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Squarcialupi Codex

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17: 569: 116:, it was long suggested that Paolo may have had some part in supervising the effort or have been part of the family that commissioned the manuscript. However, more recent evidence about the biography and in particular poor finances of Paolo has his connection to financing the manuscript unlikely. The manuscript was owned by renowned organist Antonio Squarcialupi in the middle of the 15th century, then by his nephew, and then passed into the estate of 56:
It consists of 216 parchment folios, organized by composer, with each composer's section beginning with a portrait of the composer richly illuminated in gold, red, blue and purple. The manuscript is in good condition, and musical pieces are complete. Included in the codex are 146 complete pieces by
101:, since they are labeled as such and include his portrait; the usual presumption by scholars is that Paolo's music was not ready at the time the manuscript was compiled, since he was away from Florence until 1409. There is also a section marked out for 598: 605: 112:, probably around 1410–1415. Because the same unidentified family seal appears on the first folio of the manuscript and on the portrait page of 478: 739: 255: 871: 201:
Kurt von Fischer/Gianluca d'Agostino, "Sources, MS, Italian Polyphony, 1325-1420", Grove Music Online ed. L. Macy (Accessed June 24, 2005),
881: 591: 876: 135:, organist of Santa Maria del Fiore." On the following pages, added later, are humanistic poems in praise of Squarcialupi. 248: 109: 216: 196: 150:: there are 353 in all, and they can be dated to the period from 1340 to 1415. Notably absent are Italian pieces by 117: 861: 241: 125: 36: 634: 704: 572: 43:
in the early 15th century. It is the single largest primary source of music of the 14th-century Italian
155: 97:, and smaller amounts of music by others. It contains 16 blank folios, intended for the music of 16: 886: 827: 124:
in the early 16th century. At the end of the 18th century, it passed into the ownership of the
355: 82: 840: 834: 781: 264: 167: 50: 417: 66: 866: 422: 391: 340: 132: 8: 809: 753: 732: 697: 473: 386: 285: 143: 121: 62: 795: 690: 483: 412: 360: 320: 305: 94: 90: 78: 802: 774: 725: 676: 547: 407: 402: 350: 310: 212: 192: 102: 74: 70: 58: 21: 583: 432: 396: 366: 345: 184: 151: 113: 98: 86: 760: 655: 641: 518: 513: 25: 228: 154:, a northerner transplanted into Italy, and the more innovative compositions of 746: 662: 542: 147: 855: 627: 531: 315: 108:
The manuscript was almost certainly compiled in Florence at the monastery of
718: 711: 648: 767: 683: 669: 537: 457: 191:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. 172: 427: 138:
All of the compositions in the codex are secular songs in Italian:
524: 45: 40: 491: 233: 139: 497: 131:
The first folio in the codex states: "This book is owned by
202: 39:, Med. Pal. 87) is an illuminated manuscript compiled in 613: 229:
La Trobe University Library Medieval Music Database
853: 189:The New Grove Dictionary of Music and Musicians 599: 249: 278: 211:. New York, W.W. Norton & Co., 1978. 606: 592: 256: 242: 15: 854: 587: 237: 872:15th-century illuminated manuscripts 13: 263: 178: 133:Antonio di Bartolomeo Squarcialupi 14: 898: 882:Medieval music manuscript sources 614:Medieval music manuscript sources 222: 568: 567: 126:Biblioteca Medicea Laurenziana 118:Giuliano di Lorenzo de' Medici 37:Biblioteca Medicea Laurenziana 1: 877:Music illuminated manuscripts 635:British Library, Add MS 29987 705:Llibre Vermell de Montserrat 7: 161: 10: 903: 187:, "Antonio Squarcialupi," 819: 619: 558: 506: 466: 445: 379: 333: 298: 271: 156:Antonio Zachara da Teramo 105:which contains no music. 110:Santa Maria degli Angeli 828:Ars cantus mensurabilis 356:Gherardello da Firenze 83:Gherardello da Firenze 28: 862:Music of the Trecento 841:The Berkeley Treatise 835:De Mensurabili Musica 203:(subscription access) 168:Music of the Trecento 120:, who gave it to the 20:Illustration showing 19: 562:Also music theorist* 423:Philippus de Caserta 392:Antonello da Caserta 341:Andreas de Florentia 49:(also known as the " 810:Worcester Fragments 754:Robertsbridge Codex 733:Old Hall Manuscript 698:Laudario di Cortona 670:Florence Manuscript 387:Bartolino da Padova 286:Marchetto da Padova 207:Richard H. Hoppin, 122:Biblioteca Palatina 63:Bartolino da Padova 796:Trinity Carol Roll 789:Squarcialupi Codex 453:Squarcialupi Codex 418:Niccolò da Perugia 413:Grazioso da Padova 361:Lorenzo da Firenze 321:Vincenzo da Rimini 306:Giovanni da Cascia 95:Vincenzo da Rimini 91:Giovanni da Cascia 79:Lorenzo da Firenze 67:Niccolò da Perugia 33:Squarcialupi Codex 29: 849: 848: 803:Winchester Troper 775:Selden Carol Book 726:Montpellier Codex 691:King's Manuscript 677:Las Huelgas Codex 581: 580: 548:Renaissance music 441: 440: 408:Giovanni Mazzuoli 403:Matteo da Perugia 375: 374: 351:Francesco Landini 329: 328: 311:Jacopo da Bologna 294: 293: 103:Giovanni Mazzuoli 75:Jacopo da Bologna 71:Andrea da Firenze 59:Francesco Landini 22:Francesco Landini 894: 782:Codex SpeciálnĂ­k 608: 601: 594: 585: 584: 571: 570: 487: 433:Zacara da Teramo 397:Johannes Ciconia 377: 376: 367:Paolo da Firenze 346:Donato da Cascia 331: 330: 296: 295: 276: 275: 258: 251: 244: 235: 234: 185:Kurt von Fischer 152:Johannes Ciconia 114:Paolo da Firenze 99:Paolo da Firenze 87:Donato da Cascia 51:Italian ars nova 902: 901: 897: 896: 895: 893: 892: 891: 852: 851: 850: 845: 815: 761:Roman de Fauvel 656:Engelberg Codex 642:Chantilly Codex 615: 612: 582: 577: 554: 519:Portative organ 514:Landini cadence 502: 481: 479:Caccia (musica) 462: 437: 371: 325: 290: 267: 262: 225: 181: 179:Further reading 164: 89:, 12 pieces by 26:portative organ 12: 11: 5: 900: 890: 889: 887:Music of Italy 884: 879: 874: 869: 864: 847: 846: 844: 843: 838: 831: 823: 821: 817: 816: 814: 813: 806: 799: 792: 785: 778: 771: 764: 757: 750: 747:Puy Manuscript 743: 736: 729: 722: 715: 708: 701: 694: 687: 680: 673: 666: 663:Eton Choirbook 659: 652: 645: 638: 631: 623: 621: 617: 616: 611: 610: 603: 596: 588: 579: 578: 576: 575: 564: 563: 559: 556: 555: 553: 552: 551: 550: 545: 543:Medieval music 535: 528: 521: 516: 510: 508: 504: 503: 501: 500: 495: 488: 476: 470: 468: 464: 463: 461: 460: 455: 449: 447: 443: 442: 439: 438: 436: 435: 430: 425: 420: 415: 410: 405: 400: 394: 389: 383: 381: 380:3rd generation 373: 372: 370: 369: 364: 358: 353: 348: 343: 337: 335: 334:2nd generation 327: 326: 324: 323: 318: 313: 308: 302: 300: 299:1st generation 292: 291: 289: 288: 282: 280: 273: 269: 268: 265:Trecento Music 261: 260: 253: 246: 238: 232: 231: 224: 223:External links 221: 220: 219: 209:Medieval Music 205: 199: 180: 177: 176: 175: 170: 163: 160: 9: 6: 4: 3: 2: 899: 888: 885: 883: 880: 878: 875: 873: 870: 868: 865: 863: 860: 859: 857: 842: 839: 837: 836: 832: 830: 829: 825: 824: 822: 818: 812: 811: 807: 805: 804: 800: 798: 797: 793: 791: 790: 786: 784: 783: 779: 777: 776: 772: 770: 769: 765: 763: 762: 758: 756: 755: 751: 749: 748: 744: 742: 741: 737: 735: 734: 730: 728: 727: 723: 721: 720: 716: 714: 713: 709: 707: 706: 702: 700: 699: 695: 693: 692: 688: 686: 685: 681: 679: 678: 674: 672: 671: 667: 665: 664: 660: 658: 657: 653: 651: 650: 646: 644: 643: 639: 637: 636: 632: 630: 629: 628:Bamberg Codex 625: 624: 622: 618: 609: 604: 602: 597: 595: 590: 589: 586: 574: 566: 565: 561: 560: 557: 549: 546: 544: 541: 540: 539: 536: 534: 533: 532:Ars subtilior 529: 527: 526: 522: 520: 517: 515: 512: 511: 509: 505: 499: 496: 494: 493: 489: 485: 480: 477: 475: 472: 471: 469: 465: 459: 456: 454: 451: 450: 448: 444: 434: 431: 429: 426: 424: 421: 419: 416: 414: 411: 409: 406: 404: 401: 398: 395: 393: 390: 388: 385: 384: 382: 378: 368: 365: 362: 359: 357: 354: 352: 349: 347: 344: 342: 339: 338: 336: 332: 322: 319: 317: 316:Maestro Piero 314: 312: 309: 307: 304: 303: 301: 297: 287: 284: 283: 281: 277: 274: 270: 266: 259: 254: 252: 247: 245: 240: 239: 236: 230: 227: 226: 218: 217:0-393-09090-6 214: 210: 206: 204: 200: 198: 197:1-56159-174-2 194: 190: 186: 183: 182: 174: 171: 169: 166: 165: 159: 157: 153: 149: 145: 141: 136: 134: 129: 127: 123: 119: 115: 111: 106: 104: 100: 96: 92: 88: 84: 80: 76: 72: 68: 64: 60: 54: 52: 48: 47: 42: 38: 34: 27: 23: 18: 833: 826: 808: 801: 794: 788: 787: 780: 773: 766: 759: 752: 745: 738: 731: 724: 719:Modena Codex 717: 712:Magnus Liber 710: 703: 696: 689: 682: 675: 668: 661: 654: 649:Codex Faenza 647: 640: 633: 626: 530: 523: 490: 452: 279:Predecessors 208: 188: 137: 130: 107: 55: 44: 32: 30: 867:1410s books 768:Rossi Codex 684:Ivrea Codex 538:Early music 482: [ 458:Rossi Codex 446:Manuscripts 173:Rossi Codex 35:(Florence, 856:Categories 24:playing a 428:Sant Omer 272:Composers 144:madrigals 573:Category 525:Ars nova 507:See also 474:Madrigal 162:See also 85:, 15 by 81:, 16 by 77:, 17 by 73:, 28 by 69:, 29 by 65:, 36 by 61:, 37 by 46:Trecento 41:Florence 740:Psalter 492:Ballata 140:ballata 93:, 6 by 820:Theory 620:Scores 467:Genres 215:  195:  146:, and 498:Motet 486:] 148:cacce 213:ISBN 193:ISBN 53:"). 31:The 858:: 484:it 158:. 142:, 128:. 607:e 600:t 593:v 399:* 363:* 257:e 250:t 243:v

Index


Francesco Landini
portative organ
Biblioteca Medicea Laurenziana
Florence
Trecento
Italian ars nova
Francesco Landini
Bartolino da Padova
Niccolò da Perugia
Andrea da Firenze
Jacopo da Bologna
Lorenzo da Firenze
Gherardello da Firenze
Donato da Cascia
Giovanni da Cascia
Vincenzo da Rimini
Paolo da Firenze
Giovanni Mazzuoli
Santa Maria degli Angeli
Paolo da Firenze
Giuliano di Lorenzo de' Medici
Biblioteca Palatina
Biblioteca Medicea Laurenziana
Antonio di Bartolomeo Squarcialupi
ballata
madrigals
cacce
Johannes Ciconia
Antonio Zachara da Teramo

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