275:. Raised by a peasant family, he is separated from his home by foraging dragoons and is adopted by a hermit living in the forest, who teaches him to read and introduces him to religion. The hermit also gives Simplicius his name because he was so simple that he did not know what his own name was. After the death of the hermit, Simplicius must fend for himself. He is conscripted at a young age into service, and from there embarks on years of foraging, military triumph, wealth, prostitution, disease, bourgeois domestic life, and travels to Russia, France, and to an alternate world inhabited by
38:
252:
327:
allusive hints. This man has enacted many roles (indicated by the masks scattered on the floor), but presently is donning the mask of the "satirical actor" in order to perform the task of explaining the world to his audience while pointing-gesturing his book. The creature exists as a whole though made up of odd disparate parts, hence the title copperplate etching is an emblem that serves to preserve the "unity of the narrative about the I(ego)".
1704:
1002:
Der angegebene
Druckort »Monpelgart« (die damals noch württembergische Stadt Mömpelgart, Montbeliard am Doubs) ist eine Fiktion, ein beliebter fiktiver Druikort für satirische Literatur. Tatsächlich ist das Werk in Nürnberg erschienen, auch nicht bei „Johann Fillion", sondern bei Wolff Eberhard
326:
The creature has also been interpreted as representing the true author himself (or his narrative work), with the book and the sword serving as mundane objects straightforwardly defining his identity, while the additional parts such as the wings (alluding to air) and the fins and fishtail (water) are
351:
The novel is considered by some to contain autobiographic elements, inspired by
Grimmelshausen's experience in the war. It has been reported that as a child Grimmelshausen was kidnapped by Hessian and Croatian troops where he eventually served as a musketeer. The historian Robert Ergang, however,
578:(1986) as Magnus Pym's permanent key for one-time pad coding. More importantly, Pym's own life is represented as a picaresque: a boy dragged along in his father's career of frauds, and a man in the British intelligence service, making up lies and exaggerations about his life.
180:
The full subtitle is "The account of the life of an odd vagrant named
Melchior Sternfels von Fuchshaim: namely where and in what manner he came into this world, what he saw, learned, experienced, and endured therein; also why he again left it of his own free will."
1665:
323:), an embodiment of "the purpose of the book". There is an accompanying poem about the phoenix copper written in couplets which should provide some clue as to its meaning. The author of a monograph on the subject shuns the identification with the phoenix,
461:
308:, rather thang goat/human) on a Chimera body, may be more apt, since the satyr is a wordplay of the "satirical" nature of the work, though the label "chimera", has been criticized as strictly incorrect, as it does not match the classical (
204:
The
English translation by Alfred Thomas Scrope Goodrick (1912) included the five books and selected chapters from the continuation. The full translation by Monte Adair (1986–2012) includes the continuation as Book Six.
581:
Grimmelshausen was used in other Le Carré novels as well. Le Carré was a medieval German scholar (as was his character George Smiley). Smiley sold a prized
Grimmelshausen first edition at the beginning of
468:
364:
and that the material he incorporated in his work was not taken from actual experience, but was either borrowed from the past, collected from hearsay, or created by a vivid imagination."
838:
Author, publisher and location all intentionally named non-existing entities, also the date given (1669) is considered false, as the first documented printing occurred in
216:
was published as the work of Samuel
Greifnsohn vom Hirschfelt (Hirschfeld), with German Schleifheim von Sulsfort as its supposed author, but these have been deduced to be
517:
220:
pseudonyms of the real author, Hans Jakob
Christoffel von Grimmelshausen, whose name is only disclosed in initials "H.I.C.V.G." in an advertisement (or rather
683:, translation and intrododuction by Schulz-Behrend, George. Columbia, South Carolina: Camden House (Studies in German Literature, Linguistics and Culture 1).
527:(the little hunter of Soest) in 1976. Every year a citizen is selected, who then gets to represent the town and charitable projects of his choice in costume.
539:
1764:
628:
1744:
201:
is considered the sixth book of the same cycle by scholars, though
Grimmelshausen altogether produced ten titles which he claimed belong to the same set.
1708:
1517:
1300:
601:
162:
55:
775:
PDFs of the original German-language edition, bearing the date 1669 but probably published already in 1668, may be downloaded from
309:
1769:
610:. Translated by Goodrick, Alfred Thomas Scrope (A.T.S.G.). London: William Heinemann. Archived from the original on 2023-01-11
959:
Schweitzer, Christoph E. (Summer 1990). "Grimmelshausen, Philarchus
Grossus von Tromerheim, and'Simplicianische Schriften'".
739:
722:
605:
441:
In A.D. 1618, 12 million lived in
Germany. Then came the great war. ... In A.D. 1648 only 4 million still lived in Germany.
360:
could hardly have been autobiographical since lived a peaceful existence in quiet towns and villages on the fringe of the
1294:
1759:
1754:
1729:
1616:
Fleishman, Ian Thomas (Winter 2011). "A Printed Proteus: Textual Identity in Grimmelshausen's 'Simplicissimus Teutsch'".
700:
708:
688:
674:
1647:""To see from these black lines": The Mise en Livre of the Phoenix Copperplate and Other Grimmelshausen Illustrations"
243:
by Wolff Eberhard FelĂźecker, and though the colophon gave 1669 as the date, the publication already appeared in 1668.
1687:
1658:
1607:
1585:
1267:
1246:
1106:
904:
799:
760:
421:
377:
The adventures of Simplicissimus became so popular that they were reproduced by authors in other European countries.
17:
1739:
1368:
European Voices III: The Instrumentation and Instrumentalization of Sound Local Multipart Music Practices in Europe
549:
is a museum in the town of Renchen. It opened in 1998 and focuses on the reception of Grimmelshausen's works in
1315:
445:
It was first performed in 1948; Hartmann scored it for full orchestra in 1956. The chamber version (properly
1396:
1213:
588:(in a fit of pique, because Ann had spent most of his pension check on an excursion with her latest lover).
655:
1115:
522:
279:. The novel ends with Simplicius turning to a life of hermitage himself, denouncing the world as corrupt.
1734:
1525:
1225:
The "phoenix" label and concludes it should be treated as a detailedly constructed poetological symbol.
1546:
584:
1003:
FelĂźecker, und das Erscheinungsjahr 1669 ist eine Vorausdatierung; der Roman erschien bereits 1668.
1749:
1437:
1293:
485:
The story was adapted into a newspaper comic strip by Raymond Lavigne and Gilbert Bloch in 1954.
1675:
Literarisches Monstrum und Buch der Welt: Grimmelshausens Titelbild zum »Simplicissimus Teutsch«
544:
1595:
1379:
1094:
892:
767:
1175:
776:
666:
450:
416:
409:
389:) was published in 1683. The author remained anonymous but is now generally considered to be
1673:
780:
1724:
272:
170:
104:
8:
1450:
1055:
Das Phönix-Kupfer von Grimmelshausens Abentheuerlichem Simplicissimus. Zur Forschungslage
295:
1633:
1423:
968:
649:
622:
235:
The first edition pretends to have been printed at Mompelgart (Mömpelgart, present-day
1499:
1683:
1679:
1654:
1629:
1603:
1581:
1477:
1334:
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795:
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735:
718:
704:
684:
670:
640:
434:
426:
405:
335:
268:
136:
108:
42:
1625:
1099:
Seventeenth Century German Prose: Grimmelshausen, Leibniz, Opitz, Weise, and Others
654:, the 1912 translation by A. T. S. Goodrick with material added by students at the
264:
154:
93:
1375:
557:
1646:
1575:
1427:
1236:
789:
750:
729:
505:
316:
259:
The novel is told from the perspective of its protagonist Simplicius, a rogue or
174:
37:
1465:
513:
21:
1101:. German Library 7. New York: Continuum Publishing Company. pp. 165–166.
236:
223:
1718:
1392:
1338:
1289:
574:
54:
Samuel Greifnsohn vom Hirschfelt or German Schleifheim von Sulsfort, really
1017:
394:
361:
1022:
572:
Grimmelshausen's Simplicissimus is used throughout John le Carré's novel
1637:
972:
930:
928:
699:, translated by Mitchell, Mike (rev. ed.). Dedalus. Shortlisted for the
665:, translation and introduction by Schulz-Behrend, George. Indianapolis:
636:
473:, a historically dramatised TV series based on the book was produced by
240:
173:
which devastated Germany from 1618 to 1648, it is regarded as the first
1481:
940:
550:
331:
390:
251:
925:
839:
291:) depicted an enigmatic winged monster holding an illustrated book.
430:
197:
appearing in 1669. Each book is in turn divided into chapters. The
512:) is one of the aliases Simplicius uses in the novel. The city of
1470:
Des Christoffel von Grimmelshausen abenteuerlicher Simplizissimus
766:
The German text is publicly available through Project Gutenberg:
463:
Des Christoffel von Grimmelshausen abenteuerlicher Simplizissimus
217:
158:
1316:"Hans Jacob Christoph von Grimmelshausen | German novelist"
239:, France) by "Johann Fillion", but in fact they were printed in
1703:
1433:
1371:
315:
The creature is arguably identifiable as the "phoenix copper" (
287:
Much has been written on the frontispiece copperplate drawing (
276:
260:
193:
consists of five books nominally published 1668, with a sequel
177:
in the German language and the first German novel masterpiece.
1596:"In Grimmelshausen's Tracks: The Literary and Cultural Legacy"
1429:
The Twisted Muse: Musicians and Their Music in the Third Reich
20:. For the satirical German weekly inspired by this novel, see
1331:
The Myth of the All-Destructive Fury of the Thirty Years' War
986:
984:
982:
299:
169:
appearing in 1669. Inspired by the events and horrors of the
1170:
946:
851:
i.e., imperfect anagrams of "Christoffel von Grimmelshausen"
727:
354:
Quellen und Forschungen zur Lebensgeschichte Grimmelshausens
381:
was recreated in French, English, and Turkish. A Hungarian
1188:
979:
934:
808:
600:
298:) with the features of a goat, fish, bird, human, though "
1485:
474:
1350:
1348:
1238:
Simplicius Simplicissimus: Grimmelshausen und seine Zeit
1150:
1121:
1070:
A survey of scholarship is given by Conny Bauer (1980),
869:
787:
330:
The notion that the frontispiece portrays shapeshifting
1265:
in 20 Bänden. Bd. 8, Einhorn, Sphinx, und Salamander.
1037:
1035:
1033:
1524:. Wirtschaft und Marketing Soest GmbH. Archived from
1345:
1131:
893:"Hans Jakob Christoffel von Grimmelshausen 1611–1676"
734:. Translated by Adair, Monte. Monte Frederick Adair.
1645:
Greene, Shannon Keenan (2003), Otto, Karl F. (ed.),
913:
556:
Right in front of it stands a 1977 bronze statue by
1241:. Landschaftsverband Westfalen-Lippe. p. 114.
1030:
755:, translated by Underwood, J. A. Penguin Classics,
1295:"Grimmelshausen, Hans Jakob Christoffel von"
1228:
1176:The "Phoenix Copper", the allegorical frontispiece
794:. Werke. Vol. 1. Deutscher Klassiker Verlag.
530:
493:
834:
832:
830:
828:
717:, translated by John C. Osborne, Newfound Press.
294:It has been described as a composite creature (a
1716:
1234:
627:: CS1 maint: bot: original URL status unknown (
356:to assert that "the events related in the novel
1157:: 794}, loc. cit., and pp. 989, 1004, cited by
809:—— (1956). Kelletat, Alfred (ed.).
118:Johann Fillion, really Wolff Eberhard FelĂźecker
825:
267:, as he traverses the tumultuous world of the
161:style, written in five books by German author
1449:George Loomis, "The vision of 'Simplicius'",
1391:
788:—— (1989). Breuer, Dieter (ed.).
208:
1594:—— (2003), Otto, Karl F. (ed.),
1304:(11th ed.). Cambridge University Press.
1000:
429:in the mid-1930s, with contributions to the
387:Ungarischer oder Dacianischer Simplicissimus
312:) chimera of the lion-goat-serpent variety.
303:
221:
16:For the opera by Karl Amadeus Hartmann, see
1765:German novels adapted into television shows
1474:Grimmelshausen's adventurous Simplicissimus
1235:Berghaus, Peter; Berghaus, GĂĽnther (1976).
1095:"Johann Jakob Christoph von Grimmelshausen"
752:The Adventures of Simplicius Simplicissimus
1653:, Boydell & Brewer, pp. 333–358,
1651:A Companion to the Works of Grimmelshausen
1602:, Boydell & Brewer, pp. 231–267,
1600:A Companion to the Works of Grimmelshausen
1171:Grimmelshausen & Adair tr. (1986–2012)
1088:
1086:
1084:
958:
947:Grimmelshausen & Adair tr. (1986–2012)
681:The Adventure of Simplicius Simplicissimus
602:Grimmelshausen, Hans Jakob Christoffel von
66:Der abentheuerliche Simplicissimus Teutsch
1615:
952:
886:
884:
875:
781:the Herzog-August Bibliothek WolfenbĂĽttel
163:Hans Jakob Christoffel von Grimmelshausen
151:Der abenteuerliche Simplicissimus Teutsch
27:1668 novel by H. J. C. von Grimmelshausen
1288:
1189:Grimmelshausen & Kelletat ed. (1956)
935:Grimmelshausen & Goodrick tr. (1912)
250:
1745:Novels set during the Thirty Years' War
1092:
1081:
890:
777:the Badische Landesbibliothek Karlsruhe
341:
282:
1717:
1671:
1644:
1593:
1573:
1354:
1328:
1276:
1208:
1196:
1158:
1151:Grimmelshausen & Breuer ed. (1989)
1137:
1122:Grimmelshausen & Breuer ed. (1989)
1075:
1041:
990:
919:
881:
567:
232:) near the end of the published work.
1047:
715:Simplicissimus, The German Adventurer
516:developed this into the local mascot
372:
346:
255:Title page of the first edition, 1669
447:Des Simplicius Simplicissimus Jugend
1580:, UTB fĂĽr Wissenschaft 8182, Fink,
1333:. Pocono Pines, PA: The Craftsmen.
701:Oxford-Weidenfeld Translation Prize
165:published in 1668, with the sequel
13:
488:
14:
1781:
1709:Der abenteuerliche Simplicissimus
1696:
1268:El libro de los seres imaginarios
897:Encyclopedia of German Literature
811:Der abenteuerliche Simplicissimus
288:
18:Simplicius Simplicissimus (opera)
1702:
1630:10.1111/j.1756-1183.2011.00101.x
246:
36:
1539:
1510:
1492:
1476:] (TV series) (in German).
1458:
1443:
1417:
1385:
1360:
1322:
1308:
1282:
1255:
1219:
1202:
1195:, p. 631 and note 42, cited by
1182:
1164:
1143:
1064:
1010:
845:
607:The Adventurous Simplicissimus
596:English translations include:
480:
1:
1770:First-person narrative novels
1404:Irodalomtörténeti Közlemények
1273:Das Buch der imaginären Wesen
858:
656:College of William & Mary
352:draws upon Gustav Könnecke's
1452:International Herald Tribune
728:—— (1986–2012).
641:later edition with new intro
560:, showing Simplicius in his
456:
367:
184:
7:
1261:Borges, Jorge Luis. (1992)
591:
56:H. J. C. von Grimmelshausen
10:
1786:
1760:Novels adapted into operas
1755:Novels adapted into comics
1730:17th-century German novels
1406:. 34. évfolyam (1–2. szám)
1329:Ergang, Robert H. (1956).
891:Konzett, Matthias (2000).
651:The Simplicissimus Project
209:Authorship and publication
31:Simplicius Simplicissimus
15:
1397:"A Magyar Simplicissimus"
769:Simplicius Simplicissimus
731:Simplicius Simplicissimus
663:Simplicius Simplicissimus
585:Tinker Tailor Soldier Spy
422:Simplicius Simplicissimus
419:wrote the anti-war opera
214:Simplicius Simplicissimus
191:Simplicius Simplicissimus
146:Simplicius Simplicissimus
132:
122:
114:
99:
89:
79:
71:
61:
50:
35:
1518:"Das Jägerken von Soest"
818:
400:
1740:German adventure novels
1672:Gersch, Hubert (2015),
1577:Grimmelshausen-Handbuch
1574:Breuer, Dieter (1999),
1438:Oxford University Press
1301:Encyclopædia Britannica
1149:As used for example by
1093:Tatlock, Lynne (1993).
1522:allerheiligenkirmes.de
1007:
1001:
791:Simplicissimus Teutsch
637:Project Gutenberg copy
518:Das Jägerken von Soest
509:
443:
415:20th-century composer
320:
304:
256:
228:, "postscript" to the
222:
150:
1547:"Simplicissimus-Haus"
1053:Bauer, Conny (1980).
998:
667:Bobbs-Merrill Company
451:Stuttgart State Opera
449:) was revived by the
439:
417:Karl Amadeus Hartmann
334:maintained by writer
254:
84:Simplician scriptures
1711:at Wikimedia Commons
1618:The German Quarterly
1279:, p. 3, note 6.
1199:, p. 3, note 7.
1161:, p. 3, note 6.
1018:"Literatur – Kultur"
532:Simplicissimus House
412:based on the novel.
342:Reception and legacy
283:Frontispiece monster
45:of the first edition
1468:(Director) (1975).
1366:Ahmedaja, A., ed.,
568:Literary references
540:Simplicissimus-Haus
510:Der Jäger von Soest
502:The Hunter of Soest
338:, is also refuted.
62:Original title
32:
813:. Munich: Winkler.
496:Jägerken von Soest
373:Literary adaptions
347:Literary criticism
257:
30:
1735:Picaresque novels
1707:Media related to
1680:Walter de Gruyter
1553:. City of Renchen
741:978-3-941170-68-1
723:978-0-9797292-5-6
648:—— (Spring 2002)
435:Hermann Scherchen
427:chamber orchestra
406:Johann Strauss II
336:Jorge Luis Borges
273:Thirty Years' War
269:Holy Roman Empire
171:Thirty Years' War
142:
141:
137:Holy Roman Empire
133:Publication place
128:1668, really 1669
109:Holy Roman Empire
105:Thirty Years' War
1777:
1706:
1692:
1663:
1641:
1612:
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1536:
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1533:
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1441:
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1414:
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1401:
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1232:
1226:
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1216:
1206:
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1186:
1180:
1178:
1168:
1162:
1147:
1141:
1135:
1129:
1119:
1113:
1112:
1090:
1079:
1068:
1062:
1059:Text und Kontext
1051:
1045:
1039:
1028:
1027:
1014:
1008:
1005:
996:
988:
977:
976:
956:
950:
944:
938:
932:
923:
917:
911:
910:
888:
879:
878:, pp. 4, 8.
873:
852:
849:
843:
836:
814:
805:
745:
632:
626:
618:
616:
615:
548:
526:
472:
307:
265:picaresque novel
227:
155:picaresque novel
124:Publication date
94:Picaresque novel
40:
33:
29:
1785:
1784:
1780:
1779:
1778:
1776:
1775:
1774:
1715:
1714:
1699:
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1610:
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1565:
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1531:
1529:
1516:
1515:
1511:
1500:"Gilbert Bloch"
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1459:
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1409:
1407:
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1318:. 8 March 2024.
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1220:
1214:English summary
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1174:
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1144:
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1132:
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1069:
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1031:
1016:
1015:
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994:
989:
980:
957:
953:
945:
941:
933:
926:
918:
914:
907:
889:
882:
874:
870:
861:
856:
855:
850:
846:
837:
826:
821:
802:
742:
620:
619:
613:
611:
594:
570:
562:Hunter of Soest
542:
536:
520:
499:
491:
489:Cultural legacy
483:
466:
459:
433:by his teacher
403:
375:
370:
349:
344:
285:
263:typical of the
249:
211:
187:
175:adventure novel
125:
46:
28:
25:
12:
11:
5:
1783:
1773:
1772:
1767:
1762:
1757:
1752:
1750:Mermaid novels
1747:
1742:
1737:
1732:
1727:
1713:
1712:
1698:
1697:External links
1695:
1694:
1693:
1688:
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1659:
1642:
1613:
1608:
1591:
1586:
1564:
1563:
1538:
1509:
1491:
1466:Fritz Umgelter
1457:
1454:, May 19, 2004
1442:
1416:
1384:
1359:
1357:, p. 237.
1344:
1321:
1307:
1292:, ed. (1911).
1290:Chisholm, Hugh
1281:
1254:
1247:
1227:
1218:
1201:
1181:
1163:
1142:
1140:, p. 346.
1130:
1114:
1107:
1080:
1063:
1046:
1029:
1009:
978:
951:
939:
924:
922:, p. 250.
912:
905:
880:
876:Fleishman 2011
867:
866:
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857:
854:
853:
844:
823:
822:
820:
817:
816:
815:
806:
800:
764:
763:
747:
746:Free download.
740:
725:
711:
709:978-1903517420
697:Simplicissimus
693:
692:
691:
689:978-1879751385
675:978-0672604249
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1555:. Retrieved
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1526:the original
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43:Frontispiece
1725:1668 novels
1624:(1): 4–20.
1504:lambiek.net
1275:; cited by
1078:, p. 3
1074:, cited by
1023:Der Spiegel
995:(in German)
961:Monatshefte
749:—— (2018).
713:—— (2008).
679:—— (1993).
564:character.
543: [
521: [
481:Comic strip
467: [
437:. It opens:
410:an operetta
271:during the
237:Montbéliard
230:Continuatio
199:Continuatio
195:Continuatio
167:Continuatio
100:Set in
1719:Categories
1557:2019-11-19
1551:renchen.de
1532:2019-11-18
1482:B00JFIPU4Y
1410:2015-11-21
1153:, p.
967:(2): 116.
859:References
614:2023-01-11
551:modern art
534:in Renchen
332:Baldanders
1378:, 2017),
1339:905630683
864:Citations
840:Nuremberg
779:and from
635:See also
623:cite book
477:in 1975.
457:TV series
453:in 2004.
408:composed
368:Adaptions
305:Satyrkopf
224:Beschluss
189:The work
185:Structure
149:(German:
115:Publisher
1638:41237042
1440:, 1997).
1395:(1957).
1193:Nachwort
973:30155248
842:in 1668.
604:(1912).
592:Editions
431:libretto
302:-head" (
241:NĂĽrnberg
72:Language
1666:Summary
391:Breslau
310:Homeric
296:chimera
159:Baroque
153:) is a
1686:
1657:
1636:
1606:
1584:
1480:
1434:Oxford
1380:p. 249
1372:Vienna
1337:
1245:
1128:: 794.
1105:
1057:. In:
971:
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506:German
393:-born
317:German
277:mermen
261:picaro
80:Series
75:German
51:Author
1634:JSTOR
1472:[
1400:(PDF)
1263:Werke
969:JSTOR
819:Notes
547:]
525:]
514:Soest
471:]
401:Opera
300:Satyr
90:Genre
1684:ISBN
1655:ISBN
1604:ISBN
1582:ISBN
1478:ASIN
1335:OCLC
1243:ISBN
1103:ISBN
901:ISBN
796:ISBN
757:ISBN
736:ISBN
719:ISBN
705:ISBN
685:ISBN
671:ISBN
639:and
629:link
538:The
425:for
1626:doi
1486:ZDF
1155:1.1
1126:1.1
475:ZDF
107:in
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1678:,
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1622:84
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