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Sharon Ott

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33: 301:. Under her leadership, a successful $ 15 endowment campaign was completed, and the Rep's annual budget grew from $ 6 million to $ 9. She maintained a subscription audience of 14,000 and grew the overall audience for the Rep from 14,040 in the year prior to her arrival to a high of 14,500. Ott re-introduced the classics to the Seattle Rep audiences, directing Shakespeare and Saw herself, and producing the work of Stephen Wadsworth, Mary Zimmerman, and 251:
In 1984, Sharon Ott became artistic director of the Berkeley Repertory Theatre, in Berkeley, California. During her 13 years in that position, she grew the company's budget to $ 5 million, built the audience to 15,000 subscribers, and improved the company's reputation to win the
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Ott left Europe to return to the United States where she formed her own theater company, Aleph. Aleph's work was presented in Los Angeles before they were hired as the company in residence at the University of Wisconsin/Milwaukee.
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which started in San Francisco before touring to Boston, Houston, Seattle, New Haven, and Washington, DC where it was performed at the Ford's Theater with then President Bill Clinton and Vice-President Al Gore in attendance.
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in 1980. During her association with the Milwaukee Rep, she was able to travel to Japan twice to work with productions she directed. She also directed the world premiere of her then husband, Amlin Gay's
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in New York, and the Mickery Theater in Amsterdam, the Netherlands. Their work was presented at La Mama, The Mickery, and in other theaters throughout Germany, Belgium, and the Netherlands.
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School of the Arts is the number one ranked public school for arts and designs in the country by the news and World Report. Ott's arrival coincides with noted researcher and actor Dr.
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While in Milwaukee, Ott developed an interest in the work of Theatre X, eventually joined the company, and directed several productions for the company including
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Theatre, the Huntington Theater, the Alliance Theater, Playwrights' Horizons and the Manhattan Theater Club. She has also directed several operas, including
576: 62: 317:, Wilson's autobiographical solo performance work. Ott also produced the world premiere work of several major new artists to the Rep, such as 161:
to work on an archaeological site in northern Arizona. She was accepted into the MFA acting program at Cal Arts under the direction of Dr.
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that premiered at Berkeley Rep before moving on to productions in Boston and Los Angeles. She directed the national tour of
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was presented at theater festivals in the United States and the Netherlands, and the company received an Obie award for
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in 1972 having majored in theater and anthropology. During her years there, she received a fellowship from the
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Sharon Ott has been a guest director at such theaters as the Arena Stage, the New York Shakespeare Festival,
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After two years with Kraken, Ott joined the ensemble Camera Obscura, a resident company at
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http://www.playbill.com/article/taccone-named-artistic-director-at-berkeley-rep-com-70992
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http://www.playbill.com/article/taccone-named-artistic-director-at-berkeley-rep-com-74192
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and remains somewhat active within the union, currently serving on the Executive Board.
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http://www.playbill.com/article/clintons-attend-twilight-los-angeles-in-dc-com-60521
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while working there as professor and Artistic Director. Ott jointed the faculty at
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Ott began her theatrical career as an actor, and taught acting at the
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at the Milwaukee Rep, which won an Obie award after its New York run.
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http://www.playbill.com/article/the-1997-tony-nominations-com-429161
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Ott left Berkeley in 1997 to become the artistic director of the
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in the fall of 2017 to serve as professor and Department Chair.
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in New York and Los Angeles. Ott also directed an adaptation of
577:"At a Festival of New Plays, Money Makes Two Plots Go Round" 148: 65:
and tools are available to assist in formatting, such as
165:. When Blau left Cal Arts, his students followed him to 305:. She maintained the Rep's long-term association with 545:"Seattle Rep Hires Berkeley Rep's Artistic Director" 387:Most recently, she directed the stage reading of 636: 427:. Ott finally received her MFA in 2015 from the 215:based on the life and work of Japanese novelist 465:"CurtainUp' s E-Mail Interview with Sharon Ott" 256:for Excellence in 1997. She worked with author 586: 537: 423:. She then served as a guest lecturer at the 246: 328: 292: 46:, which are uninformative and vulnerable to 593:"Berkeley Rep to End 2008/2009 Season with 309:, producing the world premiere of Wilson's 61:and maintains a consistent citation style. 409:Stage Directors and Choreographers Society 553: 103:Learn how and when to remove this message 14: 637: 569: 149:Education and early career as an actor 522:http://www.curteinup.com/ott-int.html 414: 375:at the Seattle Symphony with sets by 234:Ott became resident director of the 26: 53:Please consider converting them to 24: 561:"Wife Is Dutiful Though Separated" 429:Savannah College of Art and Design 25: 671: 443:. The current Dean of VCUArts is 421:University of Wisconsin-Milwaukee 227:after its run at New York City's 194:La Mama Experimental Theater Club 650:American women theatre directors 437:Virginia Commonwealth University 433:Virginia Commonwealth University 407:in 2009. She is a member of the 153:Sharon Ott received her BS from 31: 606: 260:, directing world premieres of 526: 515: 504: 493: 482: 457: 382: 185:,) and noted clown and actor, 57:to ensure the article remains 13: 1: 614:"VCUarts Ranked #1 - VCUarts" 450: 268:, as well as a production of 401:Pacific Playwrights Festival 315:How I Learned What I Learned 7: 321:, Phillip Kan Gotanda, and 254:Regional Theatre Tony Award 236:Milwaukee Repertory Theater 159:National Science Foundation 145:after their New York runs. 10: 676: 645:American theatre directors 405:Berkeley Repertory Theatre 247:Berkeley Repertory Theatre 133:. Two plays she directed, 660:Bennington College alumni 329:Guest directing and opera 299:Seattle Repertory Theatre 293:Seattle Repertory Theatre 117: 425:University of Washington 337:, the Mark Taper Forum, 207:, based on the poems of 369:at Opera Colorado, and 397:South Coast Repertory 339:South Coast Repertory 286:Twilight: Los Angeles 266:The Ballad of Yachiyo 139:How I Got That Story, 18:Sharon Ott (director) 575:Isherwood, Charles. 351:at San Diego Opera, 274:Maxine Hong Kingston 241:How I Got That Story 205:The Wreck: A Romance 564:The New York Times, 262:Yankee Dawg You Die 127:Sharon Langston Ott 581:The New York Times 415:Educational career 372:Bluebeard's Castle 363:at Seattle Opera, 335:La Jolla Playhouse 282:Anna Deavere Smith 258:Philip Kan Gotanda 155:Bennington College 548:The Seattle Times 278:The Woman Warrior 229:Performing Garage 137:and Amlin Gray's 124: 123: 113: 112: 105: 63:Several templates 16:(Redirected from 667: 629: 628: 626: 625: 610: 604: 603:, July 11, 2008 590: 584: 573: 567: 566:November 8, 1990 557: 551: 550:November 7, 1996 541: 535: 530: 524: 519: 513: 508: 502: 497: 491: 486: 480: 479: 477: 475: 461: 441:Keith Byron Kirk 349:The Conquistador 225:A Fierce Longing 213:A Fierce Longing 179:Titus Andronicus 135:A Fierce Longing 115: 114: 108: 101: 97: 94: 88: 86: 75: 35: 34: 27: 21: 675: 674: 670: 669: 668: 666: 665: 664: 635: 634: 633: 632: 623: 621: 612: 611: 607: 591: 587: 574: 570: 558: 554: 543:Berson, Misha. 542: 538: 531: 527: 520: 516: 509: 505: 498: 494: 487: 483: 473: 471: 463: 462: 458: 453: 417: 385: 331: 295: 249: 167:Oberlin College 151: 120: 109: 98: 92: 89: 77: 66: 52: 36: 32: 23: 22: 15: 12: 11: 5: 673: 663: 662: 657: 652: 647: 631: 630: 605: 601:Broadway World 585: 583:, May 6, 2008 568: 552: 536: 525: 514: 503: 492: 481: 455: 454: 452: 449: 416: 413: 384: 381: 330: 327: 311:King Hedley II 294: 291: 248: 245: 150: 147: 122: 121: 118: 111: 110: 93:September 2022 55:full citations 39: 37: 30: 9: 6: 4: 3: 2: 672: 661: 658: 656: 655:Living people 653: 651: 648: 646: 643: 642: 640: 619: 615: 609: 602: 598: 596: 589: 582: 578: 572: 565: 562: 559:Gussow, Mel. 556: 549: 546: 540: 534: 529: 523: 518: 512: 507: 501: 496: 490: 485: 470: 469:Curtainup.com 466: 460: 456: 448: 446: 442: 438: 434: 430: 426: 422: 412: 410: 406: 402: 398: 394: 390: 380: 378: 374: 373: 368: 367: 362: 361: 356: 355: 350: 346: 345: 340: 336: 326: 324: 320: 316: 312: 308: 307:August Wilson 304: 300: 290: 287: 283: 279: 275: 271: 267: 263: 259: 255: 244: 242: 237: 232: 230: 226: 222: 218: 217:Yukio Mishima 214: 210: 209:Adrienne Rich 206: 201: 197: 195: 190: 188: 184: 180: 176: 175:The Lion King 173:(director of 172: 168: 164: 160: 156: 146: 144: 140: 136: 132: 131:United States 128: 116: 107: 104: 96: 84: 83:documentation 80: 73: 72:documentation 69: 64: 60: 56: 51: 49: 45: 40:This article 38: 29: 28: 19: 622:. 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Index

Sharon Ott (director)
bare URLs
link rot
full citations
verifiable
Several templates
reFill
documentation
Citation bot
documentation
Learn how and when to remove this message
United States
Obie award
Bennington College
National Science Foundation
Herbert Blau
Oberlin College
Julie Taymor
Bill Irwin
La Mama Experimental Theater Club
Adrienne Rich
Yukio Mishima
Performing Garage
Milwaukee Repertory Theater
Regional Theatre Tony Award
Philip Kan Gotanda
Maxine Hong Kingston
Anna Deavere Smith
Seattle Repertory Theatre
Tina Landau

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