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were written by Yule. He later recalled, "I remember sitting on a plane writing extensive notes on the mixing of the album. I sent it to Steve and none of my suggestions were taken, I'm sure he didn't even read it. He mixed it for the best possible commercial success. (...) It's really embarrassing.
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played the drums. So he and I would lay down a track. How much interplay can you have when all it is one guitar or a piano? You can hear that, it's kind of dead. I think you get more when you have 3 or 4 people playing together, they feed off each other, they work together and something comes out of
602:
Due to the obscurity of releases on this label, we are occasionally unable to locate the owner of the master recordings. As we have no desire to deprive owners of their royalties, we have created an escrow account in the hopes that the rightful owners will see these releases and contact us. This
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was released nominally as a Velvet
Underground album, Yule was the only Velvet to actually perform on it. Yule later said, "I don't think Moe would have been expensive in money, but too costly in terms of 'management', meaning that she didn't take a lot of bullshit and would have taken a lot of
567:
being "like the blind leading the blind, me leading myself. That's what came out of it, I don't even have a copy of it. But it's kind of a nice memory for me and kind of an embarrassment at the same time. I wish I had my eyes wider open, but it was nice to get my name and my songs out there."
467:
was recorded in the autumn of 1972 and released in the United
Kingdom, France, Germany (all 1973), Spain (1974), and Japan (year unknown). No singles were taken off it and the album did not chart. Yule assembled a backing band consisting of Rob Norris (guitar), George Kay (bass guitar) and
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559:, who also offered the following opinion of the album in a 2012 interview: "It's an odd record, but the name came from that, definitely. In a retrospective way I really enjoy it. It has kind of a naivety about it". In 1995,
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UK to record a final Velvet
Underground album. Alexander, Powers and Tucker were sent back to the United States by Sesnick, however, presumably for him to retain maximum control over the finished product. Thus, although
324:
I gave what I had at the time. There are parts of it I hate and parts I don't. But if I had to do it over again, it would be a completely different album, with different people and have nothing to do with
Sesnick."
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can be heard throughout, indicating that it was recorded directly from an LP copy of the album. These bootleg reissues are not officially licensed from
Polydor. A disclaimer included with the release states:
616:
written by
Richard Williams, originally published on 6 October 1971. The article features brief comments from Yule about the then-current UK tour that he was completing with original Velvet drummer
232:
Following a brief promotional tour for the album by Yule and a backing band, Yule called it quits, bringing the Velvet
Underground to an end until the 1993 reunion (from which Yule was excluded).
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saw a number of re-issues in France during the 1970s and early 1980s. It went out of print afterwards, until it received a compact disc and new LP release in 2012 by Kismet
Records (see
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received both a CD release and a new LP release from Kismet
Records, a label that specializes in reissuing obscure albums by relatively unknown acts. On the CD, a slight amount of
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says "it doesn't just ride the coattails of VU's legacy but deliberately co-opts their achievement – but it's listenable, something its reputation never suggests". In March 2012,
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In recent years however, the album has been revisited by both critics and musicians with more sympathetic and favorable reviews. In 2011 music writer Steven
Shehori included
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dismissed the record as "a Velvet Underground album in name only". Recent years have seen a critical reevaluation, with some arguing that the album is musically overlooked.
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199:-era lineup of the group, who wrote and recorded the album almost entirely by himself. Yule had joined the Velvet Underground (replacing founding member
472:(drums) to tour the United Kingdom in November and December 1972 to promote the upcoming album; a live recording from this tour is included on the 2001
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approach is far from desirable but this is the only way we can bring this music to a wider audience. Thank you for your understanding in this matter.
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307:'handling' on Sesnick's part." Yule also recalled that the album "was done with just me. All the basic tracks were laid down with drums and me.
280:
was in the band, and which had seen a European release in March 1971. The plan was to record a second and final album for their record company,
1144:"Squeeze's Chris Difford on England, John Cale, and the Paul McCartney-Produced Record That Never Came to Be – Page 2 | Phoenix New Times"
270:(drums). This version of the band had toured the United Kingdom and the Netherlands in October and November 1971 to support its latest album,
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in the Velvet Underground's recorded canon was generally regarded as dubious well into the 1990s. In the mid-1970s, the
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it, it's bigger." Yule's and Paice's performances were augmented with occasional saxophone and backing vocals.
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An e-mail address is then provided for the owner(s) of the music to contact Kismet for payment of royalties.
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didn't offer any analysis of the album, and dismissed it as "an embarrassment to the VU discography".
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1117:"Criminally Overlooked Albums: Squeeze by Doug Yule's Velvet Underground | Steven Shehori"
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in August 1971, the final Velvet Underground lineup consisted of Doug Yule (vocals, guitar),
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20th Century Masters – The Millennium Collection: The Best of The Velvet Underground
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includes the four studio albums from the Lou Reed era of the band, but excludes
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The reissues contain no outtakes. The packages do feature a short article from
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counted it as "a Velvet Underground album in name only". The 1995 CD boxed set
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included the album at 28 in their list of The 50 Worst Albums of All Time.
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band name, recorded in the autumn of 1971 and released in February 1973 by
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is nothing short of a quintessential listening experience." The UK band
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version of a fansite; contains two articles about the post-Reed VU.
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failed to chart and quickly fell into obscurity after its release.
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The Best of The Velvet Underground: Words and Music of Lou Reed
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1101:
Hughes, Rob (March 2012). "The 50 Worst Albums of All Time".
38:
547:"if you pluck it from the shackles of its murky back-story,
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1166:"Luna: A Sentimental Education / A Place of Greater Safety"
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took their name from its title according to band member
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The song "Friends" was included by the indie rock band
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by Yule, but she was dismissed by the band's manager,
1219:, archived version of a fansite devoted to the album.
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The Velvet Underground and Nico: A Symphony of Sound
183:is the fifth and final studio album released under
1184:"Squeeze – The Velvet Underground | AllMusic"
1487:The Best of Lou Reed & The Velvet Underground
537:in his "Criminally Overlooked Albums" series for
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1473:Andy Warhol's Velvet Underground Featuring Nico
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203:) in October 1968, prior to the band recording
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922:"The Artist Formerly Unknown as Doug Yule"
897:"Velvet Underground (...) ist wieder da",
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1423:Bootleg Series Volume 1: The Quine Tapes
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1501:The Very Best of the Velvet Underground
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1012:"The Velvet Underground: Album Guide"
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874:The New Musical Express Book of Rock
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1043:As listed on Olivier Landemaine's
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842: – drums, possible percussion
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1402:1969: The Velvet Underground Live
1349:The Velvet Underground & Nico
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983:The Encyclopedia of Popular Music
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941:"Doug Yule interview (Part 2)"
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319:The eleven songs that make up
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1925:The Velvet Underground albums
901:(#34), November–December 1971
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293:After the tour, band manager
205:their self-titled third album
1915:Albums produced by Doug Yule
1814:Exploding Plastic Inevitable
1715:The Black Angel's Death Song
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7:
1146:. Blogs.phoenixnewtimes.com
1045:Velvet Underground Web Page
620:and recently added members
563:described the recording of
10:
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1217:Velvet Underground Squeeze
1203:liner notes, Kismet, 2012.
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836:"Malcolm" – saxophone
637:All tracks are written by
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1540:The Complete Matrix Tapes
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1430:The Complete Matrix Tapes
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1666:I Heard Her Call My Name
221:was slated to appear on
1673:Lady Godiva's Operation
1609:I'm Waiting for the Man
988:Oxford University Press
920:Yule, Jennifer (1998).
578:A Sentimental Education
522:Stephen Thomas Erlewine
512:. In the liner notes,
1920:Polydor Records albums
1779:The Velvet Underground
1580:White Light/White Heat
1558:All Tomorrow's Parties
1363:The Velvet Underground
1356:White Light/White Heat
1264:The Velvet Underground
605:
575:on their covers album
185:the Velvet Underground
133:The Velvet Underground
127:The Velvet Underground
44:the Velvet Underground
1103:Classic Rock Magazine
945:Perfect Sound Forever
905:thomas-oestreicher.de
753:"She'll Make You Cry"
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328:Release and reception
262:(keyboards, vocals),
191:. The album features
1613:There She Goes Again
1526:Final V.U. 1971–1973
1416:Final V.U. 1971–1973
1172:. 18 September 2017.
1089:Captain Trip Records
1082:Final V.U. 1971–1973
1022:on 27 September 2011
845:Unidentified female
831:Additional musicians
481:Final V.U. 1971–1973
333:Professional ratings
1754:I'll Be Your Mirror
1562:I'll Be Your Mirror
1533:Peel Slowly and See
1077:Yule, Doug (2001),
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540:The Huffington Post
505:Peel Slowly and See
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243:New Musical Express
1584:Here She Comes Now
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266:(bass guitar) and
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1290:Sterling Morrison
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786:"Jack & Jane"
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494:). The status of
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215:Sterling Morrison
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1409:Live MCMXCIII
1406:
1404:
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1399:
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1389:
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1379:
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1367:
1365:
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1357:
1353:
1351:
1350:
1346:
1345:
1343:
1341:Studio albums
1339:
1333:
1330:
1328:
1327:Walter Powers
1325:
1323:
1320:
1318:
1317:Angus MacLise
1315:
1313:
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1080:
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1066:
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1021:
1017:
1016:Rolling Stone
1013:
1007:
999:
993:
989:
985:
984:
979:
978:Larkin, Colin
973:
967:
963:
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946:
942:
935:
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923:
916:
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858:
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829:
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822:
821:
809:
806:Total length:
803:
799:
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770:
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693:
689:
686:
682:
678:
675:
671:
667:
665:"Little Jack"
664:
660:
647:
641:
640:
632:Track listing
629:
627:
623:
622:Walter Powers
619:
615:
614:
608:
604:
599:
596:
592:
582:
580:
579:
574:
569:
566:
562:
558:
557:Chris Difford
554:
550:
546:
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531:
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431:
429:
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427:Rolling Stone
424:
423:
393:
391:
390:
386:
385:
355:
353:
350:
349:
341:
338:Review scores
336:
325:
322:
317:
314:
310:
305:
300:
296:
295:Steve Sesnick
291:
289:
288:
283:
279:
275:
274:
269:
265:
264:Walter Powers
261:
257:
247:
245:
244:
239:
235:
230:
228:
227:Steve Sesnick
224:
220:
216:
212:
211:
206:
202:
198:
194:
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186:
182:
181:
166:
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96:
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72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1882:
1875:
1778:
1770:
1752:
1745:
1738:
1652:European Son
1591:What Goes On
1573:Femme Fatale
1538:
1531:
1524:
1506:
1499:
1492:
1485:
1478:
1471:
1465:Compilations
1455:Another View
1453:
1446:
1428:
1421:
1414:
1407:
1400:
1393:
1376:
1375:
1368:
1361:
1354:
1347:
1302:
1295:
1288:
1281:
1274:
1223:Foggy Notion
1200:
1196:
1178:
1169:
1160:
1148:. Retrieved
1137:
1125:. Retrieved
1120:
1111:
1102:
1096:
1084:
1078:
1072:
1026:15 September
1024:. Retrieved
1020:the original
1006:
982:
972:
944:
898:
892:
873:
636:
613:Melody Maker
611:
609:
606:
601:
590:
588:
576:
570:
564:
548:
544:
538:
534:
532:
527:Classic Rock
525:
514:David Fricke
509:
503:
499:
495:
487:
486:
479:
470:Mark Nauseef
464:
463:
425:
387:
320:
318:
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292:
285:
271:
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241:
233:
231:
222:
208:
179:
178:
177:
162:
154:
153:
144:
39:Studio album
15:
1910:1973 albums
1855:Andy Warhol
1824:The Factory
1804:Discography
1781:(2021 film)
1694:Run Run Run
1638:After Hours
1630:Other songs
1387:Live albums
870:Logan, Nick
709:"Dopey Joe"
595:white noise
313:Deep Purple
290:, instead.
69:Autumn 1971
1904:Categories
1860:Tom Wilson
1701:Sister Ray
1645:Candy Says
1598:Sweet Jane
1332:Billy Yule
1297:Moe Tucker
1170:PopMatters
1105:(168): 85.
853:References
720:"Wordless"
687:"Caroline"
585:CD release
238:Nick Logan
135:chronology
1304:Doug Yule
1283:John Cale
1227:waybacked
840:Ian Paice
824:Doug Yule
818:Personnel
764:"Friends"
639:Doug Yule
589:In 2012,
561:Doug Yule
309:Ian Paice
201:John Cale
195:from the
193:Doug Yule
1797:Articles
1722:The Gift
1518:Box sets
1276:Lou Reed
1188:AllMusic
1150:30 April
1127:30 April
1121:HuffPost
980:(2007).
966:AllMusic
797:"Louise"
732:Side two
644:Side one
545:Squeeze:
518:AllMusic
352:AllMusic
278:Lou Reed
197:Lou Reed
123:Producer
66:Recorded
51:Released
41: by
1680:New Age
1550:Singles
1377:Squeeze
1201:Squeeze
1085:box set
1057:Germany
962:Squeeze
676:"Crash"
591:Squeeze
565:Squeeze
553:Squeeze
549:Squeeze
535:Squeeze
510:Squeeze
496:Squeeze
488:Squeeze
477:box set
465:Squeeze
321:Squeeze
304:Squeeze
299:Polydor
240:of the
234:Squeeze
223:Squeeze
180:Squeeze
168:(1974)
159:(1973)
155:Squeeze
150:(1972)
116:Polydor
58:1973-02
56: (
24:Squeeze
1838:People
1659:Heroin
1370:Loaded
1063:, and
1053:France
994:
899:Sounds
880:
745:Length
657:Length
346:Rating
343:Source
273:Loaded
210:Loaded
94:Length
74:Studio
1869:Music
1809:Songs
1764:Films
1611:" / "
1600:" / "
1582:" / "
1571:" / "
1560:" / "
1065:Japan
1061:Spain
810:33:25
742:Title
654:Title
492:below
111:Label
83:Genre
1508:Gold
1322:Nico
1152:2015
1129:2015
1028:2017
992:ISBN
878:ISBN
800:5:43
789:2:53
778:3:11
767:2:37
756:2:43
723:3:00
712:3:06
701:2:52
690:2:34
679:1:21
668:3:25
624:and
573:Luna
474:live
88:Rock
964:at
738:No.
650:No.
520:'s
311:of
1906::
1448:VU
1225:,
1186:.
1168:.
1119:.
1087:,
1059:,
1055:,
1051:,
1049:UK
1036:^
1014:.
990:.
953:^
943:.
931:^
912:^
861:^
794:5.
783:4.
772:3.
761:2.
750:1.
717:6.
706:5.
695:4.
684:3.
673:2.
662:1.
628:.
229:.
103:25
99:33
1724:"
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1586:"
1578:"
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1567:"
1564:"
1556:"
1256:e
1249:t
1242:v
1190:.
1154:.
1131:.
1067:.
1030:.
1000:.
947:.
924:.
886:.
101::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
