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467:. Leipzig: verlegts Wolffgang Deer. Facsimile reprint, edited by Richard Schaal. Documenta musicologica, 1. Reihe, Druckschriften-Faksimiles, 3. Kassel: Bärenreiter-Verlag, 1953. Modern edition of the text and musical illustrations, edited by Friederike Ramm. Kassel: Bärenreiter-Verlag &
172:, but employing rhythmic and metrical ambiguities (especially hemiola), and had the slowest tempo of all French court dances, described by Mattheson, Quantz and Rousseau as grave and majestic, while the Italian type was a significantly faster dance.
436:. Hamburg: verlegts Christian Herold. Facsimile reprint, fifth edition, edited by Margarete Reimann. Documenta Musicologica 1. Reihe, Druckschriften-Faksimiles 5. Kassel: Bärenreiter-Verlag, 1991.
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in a manner one might initially perform and hear as a courante. The second movement is titled corrente and is rather lively. An indication of faster tempo that appears to exist in
Baroque composer
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Der vollkommene
Capellmeister: Das ist, Gründliche Anzeige aller derjenigen Sachen, die einer wissen, können, und vollkommen inne haben muß, der einer Capelle mit Ehren und Nutzen vorstehen will
449:
Johann
Mattheson's Der vollkommene Capellmeister", a revised translation with critical commentary by Ernest Charles Harriss. Studies in musicology 21. Ann Arbor: UMI Research Press.
142:(Hamburg, 1739) as "chiefly characterized by the passion or mood of sweet expectation. For there is something heartfelt, something longing and also gratifying, in this
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by
Meredith Little and Natalie Jenne, the courante and corrente are treated as distinct dances, but editors have frequently ignored the distinction.
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literally means "running", and in the later
Renaissance the courante was danced with fast running and jumping steps, as described by
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Sometimes French and
Italian spellings are used to distinguish types of courante, but original spellings were inconsistent.
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During the
Baroque era there were two types of courante; the French and the Italian. The French type is usually notated in
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Lenneberg, Hans. 1958. "Johann
Mattheson on Affect and Rhetoric in Music: A Translation of Selected Portions of
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Video – Musical
Contexts – Courante in Action – reonstruction for Baroque Orchestral Music (AQA GCSE Music)
671:
528:
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154:(Leipzig, 1732), wrote that the rhythm of the courante is "absolutely the most serious one can find."
361:, expanded edition. Music: Scholarship and Performance (Bloomington: Indiana University Press, 2001)
348:, new, revised edition, edited by Alfred Dürr. Bärenreiter Urtext (Kassel: Bärenreiter-Verlag, 1980).
312:, new, revised edition, edited by Alfred Dürr. Bärenreiter Urtext (Kassel: Bärenreiter-Verlag, 1980).
31:
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Französische Suiten: die verzierte
Fassung / The French Suites: Embellished Version: BWV 812–817
332:, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
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Französische Suiten: die verzierte Fassung / The French Suites: Embellished Version: BWV 812–817
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Beauchamp–Feuillet Notation: A Guide for Beginner and Intermediate Baroque Dance Students
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an Italian or French courante is typically paired with a preceding
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Quoted in Alfred DĂĽrr, preface to Johann Sebastian Bach,
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2, no. 1 (April) and no. 2 (November): 47–84, 193–236.
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the first movement (titled Allemanda) begins as if in
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Musicalisches Lexicon oder, Musicalische Bibliothec
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266:Revisiting Music Theory: A Guide to the Practice
330:The New Grove Dictionary of Music and Musicians
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30:"Corrente" redirects here. For other uses, see
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146:: clearly music on which hopes are built."
76:are some of the names given to a family of
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285:Waite, Philippa; Appleby, Judith (2003)
130:. But the courante commonly used in the
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100:of the suite or the third if there is a
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191:and Italian styles respectively in his
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504:Video – basic steps in theatre class
344:, preface to Johann Sebastian Bach,
268:(New York: Routledge, 2007), p. 28.
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461:Walther, Johann Gottfried. 1732.
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677:Dance forms in classical music
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421:Der vollkommene Capellmeister
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140:Der vollkommene Capellmeister
27:Family of triple metre dances
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117:Beauchamp–Feuillet notation
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324:Meredith Ellis Little and
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471:GmbH & Co. KG, 2001.
447:Mattheson, Johann. 1981.
430:Mattheson, Johann. 1739.
119:: the steps of a courante
32:Corrente (disambiguation)
207:Partita for Violin No. 2
205:In Bach's unaccompanied
148:Johann Gottfried Walther
134:period was described by
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37:Not to be confused with
425:Journal of Music Theory
96:, making it the second
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187:to differentiate the
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80:dances from the late
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377:(pbk); pp. 114–142.
672:Triple time dances
492:La Courante Reglée
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682:Renaissance music
657:Renaissance dance
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326:Suzanne G. Cusick
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90:dance suite
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82:Renaissance
651:Categories
252:References
636:Sarabande
621:Passepied
556:Allemande
423:(1739)".
398:(cloth);
369:(cloth);
94:allemande
626:Rigaudon
601:Hornpipe
586:Galliard
576:Chaconne
566:Courante
490:Video –
235:See also
198:and, in
185:corrente
181:courante
124:Courante
98:movement
84:and the
66:corrente
61:courante
52:courante
18:Corrente
591:Gavotte
561:Bourrée
150:in the
132:baroque
102:prelude
70:coranto
39:Corante
611:Minuet
581:Entrée
571:Canary
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189:French
144:melody
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54:rhythm
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596:Gigue
179:uses
108:Types
473:ISBN
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392:ISBN
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291:ISBN
270:ISBN
225:time
183:and
177:Bach
72:and
58:The
138:in
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68:,
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50:A
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20:)
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