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Sestain

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22: 723: 146:, for example AABBCC, ABABCC, AABCCB or AAABAB. The sestain is probably next in popularity to the quatrain in European literature. Usually there are three rhymes in the six-line strophe, but sometimes there are only two. 448:
The Art of Versification by Joseph Berg Esenwein and Mary Eleanor Roberts. Revised Edition, The Home Correspondence School, Springfield 1920, p. 120-121.
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The Art of Versification by Joseph Berg Esenwein and Mary Eleanor Roberts. Revised Edition, The Home Correspondence School, Springfield 1920, p. 121.
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The Art of Versification by Joseph Berg Esenwein, Mary Eleanor Roberts. Revised edition, Springfield 1920, p. 120.
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wrote his poem A Voyage to the Holy Land from Naples with the famous The Tomb of Agamemnon in ABABCC stanzas.
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The ABABCC rhyme-scheme is one of the most important forms in European poetry. It can be found in
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The AABBCC is the simplest rhyme-scheme of the sestain. It was very popular in Old Polish poetry.
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It was probably borrowed from the Italian sonnet rhymed sometimes ABBAABBA CDEEDC.
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This rhyme scheme was extremely popular in French poetry. It was used by
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is a six-line poem or repetitive unit of a poem of this format (
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uses it in several songs, including the A-strains of
158:I gallop'd, Dirck gallop'd, we gallop'd all three; 46:. Unsourced material may be challenged and removed. 266:Freelier outside, ("since all is o'er," he saith, 162:"Speed!" echoed the wall to us galloping through; 340:. In English it is called the tail-rhyme stanza. 262:The tears and takes the farewell of each friend, 775: 268:"And the blow fallen no grieving can amend;"): 192:Hunting he loved, but love he laugh'd to scorn; 406:To which the blast of deaths incessant motion, 258:As when a sick man very near to death 196:And like a bold-faced suitor 'gins to woo him. 758: 469: 188:Had ta'en his last leave of the weeping morn, 410:Drives all at last. Therefore I gladly trust 264:And hears one bid the other go, draw breath 200:(William Shakespeare, Venus and Adonis, 1-6) 156:I sprang to the stirrup, and Joris, and he; 404:May take acquaintance of this heap of dust; 400:While that my soul repairs to her devotion, 260:Seems dead indeed, and feels begin and end 765: 751: 476: 462: 194:Sick-thoughted Venus makes amain unto him, 190:Rose-cheek'd Adonis hied him to the chase; 166:And into the midnight we gallop'd abreast. 402:Here I intombe my flesh,1 that it betimes 346:You're Gonna Make Me Lonesome When You Go 186:Even as the sun with purple-colour'd face 106:Learn how and when to remove this message 413:(George Herbert, Church-monuments, 1-6) 242:(Robert Browning, Meeting at Night, 1-6) 238:And quench its speed i' the slushy sand. 378:An' lea'e us nought but grief an' pain, 326:(Paul Verlaine, Chanson d'automne, 1-6) 232:And the startled little waves that leap 230:And the yellow half-moon large and low; 776: 408:Fed with the exhalation of our crimes, 299:(Lord Byron, She walks in Beauty, 1-6) 289:And all that's best of dark and bright 457: 374:The best laid schemes o' Mice an' Men 287:Of cloudless climes and starry skies; 236:As I gain the cove with pushing prow, 228:The grey sea and the long black land; 717: 44:adding citations to reliable sources 15: 285:She walks in beauty, like the night 234:In fiery ringlets from their sleep, 13: 360:poets used rhyme scheme as well. 295:Which heaven to gaudy day denies. 293:Thus mellowed to that tender light 14: 800: 384:(Robert Burns, To a Mouse, 37-42) 370:But Mousie, thou art no thy-lane, 721: 483: 372:In proving foresight may be vain 291:Meet in her aspect and her eyes; 20: 31:needs additional citations for 442: 433: 424: 1: 418: 350:Key West (Philosopher Pirate) 737:. You can help Knowledge by 652:Perfect and imperfect rhymes 7: 10: 805: 716: 614: 491: 393: 363: 305: 278: 251: 221: 179: 149: 338:Charles Leconte de Lisle 733:-related article is a 416: 390:It is Burns's stanza. 388: 330: 303: 276: 246: 204: 174: 397: 367: 348:and the B-strains of 309: 282: 255: 225: 183: 153: 40:improve this article 670:Off-centered rhyme 318:Blessent mon coeur 312:Les sanglots longs 746: 745: 711: 710: 380:For promis'd joy! 126:), comparable to 116: 115: 108: 90: 796: 767: 760: 753: 725: 718: 478: 471: 464: 455: 454: 449: 446: 440: 437: 431: 428: 216:Juliusz Słowacki 111: 104: 100: 97: 91: 89: 48: 24: 16: 804: 803: 799: 798: 797: 795: 794: 793: 774: 773: 772: 771: 714: 712: 707: 704:Weak/Unaccented 610: 601:Verse paragraph 487: 482: 452: 447: 443: 438: 434: 429: 425: 421: 415: 412: 411: 409: 407: 405: 403: 401: 396: 387: 382: 381: 379: 377: 376:Gang aft agley, 375: 373: 371: 366: 329: 324: 323: 321: 319: 317: 315: 313: 308: 302: 297: 296: 294: 292: 290: 288: 286: 281: 275: 270: 269: 267: 265: 263: 261: 259: 254: 245: 240: 239: 237: 235: 233: 231: 229: 224: 203: 198: 197: 195: 193: 191: 189: 187: 182: 173: 168: 167: 165: 163: 161: 159: 157: 152: 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 802: 792: 791: 786: 770: 769: 762: 755: 747: 744: 743: 726: 709: 708: 706: 705: 702: 697: 694: 689: 684: 679: 674: 673: 672: 665:Internal rhyme 662: 661:Imperfect/Near 659: 654: 649: 648:Forced/Oblique 646: 641: 636: 631: 626: 620: 618: 612: 611: 609: 608: 603: 598: 593: 588: 583: 578: 573: 568: 563: 561:Sapphic stanza 558: 553: 548: 543: 538: 533: 528: 523: 518: 513: 508: 503: 497: 495: 489: 488: 481: 480: 473: 466: 458: 451: 450: 441: 432: 422: 420: 417: 398: 395: 392: 368: 365: 362: 320:D'une langueur 310: 307: 304: 283: 280: 277: 256: 253: 250: 226: 223: 220: 208:Thomas Campion 184: 181: 178: 154: 151: 148: 114: 113: 28: 26: 19: 9: 6: 4: 3: 2: 801: 790: 787: 785: 784:Stanzaic form 782: 781: 779: 768: 763: 761: 756: 754: 749: 748: 742: 740: 736: 732: 727: 724: 720: 719: 715: 703: 701: 698: 695: 693: 690: 688: 687:Perfect rhyme 685: 683: 680: 678: 675: 671: 668: 667: 666: 663: 660: 658: 655: 653: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 621: 619: 617: 613: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 542: 539: 537: 534: 532: 529: 527: 524: 522: 519: 517: 514: 512: 509: 507: 506:Ballad stanza 504: 502: 501:Alcaic stanza 499: 498: 496: 494: 490: 486: 479: 474: 472: 467: 465: 460: 459: 456: 445: 436: 427: 423: 414: 391: 386: 385: 361: 359: 355: 351: 347: 343: 339: 335: 328: 327: 301: 300: 274: 273: 249: 244: 243: 219: 217: 213: 209: 202: 201: 177: 172: 171: 147: 145: 144:rhyme schemes 141: 137: 133: 129: 125: 121: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: –  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 789:Poetry stubs 739:expanding it 728: 713: 692:Rhyme scheme 634:Broken rhyme 624:Alliteration 565: 516:Burns stanza 485:Poetic forms 444: 435: 426: 399: 389: 383: 369: 331: 325: 316:De l'automne 311: 298: 284: 271: 257: 247: 241: 227: 212:Emma Lazarus 205: 199: 185: 175: 169: 155: 119: 117: 102: 96:January 2021 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 644:Cross rhyme 556:Rhyme royal 354:Rubén Dario 334:Victor Hugo 314:Des violons 214:'s poetry. 778:Categories 639:Consonance 606:Villanelle 596:Terza rima 581:Tail rhyme 541:Quatorzain 419:References 358:Modernismo 66:newspapers 696:Semirhyme 682:Pararhyme 677:Monorhyme 629:Assonance 356:and many 342:Bob Dylan 322:Monotone. 55:"Sestain" 700:Syllabic 657:Holorime 551:Quintain 546:Quatrain 526:Cinquain 521:Chaubola 128:quatrain 124:musaddas 591:Triolet 566:Sestain 531:Couplet 493:Stanzas 210:'s and 136:Persian 120:sestain 80:scholar 731:poetry 616:Rhymes 586:Tercet 576:Sonnet 571:Sestet 536:Ghazal 511:Biolet 394:ABCABC 364:AAABAB 306:AABCCB 279:ABABAB 252:ABBAAB 222:ABCCBA 180:ABABCC 150:AABBCC 140:Arabic 132:Ruba'i 82:  75:  68:  61:  53:  729:This 87:JSTOR 73:books 735:stub 336:and 138:and 59:news 134:in 42:by 780:: 352:. 118:A 766:e 759:t 752:v 741:. 477:e 470:t 463:v 130:( 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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"Sestain"
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musaddas
quatrain
Ruba'i
Persian
Arabic
rhyme schemes
Thomas Campion
Emma Lazarus
Juliusz Słowacki
Victor Hugo
Charles Leconte de Lisle
Bob Dylan
You're Gonna Make Me Lonesome When You Go
Key West (Philosopher Pirate)
Rubén Dario
Modernismo
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