
1526:
1518:
1510:
1497:
1489:
1481:
1473:
1465:
1457:
1434:
1426:
1418:
1410:
1402:
1394:
1386:
1378:
1370:
1362:
1354:
1260:
1242:
1235:
1231:
1221:
1220:
1210:
1199:
1189:
1185:
1178:
1168:
1165:
1160:Stabat Mater
1159:
1153:
1148:
1136:
1126:
1115:
1095:
1078:Stabat Mater
1073:
1063:
1059:
1049:
1040:
1030:
1026:
1016:
1009:
999:
992:
972:
965:
941:
934:
915:
908:Google Books
899:
879:Google Books
875:Partial view
828:
820:
819:
809:EMI Classics
777:
740:
710:
696:Bruce Fowler
676:Marcus Creed
670:
651:
638:Raúl Giménez
611:
590:Carol Vaness
571:
566:Chandos 8780
535:
499:
482:Agnes Baltsa
459:
423:
383:
370:Josef Traxel
346:Karl Forster
340:
319:Maria Stader
296:
285:Woody Herman
279:
277:
242:
202:mixed chorus
183:
170:
165:
138:
133:
116:Giulia Grisi
109:
99:
92:
83:
74:
61:Stabat Mater
50:
41:Stabat Mater
33:Stabat Mater
32:
31:
1921:(1996 film)
1885:(1947 film)
1826:Other works
1655:Later works
1616:Maometto II
1348:Early works
785:, conductor
748:, conductor
731:John Relyea
678:, conductor
659:, conductor
619:, conductor
579:, conductor
557:Della Jones
543:, conductor
507:, conductor
467:, conductor
454:DG 477 6333
431:, conductor
391:, conductor
366:Betty Allen
348:, conductor
304:, conductor
156: [
118:(soprano),
55:, owner of
47:Composition
2048:Categories
1992:Rossiniana
1640:Semiramide
1475:Sigismondo
1102:, p. 875.
1098:Gramophone
1017:Gramophone
816:References
791:Soloists:
757:Soloists:
705:recording.
692:Petra Lang
628:Soloists:
588:Soloists:
519:Soloists:
476:Soloists:
440:Soloists:
437:and Chorus
414:Hans Sotin
400:Soloists:
397:and Chorus
360:Soloists:
317:Soloists:
291:Recordings
78:Salle Herz
1724:Pastiches
473:Orchestra
230:trombones
214:clarinets
139:In March
100:Copyright
2011:Category
1856:La Danza
1451:Maturity
1428:Tancredi
1081:WorldCat
924:Archived
853:Archived
331:Kim Borg
226:trumpets
218:bassoons
65:sequence
28:in Milan
1902:Rossini
1733:Ivanhoé
1698:(1829)
1632:Zelmira
1584:Ermione
1502:(1816)
1230:(1997)
1222:Sources
1211:Fanfare
1186:Fanfare
1166:Fanfare
1155:Fanfare
1000:Fanfare
902:: 159.
238:strings
234:timpani
186:soprano
145:Bologna
2024:Portal
1859:(1835)
1851:(1835)
1843:(1817)
1835:(1804)
1802:(1820)
1744:(1846)
1736:(1826)
1690:(1828)
1682:(1827)
1674:(1826)
1666:(1825)
1643:(1823)
1635:(1822)
1627:(1821)
1619:(1820)
1611:(1819)
1603:(1819)
1595:(1819)
1587:(1819)
1579:(1818)
1571:(1826)
1563:(1818)
1555:(1817)
1547:(1817)
1544:Armida
1539:(1817)
1531:(1817)
1523:(1816)
1515:(1816)
1494:(1815)
1486:(1815)
1478:(1814)
1470:(1814)
1462:(1813)
1439:(1813)
1431:(1813)
1423:(1813)
1415:(1812)
1407:(1812)
1399:(1812)
1391:(1812)
1383:(1812)
1375:(1811)
1367:(1810)
1359:(1812)
1341:Operas
1249:
1106:
980:
953:
236:, and
206:flutes
196:, and
135:Paris.
98:word:
1752:Arias
1232:et al
1188:Vol.
947:19–24
821:Notes
222:horns
210:oboes
194:tenor
180:Music
167:hall.
160:]
124:Mario
1247:ISBN
1104:ISBN
1096:The
978:ISBN
951:ISBN
904:View
778:2010
741:2003
711:2001
671:1999
652:1999
612:1995
572:1990
536:1990
500:1988
460:1982
424:1982
384:1971
341:1961
297:1954
228:, 3
224:, 2
220:, 4
216:, 2
212:, 2
208:, 2
198:bass
906:at
877:at
378:EMI
200:),
2050::
1234:,
1190:25
1169:23
1087:^
949:.
886:^
864:^
837:^
803:,
799:,
795:,
765:,
761:,
729:,
725:,
694:,
684:,
640:,
636:,
632:,
600:,
596:,
592:,
559:,
549:,
513:,
488:,
484:,
480:,
444:,
412:,
408:,
404:,
372:,
368:,
364:,
354:,
329:,
325:,
321:,
240:.
232:,
192:,
188:,
158:it
24:,
2026::
1783:"
1779:"
1776:"
1772:"
1769:"
1765:"
1762:"
1758:"
1308:e
1301:t
1294:v
1253:.
986:.
959:.
910:.
900:4
881:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
