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583:. Landseer accepted on condition that he would not have to start work for another nine months, and there was a further delay when he asked to be supplied with copies of casts of a real lion he knew were in the possession of the academy at Turin. The request proved complex, and the casts did not arrive until the summer of 1860. The lions were made at the Kensington studio of
370:. Then, in the year before her marriage, the queen commissioned a portrait of herself. He taught both Victoria and Albert to etch, and made portraits of Victoria's children as babies, usually in the company of a dog. He also made two portraits of Victoria and Albert dressed for costume balls, at which he was a guest himself. One of his last paintings was a life-size
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499:
was entered at the 1861 Royal
Academy Exhibition and caused controversy because of its subject matter. It showed a powerful horse on its knees among straw in a stable, while a young woman lies with her head pillowed on its flanks, lightly touching its head with her hand. The catalogue explained it
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Landseer was rumoured to be able to paint with both hands at the same time, for example, paint a horse's head with the right and its tail with the left, simultaneously. He was also known to be able to paint extremely quickly—when the mood struck him. He could also procrastinate, sometimes for
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He was knighted in 1850, and although elected to be president of the Royal
Academy in 1866 he declined the invitation. In his late thirties Landseer suffered what is now believed to be a substantial nervous breakdown, and for the rest of his life was troubled by recurring bouts of melancholy,
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His appeal crossed class boundaries: reproductions of his works were common in middle-class homes, while he was also popular with the aristocracy. Queen
Victoria commissioned numerous pictures from the artist. Initially asked to paint various royal pets, he then moved on to portraits of
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358:(1820) shows two of the dogs standing over a man who is partially buried in snow. One is barking to attract attention while the other, who is depicted with the miniature barrel, attempts to revive the man by licking his hand.
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hypochondria, and depression, often aggravated by alcohol and drug use. In the last few years of his life
Landseer's mental stability was problematic, and at the request of his family he was declared insane in July 1872.
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that, rather than being black or mostly black, features a mixture of both black and white. It was this variety
Landseer popularised in his paintings celebrating Newfoundlands as water rescue dogs, most notably
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was considerable, and his reputation as an animal painter was unrivalled. Much of his fame – and his income – was generated by the publication of engravings of his work, many of them by his brother
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236:. At the age of just 13, in 1815, he exhibited works there as an “Honorary Exhibitor”. He was elected an Associate at the minimum age of 24, and an Academician five years later in 1831.
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Landseer's death on 1 October 1873 was widely marked in
England: shops and houses lowered their blinds, flags flew at half mast, his bronze lions at the base of
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508:, then at the height of her fame. Walters was an excellent horsewoman and along with other "pretty horsebreakers", frequently appeared riding in Hyde Park.
468:(1856). The paintings combine the Victorian conception of childhood with the appealing idea of noble animals devoted to humankind, a devotion indicated, in
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504:. Critics were troubled by the depiction of a languorous woman dominating a powerful animal and some concluded Landseer was implying the famous courtesan
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587:, who also cast them. Work was slowed by Landseer's ill health, and his fractious relationship with Marochetti. The sculptures were installed in 1867.
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in particular, which provided the subjects (both human and animal) for many of his important paintings. The paintings included his early successes
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were hung with wreaths, and large crowds lined the streets to watch his funeral cortege pass. Landseer was buried in
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and the Royal
Academy Schools." They also visited Scotland together in 1824, which had a great effect upon Landseer.
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as a portrait of a noted equestrienne, Ann
Gilbert, applying the taming techniques of the famous 'horse whisperer'
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whose artistic talents were recognised early on. He studied under several artists, including his father, and the
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in order to fully understand animal musculature and skeletal structure. Landseer's life was entwined with the
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So popular and influential were
Landseer's paintings of dogs in the service of humanity that the name
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440:(1855–1868). In 1828, he was commissioned to produce illustrations for the Waverley Edition of Sir
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Landseer was particularly associated with
Scotland, which he had first visited in 1824 and the
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185:(7 March 1802 – 1 October 1873) was an English painter and sculptor, well known for his
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In 1858 the government commissioned Landseer to make four gold lions for the base of
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by the fact the dog has rescued the child without any apparent human involvement.
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was named after him and was his godson—Lutyens' father was a friend of Landseer.
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of the Queen, shown at the Royal Academy in 1873, made from earlier sketches.
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1139:. Vol. 16 (11th ed.). Cambridge University Press. pp. 166–167.
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1400:"The Smith's Charity Estate: Charles James Freake and Onslow Square Gardens"
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A Victorian Salon: Paintings from the Russell-Cotes Art Gallery and Museum
258:. Despite her being twenty years older than he was, they began an affair.
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One of his earliest paintings is credited as the origin of the myth that
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1204:"Why Are St. Bernards Always Depicted With Barrels Around Their Necks?"
1058:. Russell-Cotes Art Gallery in association with Lundl Humphries. 1999.
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529:'s failed Arctic expedition. The painting was purchased at auction by
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189:– particularly horses, dogs, and stags. His best-known works are the
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Queen Victoria and Prince Albert at the Bal Costumé of 12 May 1842
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in Trafalgar Square, following the rejection of a set in stone by
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1302:"Rent-day in the Wilderness (1868) – National Galleries Scotland"
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At his death, Landseer left behind three unfinished paintings:
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In 1876, a 30-foot self-righting lifeboat, built by Woolfe of
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toying with the bones of the dead and other remains, from Sir
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The Story of the Mablethorpe and North Lincolnshire Lifeboats
1039:. Vol. 2. London: Smith, Elder & Co. pp. 64–68.
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Favourites, the Property of H.R.H. Prince George of Cambridge
521:(both of 1864) are pessimistic in tone. The latter shows two
30:"Landseer" redirects here. For the eponymous dog breed, see
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1471:(1st ed.). Lifeboat Enthusiasts Society. p. 14.
641:. Funded by Miss Jennie Landseer, the lifeboat was named
537:. It is a college tradition to cover the painting with a
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by Sir Edwin Henry Landseer. Circa 1825. Commissioned by
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In 1823 Landseer was commissioned to paint a portrait of
1081:"Landseer, Sir Edwin Henry (1802–1873), animal painter"
1534:—Landseer works belonging to the British Royal Family.
1360:, University of Missouri Press, Columbia, 1991 p. 266.
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Landseer was born in London, the son of the engraver
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in London. He also collaborated with fellow painter
1499:The Monarch of the Glen: Landseer in the Highlands
1377:. London: Lawrence & Wishart. pp. 107–8.
1326:, Saturday, 4 May 1861; pg. 12; Issue 23924; col A
1090:(online ed.). Oxford University Press. 2004.
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356:Alpine Mastiffs Reanimating a Distressed Traveller
336:Alpine Mastiffs Reanimating a Distressed Traveller
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622:should complete the paintings, and this he did.
451:came to be the official name for the variety of
228:, who encouraged the young Landseer to perform
1833:Recipients of the Pour le MĂ©rite (civil class)
1441:p. 468: London; Chapman & Hall, Ltd; 1909.
481:(1840) satirises the legal profession through
327:for her lady-in-waiting, Lady Barbara Ponsonby
278:Landseer was a notable figure in 19th-century
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1454:'Life and Letters of Sir John Everett Millais
217:A.R.A. and Jane Potts. He was something of a
1650:A Distinguished Member of the Humane Society
1501:. Edinburgh: National Galleries of Scotland.
803:A Distinguished Member of the Humane Society
511:Some of Landseer's later works, such as his
462:A Distinguished Member of the Humane Society
386:, 1851: the image was widely distributed in
1553:Works by Edwin Henry Landseer (illustrator)
1456:. Vol. 2. London: Methuen. p. 47.
1358:Harriet Hosmer: American Sculptor 1830–1908
571:(1837; Victoria and Albert Museum, London).
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1280:. London: The Tate Gallery. p. 31.
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27:English painter and sculptor (1802–1873)
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819:A Favourite Greyhound of Prince Albert
321:Portrait of an Arab Mare with her Foal
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557:One of four Lions around the base of
256:Georgiana Russell, Duchess of Bedford
1666:Scene from A Midsummer Night's Dream
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533:and hangs in the picture gallery of
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1492:London: Walter Scott Publishing Co.
1437:"Memorials of St Paul's Cathedral"
631:Royal National Lifeboat Institution
485:. It shows a group of dogs, with a
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1406:. Institute of Historical Research
629:, costing ÂŁ275, was gifted to the
274:Edwin Henry Landseer self-portrait
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1838:19th-century English male artists
1823:British artists with disabilities
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1375:Trafalgar Square:Emblem of Empire
1202:Soniak, Matt (18 February 2009).
1130:"Landseer, Sir Edwin Henry"
1023:Monkhouse, William Cosmo (1885).
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697:The Monkey Who Had Seen the World
654:years, over certain commissions.
645:, in memory of her late brother.
543:Louisa Caroline Stewart-Mackenzie
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1563:Works by or about Edwin Landseer
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1515:. London: Sampson Low, Marston.
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1157:. 20 July 2002. Archived from
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834:Windsor Castle in Modern Times
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1798:19th-century English painters
1587:Georgiana. Duchess of Bedford
1544:Works by Edwin Henry Landseer
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1452:Millais, John Guille (1899).
1026:"Landseer, Edwin Henry"
545:holding her daughter Maysie.
170:Exposition Universelle (1855)
1818:People with mental disorders
1111:UK public library membership
569:Old Shepherd's Chief Mourner
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1467:Morris, Jeff (April 1989).
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424:The Hunting of Chevy Chase
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1690:Man Proposes, God Disposes
1398:F. H. W. Sheppard (1983).
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944:Wild Cattle of Chillingham
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659:Sir Edwin Landseer Lutyens
518:Man Proposes, God Disposes
438:Rent Day in the Wilderness
288:Victoria and Albert Museum
239:He was an acquaintance of
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1486:Manson, James A. (1902).
1151:"Painted lady of passion"
392:Scottish National Gallery
305:Landseer's popularity in
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36:Landseer (disambiguation)
1599:Letitia Elizabeth Landon
1497:Ormond, Richard (2005).
1004:
994:List of wildlife artists
682:Lion: A Newfoundland Dog
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350:carry a small casket of
178:Sir Edwin Henry Landseer
168:Great gold medal of the
1674:The Monarch of the Glen
1489:Sir Edwin Landseer R.A.
1136:Encyclopædia Britannica
635:Chapel Lifeboat Station
433:The Monarch of the Glen
383:The Monarch of the Glen
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1766:Alexander and Diogenes
1347:Manson (1902), p. 161.
1314:Manson (1902), p. 101.
1276:Hamlyn, Robin (1993).
1263:Manson (1902), p. 107.
1254:Manson (1902), p. 106.
1245:Manson (1902), p. 105.
1236:Manson (1902), p. 104.
1227:Manson (1902), p. 102.
1192:Stephens (1880), p. 4.
1096:10.1093/ref:odnb/15984
960:Flood in the Highlands
863:Alexander and Diogenes
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513:Flood in the Highlands
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226:Benjamin Robert Haydon
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34:. For other uses, see
1803:English male painters
1708:Nelson's Column lions
1507:Stephens, Frederic G.
1373:Mace, Rodney (1975).
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197:in Trafalgar Square.
122:Royal Academy Schools
1532:The Royal Collection
1278:Robert Vernon's Gift
964:Aberdeen Art Gallery
757:A Highland Breakfast
727:A Highland Landscape
620:John Everett Millais
475:Landseer's painting
187:paintings of animals
83:Edwin Henry Landseer
1658:Laying Down the Law
1161:on 1 September 2020
601:St Paul's Cathedral
478:Laying Down The Law
372:equestrian portrait
346:rescue dogs in the
1828:Royal Academicians
1538:Google Art Project
1512:Sir Edwin Landseer
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502:John Solomon Rarey
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354:on their collars.
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325:Princess Charlotte
296:Wallace Collection
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247:'s wild beasts at
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18:Sir Edwin Landseer
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1548:Project Gutenberg
1356:Sherwood, Dolly,
1109:(Subscription or
608:Finding the Otter
506:Catherine Walters
458:Off to the Rescue
414:"The Shrew Tamed"
307:Victorian Britain
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16:(Redirected from
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1759:Jessica Landseer
1753:Charles Landseer
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497:The Shrew Tamed
491:Lord Chancellor
402:Edwin Landseer
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209:Landseer 1873
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1211:. Retrieved
1208:Mental Floss
1207:
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1180:
1175:
1163:. Retrieved
1159:the original
1155:The Scotsman
1154:
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1119:
1099:. Retrieved
1085:
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464:(1838), and
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442:Walter Scott
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394:, Edinburgh.
381:
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284:Tate Britain
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107:(1873-10-01)
93:7 March 1802
69:Portrait by
40:
32:Landseer dog
1813:Dog artists
1793:1873 deaths
1788:1802 births
1685:(1858–1859)
612:Nell Gwynne
523:polar bears
444:'s novels.
436:(1851) and
426:(1825–26),
368:gamekeepers
344:St. Bernard
280:British art
230:dissections
1782:Categories
1701:Sculptures
1557:Faded Page
1480:References
1410:11 October
1213:5 February
1113:required.)
1101:2 November
712:Attachment
603:, London.
539:union jack
89:1802-03-07
1755:(brother)
1749:(brother)
1642:Paintings
1324:The Times
882:, c. 1850
729:, c. 1830
670:Paintings
549:Sculpture
420:Highlands
149:Animalier
137:sculpture
118:Education
1761:(sister)
1743:(father)
1559:(Canada)
1509:(1880).
1424:Ormond,
1179:Ormond,
988:See also
643:Landseer
627:Shadwell
460:(1827),
449:Landseer
364:ghillies
294:and the
266:Painting
145:Movement
134:Painting
1734:Related
1565:at the
1426:Monarch
1181:Monarch
1165:10 June
1033:(ed.).
665:Gallery
219:prodigy
1718:Honors
1710:(1867)
1693:(1864)
1677:(1851)
1669:(1851)
1661:(1840)
1653:(1831)
1595:Verses
1576:Art UK
1381:
1284:
1107:
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982:, 1864
947:, 1867
929:, 1866
914:, 1858
897:, 1856
821:, 1841
789:, 1837
787:Falcon
759:, 1834
744:, 1835
714:, 1829
699:, 1827
684:, 1824
614:, and
487:poodle
470:Saved,
352:brandy
338:(1820)
311:Thomas
286:, the
245:Polito
165:Awards
155:Father
73:, 1852
1029:. In
1005:Notes
895:Saved
591:Death
466:Saved
1578:site
1412:2011
1379:ISBN
1282:ISBN
1215:2018
1167:2019
1103:2020
1060:ISBN
942:The
515:and
366:and
348:Alps
201:Life
102:Died
79:Born
1597:by
1555:at
1546:at
1428:135
1183:125
1092:doi
637:in
47:Sir
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1365:^
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20:)
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