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Sopana Sangeetham

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Marar,๐—ง๐—ต๐—ฟ๐—ถ๐˜๐—ต๐—ฎ๐—น๐—ฎ ๐—ฆ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ ๐—ฃ๐—ผ๐˜๐—ต๐˜‚๐˜ƒ๐—ฎ๐—น, ๐—”๐—ป๐—ด๐—ฎ๐—ฑ๐—ถ๐—ฝ๐˜‚๐—ฟ๐—ฎ๐—บ ๐—ฉ๐—ฒ๐—ป๐˜‚๐—ด๐—ผ๐—ฝ๐—ฎ๐—น๐—ฎ๐—บ๐—ฎ๐—ฟ๐—ฎ๐—ฟ, are famous maestro in this area. Junior upcoming artists like Mankunnam Harikesan Namboothiri, Mankunnam Harigovind Namboothiri, Adithyan Marar, Sadanam Aswin Murali, etc also have greater fan base.
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Sopanasangeetham has a special fan base and is widely performed in the region between Eranakulam to Kozhikkode. This area is fertile of many experienced and junior sopanasangeetham artists.Ambalappuzha Vijayakumar and Eloor Biju is considered as the most leading artists of present time. Ayilur Akhil
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Sopana sangeetham (music), as the very name suggests, is sung by the side of the holy steps (sopanam) leading to the sanctum sanctorum of a shrine. It is sung, typically employing plain notes, to the accompaniment of the small, hourglass-shaped ethnic drum called
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or the handy metallic gong to sound the beats. Sopanam is traditionally sung by men of the
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refers to the sacred steps of main shrine of a temple and
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