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Sotadean metre

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5038:– – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u u u u | – – – – u u | –, – u u | – u u u u | – – – – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u – u | – – u u – u u | –, – u u | –, u u u u | – – – – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u – u | – – 2901:. The speeches of various characters (a gouty man, the goddess Podagra, a messenger, and two hapless doctors) in iambic trimeters are interspersed with choral songs in various metres. Among these songs is a 12-line poem in sotadeans, in which the chorus describe their manner of worshipping the goddess Gout (Podagra). 3505:
The metre has a lot of resolutions, two pure ionic lines, and some trochaic rhythms in the 1st or 2nd metra. But otherwise it is fairly strict with exactly 6 morae in each metron. There is a caesura after the fifth position in almost every line. Whenever a trochaic metron is used, it ia always in the
491:
or time units. The beginning of each metron (marked in bold in the examples below) comes at regular intervals. In some writers, however, such as in the lines quoted by Stobaeus, or in the Latin sotadeans of Plautus, Accius and Varro, occasionally a metron of 7 time-units is allowed, such as | – u – –
4302:
The style of the metre as written by Accius is of the less strict kind. For example, he sometimes allows – u – – and – – – u to stand in place of – u – u. In such metra, a long syllable, provided it was unaccented, could be used in place of a short syllable, a similar rule to that found Plautus
2712:
Egyptian. Two of the Greek texts are in the sotadean metre. One of these is an -line sotadean poem supposedly addressed by the pillar itself to passers-by. The first two lines are entirely ionic, but then after that trochaic metra are also used. (One line, the 7th, is entirely trochaic.) Apart from
3605:
In this seven-line extract, an accent (which by this period was a stress accent) is placed on the penultimate syllable of every line; this is also true of some, but not all, of the remaining fragments collected by West. The practice of placing an accent on the penultimate syllable of a line became
5278:
writes the whole section on letters of the alphabet (lines 85–278) in sotadeans. These sotadeans, however, are very different from those of earlier authors in their subject matter. They also differ metrically, and are much simpler. Some lines are pure ionic, and if a trochaic rhythm is used it is
4283:. No other lines in this metre are found in Plautus's 20 plays. The question arises why Plautus used the metre only here. According to Tom Sapsford, in the use of the metre there may be an implication that among the work Sosia was expected to do at night was servicing his master in the bedroom. 3552:
The metre of the fragments has been much discussed, but Martin West classifies them as a kind of ionic metre similar to sotadean. However, it is a different type of sotadean from other examples quoted in this article, with three long syllables in the last metron instead of two. The other metra
803:(a follower of Arius) as resembling "mincing and effeminate sotadeans" which seemed to him to go along "tapping with the foot and clicking with the fingers in time with the rhythm". West comments: "This passage is valuable as an indication of the method of delivery of real sotadeans." 5070:
The metre is much more regular than in Accius and Varro, and apart from the occasional resolution, every line is the same with anaclasis only in the 3rd metron. There is a regular caesura after the 5th syllable and also after the 9th in almost every line (in every line if the prefix
3935:
uu – u – | – – u – | uu – uu | – – – uu – – | uu – uu | – u – – | uu – – uu – uu | uu – uu | – uu – | uu – – – – – | – uu – | – uu – | uu – – – – u | – u – uu | – – – | uu – – uu – u | – u – uu | – u – u | – – – uu u – u | – uu – | – – uu | – – –
1084:
of Alexandria has been described as a "sort of court jester travelling from one kingdom to another and making a living from poking fun at Hellenistic rulers". Only a few lines from his poetry have survived, some of an obscene or satiric nature. The following gives a flavour:
960:
However, nowadays the hendecasyllable is classed as a type of Aeolic metre, a different species of Greek poetry. The hendecasyllable also lacks the variability seen in the sotadean; for example, it never has resolution or (except in Catullus' poems 55 and 58B) contraction.
2096:
Again, the style of the metre here is irregular. In the first line above, there is resolution in the first two metra, while the third has seven morae. In the second, the trochaic rhythm is found in the first metron but not in the third. The third line starts with ionic
4105:
Compared with some other poets, these lines seem quite regular. They exhibit anaclasis of the 1st and 2nd metron, resolution (uu for –), and contraction (– for uu). The slightly salacious tone for which Sotades was famous is illustrated in the first two lines above.
1539:(5th century AD). However, it is not thought that they were composed by Sotades himself, first because the dialect is different, and secondly because the metre has metrical licences, such as 7-mora metra, of the kind not used in the genuine fragments of Sotades. 5443:
uu – u u | –, – u u | –, u – u | – – – – u u | – –, u u | –, – u u | – – – – u u | – –, u u | –, u – u | – – – – u u | – –, u u | –, u – u | – – – – u u | – –, u u | – – u u | – – – – u u | –, – u u | –, – u u | – – – – u u | –, – u u | – u – u | – –
334:
The sotadean was used both in Greek and in Latin literature, and by several authors, but it is not very common. It had a reputation for being vulgar and indecent; but it was also sometimes used for more serious purposes, for example, didactic poems such as
1649:
In the first line above there is a 7-mora iambic metron (– – u –). The second line, apart from the resolution of the first element, is purely ionic. There is a strong caesura after the fifth element in both lines, however, in the manner of Sotades.
1068:
mocking him for his small stature. If it is true, it puts the beginning of the sotadean metre about 360 BC. However, some scholars believe that the verse may simply be a quotation from a later poem by Sotades or one of his imitators.
2313:
Dated to the late 1st century AD is an inscription in a temple in Kalabsha on the border of southern Egypt. It is by a Roman cavalry officer called Paccius Maximus, and the initial letters of the first 22 lines make an acrostic:
4685:
The substitution of – u – – and – – – u for – u – u is the same as that found in Accius's version of the sotadean. In the first two lines the caesuras come at the end of the 1st and 2nd metron, but the 3rd line is regular.
322:
A characteristic of the sotadean metre is its variability. Sometimes the trochaic rhythm is found in the first metron or the second; sometimes the ionic rhythm continues through the whole line. Usually each metron has exactly 6
815:. In the following couplet, an ionic dimeter is combined with an anacreontic. The resultant line resembles a sotadean, except that it has an extra two short syllables at the beginning; and also the caesura is placed later: 2120:
Papyrus P. Oxy. 413 has part of a play, known as the "Charition Mime", mostly in prose, in which an intoxicated Indian king bursts into sotadean verse, addressing the moon goddess Selene. The poem begins with these words:
2557:
u u u u u u | – –  u u | – u u u u | – – – u u u u | – – – | – – u u | – – u u – u u | – u u u u | – u u u u | – – – u u u u | – u – u | – u – u | – – – – u u | u – – u | – u – u | – –
5582:
The first type is like the simple pure ionic type of sotadean, except that it is one syllable shorter. The second line has anaclasis of the same type as in the sotadean, but in the second metron rather than the third.
2053:– u u u u | –, u u u u | – – – u | – – – u – u | – u u, u u | – – u u | – – u u – – | u u –, u u | – u – u | – – u u – u u | – –, – | – u – u | – – – – u u | – –, – | – u u u u | – – 624:("passive homosexual"), and refers to the fact that in some cases a dactylic hexameter, if read with the words in the reverse order, becomes a sotadean. He says that these metres are appropriate for the likes of 775:
objected strongly to this rhythm, calling it "weak", "undignified", and "somewhat effeminate". He added: "the line seems to undergo a metamorphosis, just like those men who change from male to female in myths".
4238:– – u u | –, – u u | – u – u | – – – – – | –, u – u | – u – u | – – – u u u u | – – u u u | – u – u | – – – – u u | – u – u | – u – u | – – – – u u | –, – u u | – u – u | – – 4120:. They form part of a song in which the slave Sosia grumbles about the work he is being given to do by his master Amphitruo. The text and translation of the third line are not certain, however. 5496:
No exact equivalent of the sotadean metre is found in Persian. The following metre, however, is the same as the lines in pure Ionic metre above. The example comes from the 11th-century poet
2247:(homosexual), but the poem is very fragmentary and difficult to interpret. It begins with an entirely trochaic line, though other lines or surviving parts of lines contain ionic metra also: 3996:). This is thought to have been a translation of a poem by Sotades himself. Three complete lines and two part-lines have survived, mainly quoted by grammarians to illustrate unusual words. 3454:– – u u | –, u u u u | u u u – u | – – – u u u u | –, u – u | –, u – u | – – – u u u u | –, – u u | –, u – u | – – – – u u | – –,  u u | – – u u | – – (ionic) 3460:
u u u u u u | –, – u u | –, – u u | – – (ionic) u u – u u | –, u – u | –, u – u | – – – – u u | –, u – u | –, u – u | – – u u u – u | –, – u u | u u u – u | – –
542:
in one of his letters feels it necessary to make excuses for his sometimes reading comedies, mimes, lyric poems, and sotadeans, which some people thought undignified for a gentleman.
6085: 3457:
u u – u u | –, u u u u | –, u – u | – – – u u u u | –, – u u | u u, u – u | – – u u u u u u | –, – u u | –, u – u | – – u u – u u | –, u – u | u u, u – u | – –
5493:, L. P. Elwell-Sutton, conjectured that there may have been a continuous tradition of this rhythm in Persian music from ancient times; although evidence for this is lacking. 2578:
The metre is purely ionic until line 4. In line 5 there is an unusual antispast metron (u – – u). However, throughout the poem the metra have the regular length of 6 morae.
381:
rhythm (– – u u). According to Victorinus there were two main types of sotadean, the pure ionic, consisting of four ionic metra with the last two syllables deleted:
327:, but there is also a less strict type of sotadean found in some writers in which a metron may have 7 morae, such as – u – –, – – – u, or – – u –. There is also frequent 5260:
Although Martial generally refused to write in the sotadean metre, here he uses it speaking on Zoilus's behalf. Elsewhere (3.82) he lampoons Zoilus as very effeminate.
445:
There are frequent variations in the metre. Sometimes the trochaic rhythm (– u – u) is used in the first or second metron as well as the third (rarely in all three):
2231:
There are two further lines but incomplete. The runs of short syllables perhaps give some idea of the exotic frenzied music which presumably accompanied the dance.
1513:– – u u | – – u u | –, u u u u | – – – u – u | –, – u u | – u u u u | – – – u u u u | –, – u u | – u – u | – – – – u u | –, – u u | – u – u | – – 532:
says that love elegies, hendecasyllables, and sotadeans were unsuitable for teaching to boys, adding "concerning sotadeans I do not even need to give a warning" (
4807:– – u u | – u – u | –, u uu u | – – u u – u u | –, – u u | – u – u | – – u u – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u – u | – – 3545:. Athanasius characterises the work as effeminate and lax, and criticises it for imitating the ethos and song of the Egyptian Sotades. The church historian 1244:
in the first metron, and anaclasis (inversion of – u) in the third metron and occasionally in the second metron also. The third line has a delayed caesura.
509:
after the fifth syllable. Occasionally, however, the caesura is found after the sixth syllable. There is also often a caesura after the 9th syllable.
354:
is also sometimes said to have been written in sotadean metre, but it has been shown to be in a slightly different type, longer by one syllable.
232: 5198:'s ten books of epigrams. The joke is that Zoilus was once a slave, but now wears the ring of a Roman knight. Both lines have the same rhythm: 2581:
In the 19th line of this poem, Maximus describes the practice of tapping the body with a stick to help in keeping time in this complex metre:
437:
However, he admits that the difference is "purely theoretical". Other scholars have sought to explain the sotadean as a kind of aeolic metre.
4276:. However, this is not necessary if it is assumed that Plautus is following the same rules as Accius does, allowing for the metron – – – u. 2239:
Another papyrus fragment, called the Iolaus Narrative, possibly a novel, also contains a poem in sotadean verse, apparently addressed by a
5874:
A possible alternative translation is: "she was in labour with a mountain, but in the end produced only a mouse": Howard Jacobson (2007).
1247:
Another line is the following, which Athenaeus and Plutarch inform us was written in criticism of the incestuous marriage between King
4524:– – u u | – u – –, | – – u u | – – – u u – | – – – u, | – u – u | – – – – u u | u u – –, | u u – u u | – – – – u – | 3531:, "Bountiful", the name of one of the Muses) about 320 AD. This work has not survived, but the first seven lines of it were quoted by 2713:
the varied placing of trochaic metra, and the occasional resolutions, the metre is regular, with six morae in each metron. It begins:
923:
In terms of subject-matter (self-emasculation) Catullus's poem 63 is reminiscent of the poem in sotadeans by Petronius quoted below.
811:
D. S. Raven points out that another metre very similar to the sotadean is the anacreontic, made popular by the 6th-century BC singer
4828:
In another poem later in the novel, the narrator, Encolpius, who has been rendered impotent, tries but fails to emasculate himself:
4668:– – –,  | u u – u u, | – u – – | – – – – – u, | – – u u, | – u – u | – – – – u u | –, – u u | –, u – – | – – – – 2708:
set up by a certain Moschion to the god Osiris for curing his foot (2nd century AD). This contains six texts in Greek and three in
5666: 425:, follow the same analysis as Hephaestion and Victorinus, although D. S. Raven suggested an alternative analysis based on the 5186:
The sotadean is the purely ionic type. The caesuras also come at the end of each metron, unlike the style used by Petronius.
6316: 5772: 225: 5551:
Most Persian poems use a single metre throughout, without mixing pure and anaclastic forms, but one type of poetry, the
1226:
u u – u u | –, u – u | – u – u | – – u u – u u | –, u – u | – u – u | – – – u u u u | – –, u u | – u – u | – –
520:; that is, the line may end with a short syllable which counts as long because of its position at the end of the line. 4568:
In these verses Accius favours a caesura at the end of the second metron, and sometimes also at the end of the first.
457:(the substitution of two short syllables for a long one) is common, so that lines such as the following may be found: 4579:, a contemporary of Cicero, is also said to have written sotadeans. The following lines are quoted by the grammarian 628:, a grammarian and minor poet of the age of Nero, notorious for his dissolute life, homosexuality, and loose morals. 2858:
uu – u u | – – u u | – – u u | – – – – u u | – – u u | – – u u | – – –  u – u | – – u u | – – u u | – –
2321: 1712:
In the second line of the following extract, the trochaic rhythm is found in both the second metron and the third:
6394: 1072:
Because of the resolution in the 3rd metron, it is unclear whether the verse is pure iambic, or has anaclasis.
295:, though in fact it is half ionic and half trochaic. It has several variations, but the usual pattern is this: 218: 6477: 5529:
rhythm, in which the sotadean ends, also occurs in Persian poetry, for example in the following example from
3553:
sometimes have an extra short syllable, making them iambic (– – u –) or trochaic (– u – –). The
2692:
After this poem there are a further six lines, the first line sotadean, the rest dactylic, describing the
5150:, a kind of gladiator armed like a Gaul with sword and shield, who had an image of a fish on his helmet. 5489:
was in this metre. The metre re-emerges in Persian poetry of the 10th century and later. The author of
3546: 2324:
Maximus, wrote this". The poem begins as follows, explaining how Maximus was inspired to write a poem:
689:
attributed to "Demetrius" (possibly 2nd century BC), quotes one of the lines. Taking the Homeric line:
5849: 4116: 2897:(2nd century AD), among other works, wrote a short mock-tragic drama of 334 lines about Gout, called 4070:
The following has the trochaic rhythm in 1st and 3rd metra, while the 2nd has three long syllables:
2876:
There is a second sotadean poem on the pillar, of nine lines, of which the initial letters form the
1318:
But as well as satiric poems such as the above, Sotades is also said to have rewritten the story of
6472: 5736:
To help in reading, the syllable at the beginning of each metron is marked in bold in this article.
3532: 780: 487:
In all these variations, whatever the shape of the metron, in most writers it remains equal to six
405:. However, other metricians do not make this distinction; for example, Quintilian calls both kinds 368: 61: 2682:"And like one who is tapped (or who taps himself) on the body with a stick in time with a melody, 1248: 387:
The other type has two ionic metra followed by an ithyphallic (i.e. two trochees and a spondee):
5466:
while others are completely silent and will block the mouths of those trying to pronounce them."
6396:
A Manual of Classical Persian Prosody, with chapters on Urdu, Karakhanidic and Ottoman prosody.
6145:(i.e. "rich in workmen"); but Sedgwick (1960), de Melo (2011), and Christensen (2000) all take 5121: 4576: 2689:
The second of these lines is unusual in having a trochaic rhythm in all the first three metra.
422: 76: 4710:(camp homosexual) prior to his attempting to make a sexual assault on the narrator Encolpius: 6482: 22: 5481:
The ionic metre was particularly associated with Persia; for example, the opening chorus of
481:
There is also sometimes contraction of two short syllables into one long one, for example:
418:. It is, however, uncertain which of these two rhythms is primary and which is derivative. 81: 8: 4270:, making the second metron of line 3 of seven morae. For this reason some editors delete 1050: 800: 618:"leaning backwards" by Greek and Roman metricians. In the second line he calls Sotades a 4299:, which discusses the history of Greek and Latin poetry, seem all to be in this metre. 3566: 2709: 1241: 613: 488: 454: 415: 340: 328: 324: 186: 156: 111: 71: 41: 5048:(my penis) took fright at the steel, which since I was trembling, was hard to control; 5182:'It's not you I'm aiming for, it's the fish; why are you running away from me, Gaul?' 4063: 791:. He calls the metre effeminate and undignified, and criticises Arius for "imitating 539: 528:
Sotadean verses had a reputation for being indecent and effeminate. The educationist
372: 4354:– – u u u, | – u u u u | – u – –, | – – – u – –, | – – u u,| u u u – –, | – – 4704:. The first consists of the following four lines, spoken at a night-time orgy by a 4580: 4366: 4291:
Another early Latin poet who wrote sotadean verses, a few years after Plautus, was
1045:"the mountains will be in labour, but all that will be born is a ridiculous mouse". 894: 796: 625: 596:
Martial alludes to the fact that galliambic verses (the metre of songs sung by the
554: 252: 201: 181: 136: 1638:– – u u | –, – u – | – u – u | – – u u – u u | –, – u u | – – u u | – – (ionic) 6417: 6221: 5636: 4280: 930: 546: 517: 196: 191: 171: 166: 86: 66: 51: 46: 5476: 287:) was a rhythmic pattern used by and named after the 3rd-century BC Greek poet 116: 3940:"From men chosen by God according to their faith, intelligent children of God, 2685:
I called upon Harmony as an accomplice in the song to help me to inscribe it."
1030:"A mountain was in labour, and Zeus was scared; but it gave birth to a mouse." 6466: 5530: 4436: 4292: 3565:(u u – –) is more common. In the last three lines there are four examples of 1807:
uu – u u | – –, u u | – u – u | – – uu – u u | –, u – u | – u – u | – –
1061: 1034:
The proverb is famous since it recurs in Horace's well known hexameter line:
557:
and the sotadean metres and gives his reasons for refusing to write in them:
336: 161: 121: 36: 31: 2678:– – u u | – u u u u | – u – u | – – – u – u | – u – u | u u u – u | – – 2220:– u u u u | – u u u u | – u – u | – – – u u u u | – – u u | – u – u | – – 1535:
Some lines attributed to Sotades were included in an anthology collected by
642:"the sky holds the stars, the sea fleets, and a threshing-floor the harvest" 5526: 1065: 977:
Possibly one of the earliest lines in the sotadean metre is the following:
131: 96: 56: 5269: 5051:
and now I was no longer able to do what I had been wanting to accomplish;
3606:
common in various types of Greek poetry from the 2nd century AD onwards.
969:
In the following examples, the beginning of each foot is marked in bold.
901:
in his poem 63. This consists of an anacreontic half line, followed by a
292: 126: 6333: 6025: 6005: 5875: 5789: 5249:– – u u | –, – u u, | – u – u | – – – – u u | –, – u u, | – u – u | – – 4424:– – u u | – – u u | – u – – | – – u u u – – | – – – u | – u – – | – – 2117:
Some papyri found in Egypt contain sotadeans, but they are fragmentary.
6409: 5497: 4358:"For, if you please, learn how various are the types of poems, Baebius, 1252: 926: 795:'s dance and playing" instead of using a more solemn style. Similarly, 529: 6321:
Performing the Kinaidos: Unmanly Men in Ancient Mediterranean Cultures
5777:
Performing the Kinaidos: Unmanly Men in Ancient Mediterranean Cultures
5649: 5624:
Performing the Kinaidos: Unmanly Men in Ancient Mediterranean Cultures
5054:
for she (i.e. my penis), from fear colder than the freezing midwinter,
2865:
do you annoy me, wishing me to interpret, since I am carefully wrought
393:
According to Victorinus, some metricians liked to call the first type
6286: 5747:
Aristotle the Poetics, Longinus on the Sublime and Demetrius On Style
5552: 5482: 5133: 5127: 5078:
In the opening lines Petronius parodies the tragic style of Virgil's
4700: 4695: 4031:
The following has the trochaic rhythm in both the 2nd and 3rd metra:
3911: 3888: 3865: 3842: 3819: 3796: 3773: 3539:
written about 340 AD, and twenty years later another 42 lines in his
3430: 3408: 3385: 3362: 3338: 3315: 3292: 3270: 3246: 3224: 3202: 3180: 2834: 2811: 2788: 2693: 2655: 2632: 2533: 2511: 2488: 2466: 2443: 2273: 2196: 2173: 2082: 2071: 2065: 2029: 2006: 1983: 1961: 1938: 1784: 1762: 1680: 1614: 1591: 1490: 1468: 1445: 1423: 1328:
in sotadean metre. The following extract is in a more serious style:
1283: 1203: 1180: 1158: 1057: 1003: 902: 866: 851: 744: 705: 304: 206: 151: 4431:
they return a response differently from the way it was told to them"
3572:
The first seven lines are shown below. To fit the metre, West scans
2568:
my life was being struck in my mind from all sides in a strange way;
5145: 4811:"This way, this way, quickly, come together now, you wanton queers, 3952:
I followed in the footsteps of these men, sharing in their beliefs,
3487:
invisible, hidden, sinking into the innermost part of their joints,
2877: 2058: 1536: 898: 812: 414:
The process whereby – u – u is substituted for – – u u is known as
146: 106: 101: 91: 6203:
Livius Andronicus, Naevius, Pacuvius, Accius: Remains of Old Latin
5460:
but the ones which are consonants, unless you join them to vowels,
4062:"Some soft (i.e, homosexual) men were going to weave a garland of 631:
Quintilian's example of a reversible hexameter is the following:
5195: 4254:
He reckons it's fair, and is not concerned what hard work it is!"
1081: 550: 513: 504: 288: 5042:"Three times I seized the terrifying two-edged (axe) in my hand; 4435:
Another extract from Accius's work on poetic history, quoted by
6456:
are "overlong" and count in Persian metre as equivalent to – u.
6290: 5057:
had fled for refuge into my bowels, hidden in a thousand folds,
4248:
The rich master himself, who has no experience of work or toil,
3977: 2894: 2562:"When I went to catch sight of the blessed place of the desert, 2078: 1240:
This extract shows two features typical of the metre: frequent
792: 787:
for imitating the metre of Sotades in his theological treatise
646:
which when reversed becomes a sotadean of the pure ionic kind:
607: 603: 176: 5909:
Horace's line is also sometimes quoted with the present tense
4251:
whatever happens to take a man's fancy, he thinks it possible;
3946:
I learnt (all) these things, from those who partake of wisdom,
3478:
but when the delicate flower of the elm-tree swells in spring,
318:"three times I seized the terrible two-edged axe with my hand" 6416:, vol 13. (Available on JSTOR.); Elwell-Sutton, L.P. (1976). 4821: 4242:"Nights and days continuously is enough and more than enough. 3991: 3985: 3955:
I, the famous, I who have suffered much for the glory of God,
3748: 3725: 3702: 3679: 3656: 3633: 3610: 3597: 3591: 3585: 3579: 3573: 3526: 3518: 3155: 3133: 3110: 3087: 3063: 3040: 3017: 2995: 2971: 2949: 2927: 2905: 2880: 2763: 2740: 2717: 2705: 2608: 2585: 2418: 2396: 2373: 2351: 2328: 2315: 2251: 2148: 2125: 2089: 1913: 1890: 1867: 1845: 1822: 1738: 1716: 1657: 1566: 1543: 1399: 1377: 1354: 1332: 1324: 1319: 1259: 1134: 1111: 1089: 1060:. It was supposedly said by the 4th-century BC Egyptian King 981: 834: 819: 784: 720: 693: 678: 611: 351: 6205:, Volume II, (Loeb Classical Library vol. 314), pp. 578–587. 3943:
holy right-judging men, who have received God's holy spirit,
2574:
my nature was calling me then to cultivate a mystic labour."
919:"Attis, after sailing over the high seas in a swift ship..." 431:(u u – –) with the first two syllables omitted, as follows: 6047:
Vox Graeca: A Guide to the Pronunciation of Classical Greek
5279:
always in the third metron. The section begins as follows:
4817:
You with supple thighs, waggling buttocks, shameless hands,
4295:, but on a more serious subject. The fragments of his work 2868:
and do not have the simple, regular appearance of standard
1311: 276: 273: 264: 258: 5066:
I took refuge in words, which were able to harm her more.'
5060:
and so I did not manage to uncover her head for execution;
4027:"He, knocked backwards, fell on his bum, flat on his back" 3559:
rhythm (– – u u) is almost entirely absent while the
3498:
it eats, devours, burns, overpowers, inflames and softens,
2704:
Also from Egypt, from Xois in the Delta, is the pillar or
1818:
Another 16-line fragment ends with wry humour as follows:
1708:"You should be a stranger to those who do not think well." 1642:"Imitate the good, and you will remain best among mortals. 6220:"they wish" is pronounced as two short syllables (uu) by 4279:
The metre of 168–172 was first recognised as sotadean by
367:
The sotadean is considered by ancient metricians such as
6338:
Materiali e discussioni per l'analisi dei testi classici
4245:
Whatever needs to be done or said, you can't stay quiet.
3549:
also described it as being "similar to sotadean songs".
3501:
until such time as the goddess orders the pain to flee."
712:"brandishing his Pelian ash-spear on his right shoulder" 343:'s grammatical treatise on the letters of the alphabet. 5514:'Arise and bring fur, since it is the season of autumn' 5463:
some of them will produce a half-sound from themselves,
3464:"We do not shed our impetuous blood with cuts of steel, 1653:
Another example has an irrationally long first metron:
577:"Because I don't boast in poems which lie on their back 5773:"Desert Fragments: Kinaidic Verse in Egypt and Beyond" 5253:"These chains with their twin fetters Zoilus dedicates 3976:
The first poet to use the sotadean metre in Latin was
2074:
died when he choked after eating a grape from a bunch;
1523:
of holy Greece and the sanctum of the ancestral hearth
1520:
on foreign ground, having abandoned the orphaned walls
933:
line appears to be a shorter version of the sotadean:
716:
Sotades rearranged the words to make a sotadean line:
5745:
Hamilton, F. W., & Roberts, W. R. (1991). trans.
5136:
armed with a net and trident, who was set to fight a
3470:
nor are our backs struck with rattling whips of bones
2227:(advancing) to a rhythm with loose barbarian step..." 279: 255: 5448:"The elements, which schoolmasters teach young boys, 4428:"so that while they aim to achieve brevity of words, 3958:
having learnt wisdom from God, I also have obtained
3949:
astute men, divinely taught in everything, and wise;
3467:
no strands of hair are bent round our neck in curls,
1526:
and lovely youth and the beautiful face of the sun."
1233:
through a tree-lined chasm pushed out a thunderclap,
1056:
The Greek verse is included in a story recounted by
466:
Sometimes the line starts with two anapaests, or an
270: 261: 5692: 5690: 5454:
since the former can produce a sound by themselves,
5194:The following couplet is the only example found in 4814:
run quickly, add to your speed, fly with your feet!
4672:"A cow moos, a sheep bleats, horses whinny, a hen's 2862:"Why, waking me as I sleep with dreamless thoughts, 2224:"I lead an immense barbarian chorus, goddess Selene 2068:
was writing something, a tortoise fell on his head;
267: 6351:Gladiators: Violence and Spectacle in Ancient Rome 5045:three times, suddenly softer than a cabbage stalk, 4439:, discusses which plays of Plautus are authentic: 1814:but the life mixed moderately is a righteous one." 1236:an idle one, such as an old plough-ox lets loose." 339:'s now lost history of Greek and Latin poetry, or 331:(substitution of two shorts for a long syllable). 6238:here has a long ū, as sometimes in Plautus (e.g. 5451:some of them they call vowels, others consonants, 4678:sated with warm milk, sacrificed with flour-meal, 4101:"Another wishes to hold an oar in the great sea." 1230:"And he, uncovering the hole of his back passage, 6464: 6410:"The Foundations of Persian Prosody and Metrics" 5687: 4361:and how far distinct they are one from another." 4114:The following five lines are found in Plautus's 3484:then a sharp weapon pierces the devotees' limbs, 3481:and a melodious blackbird sings on its branches, 3473:nor do we feed on the raw meat of torn-up bulls; 5547:"If looking is forbidden, I have plenty of sin" 893:Another related metre of the Ionic type is the 6334:"A proposito dei versi sotadei, greci e romani 6289:explains that Delians were famous for rearing 4365:Another example from the same work, quoted by 1517:"There the dead were lying at the top of pyres 6451: 6445: 6362:cf. 11.37.3. D. R. Shackleton Bailey (1993): 6090:The Cambridge History of Classical Literature 5537: 5504: 5063:but, tricked by deadly fear of that criminal, 3492:foot, knee, hip-socket, ankles, hips, thighs, 2565:to release my soul's beloved breath with air, 1811:"The poor man is pitied, the rich man envied; 637:astra tenet caelum, mare classēs, ārea messem 226: 6036:, New Series, vol. 33, 1, pp. 98–105, p. 98. 5539:man agar nazar harām ast * bas-ī gonāh dāram 4694:The metre next occurs in two short poems in 4675:chick cheeps, a dog barks, and donkeys bray; 4375:"I pay back, recompense", is the following: 3495:hands, shoulder-blades, arms, elbow, wrists, 1645:Law is a god. Honour it always and forever." 882:u u – – | u u – – || u u – u | – u – – 512:The final syllable of the line, as usual in 16:Poetic metre used in Ancient Greek and Latin 6255: 6233: 6215: 6152: 6146: 6140: 6134: 6102: 5910: 5895: 5419: 5396: 5374: 5351: 5328: 5305: 5283: 5273: 5256:to you, Saturn, his rings of earlier days." 5225: 5202: 5154: 5143: 5137: 5125: 5103: 5093: 5083: 5015: 4992: 4970: 4947: 4924: 4901: 4878: 4855: 4832: 4783: 4760: 4737: 4714: 4705: 4656: 4633: 4610: 4587: 4512: 4489: 4466: 4443: 4401: 4379: 4370: 4330: 4307: 4271: 4265: 4259: 4215: 4192: 4170: 4147: 4124: 4074: 4035: 4000: 3560: 3554: 3540: 2104: 2098: 1038: 940: 909: 685:in ionic metre. The author of the treatise 650: 635: 619: 597: 591: 581: 568: 561: 533: 502: 467: 426: 406: 400: 394: 376: 311: 6073:Remains of Old Latin: Ennius and Caecilius 5799:, New Series, Vol. 33, No. 1; pp. 98, 105. 5506:khīzīd o khaz ārīd, ke hengām-e khazān ast 3584:with a long sigma. He also adds the words 2885:"of Moschion". The metre is also regular. 1053:'s version (book 4.24) of Aesop's fables. 291:. It is generally classified as a type of 233: 219: 6366:(Loeb Classical Library vol. 94), p. 209. 5878:parturient montes, nascetur ridiculus mus 5618: 5616: 5614: 5555:or quatrain, mixes two metres at random: 1040:parturient montēs, nāscētur rīdiculus mūs 911:super alta vectus Attis celerī rate maria 6012:, new series, Vol. 45, No. 1, pp. 24–36. 3980:, who wrote a work in this metre called 3569:, sometimes crossing metron boundaries. 475:u u – u u | –, u u u u | –, u – u | – – 6224:, a metrical feature common in Plautus. 6020: 6018: 1530: 535:dē sōtadēīs nē praecipiendum quidem est 498:– u u u u | –, u u u u | – – – u | – – 448:– u – u | – – u u | – u – u | – – 390:– – u u | – – u u | – u – u | – – 6465: 6384:Translation by D. R Shackleton Bailey. 5611: 5544:u u – u – u – – || (u) u – u – (u) – – 5522:suggests division into feet as above. 5120:Of uncertain date is a line quoted by 2571:since I had no proof that I knew evil, 1026:– – u u | –, – u u | – u, u u u | – – 916:u u – u | – u – – || u u – u | u u u – 463:u u u u u u | – – u u | – u – u | – – 350:by the heretical Christian theologian 5844: 5842: 5840: 5758:To be pronounced as three syllables: 5457:and no word can be made without them; 4058:– – u u | –, u – u | u u u – u | – – 2297:– u – u u | – u – u | – u – u u | – – 707:seíōn Pēliáda melíēn katà dexiòn ômon 695:σείων Πηλιάδα μελίην κατὰ δεξιὸν ὦμον 478:u u – – | u u –, u u | – u – u | – – 472:and anapaest, such as the following: 313:ter corripuī terribilem manū bipennem 6086:"The satires of Ennius and Lucilius" 6075:(Loeb Classical Library), pp. 402–5. 6015: 5470: 5178:– – u u, | – – u u, | – – u u | – – 4097:u u u – u | –, – – | – u – u | – – 1306:– – u u | –, – u u | –, u – u | – – 972: 768:– – u u | –, – u u, | – u – u | – – 674:– – u u, | – – u u, | – – u u | – – 501:Many of the surviving verses have a 460:– – u u | – – u u | – u u u u | – – 375:(4th century AD) to be based on the 5511:– – | u u – – | (u) u – – | u u – – 5275:De litteris, de syllabis, de metris 4023:– – u u | –, – u u | – u – u | – – 2234: 13: 6107:: Lindsay (Oxford Classical Text). 6034:The Journal of Theological Studies 6010:The Journal of Theological Studies 5837: 5797:The Journal of Theological Studies 5608:Merriam-Webster online dictionary. 2308: 1704:u u u – – | – – – | – u – u | – – 677:Sotades is said to have rewritten 495:u u u – – | – – – | – u – u | – – 484:– – u u | – – – | – u u u u | – – 451:– – u u | – u – u | – u – u | – – 434:– – | u u – – | u u – u | – u – – 384:– – u u | – – u u | – – u u | – – 14: 6494: 3966: 3509: 2112: 1255:, which took place about 273 BC: 964: 886:"And there is no longer much time 806: 299:– – u u | – – u u | – u – u | – – 6435:is "overlong" and counts as – u. 6317:"The Drumming of a Deviant Beat" 6062:(tr. H. Lloyd-Jones), pp. 15–16. 5115: 5075:is counted as a separate word). 3537:First Oration Against the Arians 3521:wrote a theological work called 2061:died after eating a raw octopus; 799:criticised the prose rhythms of 570:nec retrō lego Sōtadēn cinaedum, 421:Most modern metricians, such as 251: 6438: 6425: 6402: 6387: 6378: 6369: 6356: 6343: 6326: 6309: 6296: 6276: 6263: 6260:is added by an editor (Müller). 6249: 6227: 6208: 6195: 6186: 6173: 6160: 6123: 6110: 6095: 6078: 6065: 6052: 6039: 5998: 5985: 5976: 5967: 5958: 5949: 5936: 5927: 5918: 5903: 5888: 5868: 5859: 5824: 5815: 5802: 5782: 5765: 5752: 5739: 5730: 5721: 5712: 2300:"Noble Iolaus, greetings, and, 1314:into a hole which is not holy." 741:(Sotades, fragment 4a (Powell)) 563:quod nec carmine glōrior supīnō 492:| or | – – – u |. For example: 357: 5699: 5674: 5668:An Introduction to Greek Metre 5659: 5642: 5629: 5602: 5593: 5263: 4303:and Terence's iambic senarii. 610:) were regularly described as 1: 6422:. Cambridge University Press. 5650:"Three topics in Greek metre" 5635:Marius Victorinus, ed. Keil, 5586: 905:anacreontic with resolution: 523: 440: 362: 6408:Elwell-Sutton, L.P. (1975). 6353:(London: Routledge), p. 105. 5682:Latin Metre: An Introduction 4689: 612: 7: 6452: 6446: 5538: 5505: 5268:The 2nd-century grammarian 4820:old queens, castrated by a 2699: 553:writes dismissively of the 10: 6499: 6399:Wiesbaden; pp. 132, 263–4. 6349:Roger Dunkle (2008/2013), 6006:"Arius in Modern Research" 6004:Christopher Stead (1994). 5933:Sotades, frag. 2 (Powell). 5821:Anacreon, fr. 44 D(2).5–8. 5599:Oxford English Dictionary. 5474: 5189: 4109: 3992: 3986: 3749: 3726: 3703: 3680: 3657: 3634: 3611: 3598: 3592: 3586: 3580: 3574: 3547:Socrates of Constantinople 3527: 3156: 3134: 3111: 3088: 3064: 3041: 3018: 2996: 2972: 2950: 2928: 2906: 2881: 2764: 2741: 2718: 2609: 2586: 2419: 2397: 2374: 2352: 2329: 2316: 2252: 2149: 2126: 1914: 1891: 1868: 1846: 1823: 1739: 1717: 1658: 1567: 1544: 1400: 1378: 1355: 1333: 1260: 1135: 1112: 1090: 1075: 982: 835: 820: 721: 694: 6340:, (9), 59-105; pp. 85–86. 6071:E. H. Warmington (1935). 5973:"Sotades", Powell 10.1-2. 5749:. Loeb Classical Library. 5656:, 32(2), 281–297; p. 285. 4286: 3971: 3517:The heretical theologian 2888: 6242:168; cf. W. M. Lindsay, 6192:Sapsford (2022), p. 154. 6151:as genitive singular of 5964:"Sotades", Powell 7.2–3. 4571: 2317:ΜΑΞΙΜΟΣ ΔΕΚΟΥΡΙΩΝ ΕΓΡΑΨΑ 1310:"You are thrusting your 781:Athanasius of Alexandria 606:devotees of the goddess 62:Latin rhythmic hexameter 6364:Martial Epigrams vol 1. 6179:W. B. Sedgwick (1960), 5924:Athenaeus, XIV, 616d-e. 5865:Sotades, fr. 22 Powell. 5654:The Classical Quarterly 5124:, supposedly said by a 2092:, famine consumed him." 1249:Ptolemy II Philadelphus 779:In the 4th century AD, 6393:Thiesen, Finn (1982). 6256: 6234: 6216: 6166:W. M. Lindsay (1922), 6153: 6147: 6141: 6139:as ablative plural of 6135: 6103: 6049:, 3rd edition, p. 130. 5911: 5896: 5779:(Oxford), pp. 110–111. 5420: 5397: 5375: 5352: 5329: 5306: 5284: 5274: 5226: 5203: 5155: 5144: 5138: 5126: 5104: 5094: 5092:2.792–3, 6.700–2; for 5084: 5016: 4993: 4971: 4948: 4925: 4902: 4879: 4856: 4833: 4784: 4766:mor(e) <õ> facil 4761: 4738: 4715: 4706: 4657: 4634: 4611: 4588: 4528:"For neither were the 4513: 4490: 4467: 4444: 4402: 4380: 4371: 4331: 4308: 4272: 4266: 4260: 4216: 4193: 4171: 4148: 4125: 4075: 4036: 4001: 3561: 3555: 3541: 2696:of the god Mandoulis. 2105: 2099: 1039: 941: 910: 783:repeatedly castigates 651: 636: 620: 598: 592: 582: 569: 562: 534: 503: 468: 427: 407: 401: 395: 377: 312: 77:Metres of Roman comedy 6315:Tom Sapsford (2022). 6026:"The Metre of Arius' 5848:Kwapisz, Jan (2016). 5790:"The Metre of Arius' 5771:Tom Sapsford (2022), 5622:Tom Sapsford (2022), 5475:Further information: 3578:as one syllable, and 2103:instead of the usual 1080:The 3rd-century poet 937:x x – u u – u – u – – 586:Sotades backwards..." 371:(2nd century AD) and 23:Greek and Latin metre 6478:Ancient Greek poetry 6332:Bettini, M. (1982). 6045:W. S. Allen (1987), 5946:4. 31–4 = Powell 4b. 5808:D. S. Raven (1965), 5680:D. S. Raven (1965), 5665:West, M. L. (1987): 5648:West, M. L. (1982). 4720:c hūc <cito> c 4258:In Plautus the word 3599:θε<ι>οδιδάκτων 1531:Stobaeus's anthology 1251:and his full-sister 1064:to the Spartan king 399:and the second type 82:Trochaic septenarius 6024:M. L. West (1982). 5830:D. S. Raven (1965) 5727:Quintilian, 9.5.90. 5626:(Oxford), pp. 202–3 5518:The internal rhyme 5102:2.479, 11.651; for 4597:vis bālat, equ(ī) h 4198:dcumqu(e) homin(ī) 3624:ν <τε> θεοῦ π 1970:ntí <ti> epip 1854:ντί <τι> ἐπιπ 889:of sweet life left" 801:Eunomius of Cyzicus 6419:The Persian Metres 6282:Lewis and Short's 6201:E. H. Warmington, 6181:Plautus: Amphitruo 6129:Lewis and Short's 6058:Paul Maas (1962). 5850:"Sotades on kings" 5788:M. L. West (1982) 5718:Martial, 2.86.1–2. 5696:Quintilian, 1.8.6. 5491:The Persian Metres 5270:Terentianus Maurus 4554:nor were even the 4369:for its rare word 4005:ll(e) ictu(s) retr 3990:, a short form of 2088:As for the divine 1049:It also occurs in 929:suggests that the 580:nor do I read the 346:The lost treatise 341:Terentianus Maurus 187:Resolution (meter) 157:Anaclasis (poetry) 112:Asclepiad (poetry) 72:Saturnian (poetry) 42:Dactylic hexameter 6168:Early Latin Verse 6084:A. S. Gratwick, ' 5982:Sapsford, p. 117. 5955:Sapsford, p. 113. 5883:Museum Helveticum 5876:"Horace, AP 139: 5471:Persian parallels 5095:corripui bipennem 4681:a piglet grunts." 4340:stīnct(a) ali(a) 3662:ντ᾽> ἔμαθον ἔγ 1428:nth' hoi mèn ep' 973:The mouse proverb 950:sbi(a) atqu(e) am 540:Pliny the Younger 373:Marius Victorinus 243: 242: 6490: 6457: 6455: 6449: 6442: 6436: 6429: 6423: 6406: 6400: 6391: 6385: 6382: 6376: 6373: 6367: 6360: 6354: 6347: 6341: 6330: 6324: 6313: 6307: 6300: 6294: 6284:Latin Dictionary 6280: 6274: 6267: 6261: 6259: 6253: 6247: 6237: 6231: 6225: 6219: 6212: 6206: 6199: 6193: 6190: 6184: 6177: 6171: 6164: 6158: 6156: 6150: 6144: 6138: 6131:Latin Dictionary 6127: 6121: 6114: 6108: 6106: 6099: 6093: 6082: 6076: 6069: 6063: 6056: 6050: 6043: 6037: 6022: 6013: 6002: 5996: 5989: 5983: 5980: 5974: 5971: 5965: 5962: 5956: 5953: 5947: 5940: 5934: 5931: 5925: 5922: 5916: 5914: 5907: 5901: 5899: 5892: 5886: 5872: 5866: 5863: 5857: 5856:27, pp. 121–136. 5846: 5835: 5834:(Faber), p. 134. 5828: 5822: 5819: 5813: 5812:(Faber), p. 131. 5806: 5800: 5786: 5780: 5769: 5763: 5756: 5750: 5743: 5737: 5734: 5728: 5725: 5719: 5716: 5710: 5703: 5697: 5694: 5685: 5684:(Faber), p. 129. 5678: 5672: 5671:(Oxford), p. 74. 5663: 5657: 5646: 5640: 5633: 5627: 5620: 5609: 5606: 5600: 5597: 5574:– | u – u – | – 5563:– | – u u – | – 5541: 5508: 5439: 5416: 5393: 5371: 5348: 5325: 5302: 5277: 5245: 5222: 5174: 5149: 5141: 5131: 5107: 5097: 5087: 5034: 5012: 4989: 4967: 4944: 4921: 4898: 4875: 4852: 4803: 4780: 4757: 4747:rs(um) addite, c 4734: 4709: 4664: 4653: 4630: 4607: 4564:Maccus Titus's." 4520: 4509: 4486: 4463: 4420: 4398: 4374: 4350: 4327: 4275: 4269: 4263: 4234: 4212: 4189: 4167: 4144: 4093: 4054: 4019: 3995: 3994: 3989: 3988: 3931: 3908: 3885: 3862: 3839: 3816: 3793: 3768: 3767: 3745: 3744: 3722: 3721: 3699: 3698: 3676: 3675: 3653: 3652: 3630: 3629: 3601: 3600: 3595: 3594: 3589: 3588: 3583: 3582: 3577: 3576: 3564: 3562:ionicus a minore 3558: 3556:ionicus a maiore 3544: 3530: 3529: 3450: 3427: 3405: 3382: 3357: 3335: 3312: 3289: 3265: 3243: 3221: 3199: 3175: 3174: 3152: 3151: 3130: 3129: 3107: 3106: 3082: 3081: 3060: 3059: 3037: 3036: 3014: 3013: 2990: 2989: 2968: 2967: 2946: 2945: 2924: 2923: 2884: 2883: 2854: 2831: 2808: 2783: 2782: 2760: 2759: 2737: 2736: 2674: 2652: 2627: 2626: 2605: 2604: 2553: 2530: 2508: 2485: 2463: 2438: 2437: 2415: 2414: 2393: 2392: 2370: 2369: 2348: 2347: 2319: 2318: 2292: 2270: 2269: 2235:Iolaus Narrative 2216: 2193: 2168: 2167: 2145: 2144: 2108: 2102: 2049: 2026: 2012:nes hoi katà Thr 2003: 1980: 1958: 1933: 1932: 1910: 1909: 1887: 1886: 1864: 1863: 1842: 1841: 1803: 1781: 1757: 1756: 1735: 1734: 1700: 1677: 1676: 1634: 1611: 1586: 1585: 1563: 1562: 1509: 1487: 1465: 1442: 1418: 1417: 1396: 1395: 1374: 1373: 1351: 1350: 1302: 1278: 1277: 1222: 1200: 1177: 1153: 1152: 1131: 1130: 1108: 1107: 1042: 1022: 1012:s, Zeùs d’ ephob 1000: 999: 956: 913: 878: 863: 846: 845: 831: 830: 797:Gregory of Nyssa 764: 740: 739: 709: 697: 696: 670: 639: 623: 617: 601: 595: 585: 572: 565: 537: 508: 471: 469:ionicus a minore 430: 428:ionicus a minore 410: 404: 398: 380: 378:ionicus a maiore 315: 303:An example from 286: 285: 282: 281: 278: 275: 272: 269: 266: 263: 260: 257: 235: 228: 221: 202:Arsis and thesis 182:Biceps (prosody) 137:Galliambic verse 19: 18: 6498: 6497: 6493: 6492: 6491: 6489: 6488: 6487: 6473:Types of verses 6463: 6462: 6461: 6460: 6443: 6439: 6430: 6426: 6407: 6403: 6392: 6388: 6383: 6379: 6374: 6370: 6361: 6357: 6348: 6344: 6331: 6327: 6319:, chapter 5 in 6314: 6310: 6301: 6297: 6281: 6277: 6268: 6264: 6254: 6250: 6232: 6228: 6222:brevis brevians 6213: 6209: 6200: 6196: 6191: 6187: 6178: 6174: 6165: 6161: 6128: 6124: 6115: 6111: 6100: 6096: 6083: 6079: 6070: 6066: 6057: 6053: 6044: 6040: 6023: 6016: 6003: 5999: 5990: 5986: 5981: 5977: 5972: 5968: 5963: 5959: 5954: 5950: 5941: 5937: 5932: 5928: 5923: 5919: 5908: 5904: 5893: 5889: 5885:, 64(1), 59-61. 5873: 5869: 5864: 5860: 5847: 5838: 5829: 5825: 5820: 5816: 5807: 5803: 5787: 5783: 5775:, chapter 4 in 5770: 5766: 5757: 5753: 5744: 5740: 5735: 5731: 5726: 5722: 5717: 5713: 5704: 5700: 5695: 5688: 5679: 5675: 5664: 5660: 5647: 5643: 5637:vol. vi, p. 128 5634: 5630: 5621: 5612: 5607: 5603: 5598: 5594: 5589: 5479: 5473: 5445: 5357:llumque sin(e) 5266: 5250: 5192: 5179: 5118: 5039: 4930:mqu(e) illa met 4808: 4692: 4669: 4574: 4551:ever Plautus's, 4525: 4472:t(ī) Anus nec B 4425: 4355: 4344:b aliīs, sīs, n 4289: 4281:Richard Bentley 4264:was pronounced 4239: 4220:qu(om) esse put 4175:pse dominu(s) d 4153:d fact(ō) aut d 4112: 4098: 4059: 4024: 3974: 3969: 3937: 3685:ων, θε<ι> 3596:and an iota in 3515: 3461: 3458: 3455: 3436:khris àn hē the 3417:, phlégei, krat 3368:da, gónu, kotúl 3093:δα, γόνυ, κοτύλ 2891: 2859: 2702: 2679: 2559: 2311: 2309:Paccius Maximus 2237: 2221: 2202:s rhuthmòn anét 2115: 2054: 1997:s pnigeìs téthn 1808: 1705: 1639: 1533: 1514: 1337:νθ' οἱ μὲν ἐπ' 1307: 1227: 1078: 1027: 990:ς, Ζεὺς δ’ ἐφοβ 975: 967: 931:hendecasyllable 883: 809: 769: 675: 656:ss(em) ārea, cl 547:hendecasyllabic 526: 518:brevis in longo 499: 496: 485: 479: 476: 464: 461: 452: 449: 443: 435: 391: 385: 365: 360: 254: 250: 239: 192:Brevis brevians 172:Brevis in longo 167:Metron (poetry) 87:Hendecasyllable 67:Iambic trimeter 52:Alcmanian verse 47:Elegiac couplet 17: 12: 11: 5: 6496: 6486: 6485: 6480: 6475: 6459: 6458: 6444:The syllables 6437: 6424: 6401: 6386: 6377: 6368: 6355: 6342: 6325: 6308: 6295: 6275: 6262: 6248: 6226: 6214:Here the word 6207: 6194: 6185: 6172: 6159: 6122: 6109: 6094: 6077: 6064: 6051: 6038: 6014: 5997: 5984: 5975: 5966: 5957: 5948: 5935: 5926: 5917: 5902: 5887: 5867: 5858: 5836: 5823: 5814: 5801: 5781: 5764: 5751: 5738: 5729: 5720: 5711: 5698: 5686: 5673: 5658: 5641: 5628: 5610: 5601: 5591: 5590: 5588: 5585: 5580: 5579: 5568: 5549: 5548: 5545: 5542: 5516: 5515: 5512: 5509: 5477:Persian metres 5472: 5469: 5468: 5467: 5464: 5461: 5458: 5455: 5452: 5449: 5442: 5441: 5440: 5417: 5394: 5372: 5349: 5326: 5319:nt, cōnsona qu 5303: 5272:, in his work 5265: 5262: 5258: 5257: 5254: 5248: 5247: 5246: 5223: 5191: 5188: 5184: 5183: 5177: 5176: 5175: 5117: 5114: 5068: 5067: 5064: 5061: 5058: 5055: 5052: 5049: 5046: 5043: 5037: 5036: 5035: 5013: 4990: 4968: 4961:ll(e) operta r 4945: 4922: 4911:m, quod modo c 4899: 4888:t, quod trepid 4876: 4853: 4826: 4825: 4818: 4815: 4812: 4806: 4805: 4804: 4781: 4770:, clūn(e) agil 4758: 4735: 4728:nc, spatalocin 4691: 4688: 4683: 4682: 4679: 4676: 4673: 4667: 4666: 4665: 4654: 4631: 4608: 4573: 4570: 4566: 4565: 4562: 4560:Dying Together 4552: 4537: 4523: 4522: 4521: 4510: 4499:(ō) Agroecus n 4495:it, nequ(e) ad 4487: 4464: 4433: 4432: 4429: 4423: 4422: 4421: 4406:liter ac sīt r 4399: 4363: 4362: 4359: 4353: 4352: 4351: 4336:mqu(e) longē d 4328: 4313:m quam varia s 4288: 4285: 4256: 4255: 4252: 4249: 4246: 4243: 4237: 4236: 4235: 4228:t labōri(s) qu 4213: 4190: 4179:ves(s) operis 4168: 4161:s, quiētu(s) n 4157:ct(ō) adest op 4145: 4111: 4108: 4103: 4102: 4096: 4095: 4094: 4068: 4067: 4057: 4056: 4055: 4029: 4028: 4022: 4021: 4020: 3973: 3970: 3968: 3967:Latin examples 3965: 3964: 3963: 3956: 3953: 3950: 3947: 3944: 3941: 3934: 3933: 3932: 3909: 3886: 3871:n kat' íkhnos 3863: 3840: 3825:nt᾽ émathon ég 3817: 3794: 3770: 3769: 3746: 3723: 3700: 3677: 3654: 3631: 3514: 3508: 3506:third metron. 3503: 3502: 3499: 3496: 3493: 3489: 3488: 3485: 3482: 3479: 3475: 3474: 3471: 3468: 3465: 3459: 3456: 3453: 3452: 3451: 3428: 3406: 3383: 3359: 3358: 3343:phanés, krúphi 3336: 3313: 3302:s kóssuphos ep 3290: 3267: 3266: 3244: 3222: 3200: 3177: 3176: 3153: 3142:, φλέγει, κρατ 3131: 3108: 3084: 3083: 3061: 3038: 3015: 2992: 2991: 2969: 2947: 2925: 2890: 2887: 2874: 2873: 2866: 2863: 2857: 2856: 2855: 2832: 2809: 2785: 2784: 2761: 2738: 2701: 2698: 2687: 2686: 2683: 2677: 2676: 2675: 2653: 2629: 2628: 2606: 2576: 2575: 2572: 2569: 2566: 2563: 2556: 2555: 2554: 2531: 2509: 2486: 2464: 2457:s tópon esathr 2449:kárion hót᾽ eb 2440: 2439: 2416: 2394: 2371: 2349: 2310: 2307: 2306: 2305: 2298: 2294: 2293: 2271: 2243:(eunuch) to a 2236: 2233: 2229: 2228: 2225: 2219: 2218: 2217: 2194: 2170: 2169: 2146: 2114: 2113:Charition Mime 2111: 2094: 2093: 2086: 2075: 2069: 2062: 2052: 2051: 2050: 2027: 2004: 1993:phagṑn staphul 1981: 1959: 1935: 1934: 1911: 1896:νες οἱ κατὰ Θρ 1888: 1881:ς πνιγεὶς τέθν 1865: 1843: 1816: 1815: 1812: 1806: 1805: 1804: 1782: 1759: 1758: 1736: 1710: 1709: 1703: 1702: 1701: 1686:nos opheíleis 1678: 1647: 1646: 1643: 1637: 1636: 1635: 1612: 1601:n, kaì meneîs 1588: 1587: 1564: 1553:ν, καὶ μενεῖς 1532: 1529: 1528: 1527: 1524: 1521: 1518: 1512: 1511: 1510: 1488: 1477:s, kaì mukhòn 1466: 1443: 1420: 1419: 1397: 1375: 1352: 1316: 1315: 1305: 1304: 1303: 1280: 1279: 1238: 1237: 1234: 1231: 1225: 1224: 1223: 1201: 1178: 1155: 1154: 1132: 1109: 1077: 1074: 1047: 1046: 1043: 1032: 1031: 1025: 1024: 1023: 1016:to, tò d’ étek 1001: 994:το, τὸ δ’ ἔτεκ 974: 971: 966: 965:Greek examples 963: 958: 957: 938: 921: 920: 917: 914: 891: 890: 887: 881: 880: 879: 864: 848: 847: 832: 808: 807:Similar metres 805: 771:The author of 767: 766: 765: 742: 714: 713: 710: 703: 673: 672: 671: 644: 643: 640: 588: 587: 578: 574: 573: 566: 545:In one of his 525: 522: 497: 494: 483: 477: 474: 462: 459: 450: 447: 442: 439: 433: 389: 383: 364: 361: 359: 356: 320: 319: 316: 301: 300: 247:sotadean metre 241: 240: 238: 237: 230: 223: 215: 212: 211: 210: 209: 204: 199: 194: 189: 184: 179: 174: 169: 164: 159: 154: 149: 144: 142:Sotadean metre 139: 134: 129: 124: 119: 117:Sapphic stanza 114: 109: 104: 99: 94: 89: 84: 79: 74: 69: 64: 59: 54: 49: 44: 39: 34: 26: 25: 15: 9: 6: 4: 3: 2: 6495: 6484: 6481: 6479: 6476: 6474: 6471: 6470: 6468: 6454: 6448: 6441: 6434: 6431:The syllable 6428: 6421: 6420: 6415: 6411: 6405: 6398: 6397: 6390: 6381: 6375:Martial 3.29. 6372: 6365: 6359: 6352: 6346: 6339: 6335: 6329: 6322: 6318: 6312: 6305: 6299: 6292: 6288: 6285: 6279: 6272: 6266: 6258: 6252: 6245: 6241: 6236: 6230: 6223: 6218: 6211: 6204: 6198: 6189: 6182: 6176: 6169: 6163: 6155: 6149: 6143: 6137: 6132: 6126: 6119: 6113: 6105: 6098: 6091: 6087: 6081: 6074: 6068: 6061: 6055: 6048: 6042: 6035: 6031: 6029: 6021: 6019: 6011: 6007: 6001: 5994: 5988: 5979: 5970: 5961: 5952: 5945: 5939: 5930: 5921: 5913: 5906: 5898: 5891: 5884: 5881: 5879: 5871: 5862: 5855: 5851: 5845: 5843: 5841: 5833: 5827: 5818: 5811: 5805: 5798: 5794: 5793: 5785: 5778: 5774: 5768: 5761: 5755: 5748: 5742: 5733: 5724: 5715: 5708: 5702: 5693: 5691: 5683: 5677: 5670: 5669: 5662: 5655: 5651: 5645: 5638: 5632: 5625: 5619: 5617: 5615: 5605: 5596: 5592: 5584: 5577: 5573: 5569: 5566: 5562: 5558: 5557: 5556: 5554: 5546: 5543: 5540: 5536: 5535: 5534: 5532: 5528: 5523: 5521: 5513: 5510: 5507: 5503: 5502: 5501: 5499: 5494: 5492: 5488: 5484: 5478: 5465: 5462: 5459: 5456: 5453: 5450: 5447: 5446: 5438: 5436: 5432: 5428: 5424: 5418: 5415: 5413: 5409: 5405: 5401: 5395: 5392: 5390: 5386: 5382: 5378: 5373: 5370: 5368: 5364: 5360: 5356: 5350: 5347: 5345: 5341: 5337: 5333: 5327: 5324: 5322: 5318: 5314: 5310: 5304: 5301: 5299: 5295: 5291: 5287: 5282: 5281: 5280: 5276: 5271: 5261: 5255: 5252: 5251: 5244: 5242: 5238: 5234: 5230: 5224: 5221: 5219: 5215: 5211: 5207: 5201: 5200: 5199: 5197: 5187: 5181: 5180: 5173: 5171: 5168:d mē fugis, G 5167: 5164:scem peto, qu 5163: 5159: 5153: 5152: 5151: 5148: 5147: 5140: 5135: 5130: 5129: 5123: 5116:The gladiator 5113: 5111: 5106: 5101: 5096: 5091: 5086: 5081: 5076: 5074: 5065: 5062: 5059: 5056: 5053: 5050: 5047: 5044: 5041: 5040: 5033: 5031: 5027: 5023: 5019: 5014: 5011: 5009: 5005: 5001: 4997: 4991: 4988: 4986: 4982: 4978: 4974: 4969: 4966: 4964: 4960: 4956: 4952: 4946: 4943: 4941: 4937: 4933: 4929: 4923: 4920: 4918: 4914: 4910: 4906: 4900: 4897: 4895: 4891: 4887: 4883: 4877: 4874: 4872: 4868: 4864: 4860: 4854: 4851: 4849: 4845: 4841: 4837: 4831: 4830: 4829: 4823: 4819: 4816: 4813: 4810: 4809: 4802: 4800: 4796: 4792: 4788: 4782: 4779: 4777: 4773: 4769: 4765: 4759: 4756: 4754: 4750: 4746: 4743:de tendite, c 4742: 4736: 4733: 4731: 4727: 4723: 4719: 4713: 4712: 4711: 4708: 4703: 4702: 4698:'s novel the 4697: 4687: 4680: 4677: 4674: 4671: 4670: 4663: 4661: 4655: 4652: 4650: 4646: 4642: 4638: 4632: 4629: 4627: 4623: 4619: 4616:pat pullu', g 4615: 4609: 4606: 4604: 4600: 4596: 4592: 4586: 4585: 4584: 4582: 4578: 4569: 4563: 4561: 4557: 4553: 4550: 4549:Boeotian Girl 4546: 4542: 4538: 4535: 4531: 4527: 4526: 4519: 4517: 4511: 4508: 4506: 4502: 4498: 4494: 4488: 4485: 4483: 4479: 4476:s Compressa n 4475: 4471: 4465: 4462: 4460: 4456: 4452: 4448: 4442: 4441: 4440: 4438: 4437:Aulus Gellius 4430: 4427: 4426: 4419: 4417: 4413: 4409: 4405: 4400: 4397: 4395: 4391: 4387: 4383: 4378: 4377: 4376: 4373: 4368: 4360: 4357: 4356: 4349: 4347: 4343: 4339: 4335: 4329: 4326: 4324: 4320: 4316: 4312: 4306: 4305: 4304: 4300: 4298: 4294: 4293:Lucius Accius 4284: 4282: 4277: 4274: 4268: 4262: 4253: 4250: 4247: 4244: 4241: 4240: 4233: 4231: 4227: 4223: 4219: 4214: 4211: 4209: 4205: 4201: 4197: 4191: 4188: 4186: 4182: 4178: 4174: 4169: 4166: 4164: 4160: 4156: 4152: 4146: 4143: 4141: 4137: 4134:squ(e) assidu 4133: 4129: 4123: 4122: 4121: 4119: 4118: 4107: 4100: 4099: 4092: 4090: 4086: 4082: 4078: 4073: 4072: 4071: 4065: 4061: 4060: 4053: 4051: 4047: 4043: 4039: 4034: 4033: 4032: 4026: 4025: 4018: 4016: 4012: 4008: 4004: 3999: 3998: 3997: 3983: 3979: 3961: 3957: 3954: 3951: 3948: 3945: 3942: 3939: 3938: 3930: 3928: 3924: 3921:phían, kaì gn 3920: 3916: 3910: 3907: 3905: 3901: 3897: 3894:klutóss, ho p 3893: 3887: 3884: 3882: 3878: 3874: 3870: 3864: 3861: 3859: 3856:tà pánta soph 3855: 3851: 3847: 3841: 3838: 3836: 3832: 3829:g᾽ hupò tôn s 3828: 3824: 3818: 3815: 3813: 3810:oû pneûma lab 3809: 3805: 3801: 3795: 3792: 3790: 3786: 3783:n theoû sunet 3782: 3778: 3772: 3771: 3765: 3761: 3757: 3753: 3747: 3742: 3738: 3734: 3730: 3724: 3719: 3715: 3711: 3708:ν κατ' ἴχνος 3707: 3701: 3696: 3692: 3688: 3684: 3678: 3673: 3669: 3665: 3661: 3655: 3650: 3647:οῦ πνεῦμα λαβ 3646: 3642: 3638: 3632: 3627: 3623: 3619: 3615: 3609: 3608: 3607: 3603: 3570: 3568: 3563: 3557: 3550: 3548: 3543: 3538: 3534: 3524: 3520: 3513: 3507: 3500: 3497: 3494: 3491: 3490: 3486: 3483: 3480: 3477: 3476: 3472: 3469: 3466: 3463: 3462: 3449: 3447: 3444:pophugeîn kel 3443: 3439: 3435: 3429: 3426: 3424: 3420: 3416: 3412: 3407: 3404: 3402: 3398: 3394: 3390: 3384: 3381: 3379: 3375: 3371: 3367: 3361: 3360: 3356: 3354: 3351:pò mukhoîsi g 3350: 3346: 3342: 3337: 3334: 3332: 3328: 3324: 3320: 3314: 3311: 3309: 3305: 3301: 3297: 3291: 3288: 3286: 3282: 3278: 3274: 3269: 3268: 3264: 3262: 3258: 3254: 3250: 3245: 3242: 3240: 3236: 3232: 3228: 3223: 3220: 3218: 3214: 3210: 3207:trikhòs aphét 3206: 3201: 3198: 3196: 3192: 3189:n prokhéomen 3188: 3185:kh haîma lábr 3184: 3179: 3178: 3172: 3168: 3164: 3160: 3154: 3149: 3145: 3141: 3137: 3132: 3127: 3123: 3119: 3115: 3109: 3104: 3100: 3096: 3092: 3086: 3085: 3079: 3075: 3071: 3067: 3062: 3057: 3053: 3049: 3045: 3039: 3034: 3030: 3027:ς κόσσυφος ἐπ 3026: 3022: 3016: 3011: 3007: 3003: 2999: 2994: 2993: 2987: 2983: 2979: 2975: 2970: 2965: 2961: 2957: 2953: 2948: 2943: 2939: 2935: 2931: 2926: 2921: 2917: 2913: 2909: 2904: 2903: 2902: 2900: 2896: 2893:The satirist 2886: 2879: 2871: 2867: 2864: 2861: 2860: 2853: 2851: 2847: 2843: 2840:kh haplên ékh 2839: 2833: 2830: 2828: 2824: 2820: 2816: 2810: 2807: 2805: 2801: 2798:s phrontísin 2797: 2793: 2787: 2786: 2780: 2776: 2772: 2768: 2762: 2757: 2753: 2749: 2745: 2739: 2734: 2730: 2726: 2722: 2716: 2715: 2714: 2711: 2707: 2697: 2695: 2690: 2684: 2681: 2680: 2673: 2671: 2668:pekáloun khar 2667: 2663: 2659: 2654: 2651: 2649: 2645: 2641: 2637: 2631: 2630: 2624: 2620: 2616: 2612: 2607: 2602: 2598: 2594: 2590: 2584: 2583: 2582: 2579: 2573: 2570: 2567: 2564: 2561: 2560: 2552: 2550: 2546: 2542: 2538: 2532: 2529: 2527: 2523: 2519: 2515: 2510: 2507: 2505: 2501: 2498:perì phréna p 2497: 2493: 2487: 2484: 2482: 2479:s pneûma epar 2478: 2474: 2470: 2465: 2462: 2460: 2456: 2452: 2448: 2442: 2441: 2435: 2431: 2427: 2423: 2417: 2412: 2408: 2404: 2400: 2395: 2390: 2386: 2382: 2378: 2372: 2367: 2364:ς πνεῦμα ἐπαρ 2363: 2359: 2355: 2350: 2345: 2342:ς τόπον ἐσαθρ 2341: 2337: 2334:κάριον ὅτ᾽ ἐβ 2333: 2327: 2326: 2325: 2323: 2303: 2299: 2296: 2295: 2291: 2289: 2285: 2281: 2277: 2272: 2267: 2263: 2259: 2255: 2250: 2249: 2248: 2246: 2242: 2232: 2226: 2223: 2222: 2215: 2213: 2209: 2205: 2201: 2195: 2192: 2190: 2186: 2182: 2178: 2172: 2171: 2165: 2161: 2157: 2154:ς ῥυθμὸν ἀνέτ 2153: 2147: 2142: 2138: 2134: 2130: 2124: 2123: 2122: 2118: 2110: 2107: 2101: 2091: 2087: 2084: 2080: 2076: 2073: 2070: 2067: 2063: 2060: 2056: 2055: 2048: 2046: 2042: 2038: 2034: 2028: 2025: 2023: 2019: 2015: 2011: 2005: 2002: 2000: 1996: 1992: 1988: 1982: 1979: 1977: 1973: 1969: 1966:skhúlōi gráph 1965: 1960: 1957: 1955: 1951: 1947: 1943: 1937: 1936: 1930: 1926: 1922: 1918: 1912: 1907: 1903: 1899: 1895: 1889: 1884: 1880: 1876: 1872: 1866: 1861: 1857: 1853: 1849: 1844: 1839: 1835: 1831: 1827: 1821: 1820: 1819: 1813: 1810: 1809: 1802: 1800: 1796: 1792: 1788: 1783: 1780: 1778: 1774: 1771:tai, ho dè pl 1770: 1766: 1761: 1760: 1754: 1750: 1746: 1742: 1737: 1732: 1728: 1724: 1720: 1715: 1714: 1713: 1707: 1706: 1699: 1697: 1693: 1689: 1685: 1679: 1674: 1670: 1666: 1663:νος ὀφείλεις 1662: 1656: 1655: 1654: 1651: 1644: 1641: 1640: 1633: 1631: 1627: 1623: 1619: 1613: 1610: 1608: 1604: 1600: 1596: 1590: 1589: 1583: 1579: 1575: 1571: 1565: 1560: 1556: 1552: 1548: 1542: 1541: 1540: 1538: 1525: 1522: 1519: 1516: 1515: 1508: 1506: 1502: 1498: 1494: 1489: 1486: 1484: 1480: 1476: 1472: 1467: 1464: 1462: 1458: 1454: 1450: 1444: 1441: 1439: 1435: 1431: 1427: 1422: 1421: 1415: 1411: 1407: 1403: 1398: 1393: 1389: 1386:ς, καὶ μυχὸν 1385: 1381: 1376: 1371: 1367: 1363: 1359: 1353: 1348: 1344: 1340: 1336: 1331: 1330: 1329: 1327: 1326: 1321: 1313: 1309: 1308: 1301: 1299: 1296:n tò kéntron 1295: 1291: 1287: 1282: 1281: 1275: 1272:ν τὸ κέντρον 1271: 1267: 1263: 1258: 1257: 1256: 1254: 1250: 1245: 1243: 1235: 1232: 1229: 1228: 1221: 1219: 1215: 1211: 1207: 1202: 1199: 1197: 1193: 1189: 1185: 1179: 1176: 1174: 1170: 1166: 1162: 1157: 1156: 1150: 1146: 1142: 1138: 1133: 1128: 1124: 1120: 1116: 1110: 1105: 1101: 1097: 1093: 1088: 1087: 1086: 1083: 1073: 1070: 1067: 1063: 1059: 1054: 1052: 1044: 1041: 1037: 1036: 1035: 1029: 1028: 1021: 1019: 1015: 1011: 1007: 1002: 997: 993: 989: 985: 980: 979: 978: 970: 962: 955: 953: 949: 945: 939: 936: 935: 934: 932: 928: 924: 918: 915: 912: 908: 907: 906: 904: 900: 896: 888: 885: 884: 877: 875: 871: 865: 862: 860: 856: 850: 849: 843: 839: 833: 828: 824: 818: 817: 816: 814: 804: 802: 798: 794: 790: 786: 782: 777: 774: 763: 761: 757: 753: 749: 743: 737: 733: 729: 725: 719: 718: 717: 711: 708: 704: 701: 692: 691: 690: 688: 684: 680: 669: 667: 663: 659: 655: 649: 648: 647: 641: 638: 634: 633: 632: 629: 627: 622: 616: 615: 609: 605: 600: 594: 584: 579: 576: 575: 571: 567: 564: 560: 559: 558: 556: 552: 548: 543: 541: 536: 531: 521: 519: 515: 510: 507: 506: 493: 490: 482: 473: 470: 458: 456: 446: 438: 432: 429: 424: 419: 417: 412: 409: 403: 397: 388: 382: 379: 374: 370: 355: 353: 349: 344: 342: 338: 337:Lucius Accius 332: 330: 326: 317: 314: 310: 309: 308: 306: 298: 297: 296: 294: 290: 284: 249:(pronounced: 248: 236: 231: 229: 224: 222: 217: 216: 214: 213: 208: 205: 203: 200: 198: 195: 193: 190: 188: 185: 183: 180: 178: 175: 173: 170: 168: 165: 163: 162:Metrical foot 160: 158: 155: 153: 150: 148: 145: 143: 140: 138: 135: 133: 130: 128: 125: 123: 122:Alcaic stanza 120: 118: 115: 113: 110: 108: 105: 103: 100: 98: 95: 93: 90: 88: 85: 83: 80: 78: 75: 73: 70: 68: 65: 63: 60: 58: 55: 53: 50: 48: 45: 43: 40: 38: 37:Latin prosody 35: 33: 32:Greek prosody 30: 29: 28: 27: 24: 21: 20: 6483:Latin poetry 6440: 6432: 6427: 6418: 6413: 6404: 6395: 6389: 6380: 6371: 6363: 6358: 6350: 6345: 6337: 6328: 6320: 6311: 6303: 6298: 6283: 6278: 6270: 6265: 6251: 6243: 6239: 6229: 6210: 6202: 6197: 6188: 6180: 6175: 6167: 6162: 6130: 6125: 6117: 6112: 6104:ips' dominus 6097: 6092:, chapter 7. 6089: 6080: 6072: 6067: 6059: 6054: 6046: 6041: 6033: 6027: 6009: 6000: 5992: 5987: 5978: 5969: 5960: 5951: 5943: 5938: 5929: 5920: 5905: 5890: 5882: 5877: 5870: 5861: 5853: 5831: 5826: 5817: 5809: 5804: 5796: 5791: 5784: 5776: 5767: 5759: 5754: 5746: 5741: 5732: 5723: 5714: 5706: 5701: 5681: 5676: 5667: 5661: 5653: 5644: 5631: 5623: 5604: 5595: 5581: 5575: 5571: 5564: 5560: 5550: 5524: 5519: 5517: 5495: 5490: 5486: 5480: 5434: 5430: 5426: 5422: 5411: 5407: 5403: 5399: 5388: 5384: 5383:sunt, nisi v 5380: 5379:t cōnsona qu 5376: 5366: 5362: 5358: 5354: 5343: 5339: 5335: 5331: 5320: 5316: 5312: 5308: 5297: 5296:s docent mag 5293: 5289: 5288:lementa, rud 5285: 5267: 5259: 5240: 5236: 5232: 5228: 5217: 5213: 5209: 5205: 5193: 5185: 5169: 5165: 5161: 5160:n tē peto, p 5157: 5132:, a kind of 5119: 5109: 5105:trepido male 5099: 5089: 5079: 5077: 5072: 5069: 5029: 5028:nt nocēre, f 5025: 5024:s quae poter 5021: 5020:d verba, mag 5017: 5007: 5003: 4999: 4995: 4984: 4980: 4976: 4972: 4962: 4958: 4954: 4950: 4939: 4938:r rigente br 4935: 4931: 4927: 4916: 4912: 4908: 4904: 4893: 4889: 4885: 4881: 4870: 4866: 4862: 4858: 4847: 4843: 4839: 4835: 4827: 4798: 4794: 4790: 4786: 4775: 4771: 4767: 4763: 4752: 4748: 4744: 4740: 4729: 4725: 4721: 4717: 4699: 4693: 4684: 4659: 4648: 4644: 4640: 4636: 4625: 4621: 4620:nnit canis, 4617: 4613: 4602: 4601:nniunt, gall 4598: 4594: 4590: 4575: 4567: 4559: 4555: 4548: 4544: 4540: 4533: 4529: 4515: 4504: 4500: 4496: 4492: 4481: 4480:c Boeōti(a) 4477: 4473: 4469: 4458: 4454: 4450: 4446: 4434: 4415: 4411: 4407: 4403: 4393: 4389: 4388:tem velĭnt c 4385: 4384:t dum brevit 4381: 4364: 4345: 4341: 4337: 4333: 4322: 4318: 4317:nt genera po 4314: 4310: 4301: 4296: 4290: 4278: 4257: 4229: 4225: 4224:t, nōn reput 4221: 4217: 4207: 4203: 4199: 4195: 4184: 4180: 4176: 4172: 4162: 4158: 4154: 4150: 4139: 4135: 4131: 4127: 4115: 4113: 4104: 4088: 4084: 4080: 4076: 4069: 4049: 4045: 4041: 4037: 4030: 4014: 4010: 4006: 4002: 3981: 3975: 3959: 3926: 3922: 3918: 3914: 3912: 3903: 3899: 3898:llà pathṑn d 3895: 3891: 3889: 3880: 3876: 3872: 3868: 3866: 3857: 3853: 3849: 3845: 3843: 3834: 3833:phíēs metekh 3830: 3826: 3822: 3820: 3811: 3807: 3806:n, hágion th 3803: 3799: 3797: 3788: 3787:n te theoû p 3784: 3780: 3776: 3774: 3763: 3759: 3758:φίαν, καὶ γν 3755: 3751: 3740: 3736: 3732: 3728: 3717: 3713: 3709: 3705: 3694: 3693:τὰ πάντα σοφ 3690: 3686: 3682: 3671: 3667: 3666:γ᾽ ὑπὸ τῶν σ 3663: 3659: 3648: 3644: 3640: 3636: 3625: 3621: 3620:ν θεοῦ συνετ 3617: 3613: 3604: 3571: 3551: 3536: 3522: 3516: 3511: 3504: 3445: 3441: 3440:s tòn pónon 3437: 3433: 3431: 3422: 3421:, puroî, mal 3418: 3414: 3413:sthei, német 3410: 3409: 3400: 3399:s, kórōna, k 3396: 3392: 3391:ras, ōmoplát 3388: 3386: 3377: 3376:s, iskhía, m 3373: 3369: 3365: 3363: 3352: 3348: 3344: 3340: 3339: 3330: 3326: 3322: 3318: 3316: 3307: 3303: 3299: 3295: 3293: 3284: 3280: 3276: 3272: 3271: 3260: 3256: 3252: 3248: 3247: 3238: 3234: 3230: 3226: 3225: 3216: 3215:strophaîsin 3212: 3208: 3204: 3203: 3194: 3193:potomaîs sid 3190: 3186: 3182: 3181: 3170: 3169:ποφυγεῖν κελ 3166: 3165:ς τὸν πόνον 3162: 3161:χρις ἂν ἡ θε 3158: 3147: 3146:, πυροῖ, μαλ 3143: 3139: 3135: 3125: 3124:ς, κόρωνα, κ 3121: 3117: 3116:ρας, ὠμοπλάτ 3113: 3102: 3098: 3094: 3090: 3077: 3076:πὸ μυχοῖσι γ 3073: 3069: 3068:φανές, κρύφι 3065: 3055: 3051: 3047: 3043: 3032: 3028: 3024: 3020: 3009: 3005: 3001: 2997: 2985: 2981: 2977: 2973: 2963: 2959: 2955: 2951: 2941: 2937: 2933: 2929: 2919: 2918:ποτομαῖς σιδ 2915: 2914:ν προχέομεν 2911: 2907: 2898: 2892: 2875: 2869: 2849: 2845: 2841: 2837: 2835: 2826: 2822: 2818: 2814: 2812: 2803: 2799: 2795: 2791: 2789: 2778: 2774: 2770: 2766: 2755: 2751: 2747: 2743: 2732: 2728: 2727:ς φροντίσιν 2724: 2720: 2703: 2691: 2688: 2669: 2665: 2661: 2657: 2656: 2647: 2643: 2639: 2638:bdōi dé tis 2635: 2633: 2622: 2621:πεκάλουν χαρ 2618: 2614: 2610: 2600: 2596: 2592: 2588: 2580: 2577: 2548: 2544: 2543:klēsken phús 2540: 2536: 2534: 2525: 2521: 2517: 2513: 2512: 2503: 2502:ntothen edon 2499: 2495: 2491: 2489: 2480: 2476: 2472: 2468: 2467: 2458: 2454: 2450: 2446: 2444: 2433: 2429: 2425: 2421: 2410: 2406: 2402: 2398: 2388: 2384: 2383:περὶ φρένα π 2380: 2376: 2365: 2361: 2357: 2353: 2343: 2339: 2335: 2331: 2312: 2301: 2287: 2283: 2279: 2275: 2274: 2265: 2261: 2257: 2253: 2244: 2240: 2238: 2230: 2211: 2207: 2203: 2199: 2197: 2188: 2184: 2183:khoròn áplet 2180: 2176: 2174: 2163: 2159: 2155: 2151: 2140: 2136: 2132: 2128: 2119: 2116: 2095: 2077:The dogs in 2044: 2040: 2036: 2035:n theîon Hóm 2032: 2030: 2021: 2017: 2013: 2009: 2007: 1998: 1994: 1990: 1989:phoklês rhâg 1986: 1984: 1975: 1971: 1967: 1963: 1962: 1953: 1952:s ōmòn téthn 1949: 1945: 1941: 1939: 1928: 1924: 1920: 1916: 1905: 1901: 1897: 1893: 1882: 1878: 1877:φαγὼν σταφυλ 1874: 1870: 1859: 1855: 1851: 1847: 1837: 1833: 1829: 1825: 1817: 1798: 1794: 1790: 1786: 1785: 1776: 1772: 1768: 1764: 1763: 1752: 1748: 1744: 1740: 1730: 1726: 1725:ται, ὁ δὲ πλ 1722: 1718: 1711: 1695: 1691: 1687: 1683: 1681: 1672: 1668: 1664: 1660: 1652: 1648: 1629: 1625: 1621: 1620:mos estì the 1617: 1615: 1606: 1605:n brotoîs ár 1602: 1598: 1594: 1592: 1581: 1577: 1573: 1569: 1558: 1557:ν βροτοῖς ἄρ 1554: 1550: 1546: 1534: 1504: 1500: 1499:n kaì kalòn 1496: 1492: 1491: 1482: 1478: 1474: 1470: 1469: 1460: 1456: 1455:s, orphanà t 1452: 1448: 1446: 1437: 1433: 1429: 1425: 1424: 1413: 1409: 1408:ν καὶ καλὸν 1405: 1401: 1391: 1387: 1383: 1379: 1369: 1365: 1361: 1357: 1346: 1342: 1338: 1334: 1323: 1317: 1297: 1293: 1289: 1285: 1284: 1273: 1269: 1265: 1261: 1246: 1239: 1217: 1216:r gérōn khal 1213: 1209: 1208:lématon, hok 1205: 1204: 1195: 1191: 1187: 1186:à dendrophór 1183: 1181: 1172: 1168: 1167:s tò trêma t 1164: 1163:d’ apostegás 1160: 1159: 1148: 1144: 1140: 1136: 1126: 1122: 1118: 1114: 1103: 1099: 1098:ς τὸ τρῆμα τ 1095: 1094:δ’ ἀποστεγάσ 1091: 1079: 1071: 1055: 1048: 1033: 1017: 1013: 1009: 1005: 1004: 995: 991: 987: 983: 976: 968: 959: 951: 947: 943: 925: 922: 892: 873: 869: 867: 858: 854: 852: 841: 837: 826: 822: 810: 788: 778: 772: 770: 759: 755: 751: 747: 745: 735: 731: 727: 723: 715: 706: 699: 686: 682: 676: 665: 661: 660:ssēs mare, c 657: 653: 645: 630: 590:In the word 589: 544: 527: 511: 500: 486: 480: 465: 453: 444: 436: 420: 413: 392: 386: 366: 358:Construction 347: 345: 333: 321: 302: 246: 244: 197:Porson's Law 141: 132:Anacreontics 97:Aeolic verse 57:Archilochian 6302:Petronius, 6269:Petronius, 6060:Greek Metre 5942:Dion. Hal. 5897:Ars Poetica 5832:Latin Metre 5810:Latin Metre 5527:anacreontic 5520:-īd ... -īd 5425:rs mūta son 5410:s prōferet 5361:llīs potis 5342:m valent se 5334:c reddere v 5292:s quae puer 5264:Terentianus 5208:s cum gemin 5085:ter ... ter 4975:ta nōn potu 4957:n viscera m 4915:nficere lib 4907:c iam poter 4892:male dabat 4789:llēs, veter 4774:, manū proc 4647:r molā mact 4624:t rudunt as 4556:Country Man 4545:Twice Raped 4503:que Commori 4449:m nec Gemin 4414:stiant resp 4410:llātum redh 4392:nsequī verb 4297:Didascalica 4206:re, posse r 4079:lius in mar 4013:n natem sup 3917:oû mathṑn s 3902:tḕn theoû d 3875:lthon egṑ b 3779:stin eklékt 3735:λλὰ παθὼν δ 3731:κλυτός, ὁ π 3616:στιν ἐκλέκτ 3395:s, brakhíon 3372:n, astragál 3347:n, dedukòs 3321:te dià melé 3275:te dè ptelé 3255:stôn kréa s 3237:s péplēge n 3229:dè polukrót 3138:σθει, νέμετ 3101:ς, ἰσχία, μ 3097:ν, ἀστραγάλ 3072:ν, δεδυκὸς 3046:τε διὰ μελέ 3000:τε δὲ πτελέ 2980:στῶν κρέα σ 2962:ς πέπληγε ν 2954:δὲ πολυκρότ 2940:στροφαῖσιν 2932:τριχὸς ἀφέτ 2910:χ αἷμα λάβρ 2848:n eútheton 2825:n, hōs perí 2817:lleis, aner 2794:me tḕn aǘpn 2746:λλεις, ἀνερ 2723:με τὴν ἀΰπν 2646:s démas don 2599:ς δέμας δον 2591:βδῳ δέ τις 2539:stēn tóte k 2494:na moi biot 2471:éri tò poth 2428:κλησκεν φύσ 2424:στην τότε κ 2387:ντοθεν ἐδον 2379:να μοι βιοτ 2304:, silence!" 2210:rbárōi prob 2187:n, theà Sel 2179:rbaron anág 2135:χορὸν ἄπλετ 2131:ρβαρον ἀνάγ 2043:s katedapán 1948:n ho Diogén 1944:lúpoda phag 1927:ς κατεδαπάν 1836:ς ὠμὸν τέθν 1789:mésōs dè bí 1775:sios phthon 1743:μέσως δὲ βί 1694:kalôs phron 1624:s. toûton a 1576:ς. τοῦτον ἀ 1572:μος ἐστὶ θε 1495:bēn t' erat 1473:lládos hier 1459:khea prolip 1436:s nékues ék 1404:βην τ' ἐρατ 1364:ς, ὀρφανὰ τ 1345:ς νέκυες ἔκ 1288:s oukh hosí 1171:s ópisthe l 1147:ρ γέρων χαλ 1139:λέματον, ὁκ 1117:ὰ δενδροφόρ 872:khrónos lél 754:n Pēliáda d 730:ν Πηλιάδα δ 614:anaclomenon 423:Martin West 369:Hephaestion 293:ionic metre 127:Ionic metre 6467:Categories 5912:parturiunt 5587:References 5498:Manuchehri 5429:comprimet 5406:m vōcis op 5365:st coīre v 5231:turne, tib 5142:(Gaul) or 4998:d furcifer 4983:caput aper 4884:rrum tremu 4869:repente th 4861:r languidi 4846:m manū bip 4751:nvolāte pl 4639:nnit tepid 4532:, nor the 4530:Twin Lions 4321:matōrum, B 4202:ccidit lub 4183:t labōris 4142:rque (e)st 4130:ctēsque di 4048:neriam cor 4040:bant malac 3852:didáktōn k 3802:n orthotóm 3754:οῦ μαθὼν σ 3739:τὴν θεοῦ δ 3712:λθον ἐγὼ β 3689:διδάκτων κ 3670:φίης μετεχ 3658:τάδε <π 3643:ν, ἅγιον θ 3581:περικλυτός 3542:de Synodis 3533:Athanasius 3329:s pépēge m 3306:kládoisin 3283:tò leptòn 3259:toúmetha t 3251:d᾿ ōmà lak 3233:s astragál 3120:ς, βραχίον 3054:ς πέπηγε μ 3031:κλάδοισιν 3008:τὸ λεπτὸν 2976:δ᾿ ὠμὰ λακ 2958:ς ἀστραγάλ 2777:ν εὔθετον 2769:χ ἁπλῆν ἔχ 2754:ν, ὡς περί 2660:rmogḕn mél 2642:a katà mél 2613:ρμογὴν μέλ 2595:α κατὰ μέλ 2547:s pónon ge 2524:k ékhōn él 2520:s emautòn 2516:stora kakí 2432:ς πόνον γε 2405:ς ἐμαυτὸν 2401:στορα κακί 2356:έρι τὸ ποθ 2286:kinaidè si 2282:e khaîre k 2264:κιναιδὲ σι 2162:ρβάρῳ προβ 2139:ν, θεὰ Σελ 1974:ptōke khel 1919:ν θεῖον Ὅμ 1873:φοκλῆς ῥᾶγ 1850:σχύλῳ γράφ 1832:ν ὁ Διογέν 1828:λύποδα φαγ 1797:s díkaiós 1793:s kekramén 1751:ς δίκαιός 1747:ς κεκραμέν 1671:καλῶς φρον 1597:moû tò kal 1549:μοῦ τὸ καλ 1481:stíēs patr 1432:kraisi pur 1390:στίης πατρ 1382:λλάδος ἱερ 1368:χεα προλιπ 1341:κραισι πυρ 1253:Arsinoe II 1242:resolution 1190:phárangos 1102:ς ὄπισθε λ 927:Quintilian 903:catalectic 897:, used by 895:galliambic 857:d᾽oukéti p 840:χρόνος λέλ 825:δ᾽οὐκέτι π 758:xiòn kat᾽ 734:ξιὸν κατ᾽ 664:lum tenet 555:galliambic 530:Quintilian 524:Reputation 516:verse, is 455:Resolution 441:Variations 363:Basic form 329:resolution 6323:(Oxford). 6304:Satyricon 6271:Satyricon 6246:, p. 18). 6170:, p. 142. 6118:Amphitruo 6116:Plautus, 5760:pēl-ya-da 5483:Aeschylus 5402:rs dīmidi 5338:cem quoni 5315:dam memor 5239:nulõs pri 5216:dicat cat 5212:compede d 5134:gladiator 5128:retiarius 4953:nfūgerat 4865:r cōlicul 4838:r corripu 4824:'s hand!" 4793:s, Dēliac 4724:nvenīte n 4701:Satyricon 4696:Petronius 4690:Petronius 4643:lacte sat 4593:git bōs, 4541:Old Woman 4518:ccī Titī. 4457:c Condali 4372:redhostio 4138:satis sup 4117:Amphitruo 4083:vult magn 4009:reccidit 3879:nōn homod 3639:ν ὀρθοτόμ 3567:anaclasis 3325:n oxù bél 3298:polukélad 3211:n lugízet 3050:ν ὀξὺ βέλ 3023:πολυκέλαδ 2984:τούμεθα τ 2936:ν λυγίζετ 2882:ΜΟΣΧΙΩΝΟΣ 2844:san kanón 2821:nân ethél 2802:dousan eg 2773:σαν κανόν 2731:δουσαν ἐγ 2694:theophany 2664:sunergòn 2617:συνεργὸν 2475:nòn psukh 2409:κ ἔχων ἔλ 2260:ε χαῖρε κ 2083:Euripides 2081:devoured 2072:Sophocles 2066:Aeschylus 2020:pídēn étr 1904:πίδην ἔτρ 1858:πτωκε χελ 1767:pénēs ele 1729:σιος φθον 1721:πένης ἐλε 1628:pántote t 1580:πάντοτε τ 1503:líou prós 1451:s epì xén 1412:λίου πρόσ 1360:ς ἐπὶ ξέν 1292:n trumali 1268:ν τρυμαλι 1264:ς οὐχ ὁσί 1121:φάραγγος 1066:Agesilaus 1058:Athenaeus 946:mus mea L 702:, 22.133) 416:anaclasis 396:sotadicus 305:Petronius 207:Catalexis 152:Lekythion 6183:, p. 67. 6120:168–172. 5991:Lucian, 5894:Horace, 5854:Eikasmos 5487:Persians 5387:cālibus 5311:cālia qu 5235:Zōilus, 5146:murmillo 5108:compare 5098:compare 5088:compare 5006:timōre l 5002:mortifer 4979:supplici 4842:terribil 4797:manū rec 4707:cinaedus 4547:nor the 4543:nor the 4453:Leōnēs n 4087:tenēre t 3925:sin egṑ 3848:ōn, thei 3762:σιν ἐγὼ 3716:νων ὁμοδ 3510:Arius's 3279:éari brú 3004:ἔαρι βρύ 2878:acrostic 2750:νᾶν ἐθέλ 2700:Moschion 2322:Decurion 2302:kinaidos 2278:genê Iól 2256:γενῆ Ἰόλ 2245:kinaidos 2206:bḗmati b 2158:βήματι β 2106:a maiore 2100:a minore 2059:Diogenes 1690:nai tôn 1667:ναι τῶν 1537:Stobaeus 1194:xéōse br 1125:ξέωσε βρ 1051:Phaedrus 1008:dinen ór 986:δινεν ὄρ 899:Catullus 813:Anacreon 773:On Style 698:(Homer, 687:On Style 626:Palaemon 621:cinaedus 583:cinaedus 408:sotadeus 402:sotadeus 147:Dochmiac 107:Glyconic 102:Choriamb 92:Choliamb 6273:, 23.3. 6244:Captivi 6157:"work". 5995:113–24. 5993:Podagra 5705:Pliny, 5433:ra mōli 5196:Martial 5190:Martial 5112:2.753. 4934:frīgidi 4558:or the 4110:Plautus 4044:viēre V 3993:Σωτάδης 3913:hupò th 3535:in his 2899:Podagra 2710:demotic 2453:n ēremí 2360:νὸν ψυχ 2338:ν ἠρεμί 2039:ron lim 2016:kēn Eur 1923:ρον λιμ 1900:κην Εὐρ 1212:ēn arot 1143:ην ἀροτ 1082:Sotades 1076:Sotades 750:ōn melí 726:ων μελί 551:Martial 514:stichic 505:caesura 289:Sotades 6306:, 132. 6291:capons 6217:velint 6148:operis 6136:operīs 6133:takes 6028:Thalia 5792:Thalia 5709:5.3.2. 5570:– | – 5559:– | – 5553:ruba'i 5139:Gallus 5122:Festus 5110:Aeneid 5100:Aeneid 5090:Aeneid 5082:: for 5080:Aeneid 4822:Delian 4581:Nonius 4367:Nonius 4287:Accius 4267:dīvess 4232:d sīt. 4187:xpers, 3984:(from 3978:Ennius 3972:Ennius 3960:gnosis 3890:ho per 3821:táde p 3775:katà p 3612:κατὰ π 3528:Θαλεία 3523:Thalia 3512:Thalia 3333:stais, 3058:σταις, 2895:Lucian 2889:Lucian 2870:stelae 2650:theís, 2241:gallos 2079:Thrace 1300:theîs. 1062:Tachōs 853:gluker 821:γλυκερ 793:Salome 789:Thalia 608:Cybele 604:eunuch 593:supīnō 549:poems 348:Thalia 177:Anceps 6287:Delos 6240:Persa 6142:opera 6088:. In 5944:Comp. 5531:Saadi 5437:ntum. 5414:x sē, 5391:ptēs, 5369:rbum: 5300:strī, 4850:nnem; 4577:Varro 4572:Varro 4536:, nor 4484:mquam 4461:m nec 4418:nsum. 4261:dīves 4064:Venus 3987:Σωτᾶς 3929:gnōn. 3837:ntōn, 3814:ntōn, 3766:γνων. 3750:ὑπὸ θ 3727:ὁ περ 3674:ντων, 3651:ντων, 3593:πάντα 3519:Arius 3425:ssei, 3403:rpoùs 3380:roús, 3287:nthos 3219:khḗn, 3150:σσει, 3128:ρποὺς 3105:ρούς, 2852:psin? 2706:stele 2672:ttein 2625:ττειν 2603:θείς, 2551:rgeîn 2528:nkhon 2483:sthai 2436:ργεῖν 2090:Homer 2064:When 1801:stin. 1755:στιν. 1609:stos. 1561:στος. 1325:Iliad 1320:Homer 1276:θεῖς. 1220:boûs. 1151:βοῦς. 1020:n mûn 998:ν μῦν 785:Arius 700:Iliad 683:Iliad 679:Homer 599:galli 489:morae 352:Arius 325:morae 6450:and 6433:-rīd 6414:Iran 6257:cito 6235:fūit 6154:opus 5900:139. 5525:The 5346:rsa, 5323:dam; 5243:rēs. 5220:nās, 5172:lle? 5073:con- 4965:gīs. 4919:bat; 4896:sum. 4778:cēs, 4755:ntā, 4662:rcus 4539:the 4534:Ring 4507:ntēs 4348:sce. 4210:tur: 4165:sīs. 4091:nsam 4052:llam 3982:Sota 3906:xan, 3867:toút 3860:n te 3798:hagí 3743:ξαν, 3704:τούτ 3697:ν τε 3590:and 3448:sēi. 3310:dei, 3263:rōn; 3197:rou, 3035:δει, 3012:νθος 2988:ρων· 2944:χήν, 2922:ρου, 2829:rgon 2781:ψιν; 2758:ργον 2413:γχον 2368:σθαι 2320:"I, 2047:sen. 2024:gon. 1956:ken. 1931:σεν. 1908:γον. 1840:κεν. 1698:ntōn 1675:ντων 1507:pon. 1463:ntes 1416:πον. 1372:ντες 1312:goad 1198:ntḕn 1129:ντὴν 876:ptai 868:biót 861:llòs 844:πται 836:βιότ 829:λλὸς 668:stra 307:is: 245:The 6453:nāh 6447:ast 6336:". 6101:Or 5707:Ep. 5576:u u 5572:u u 5565:u u 5561:u u 5485:'s 5032:gī. 5010:sus 4987:re, 4873:rsō 4801:sī. 4732:dī, 4651:tus 4628:llī 4605:nae 4396:rum 4325:bī, 4017:nus 3883:xōs 3844:ast 3791:dōn 3720:ξως 3681:ἀστ 3635:ἁγί 3628:δων 3575:διὰ 3355:ōn, 3308:ā́i 3241:ta, 3173:σῃ. 3080:ων, 2966:τα, 2806:rōn 2800:heú 2735:ρων 2640:hoî 2461:sai 2346:σαι 2214:nōn 2166:νων 2014:ā́i 2001:ke. 1978:nē. 1885:κε. 1862:νη. 1779:tai 1733:ται 1632:ma. 1584:μα. 1440:nto 1349:ντο 1322:'s 1175:rēs 1106:ρης 954:mus 942:vīv 762:mon 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Index

Greek and Latin metre
Greek prosody
Latin prosody
Dactylic hexameter
Elegiac couplet
Alcmanian verse
Archilochian
Latin rhythmic hexameter
Iambic trimeter
Saturnian (poetry)
Metres of Roman comedy
Trochaic septenarius
Hendecasyllable
Choliamb
Aeolic verse
Choriamb
Glyconic
Asclepiad (poetry)
Sapphic stanza
Alcaic stanza
Ionic metre
Anacreontics
Galliambic verse
Sotadean metre
Dochmiac
Lekythion
Anaclasis (poetry)
Metrical foot
Metron (poetry)
Brevis in longo

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