174:; ironically, N'Dour's rise in popularity in the 1980s led in part to Orchestra Baobab's disbandment. Among the returning members were singers Balla Sidibe and Rudy Gomis, guitarist Barthelemy Atisso, and saxophonist Issa Cissoko. Attiso had barely played guitar in 15 years, and had to relearn after Gold and the band's singers sent one to him. A new singer, Assane Mboup, contributed to the album. Like previous Baobab albums,
459:
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and N'Dour sang on "Hommage à Tonton Ferrer". Many songs are remakes of the band's earlier hits, although "Bul Ma Miin" was written for the album. "Ndongoy Daara", about malfeasance in Qur'anic educational institutions, was written by the band's first singer, Laye Mboup. The vocals are in
477:
deemed it "one of the great comeback albums," writing that "many of the songs offer a relaxed, rolling blend of Cuban salsa, African rhythms and boisterous pop melodies, dressed up with uplifting harmony singing and strong saxophone work." The
504:
determined that "though the music retains its unique fusion of Latin and
African sounds, the new album is blessed with the added benefit of state-of-the-art production quality and professional sound engineering."
547:
wrote that "Attisso is all over this record, offering beautiful, inventive solos and playing whose fluidity, especially on 'Gnawe' and 'Dee Moo Wor', is wonderfully atmospheric."
151:
reissue, the band decided to record a reunion album. It was
Orchestra Baobab's first album in 15 years. The album title was taken from a sign hanging outside a barbershop.
525:
features nine intoxicating songs that showcase the group's ebullient call-and-response vocals, swaying rhythms and pinpoint instrumental work." The
471:
called the album "the ideal introduction to Baobab's relaxed mastery of
American instruments, Cuban rhythms, and Senegalese form-and-content."
1258:
490:
wrote that "this is groove music at once relaxed and unyielding, insistent enough for the dance floor, trance-y enough to lull an infant."
1212:
Kot, Greg (15 Dec 2002). "Under pressure from all sides, the music business plays it conservative". Arts & Entertainment.
304:
1263:
1248:
498:
stated that "Attiso is on fine, fluid form, throwing out rippling, jazzy solos against Issa
Cissokho's saxophone."
484:
labeled it "a rich and groovy brew of
African salsa, with lyrics that track mostly familiar social concerns."
1197:
Varga, George (October 24, 2002). "Brightest Africa – Three prime acts, three prime albums". Entertainment.
72:
60:
517:
1104:
1083:
985:
World Music and the Black
Atlantic: Producing and Consuming African-Cuban Musics on World Music Stages
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380:
537:
983:
1253:
342:
8:
814:
507:
271:
194:
171:
89:
749:
Pareles, Jon (16 July 2002). "All the
Variety of Africa, Played at a Genteel Pace".
468:
260:
144:
96:
76:
41:
1167:
Honigmann, David (21 Sep 2002). "Specialist in All Styles
Compact Choice". Arts.
527:
494:
83:
190:
185:
1227:
Shuster, Fred (1 Jan 2003). "Music
Industry Welcomed Alien Concepts in 2002".
154:
The band supported the album with a world tour. The album was nominated for a
1242:
1137:
Derdeyn, Stuart (31 Dec 2002). "Orchestra Baobob: Specialist in All Styles".
486:
430:
952:
Cazares, David (3 Jan 2003). "Strong Voice Echoes Out of Africa". Showtime.
799:
Moszynski, Peter (Nov 2002). "Senegal: Orchestral Baobab—a legend reborn".
480:
473:
392:
155:
67:
28:
1050:
Mengel, Noel (30 Nov 2002). "Orchestra Baobab, Specialist in All Styles".
784:
Ratliff, Ben (3 Nov 2002). "Playing Catch With All Kinds of Styles".
917:
Moon, Tom (15 Oct 2002). "Reunited
African band bridges the years".
839:
Williamson, Nigel (July 12, 2002). "Back to their roots". Features.
544:
500:
224:
179:
902:
van Vleck, Philip (Oct 19, 2002). "Specialist in all Styles".
687:
Bacon, Peter (28 Sep 2002). "World CD of the Week". Features.
521:
opined: "More nuanced and sophisticated than its predecessor,
36:
1152:
Denselow, Robin (6 Sep 2002). "The second coming". Friday.
869:
Williamson, Nigel (July 20, 2002). "Orchestral Maneuvers".
764:
Trapp, Roger (27 July 2002). "Jazz & Blues". Features.
1065:
Rogers, Matt (13 Nov 2002). "Specialist in All Styles".
887:
Lawson, Terry (10 Nov 2002). "Sound Judgement Reviews".
1182:
Brownell, Ginanne (Oct 7, 2002). "Dakar's Superstars".
854:
Fairley, Jan (22 July 2002). "Black with a Vengeance".
1017:
Robbins, Li (7 Nov 2002). "Specialist in All Styles".
937:
Kot, Greg (Dec 12, 2002). "Specialist in All Styles".
1035:
Gray, Louise (Dec 2002). "Specialist in All Styles".
705:
Takiff, Jonathan (8 Oct 2002). "Exotica". Features.
178:was influenced by Cuban music; it also made use of
967:Pareles, Jon (4 July 2003). "Pop and Jazz Guide".
515:is Mr. Attiso's haunted, expressive performance."
1240:
734:Cohen, Aaron (Dec 2002). "Recaptured essence".
398:
147:, released in 2002. After the success of the
436:
348:
310:
277:
229:
1084:"Orchestra Baobab Specialist in All Styles"
1002:Chapman, Geoff (29 Oct 2002). "Worldbeat".
158:for "Best Contemporary World Music Album".
868:
838:
27:
1166:
906:. Vol. 114, no. 42. p. 19.
901:
873:. Vol. 114, no. 29. p. 61.
798:
16:2002 studio album by Orchestra Baobab
1181:
1151:
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1069:. Vol. 47, no. 46. p. 72.
981:
738:. Vol. 69, no. 12. p. 52.
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511:concluded that "the great surprise on
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982:Whitmore, Aleysia K. (May 7, 2020).
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535:as the 16th best album of 2002; the
1259:World Circuit (record label) albums
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143:is an album by the Senegalese band
13:
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1126:. Vol. 1. MUZE. p. 412.
1124:The Encyclopedia of Popular Music
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305:The Encyclopedia of Popular Music
279:
231:
166:Recorded over 10 days in London,
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170:was produced by Nick Gold and
1:
721:"Orchestra Baobab in Concert"
673:
161:
541:considered it the 4th best.
61:Livingston Recording Studios
7:
1199:The San Diego Union-Tribune
1039:. No. 352. p. 30.
941:. No. 911. p. 96.
803:. No. 412. p. 65.
518:The San Diego Union-Tribune
10:
1280:
988:. Oxford University Press.
919:The Philadelphia Inquirer
641:"Hommage à Tonton Ferrer"
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563:
558:
218:
215:
103:
95:
82:
66:
56:
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35:
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533:Specialist in All Styles
168:Specialist in All Styles
140:Specialist in All Styles
117:Specialist in All Styles
22:Specialist in All Styles
1264:Nonesuch Records albums
1249:Orchestra Baobab albums
707:Philadelphia Daily News
381:Philadelphia Daily News
197:, Spanish, and French.
1229:Los Angeles Daily News
1122:Larkin, Colin (2006).
538:Los Angeles Daily News
125:A Night at Club Baobab
1037:New Internationalist
343:New Internationalist
206:Professional ratings
207:
182:and reggae sounds.
1105:"Orchestra Baobab"
1019:The Globe and Mail
969:The New York Times
889:Detroit Free Press
815:"Orchestra Baobab"
786:The New York Times
751:The New York Times
508:The New York Times
272:Detroit Free Press
205:
201:Critical reception
1067:The Village Voice
819:Recording Academy
670:
669:
652:"El Son te Llama"
608:"Jiin Ma Jiin Ma"
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42:Orchestra Baobab
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788:. p. 2.15.
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766:The Independent
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619:"Ndongoy Daara"
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528:Chicago Tribune
495:Financial Times
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1216:. p. 7.1.
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1141:. p. B17.
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971:. p. E25.
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597:"Dée Moo Wóor"
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186:Ibrahim Ferrer
172:Youssou N'Dour
163:
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149:Pirates Choice
134:
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109:Pirates Choice
101:
100:
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90:Youssou N'Dour
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1231:. p. U6.
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1186:. p. 68.
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1156:. p. 15.
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1054:. p. M9.
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1021:. p. R4.
1020:
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1006:. p. D6.
1005:
998:
996:
987:
986:
978:
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956:. p. 24.
955:
948:
940:
939:Rolling Stone
933:
931:
929:
921:. p. C1.
920:
913:
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898:
891:. p. J4.
890:
883:
881:
872:
865:
857:
850:
843:. p. 15.
842:
835:
820:
816:
810:
802:
795:
787:
780:
778:
776:
768:. p. 38.
767:
760:
753:. p. E5.
752:
745:
737:
730:
722:
716:
709:. p. 37.
708:
701:
699:
691:. p. 52.
690:
683:
679:
665:
662:
658:
654:
651:
647:
643:
640:
636:
632:
630:"On Verra Ça"
629:
625:
621:
618:
614:
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607:
603:
599:
596:
592:
588:
585:
581:
577:
575:"Bul Ma Miin"
574:
570:
557:
551:Track listing
548:
546:
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534:
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529:
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520:
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502:
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491:
489:
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487:Rolling Stone
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431:Rolling Stone
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211:Review scores
209:
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157:
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81:
78:
74:
73:World Circuit
71:
69:
65:
62:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
1228:
1222:
1213:
1207:
1201:. p. 7.
1198:
1192:
1183:
1177:
1171:. p. 6.
1168:
1162:
1154:The Guardian
1153:
1147:
1139:The Province
1138:
1132:
1123:
1117:
1108:
1087:
1066:
1060:
1051:
1045:
1036:
1018:
1012:
1004:Toronto Star
1003:
984:
977:
968:
962:
954:Sun-Sentinel
953:
947:
938:
918:
912:
903:
897:
888:
870:
864:
858:. p. 8.
856:The Scotsman
855:
849:
840:
834:
822:. Retrieved
818:
809:
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759:
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706:
688:
682:
543:
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512:
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493:
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485:
481:Toronto Star
479:
474:The Guardian
472:
467:
429:
393:The Province
391:
379:
341:
303:
270:
184:
175:
167:
165:
156:Grammy Award
153:
148:
139:
138:
137:
124:
116:
115:
108:
37:Studio album
1254:2002 albums
801:New African
88:Nick Gold,
1243:Categories
674:References
523:Specialist
513:Specialist
176:Specialist
162:Production
99:chronology
904:Billboard
871:Billboard
841:The Times
824:18 August
586:"Sutukun"
1184:Newsweek
1088:AllMusic
736:DownBeat
663:"Gnawoe"
545:AllMusic
501:Newsweek
225:AllMusic
195:Mandinka
84:Producer
77:Nonesuch
49:Released
39: by
531:listed
128:(2006)
121:(2002)
112:(2001)
723:. NPR.
567:Length
219:Rating
216:Source
180:mbalax
57:Studio
564:Title
191:Wolof
68:Label
826:2022
666:6:21
655:5:25
644:5:52
633:4:56
622:5:19
611:6:03
600:4:16
589:5:30
578:6:02
52:2002
560:No.
1245::
1107:.
1096:^
1086:.
1075:^
1027:^
994:^
927:^
879:^
817:.
774:^
697:^
660:9.
649:8.
638:7.
627:6.
616:5.
605:4.
594:3.
583:2.
572:1.
386:B+
193:,
1111:.
1090:.
828:.
265:A
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