Knowledge

Partita for Violin No. 2 (Bach)

Source 📝

299: 254: 73: 38: 1853: 398:
In the preface to his 1955 transcription, John Cook writes: "The Chaconne is sublimely satisfying in its original form, yet many will agree that a single violin is only able to hint at the vast implications of much of this music 
 It is perhaps not unreasonable to suppose that Bach would have chosen
235:
described the piece, "On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and most powerful feelings. If I imagined that I could have created, even conceived the piece, I am quite certain that the excess of excitement and earth-shattering experience would have
431:
passages are concerned, opinion is divided between the violin and the guitar as the better medium, the guitar always triumphs in polyphonic passages; that is to say almost throughout the entire work. The timbre of the guitar creates new and emotional resonance and unsuspected dynamic gradations in
399:
the organ, had he transcribed the Chaconne himself, as the instrument best suited to the scale of his ideas 
 A good performance on the violin may be taken as the best guide to interpretation on the organ – the two instruments are not without their points in common, and both were beloved of Bach."
109: 1387: 91: 210:
has said the Chaconne is "not just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history. It's a spiritually powerful piece, emotionally powerful, structurally perfect." He played the piece
1380: 1373: 107: 272: 89: 108: 90: 1044: 270: 1226: 1404: 1150: 1523: 271: 100: 1467: 978: 525: 1396: 536: 1611: 551:– The Purification of Time and Character, the Fulfilment of Love and Cooperation with the Celestial Will in Johann Sebastian Bach's Ciaccona for Violin 1472: 1400: 1716: 82: 17: 1180:
Erickson, Raymond. 2019. "Popularisation and transformation: Bach's Ciaccona for Unaccompanied Violin, BWV 1004/5, in the Nineteenth Century."
987: 1830: 1647: 1591: 1424: 1365: 58: 1540: 1018:. Encore Music Editions. London: E. Arnold; New York: Longmans, Green and Co. Reprinted, Westport, Connecticut: Hyperion Press, 1979. 1606: 1601: 1596: 1230: 1245: 1873: 1528: 1451: 1117:
Thoene, Helga. 2003. "Verborgener Klang und verschlĂŒsselte Sprache in den Werken fĂŒr Violine solo von Johann Sebastian Bach". In
686:
Erickson, Raymond (2024). "Bach at the Barre: An Annotated List of Choreographies Using J.S. Bach's Violin Ciaccona (Chaconne)".
178:. The final movement is written in the form of variations, and lasts approximately as long as the first four movements combined. 1485: 181:
Performance time of the whole partita varies between 26 and 32 minutes, depending on the approach and style of the performer.
1636: 1065: 969: 578:
is a dance, its "busy passage-work and contrapuntal density largely obliterated any dance feeling" by Bach's time in Germany.
1199: 1084:. Rutherford, Madison, and Teaneck: Fairleigh Dickinson University Press; London and Toronto: Associated University Presses. 1131: 937: 623: 158:
Except for the ciaccona, the movements are dance types of the time, and they are frequently listed by their French names:
1089:
Thoene, Helga. 1994. "Johann Sebastian Bach. Ciaconna—Tanz oder Tombeau. Verborgene Sprache eines berĂŒhmten Werkes". In
1316: 1135: 835:
Anderson, Rick. 2002. "Johann Sebastian Bach: Morimur. Hilliard Ensemble; Christoph Poppen. ECM 289 461 895-2, 2001."
1553: 1548: 1513: 1508: 1502: 1497: 1480: 1328:"Rethinking Bach's Violin Ciaccona"(commentary by Raymond Erickson, with Mikyung Kim, violin and Julie Iwasa, dancer) 1109: 1002: 506:. Milo, abandoned by the father who introduced him to Chaconne, studied in Spain for four years to master the piece. 1888: 899: 412: 1278: 1558: 1439: 1429: 824:
Altschuler, Eric Lewin. 2005. "Were Bach's Toccata and Fugue BWV565 and the Ciacconia from BWV1004 Lute Pieces?"
31: 1339:"Bach's Ciaccona for Unaccompanied Violin: A Reassessment" (commentary by Raymond Erickson; Luosha Fang, violin) 432:
those passages which might have been created purely for the violin; as for instance the variations in arpeggi."
298: 1730: 1023: 247:
Raymond Erickson has identified approximately two hundred transcriptions and arrangements of Bach's Ciaccona.
1571: 263: 1671: 1395: 1878: 1697: 490:. The Chaconne was masterfully transcribed for pedal harp by Dewey Owens, published by Lyra, and also by 1883: 1843: 1584: 1343: 1332: 1257: 427:, Secretary of the French Society of Musicology in Paris, wrote in 1930: "If, insofar as certain rapid 1093:, 14–81. Cöthener Bach-Hefte 6, Veröffentlichungen des Historischen Museums Köthen/Anhalt XIX. Köthen. 1563: 1239: 1033: 521:, a memoir about his life as a violinist and about his ultimate challenge: playing Bach's Chaconne. 1631: 1140: 408: 530: 447:
There are a number of transcriptions of the Chaconne for orchestras of different sizes, including
1788: 1704: 1049: 514: 439:
transcription. Many guitarists today prefer to play the Chaconne directly from the violin score.
1352: 1042:
Silbiger, Alexander (2001). "Chaconne (Fr., also chacony; It. ciaccona, ciacona; Sp. chacona)".
874: 846: 1857: 1770: 1751: 1235: 548: 50: 1080: 1057: 1737: 1576: 1409: 913: 388: 312: 54: 1710: 1655: 384: 189:
Professor Helga Thoene suggests that this partita, and especially its last movement, was a
541: 8: 1816: 1802: 1690: 1446: 380: 221: 1764: 1204: 1195: 924: 194: 1310: 1122: 1105: 1061: 1019: 1015: 998: 965: 903: 856: 826: 510: 487: 479: 448: 350: 340: 216: 1151:"Bach/Brahms: Chaconne from Partita no. 2 d Minor, arrangement for piano, left hand" 436: 278:
Transcription of the Chaconne by Brahms for piano with left hand only, performed by
57:, was written between 1717 and 1720. It is a part of his compositional cycle called 1809: 1663: 1053: 695: 483: 459: 324: 320: 279: 1290: 1273: 1154: 865: 837: 354: 336: 228: 1306: 1723: 1282: 1184:, ed. Szymon Paczkowski, 371–395. Warsaw: The Fryderyk Chopin Institute, 2019. 957: 424: 392: 232: 200: 1357: 1337: 1326: 1267: 1251: 852: 699: 1867: 1300: 1296: 364: 358: 886:
Erickson, Raymond. 2002. "Secret Codes, Dance and Bach's Great 'Ciaccona'".
344: 1795: 1623: 1320: 1246:
Bach's Chaconne in D minor for solo violin: An application through analysis
1101:
Johann Sebastian Bach, Ciaccona: Tanz oder Tombeau?—Eine analytische Studie
933: 491: 328: 203:
called the Chaconne "the greatest structure for solo violin that exists".
1758: 1347: 1169:
Erickson, Raymond. 2003. "Toward a 21st-Century Interpretation of Bach's
471: 463: 332: 207: 407:
There is a transcription of the Chaconne for solo cello made by cellist
315:
of the piece have been made for other instruments, particularly for the
1744: 1261: 467: 376: 290: 121: 37: 878: 603: 167: 159: 141: 131: 575: 175: 163: 151: 136: 1182:
Bach and Chopin: Baroque Traditions in the Music of the Romantics
239:
Bach's violin Ciaccona has been choreographed almost fifty times.
212: 190: 428: 1187:
Erickson, Raymond. 2020. "Bach's Violin Ciaccona in America".
1100: 902:, FH 3021, 2015, (Editor/Arranger: Johann Sebastian Paetsch), 591: 478:
album. The Chaconne has also been arranged for harpsichord by
316: 171: 146: 1473:
Sonatas for viola da gamba and harpsichord, BWV 1027–1029
1286: 197:(who died in 1720), though this theory is controversial. 1012:
Letters of Clara Schumann and Johannes Brahms, 1853–1896
868:". Pristine Madness (10 August) (accessed 20 June 2016) 789: 765: 1529:
Canonic Sonata for oboe, violin and continuo, BWV 1040
1841: 1468:
Six Sonatas for Violin and Harpsichord, BWV 1014–1019
729: 717: 667: 655: 1031:
Silbiger, Alexander. 1999. "Bach and the Chaconne".
753: 435:
The most well-known transcription for guitar is the
1425:
Sonatas and Partitas for Solo Violin, BWV 1001–1006
1313:
discusses his lifelong quest to master the chaconne
1279:
Recording of Busoni's transcription of the Chaconne
688:
Bach: Journal of the Riemenschneider Bach Institute
1119:AnsBACHwoche, Almanach: 25 Juli bis 3. August 2003 928:. The Devil's Advocate (accessed 26 October 2014). 1148: 801: 777: 712: 242: 1865: 1359:TV documentary about the secrets of the Ciaccona 995:So I've Heard: Notes of a Migratory Music Critic 741: 513:, the violin soloist and first violinist of the 451:'s transcription for a full symphony orchestra. 1200:"Music; Gravest Bach Is Suddenly a Best Seller" 875:Violin Dreams': Chasing Bach's Elusive Chaconne 1009: 27:Composition for violin by Johan Sebastian Bach 1831:List of compositions by Johann Sebastian Bach 1381: 1524:Sonata for two flutes and continuo, BWV 1039 1010:Schumann, Clara, and Johannes Brahms. 1927. 841:, second series, 59, No. 1 (September): 145. 1572:Sinfonia for violin and orchestra, BWV 1045 921: 845: 795: 771: 462:arranged the Partita for harpsichord solo. 442: 423:The Chaconne is often performed on guitar. 391:, Walter Henry Goss-Custard (1915–55), and 1388: 1374: 1189:EMAg: The Magazine of Early Music America 1129: 894: 823: 723: 673: 629: 1612:For two harpsichords in C minor, BWV 1060 1231:International Music Score Library Project 1227:Violin Partita No. 2 in D minor, BWV 1004 976: 911:Humphreys, David. 2002. "Esoteric Bach". 910: 735: 641: 1149:Woodring Goertzen, Valerie, ed. (n.d.). 1041: 1030: 885: 834: 685: 649: 637: 633: 597: 574:While the origin and early usage of the 546:published a book about Bach's Chaconne: 502:In 2005 Joseph C. Mastroianni published 418: 411:in 2015. This has been published by the 297: 193:written in memory of Bach's first wife, 36: 1144:(April 8; accessed September 18, 2011). 1058:10.1093/gmo/9781561592630.article.05354 956: 866:Bach, Busoni, Segovia, and the Chaconne 706: 661: 556: 454: 402: 370: 306: 41:Chaconne (beginning), Bach's manuscript 30:For the piece by Johann Pachelbel, see 14: 1866: 1116: 1097: 1088: 881:(18 January) (accessed 20 June 2016). 617: 613: 609: 367:transcribed the piece for piano duet. 264:Chaconne for piano with left hand only 1637:Orchestral Suite in G minor, BWV 1070 1369: 1077: 932: 872: 807: 783: 759: 1554:Violin Concerto in E major, BWV 1042 1549:Violin Concerto in A minor, BWV 1041 1175:The American Bach Society Newsletter 985: 863: 747: 645: 59:Sonatas and Partitas for Solo Violin 482:and for violin plus four voices by 335:), and for the piano left-hand (by 24: 1559:Concerto for Two Violins, BWV 1043 1303:by Dave Grossman (audio and video) 1163: 252: 120:Problems playing these files? See 71: 47:Partita in D minor for solo violin 25: 1900: 1592:Keyboard concertos, BWV 1052–1065 1236:"On Bach's Second Violin Partita" 1220: 1851: 1632:Orchestral Suites, BWV 1066–1069 1452:Partita for Solo Flute, BWV 1013 1353:German article on Bachs Chaconne 1081:The Mystery of Leopold Stokowski 964:, new edition. London: Pimlico. 900:Friedrich Hofmeister Musikverlag 896:3 Pieces from BWV 565, 903, 1004 383:. Further transcriptions are by 289:Problems playing this file? See 268: 105: 87: 18:Solo Violin Partita No. 2 (Bach) 1874:Suites by Johann Sebastian Bach 848:Bach: Suites, Partitas, Sonatas 32:Chaconne in D minor (Pachelbel) 1173:for Solo Violin, BWV 1004/5". 830:146, no. 1893 (Winter): 77–86. 679: 568: 243:Transcriptions of the Ciaccona 13: 1: 1717:Everything's Gonna Be Alright 1191:26/3 (September 2020), 46–52. 1091:Festschrift zum Leopoldfest 997:, 66–67. Milwaukee: Amadeus. 938:"Chaconne from Partita No. 2" 497: 466:arranged Bach's Chaconne for 1242:, 30 May 2018, Wikilivres.ru 1078:Smith, William Ander. 1990. 1037:17, no. 3 (Summer): 358–385. 981:". (accessed 20 June 2016). 922:Mastroianni, Joseph C. n.d. 184: 64: 7: 1731:Jesu, Joy of Man's Desiring 1447:Cello Suites, BWV 1007–1012 1264:, played by D'Arcy Trinkwon 311:Since Bach's time, several 236:driven me out of my mind." 10: 1905: 1607:No. 4 in A major, BWV 1055 1602:No. 2 in E major, BWV 1053 1597:No. 1 in D minor, BWV 1052 1323:(from the Wayback Machine) 991:: Is There Sex after Bach? 864:Berg, Christopher. 2009. " 29: 1826: 1780: 1682: 1646: 1622: 1539: 1460: 1417: 1319:, performed on guitar by 1130:Weingarten, Gene. 2007. " 1104:. Oschersleben: Ziethen. 1034:The Journal of Musicology 700:10.1353/bach.2024.a924427 470:, and a recording by the 375:The earliest version for 1297:Partita No. 2 (complete) 1289:format (archived on the 1141:Washington Post Magazine 977:Pincherle, Marc. 1930. " 443:Orchestra transcriptions 409:Johann Sebastian Paetsch 1889:Compositions in D minor 1134:" (article text only); 1132:Pearls Before Breakfast 1073:(subscription required) 1050:Oxford University Press 873:Block, Melissa. 2007. " 515:Guarneri String Quartet 1771:A Whiter Shade of Pale 1752:Sheep may safely graze 713:Woodring Goertzen n.d. 549:Excerpts from Eternity 413:Hofmeister Musikverlag 303: 257: 76: 42: 1765:Trio Sonata, BWV 525a 1578:Brandenburg Concertos 1410:Johann Sebastian Bach 1098:Thoene, Helga. 2001. 1014:, 2 vols., edited by 917:30, no. 2 (May): 307. 419:Guitar transcriptions 389:Wilhelm Middelschulte 301: 256: 75: 55:Johann Sebastian Bach 40: 1789:Bach's Greatest Hits 1711:Bach-Busoni Editions 1657:The Musical Offering 1514:in E major, BWV 1035 1509:in E minor, BWV 1034 1503:in C major, BWV 1033 1498:in A major, BWV 1032 1481:in B minor, BWV 1030 906: 9790203430216. 859: 9790006562602. 557:Notes and references 455:Other transcriptions 403:Cello transcriptions 371:Organ transcriptions 319:(including those by 307:Piano transcriptions 1817:Switched-On Bach II 1803:Jazz Sebastian Bach 1691:Air on the G String 1198:(2 December 2001). 1196:Oestreich, James R. 986:Rich, Alan. 2006. " 979:Bach and the Guitar 925:Chaconne: The Novel 888:Early Music America 381:William Thomas Best 222:The Washington Post 1879:Solo violin pieces 1253:Chaconne for organ 1205:The New York Times 1121:, 22–35. Ansbach: 1045:Grove Music Online 962:Unfinished Journey 504:Chaconne The Novel 304: 258: 195:Maria Barbara Bach 77: 43: 1884:1720 compositions 1839: 1838: 1311:Arnold Steinhardt 1240:Dmitri N. Smirnov 1123:Bachwoche Ansbach 1067:978-1-56159-263-0 1016:Berthold Litzmann 970:978-0-7126-6809-5 942:Harp Column Music 827:The Musical Times 511:Arnold Steinhardt 488:Hilliard Ensemble 480:Pieter-Jan Belder 474:appears on their 449:Leopold Stokowski 357:each wrote piano 351:Felix Mendelssohn 341:Paul Wittgenstein 273: 110: 92: 16:(Redirected from 1896: 1856: 1855: 1854: 1847: 1810:Switched-On Bach 1665:The Art of Fugue 1491: 1490: 1412: 1401:orchestral works 1390: 1383: 1376: 1367: 1366: 1360: 1340: 1329: 1270: 1254: 1248:by Larry Solomon 1229:: Scores at the 1216: 1214: 1212: 1158: 1145: 1126: 1113: 1094: 1085: 1074: 1071: 1048:(8th ed.). 1038: 1027: 1006: 982: 973: 958:Menuhin, Yehudi. 953: 951: 949: 929: 918: 907: 891: 882: 869: 860: 842: 831: 811: 805: 799: 793: 787: 781: 775: 769: 763: 757: 751: 745: 739: 733: 727: 721: 715: 710: 704: 703: 683: 677: 671: 665: 659: 653: 627: 621: 607: 601: 595: 579: 572: 545: 534: 484:Christoph Poppen 460:Gustav Leonhardt 325:Alexander Siloti 321:Ferruccio Busoni 280:Martha Goldstein 275: 274: 255: 112: 111: 94: 93: 74: 21: 1904: 1903: 1899: 1898: 1897: 1895: 1894: 1893: 1864: 1863: 1862: 1858:Classical music 1852: 1850: 1842: 1840: 1835: 1822: 1776: 1678: 1642: 1618: 1580:, BWV 1046–1051 1565:Triple Concerto 1535: 1492:major, BWV 1031 1488: 1487: 1456: 1413: 1408: 1394: 1358: 1338: 1327: 1291:Wayback Machine 1274:Nathan Milstein 1268: 1252: 1223: 1210: 1208: 1194: 1177:, Spring, 2003. 1166: 1164:Further reading 1161: 1155:G. Henle Verlag 1072: 1068: 947: 945: 890:8, no. 2:34–43. 855:BA 11820, 814: 806: 802: 796:Mastroianni n.d 794: 790: 782: 778: 772:BĂ€renreiter n.d 770: 766: 758: 754: 746: 742: 734: 730: 724:Hofmeister 2015 722: 718: 711: 707: 684: 680: 674:Weingarten 2007 672: 668: 660: 656: 630:Altschuler 2005 628: 624: 608: 604: 596: 592: 583: 582: 573: 569: 559: 539: 528: 500: 457: 445: 421: 405: 373: 355:Robert Schumann 337:Johannes Brahms 309: 296: 295: 287: 285: 284: 283: 282: 276: 269: 266: 259: 253: 245: 231:in a letter to 229:Johannes Brahms 187: 156: 127: 126: 118: 116: 115: 114: 113: 106: 103: 97: 96: 95: 88: 85: 78: 72: 67: 35: 28: 23: 22: 15: 12: 11: 5: 1902: 1892: 1891: 1886: 1881: 1876: 1861: 1860: 1837: 1836: 1834: 1833: 1827: 1824: 1823: 1821: 1820: 1813: 1806: 1799: 1792: 1784: 1782: 1778: 1777: 1775: 1774: 1767: 1762: 1755: 1748: 1741: 1734: 1727: 1724:Feel My Rhythm 1720: 1713: 1708: 1701: 1694: 1686: 1684: 1680: 1679: 1677: 1676: 1675: 1674: 1661: 1652: 1650: 1644: 1643: 1641: 1640: 1634: 1628: 1626: 1620: 1619: 1617: 1616: 1615: 1614: 1609: 1604: 1599: 1589: 1588: 1587: 1574: 1569: 1561: 1556: 1551: 1545: 1543: 1537: 1536: 1534: 1533: 1532: 1531: 1526: 1518: 1517: 1516: 1511: 1506: 1500: 1495: 1483: 1477:Flute Sonatas 1475: 1470: 1464: 1462: 1458: 1457: 1455: 1454: 1449: 1444: 1443: 1442: 1437: 1432: 1430:Partita No. 1 1421: 1419: 1415: 1414: 1405:transcriptions 1393: 1392: 1385: 1378: 1370: 1364: 1363: 1355: 1350: 1335: 1324: 1314: 1304: 1294: 1283:Boris Giltburg 1276: 1265: 1260:, arranged by 1249: 1243: 1233: 1222: 1221:External links 1219: 1218: 1217: 1192: 1185: 1178: 1165: 1162: 1160: 1159: 1146: 1136:includes video 1127: 1114: 1095: 1086: 1075: 1066: 1039: 1028: 1007: 983: 974: 954: 944:. Maruka Music 930: 919: 908: 892: 883: 870: 861: 843: 832: 820: 813: 812: 800: 788: 776: 764: 752: 740: 736:Pincherle 1930 728: 716: 705: 678: 666: 654: 642:Humphreys 2002 622: 602: 600:, §5. Germany. 589: 581: 580: 566: 565: 558: 555: 537:BarnabĂĄs Dukay 499: 496: 456: 453: 444: 441: 425:Marc Pincherle 420: 417: 404: 401: 393:Henri Messerer 372: 369: 361:for the work. 359:accompaniments 313:transcriptions 308: 305: 286: 277: 267: 262: 261: 260: 251: 250: 249: 244: 241: 233:Clara Schumann 217:L'Enfant Plaza 201:Yehudi Menuhin 186: 183: 155: 154: 149: 144: 139: 134: 128: 117: 104: 99: 98: 86: 81: 80: 79: 70: 69: 68: 66: 63: 26: 9: 6: 4: 3: 2: 1901: 1890: 1887: 1885: 1882: 1880: 1877: 1875: 1872: 1871: 1869: 1859: 1849: 1848: 1845: 1832: 1829: 1828: 1825: 1819: 1818: 1814: 1812: 1811: 1807: 1805: 1804: 1800: 1798: 1797: 1793: 1791: 1790: 1786: 1785: 1783: 1779: 1772: 1768: 1766: 1763: 1760: 1756: 1753: 1749: 1746: 1742: 1739: 1735: 1732: 1728: 1725: 1721: 1718: 1714: 1712: 1709: 1706: 1702: 1699: 1695: 1692: 1688: 1687: 1685: 1681: 1673: 1670: 1669: 1668: 1666: 1662: 1660: 1658: 1654: 1653: 1651: 1649: 1645: 1638: 1635: 1633: 1630: 1629: 1627: 1625: 1621: 1613: 1610: 1608: 1605: 1603: 1600: 1598: 1595: 1594: 1593: 1590: 1586: 1583: 1582: 1581: 1579: 1575: 1573: 1570: 1568: 1566: 1562: 1560: 1557: 1555: 1552: 1550: 1547: 1546: 1544: 1542: 1538: 1530: 1527: 1525: 1522: 1521: 1520:Trio Sonatas 1519: 1515: 1512: 1510: 1507: 1504: 1501: 1499: 1496: 1493: 1484: 1482: 1479: 1478: 1476: 1474: 1471: 1469: 1466: 1465: 1463: 1459: 1453: 1450: 1448: 1445: 1441: 1438: 1436: 1433: 1431: 1428: 1427: 1426: 1423: 1422: 1420: 1416: 1411: 1406: 1402: 1398: 1397:Chamber music 1391: 1386: 1384: 1379: 1377: 1372: 1371: 1368: 1361: 1356: 1354: 1351: 1349: 1345: 1341: 1336: 1334: 1330: 1325: 1322: 1318: 1317:Partita No. 2 1315: 1312: 1308: 1305: 1302: 1301:electric bass 1298: 1295: 1292: 1288: 1284: 1280: 1277: 1275: 1271: 1266: 1263: 1259: 1255: 1250: 1247: 1244: 1241: 1237: 1234: 1232: 1228: 1225: 1224: 1207: 1206: 1201: 1197: 1193: 1190: 1186: 1183: 1179: 1176: 1172: 1168: 1167: 1156: 1152: 1147: 1143: 1142: 1137: 1133: 1128: 1124: 1120: 1115: 1111: 1110:3-935358-60-1 1107: 1103: 1102: 1096: 1092: 1087: 1083: 1082: 1076: 1069: 1063: 1059: 1055: 1051: 1047: 1046: 1040: 1036: 1035: 1029: 1025: 1021: 1017: 1013: 1008: 1004: 1003:1-57467-133-2 1000: 996: 992: 990: 984: 980: 975: 971: 967: 963: 959: 955: 943: 939: 935: 934:Kanga, Skaila 931: 927: 926: 920: 916: 915: 909: 905: 901: 897: 893: 889: 884: 880: 876: 871: 867: 862: 858: 854: 850: 849: 844: 840: 839: 833: 829: 828: 822: 821: 819: 818: 809: 804: 797: 792: 785: 780: 773: 768: 761: 756: 749: 744: 737: 732: 725: 720: 714: 709: 701: 697: 693: 689: 682: 675: 670: 663: 658: 651: 650:Silbiger 1999 647: 643: 639: 638:Erickson 2002 635: 634:Anderson 2002 631: 626: 619: 615: 611: 606: 599: 598:Silbiger 2001 594: 590: 588: 587: 577: 571: 567: 564: 563: 554: 552: 550: 543: 538: 532: 527: 526:MĂĄrta ÁbrahĂĄm 522: 520: 519:Violin Dreams 516: 512: 507: 505: 495: 493: 489: 485: 481: 477: 473: 469: 465: 461: 452: 450: 440: 438: 433: 430: 426: 416: 414: 410: 400: 396: 395:(1838–1923). 394: 390: 386: 382: 378: 368: 366: 365:Carl Reinecke 362: 360: 356: 352: 348: 346: 342: 338: 334: 330: 326: 322: 318: 314: 300: 294: 292: 281: 265: 248: 240: 237: 234: 230: 226: 224: 223: 218: 214: 209: 204: 202: 198: 196: 192: 182: 179: 177: 173: 169: 165: 161: 153: 150: 148: 145: 143: 140: 138: 135: 133: 130: 129: 125: 123: 102: 84: 62: 60: 56: 52: 48: 39: 33: 19: 1815: 1808: 1801: 1796:Back to Bach 1794: 1787: 1664: 1656: 1577: 1564: 1434: 1346:, played by 1321:Yaron Hasson 1299:, played on 1272:on YouTube, 1209:. Retrieved 1203: 1188: 1181: 1174: 1170: 1139: 1118: 1099: 1090: 1079: 1043: 1032: 1011: 994: 988: 961: 946:. Retrieved 941: 923: 912: 895: 887: 847: 836: 825: 816: 815: 803: 791: 779: 767: 755: 743: 731: 719: 708: 691: 687: 681: 669: 662:Menuhin 2001 657: 625: 605: 593: 585: 584: 570: 561: 560: 547: 523: 518: 517:, published 508: 503: 501: 492:Skaila Kanga 475: 458: 446: 434: 422: 415:in Leipzig. 406: 397: 374: 363: 349: 329:Joachim Raff 310: 288: 246: 238: 227: 220: 205: 199: 188: 180: 157: 119: 83:I. Allemanda 46: 44: 1683:Adaptations 1672:discography 1348:Luosha Fang 914:Early Music 898:, Leipzig: 853:BĂ€renreiter 694:(1): 1-43. 618:Thoene 2003 614:Thoene 2001 610:Thoene 1994 540: [ 529: [ 472:Eroica Trio 464:Anne Dudley 333:Rudolf Lutz 208:Joshua Bell 101:V. Ciaccona 1868:Categories 1745:Lady Lynda 1667:, BWV 1080 1659:, BWV 1079 1639:(doubtful) 1567:, BWV 1044 1505:(doubtful) 1494:(doubtful) 1362:on YouTube 1262:W. T. Best 1211:30 January 1153:(Urtext). 1024:0883557614 808:Block 2007 760:Smith 1990 632:, 79, 85; 586:References 498:Literature 468:piano trio 345:GĂ©za Zichy 291:media help 206:Violinist 122:media help 1705:Ave Maria 1541:Concertos 993:" In his 879:NPR Music 784:Kanga n.d 748:Berg 2009 652:, 374n34. 646:Rich 2006 385:John Cook 185:Reception 168:Sarabande 160:Allemande 142:Sarabanda 132:Allemande 65:Structure 53:1004, by 1698:Alphabet 1489:♭ 1461:Ensemble 1403:by, and 1269:Chaconne 1171:Ciaccona 948:17 April 936:(n.d.). 576:chaconne 524:In 2017 509:In 2008 486:and the 302:Ciaccona 176:Chaconne 164:Courante 152:Ciaccona 137:Corrente 1407:after, 1344:YouTube 1333:YouTube 1307:Podcast 1258:YouTube 989:Morimur 817:Sources 476:Baroque 437:Segovia 429:monodic 213:busking 191:tombeau 1844:Portal 1781:Albums 1624:Suites 1108:  1064:  1022:  1001:  968:  960:2001. 762:, 243. 664:, 236. 379:is by 343:, and 331:, and 174:, and 1648:Fugal 1585:No. 5 1440:No. 3 1435:No. 2 838:Notes 562:Notes 544:] 533:] 377:organ 317:piano 172:Gigue 1759:They 1486:in E 1418:Solo 1399:and 1213:2022 1106:ISBN 1062:ISBN 1020:ISBN 999:ISBN 966:ISBN 950:2021 904:ISMN 857:ISMN 535:and 353:and 219:for 147:Giga 45:The 1738:Joy 1342:on 1331:on 1287:MP3 1285:in 1281:by 1256:on 1238:by 1054:doi 877:". 696:doi 347:). 215:in 51:BWV 1870:: 1309:, 1202:. 1138:. 1060:. 1052:. 940:. 851:, 692:55 690:. 648:; 644:; 640:; 636:; 616:; 612:; 553:. 542:hu 531:hu 494:. 387:, 339:, 327:, 323:, 225:. 170:, 166:, 162:, 61:. 49:, 1846:: 1773:" 1769:" 1761:" 1757:" 1754:" 1750:" 1747:" 1743:" 1740:" 1736:" 1733:" 1729:" 1726:" 1722:" 1719:" 1715:" 1707:" 1703:" 1700:" 1696:" 1693:" 1689:" 1389:e 1382:t 1375:v 1293:) 1215:. 1157:. 1125:. 1112:. 1070:. 1056:: 1026:. 1005:. 972:. 952:. 810:. 798:. 786:. 774:. 750:. 738:. 726:. 702:. 698:: 676:. 620:. 293:. 124:. 34:. 20:)

Index

Solo Violin Partita No. 2 (Bach)
Chaconne in D minor (Pachelbel)

BWV
Johann Sebastian Bach
Sonatas and Partitas for Solo Violin
I. Allemanda
V. Ciaccona
media help
Allemande
Corrente
Sarabanda
Giga
Ciaccona
Allemande
Courante
Sarabande
Gigue
Chaconne
tombeau
Maria Barbara Bach
Yehudi Menuhin
Joshua Bell
busking
L'Enfant Plaza
The Washington Post
Johannes Brahms
Clara Schumann
Chaconne for piano with left hand only
Martha Goldstein

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑