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245:"We have no certain knowledge as to the commencement of the art of painting, nor does this enquiry fall under our consideration. The Egyptians assert that it was invented among themselves, six thousand years before it passed into Greece; a vain boast, it is very evident. As to the Greeks, some say that it was invented at Sicyon, others at Corinth; but they all agree that it originated in tracing lines round the human shadow ."
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96:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light background, usually white, or none at all. The silhouette differs from an
257:"Butades, a potter of Sicyon, was the first who invented, at Corinth, the art of modelling portraits in the earth which he used in his trade. It was through his daughter that he made the discovery, who, being deeply in love with a young man about to depart on a long journey, traced the profile of his face, as thrown upon the
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was an aid to film photographers in achieving the required exposure ratios. High contrast film, adjustment of film development, and/or high contrast photographic paper may be used in chemical-based photography to enhance the effect in the darkroom. With digital processing the contrast may be enhanced
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painting, also known as the black-figure style or black-figure ceramic (Greek, μελανόμορφα, melanomorpha), common between the 7th and 5th centuries BCE, employs the silhouette and characteristic profile views of figures and objects on pottery forms. The pots themselves exhibit strong forms in outline
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A traditional silhouette portrait artist would cut the likeness of a person, freehand, within a few minutes. Some modern silhouette artists also make silhouette portraits from photographs of people taken in profile. These profile images are often head and shoulder length (bust) but can also be full
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indicates that where previous studies of face recognition have been based on frontal views, studies with silhouettes show humans are able to extract accurate information about gender and age from the silhouette alone. This is an important concept for artists who design characters for visual media,
100:, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic medium, but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed.
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For the depiction of portraits, the profile image has marked advantage over a full-face image in many circumstances, because it depends strongly upon the proportions and relationship of the bony structures of the face (the forehead, nose and chin) making the image is clear and simple. For this
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In media the term "to silhouette" is used for the process of separating or masking a portion of an image (such as the background) so that it does not show. Traditionally silhouettes have often been used in advertising, particularly in poster design, because they can be cheaply and effectively
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A silhouette portrait can be painted or drawn. However, the traditional method of creating silhouette portraits is to cut them from lightweight black cardboard and mount them on a pale (usually white) background. This was the work of specialist artists, often working out of booths at fairs or
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also use the term when describing the effect achieved by the clothes of different periods, so that they might describe and compare the silhouette of the 1860s with that of the other decades of the 19th century. A desirable silhouette could be influenced by many factors. The invention of
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decoration, where the shadows of three-dimensional ornamentation with stone masonry around the entrance of mosques form pictures. As outright pictures were avoided in Islam, tessellations and calligraphic pictures were allowed, "accidental" silhouettes are a creative alternative.
2335:"Soltani, A. A., Huang, H., Wu, J., Kulkarni, T. D., & Tenenbaum, J. B. Synthesizing 3D Shapes via Modeling Multi-View Depth Maps and Silhouettes With Deep Generative Networks. In Proceedings of the IEEE Conference on Computer Vision and Pattern Recognition (pp. 1511-1519)"
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In the late 19th and early 20th century several illustrators employed designs of similar appearance for making book illustrations. Silhouette pictures could easily be printed by blocks that were cheaper to produce and longer lasting than detailed black and white illustrations.
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Many photographers use the technique of photographing people, objects or landscape elements against the light, to achieve an image in silhouette. The background light might be natural, such as a cloudy or open sky, mist or fog, sunset or an open doorway (a technique known as
111:, and skilled specialist artists could cut a high-quality bust portrait, by far the most common style, in a matter of minutes, working purely by eye. Other artists, especially from about 1790, drew an outline on paper, then painted it in, which could be equally quick.
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The word "silhouette", because it implies the outline of a form, has been used in both fashion and fitness to describe the outline shape of the body from a particular angle, as altered by clothing in fashion usage, and clothed or unclothed where fitness is concerned,
614:", were often, but not necessarily, silhouette images. European paper cuts traditionally have differed from Asian paper cuts, which are often made of several layers of brightly coloured and patterned paper, with many formal decorative elements such as flower petals.
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Silhouette pictures sometimes appear in books of the early 20th century in conjunction with colour plates. (The colour plates were expensive to produce and each one was glued into the book by hand.) Illustrators who produced silhouette pictures at this time include
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For interviews, some individuals choose to be videotaped in silhouette to mask their facial features and protect their anonymity, typically accompanied by a dubbed voice. This is done when the individuals may be endangered if it is known they were interviewed.
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and appears dark against a lighter background. Anything that appears this way, for example, a figure standing backlit in a doorway, may be described as "in silhouette". Because a silhouette emphasises the outline, the word has also been used in fields such as
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Silhouettes have also been used to create images that serve as business documents. Slave owners have had silhouettes made of the people they enslaved in order to document them as property and in order to accompany other business documents such as a
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cut thousands of portraits in duplicate. His subjects included French and
British nobility and US presidents. Much of his personal collection was lost in a shipwreck. In England, the best known silhouette artist, a painter not a cutter, was
174:, his name became synonymous with anything done or made cheaply and so with these outline portraits. Prior to the advent of photography, silhouette profiles cut from black card were the cheapest way of recording a person's appearance.
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181:, although existing from the 18th century, was not applied to the art of portrait-making until the 19th century. In the 18th and early 19th century, "profiles" or "shades" as they were called were made by one of three methods:
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by the light of the lamp . Upon seeing this, her father filled in the outline, by compressing clay upon the surface, and so made a face in relief, which he then hardened by fire along with other articles of
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Evening, Martin (2015). Adobe
Photoshop CC for photographers : a professional image editor's guide to the creative use of Photoshop for the Macintosh and PC (2nd edition). Burlington, MA, USA Focal
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In the United States and the UK silhouette artists have websites advertising their services at weddings and other such functions. In
England there is an active group of silhouette artists. In Australia,
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Because silhouettes give a very clear image, they are often used in any field where the speedy identification of an object is necessary. Silhouettes have many practical applications. They are used for
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in silent films, silhouettes have been used for a variety of iconic, graphic, emotional, or conversely for distancing, effects in many movies. These include many of the opening credit sequences of the
1013:. Silhouetting requires that the exposure be adjusted so that there is no detail (underexposure) within the desired silhouette element, and overexposure for the background to render it bright; so, a
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at this time as well. The popularity of the silhouette portrait is being reborn in a new generation of people who appreciate the silhouette as a nostalgic way of capturing a significant occasion.
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Sedda, Julia (2009). "Reading circles, crafts, and flower arranging: everyday items in the silhouettes of Luise
Duttenhofer (1776–1829)". In Goggin, Maureen Daly; Tobin, Beth Fowkes (eds.).
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was seldom used until the early decades of the 19th century, and the tradition has continued under this name into the 21st century. They represented a cheap but effective alternative to the
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690:. In breaking with literal realism, artists of the Vorticist, Futurist and Cubist movements employed the silhouette. Illustrators of the late 20th century to work in silhouette include
1334:. They are used to identify towns or countries with silhouettes of monuments or maps. They are used to identify natural objects such as trees, insects and dinosaurs. They are used in
732:, the shadow play became a popular entertainment in Paris during the 18th and 19th centuries. In late 19th-century Paris, shadow theatre was particularly associated with the cabaret
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Since the late 18th century, silhouette artists have also made small scenes cut from card and mounted on a contrasting background like the portraits. These pictures, known as "
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There are over 1,800,000 mentions of the word "silhouette" in conjunction with "fitness" online. There are many "Silhouette
Fitness" studios and gymnasiums, e.g.
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1955:
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Sedda, Julia (2014). "Silhouettes: the fashionable paper portrait miniature around 1800". In Pappe, Bernd; Schmieglitz-Otten, Juliane; Walczak, Gerrit (eds.).
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1985:
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Robbin, T. (2008). Shadows of reality: the fourth dimension in relativity, cubism, and modern thought. The
Mathematical Intelligencer, 30(1), 74-75.
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2009:
Cromer 'Le secret du physoniotrace
Bulletin de la société archéologique, historique et artistique, ´Le Vieux Papier,' 26th year, October 1925
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Silhouettes of ships, planes, tanks, and other military vehicles are used by soldiers and sailors for learning to identify different craft.
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188:"Hollow cut" where the negative image was traced and then cut away from light colored paper which was then laid on a dark background; and
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2210:, Niğde Alaaddin Mosque where a Chiaroscuro drawing of a woman's face with crown and long hair appears at a specific time of the year.
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1837:) & National Gallery of Victoria (1966). Greek vases in the Felton Collection. Oxford University Press, Melbourne ; New York
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Knipe, P. (2002). Paper profiles: American portrait silhouettes. Journal of the
American Institute for Conservation, 41(3), 203-223.
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with the silhouette of a praying man that appears over the entrance door of the mosque part and changes pose as the sun moves.
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Computer vision researchers have been able to build computational models for perception that are capable of generating and
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for 60 years until his death in 2008. Other artists such as
Douglas Carpenter produce silhouette images using pen and ink.
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The play of shadows upon buildings was very much in vogue a thousand years ago as evidenced by the surviving examples of
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491:, but otherwise a bust some 3 to 5 inches high was typical, with half- or full-length portraits proportionately larger.
458:, who used silhouettes to analyse facial types, is thought to have promoted the art. The 18th century silhouette artist
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191:"cut and paste" where the figure was cut out of dark paper (usually free hand) and then pasted onto a light background.
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1286:). Advertising for both these fields urges people, women in particular, to achieve a particular appearance, either by
479:, with delicate highlights added in gold or yellow, and some examples might be painted on various backings, including
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1952:
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2439:"'Black Out: Silhouettes Then and Now': Rare art form on display in Mississippi more than just shadows of the past"
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to describe the shape of a person's body or the shape created by wearing clothing of a particular style or period.
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The skill was not lost, and travelling silhouette artists continued to work at state fairs into the 20th century.
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Cutting portraits, generally in profile, from black card became popular in the mid-18th century, though the term
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241:(ca. 77 CE). In book 35, chapter 5, he writes of silhouette as a starting point in the development of painting:
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1936:
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showing the central characters on a flying bicycle silhouetted against the full moon became a well-known movie
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to impose severe economic demands upon the French people, particularly the wealthy. Because of de
Silhouette's
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features the three main characters of the series watching a movie as silhouettes at the bottom of the screen.
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Profile Likenesses of the Executive and Legislature of Georgia (Silhouette Book), by William H. Brown, 1855
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1982:
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to transmit the tracing (via an eyepiece) of the subject's profile silhouette to a needle moving on an
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uses the black cut silhouette in his portraits of black people. In the 21st century, American artist
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because the silhouette is the most immediately recognisable and identifiable shape of the character.
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Freund, Gisèle (1974), Photographie et société, Éditions du Seuil, p. 8-18, retrieved 18 April 2016
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era. The early Renaissance period saw a fashion for painted profile portraits and people such as
237:
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Adams, Ansel & Baker, Robert (1981). The negative (1st ed). New York Graphic Society, Boston
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in 1783-84 facilitated the production of silhouette portraits by deploying the mechanics of the
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There is no mention of de Silhouette making silhouettes in his earliest record in 1834 edition
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were depicted in profile portraits. The profile portrait is strongly linked to the silhouette.
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has been extended to describe the sight or representation of a person, object or scene that is
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Biographie universelle ou dictionnaire historique contenant la nécrologie des hommes célèbres
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and fitness studios use the word "silhouette" either in their name or in their advertising.
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The discipline of architecture that studies the shadows cast by or upon buildings is called
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2356:"An enslaved woman's shadow is the most compelling image in the National Portrait Gallery"
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Adams, Ansel & Baker, Robert (1995). The camera (1st pbk. ed). Little, Brown, Boston
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2386:"Rarely Seen 19th-Century Silhouette of a Same-Sex Couple Living Together Goes On View"
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Adams, Ansel & Baker, Robert (2003). The print. Little, Brown and Company, Boston
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875:, the killer in the shower scene manifests as a terrifying silhouette. A scene from
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steel influenced the silhouette of women in the 1850s and 60s. The posture of the
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in London. He advertised "three minute sittings", and the cost might be as low as
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develops this use of silhouette to present racial issues in confronting images.
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creates intricate images by this technique, sometimes using them to produce
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used his own distinctive silhouette both on stage and in videos such as "
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2155:"Collection Online | Man Ray. Silhouette. 1916 - Guggenheim Museum"
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signaled the end of the silhouette as a widespread form of portraiture.
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Knipe, Penley (2002). "Paper Profiles: American Portrait Silhouettes".
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contains an animated sequence in silhouette illustrating a short story
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2019:
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1298:. The term was in use in advertising by the early 20th century. Many
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In America, silhouettes were highly popular from about 1790 to 1840.
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Among 19th century artists to work with papercutting was the author
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467:, who travelled and worked in different cities, but had a studio on
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surname, Ziloeta; Arnaud de Silhouette, Étienne's father, was from
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that are indicators of their purpose, as well as being decorative.
97:
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plate, from which multiple portrait copies could be printed. The
250:
124:
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European Portrait Miniatures: artists, functions and collections
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Originating in Asia with traditions such as the shadow theatres
547:
487:. The size was normally small, with many designed to fit into a
413:
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2698:. Translated by Dörr, Augusta. London: Bloomsbury Visual Arts.
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painted on ivory, plaster, paper, card, or in reverse on glass;
147:
70:
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2020:"Silhouette Sarah | Silhouette Artist, Cutter and Entertainer"
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through the manipulation of the contrast curve for the image.
402:
markets, whose trade competed with that of the more expensive
166:
who, in 1759, was forced by France's credit crisis during the
2086:
Artist brings talent to The Woodlands shop, Houston Chronicle
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portrayed silhouetted dancers wearing an iPod and earbuds.
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that is embedded in the film. The sequence was produced by
322:
258:
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recounts the history of painting in books 34 and 35 of his
76:
41:
A traditional silhouette portrait of the late 18th century
37:
2677:
Women and Things, 1750–1950: gendered material strategies
2121:
Hans Christian Andersen's Paper Cuts in the Royal Library
1299:
64:
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The Silhouette: from the 18th century to the present day
910:
Silhouettes have also been used by recording artists in
253:
of Corinth as an originator of this modeling technique:
1714:
Teall, Gardner (Aug 1916). "Silhouettes Old and New".
541:
The traditional method of making a silhouette portrait
855:
films. The opening sequence of the television series
61:
58:
2523:
British Silhouette Artists and their Work, 1760–1860
1478:
from single or multi-view depth maps or silhouettes
79:
67:
1284:(e.g. a usage applied here by the Powerhouse Museum
73:
2723:. Dir. Katja Raganelli. DVD. Milestone Film, 1999.
2630:
2494:Journal of the American Institute for Conservation
1318:influenced the silhouette of English women in the
594:
475:around 1800. Miers' superior products could be in
2637:. Essays in Art & Culture. London: Reaktion.
1808:R. M. Cook (1976). Review of John Boardman,
1771:The family name Silhouette is a French form of a
2846:
2826:"Wayang Kulit: the Ancient Shadow Plays of Bali"
2545:1759:The Year Britain Became Master of the World
1353:in Japan warning that the road crosses a railway
321:reason, profile portraits have been employed on
2562:Orr, Inge C. (1974). "Puppet Theater in Asia".
1973:, Printed advertisement on back of a miniature
1241:Poster (c. 1920) for Palais der Friedrichstadt
348:
2721:Homage to the Inventor of the Silhouette Film
2067:Tyneside silhouettist inspired family-success
1009:), or it might be contrived in a studio; see
888:Harry Potter and the Deathly Hallows – Part 1
414:Nineteenth-century popularity and development
520:
114:From its original graphic meaning, the term
1399:with the map of the country as a silhouette
1025:
2609:
2147:
1753:Custom Silhouette Pictures by Karl Johnson
2823:
2693:
2628:
2520:
1783:; this surname, whose Standard Basque or
1673:
1671:
794:Grand shadow play at Wat Khanon, Thailand
651:, "The Shepherdess and the Chimney Sweep"
2806:
2797:Kara Walker's A Horrible Beautiful Beast
1532:
1454:
1267:
992:
954:
824:
603:A traditional paper-cut illustration by
598:
431:
417:
216:
204:
150:facing a grave monument, cut paper, 1780
142:
138:
36:
2593:Women in Profile: A Study in Silhouette
2480:
2449:from the original on September 28, 2020
2353:
1810:Athenian Black Figure Vases: A Handbook
313:as a boy, with finely cut hair and lace
14:
2847:
2539:
2420:from the original on November 24, 2021
1682:. www.PeggyMcClard.com. Archived from
1668:
1575:Human silhouette for firearms training
1276:
2828:. Gamelan Tunas Mekar. Archived from
2674:
2651:
2491:
2354:Purtill, Corinne (21 November 2018).
2327:
1876:
1874:
1787:form is Zuloeta, contains the suffix
1713:
1646:
1519:
1463:
1253:Poster (2008) for Festival Calanchi,
1017:of 16:1 or greater is the ideal. The
869:outline of himself, and in his movie
249:In chapter 15, he tells the story of
91:
2469:
1748:
1746:
1744:
1742:
698:. In the early 1970s, French artist
274:
2590:
2561:
2366:from the original on April 22, 2020
2185:Le Cabaret du Chat Noir (1881–1897)
1677:
1595:
375:, anonymous engraving, 18th century
24:
2802:Kara Walker's 2007 Whitney Exhibit
2410:"Africans in America/Part 2/Flora"
2383:
2102:
1871:
1859:Good design lies in the foundation
1272:The fashionable silhouette of 1900
861:features a silhouetted profile of
25:
2886:
2727:
2612:Silhouette: The Art of the Shadow
2231:Divriği Great Mosque and Hospital
2044:"Mark Conlin | Silhouette Artist"
1739:
1654:(3rd ed.). Pearson Longman.
1184:
709:
2732:
2525:. London: Sotheby Parke Bernet.
1652:Longman Pronunciation Dictionary
1580:
1568:
1556:
1505:
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1424:
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1368:, a common image on car mudflaps
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914:. One example is the video for "
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665:Soldier Silhouettes on Our Front
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501:apparatus invented by Frenchman
428:, with family portraits, c. 1810
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2012:
2003:
1994:
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1380:Silhouettes representing human
950:
595:In art, media and illustrations
2748:Guild of American Papercutters
1827:
1816:(New Series), 26, pp 253-253.
1802:
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1736:Volume 5. Furne, 1834. P. 2850
1726:
1707:
1698:
1640:
988:
893:The Tale of the Three Brothers
845:Since their pioneering use by
282:18th century profile portraits
13:
1:
2633:A Short History of the Shadow
1951:, accessed November 2, 2008,
1634:
1446:
1263:
941:The cult television program,
27:Filled-in outline of an image
2694:Vigarello, Georges (2016) .
2324:, accessed November 3, 2008.
2135:, accessed November 2, 2008.
2123:, accessed November 2, 2008.
2111:, accessed November 2, 2008.
2099:, accessed November 2, 2008.
1939:, accessed November 2, 2008.
1927:, accessed November 2, 2008.
1849:, accessed November 2, 2008.
1762:, accessed November 2, 2008.
944:Mystery Science Theater 3000
158:is derived from the name of
7:
2782:from the collection of the
2024:www.silhouettecutting.co.uk
1868:, accessed August 18, 2009.
1617:
1602:Rachel Creefield silhouette
406:patronised by the wealthy.
392:Johann Rudolph Schellenberg
356:Creating a profile portrait
349:Profile portrait techniques
32:Silhouette (disambiguation)
10:
2891:
2761:Victoria and Albert Museum
2629:Stoichitǎ, Victor (1997).
2506:10.1179/019713602806082575
2487:. London: The Connoisseur.
2484:The History of Silhouettes
2076:accessed February 4, 2012]
1536:
1467:
713:
295:Traditional silhouette of
195:
29:
2865:Composition in visual art
2824:Ingersoll, Julia (2003).
2811:. Det Kongelige Bibliotek
2610:Rutherford, Emma (2009).
2048:www.theshadowcutter.co.uk
1822:10.1017/S0009840X00248610
1563:Silhouette of an aircraft
1411:Iconic silhouette of the
1209:Advertisement (1871) for
858:Alfred Hitchcock Presents
820:
521:Maintaining the tradition
226:Panathenaic prize amphora
2757:Paintings & Drawings
2476:. London: Martin Secker.
1497:Paper-cut silhouette on
1484:The enslaved woman Flora
1476:reconstructing 3D shapes
1325:
1026:Photographic silhouettes
558:Sydney Royal Easter Show
515:invention of photography
209:Corinthian black-figure
2860:Photographic techniques
2807:Andersen, Jens (2002).
2713:
2591:Roe, F. Gordon (1970).
2521:McKechnie, Sue (1978).
2481:Jackson, Emily (1911).
2220:fotogaleri.haberler.com
1680:"History of Silhouette"
1436:Las Cabezas de San Juan
926:is seen in silhouette.
667:(1918), illustrated by
649:Hans Christian Andersen
619:Hans Christian Andersen
575:were artists active in
331:Federico da Montefeltro
2595:. London: John Baker.
2564:Asian Folklore Studies
2470:Coke, Desmond (1913).
1460:
1273:
1001:
968:
842:
688:William Heath Robinson
607:
587:plied his scissors at
448:
429:
229:
214:
151:
42:
2741:at Wikimedia Commons
2614:. New York: Rizzoli.
2473:The Art of Silhouette
1781:French Basque Country
1543:Jane's Fighting Ships
1533:Military and firearms
1468:Further information:
1458:
1271:
1225:Postcard (1920s) for
996:
958:
828:
602:
503:Gilles-Louis Chrétien
456:Johann Caspar Lavater
435:
421:
220:
208:
160:Étienne de Silhouette
146:
139:Etymology and origins
40:
2679:. Farnham: Ashgate.
2660:. pp. 179–185.
2658:Michael Imhof Verlag
2390:Smithsonian Magazine
1983:museum "Silhouettes"
1835:Arthur Dale Trendall
1539:Aircraft recognition
1211:James Whitcomb Riley
997:Silhouette photo of
776:Young Lady and House
621:. The modern artist
388:Drawing a Silhouette
268:black-figure pottery
30:For other uses, see
2832:on 12 December 2018
2547:. London: Pimlico.
2315:Forensic entomology
1791:"abundance of" and
1686:on December 5, 2007
1590:for target shooting
1588:Metallic silhouette
1277:Fashion and fitness
1148:Al-Masjid an-Nabawī
959:Silhouettes in the
370:Mister Bethany and
342:Stanford University
340:Recent research at
2789:2013-06-28 at the
2320:2008-05-10 at the
2301:2008-10-26 at the
2290:2011-10-05 at the
2225:2015-12-22 at the
2190:2017-02-15 at the
2097:The Silhouette Man
2072:2013-04-26 at the
1988:2016-04-22 at the
1958:2012-10-06 at the
1901:"Silhouette Sarah"
1887:2015-11-14 at the
1864:2009-01-01 at the
1758:2009-01-16 at the
1716:House & Garden
1624:Silhouette artists
1520:Business documents
1470:Computer modelling
1464:Computer modelling
1461:
1459:Computer modelling
1316:Princess Alexandra
1274:
1098:watching fireworks
1002:
969:
924:Nicole Scherzinger
920:The Pussycat Dolls
903:, with artwork by
843:
740:was the designer.
635:Book illustrations
627:silk-screen prints
608:
589:agricultural shows
449:
430:
230:
215:
152:
109:portrait miniature
43:
2809:"Scissor Writing"
2737:Media related to
2719:Reiniger, Lotte:
2686:978-0-7546-6550-2
2667:978-3-86568-969-6
2644:978-1-86189-000-9
2621:978-0-8478-3077-0
2602:978-0-212-98364-3
2443:Mississippi Today
2343:. 5 January 2022.
2109:Silhouette artist
1953:V&A biography
1882:Classic portraits
1833:Trendall, A. D. (
1661:978-1-4058-8118-0
1413:Statue of Liberty
932:You Rock My World
838:(1955) filmed by
447:by August Edouart
439:(ca. 1826–1861),
437:The Magic Lantern
275:Profile portraits
213:, 6th century BCE
172:austere economies
16:(Redirected from
2882:
2841:
2839:
2837:
2820:
2818:
2816:
2784:Georgia Archives
2776:
2774:
2772:
2767:on July 12, 2007
2763:. Archived from
2736:
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1814:Classical Review
1806:
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1723:
1711:
1705:
1704:McLynn pp. 64–65
1702:
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1678:McClard, Peggy.
1675:
1666:
1665:
1650:(3 April 2008).
1644:
1596:Notable examples
1584:
1572:
1560:
1547:Shooting targets
1512:The bill of sale
1509:
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1050:
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936:iPod commercials
865:stepping into a
863:Alfred Hitchcock
803:
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669:Jessie Gillespie
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164:finance minister
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2728:External links
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1684:the original
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1550:
1527:bill of sale
1523:
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1432:Osborne bull
1366:Mudflap girl
1351:Traffic sign
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1280:
1188:
1092:Barack Obama
1059:Central Park
1039:
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967:palace, Iran
960:
951:Architecture
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912:music videos
909:
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775:
746:Shadow plays
734:Le Chat Noir
721:
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585:S. John Ross
581:
577:Coney Island
566:
554:S. John Ross
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473:half a crown
450:
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2836:22 November
2815:22 November
2739:Silhouettes
2414:www.pbs.org
1648:Wells, John
1612:Kara Walker
1213:'s business
1196:Advertising
1156:Fajr prayer
1019:Zone System
1007:contre-jour
989:Photography
963:ceiling at
922:, in which
867:caricatured
806:Design for
716:Shadow play
704:Kara Walker
696:Jan Ormerod
623:Robert Ryan
569:E. J. Perry
528:Portraiture
483:, glass or
426:cabinet cup
394:(1740–1806)
297:Jane Austen
162:, a French
133:concept art
2849:Categories
2771:August 21,
2532:0856670367
2453:2021-11-24
2424:2021-11-24
2395:2021-11-24
2370:2021-11-24
2285:in Bendigo
2281:in Halifax
2053:2019-09-20
2029:2017-01-05
1949:John Miers
1911:2017-02-02
1635:References
1537:See also:
1499:paperboard
1447:Journalism
1264:Other uses
1255:San Marino
1178:Phnom Penh
1040:Rumination
973:sciography
901:Framestore
852:James Bond
840:John Alton
612:paper cuts
573:Dai Vernon
507:pantograph
469:the Strand
465:John Miers
325:since the
179:silhouette
156:silhouette
116:silhouette
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2855:Paper art
2543:(2005) .
2514:192205617
2208:google.no
2161:March 21,
1799:, "hole".
1382:evolution
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1190:printed.
1172:behind a
1074:Tenryū-ji
999:Corcovado
934:". Early
897:Ben Hibon
831:film noir
730:Indonesia
560:, c. 2004
511:engraving
477:grisaille
441:cut paper
311:Beethoven
262:pottery."
177:The term
154:The word
52:English:
2787:Archived
2447:Archived
2418:Archived
2364:Archived
2318:Archived
2299:Archived
2288:Archived
2223:Archived
2188:Archived
2070:Archived
1986:Archived
1956:Archived
1885:Archived
1862:Archived
1795:, Batua
1777:Biarritz
1756:Archived
1618:See also
1434:sign in
1418:New York
1395:Flag of
1296:exercise
1288:corsetry
1134:twilight
1076:temple,
981:muqarnas
965:Ali Qapu
961:muqarnas
736:, where
410:length.
2870:Shadows
2584:1177504
1925:Lavater
1779:in the
1307:costume
1152:sunrise
1125:Pigeons
916:Buttons
782:, China
323:coinage
251:Butades
196:History
129:fitness
125:fashion
120:backlit
98:outline
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1154:after
1053:Below
883:poster
872:Psycho
821:Movies
724:wayang
489:locket
266:Greek
148:Goethe
131:, and
2580:JSTOR
2510:S2CID
2270:Press
1785:Batua
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1440:Spain
1326:Icons
1078:Kyoto
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485:ivory
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222:Attic
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2817:2016
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2163:2016
1797:zulo
1793:zilo
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