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Sergels torg

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the concept, concluding pedestrians on a lower level would produce poor business sites, an analysis which would eventually prove correct. Their own proposal the following year, developed together with various authorities, reserved street-level to pedestrians while cars were confined below ground. This counter-proposal was however produced in only two months, which made it easy for opponents to pin-down its weaknesses (mostly a failure to leave enough space for the metro which was being constructed at this time). Nevertheless, Helldén's proposal failed to impress the city as well, and Helldén together with other hand-picked experts was therefore sent on a tour around Europe, including
305: 373:("Swede Plaza"), was conceived as similar to the present square, but still remained an unarticulated modernistic concept. In this proposal, the square was centred on a rectangular open space furnished with trees, benches, and ponds; a space reached by subways stretching under the surrounding roundabout. During the 1950s, continuously increasing traffic loads made separating pedestrians and car traffic desirable, and several studies produced around 1955 focused on a lower level for pedestrians with cars on street-level with various openings to allow light down to the pedestrians. 382: 122: 463: 25: 339: 293: 396: 654: 450:("Crystal - vertical accent in glass and steel"). The sculpture, finally completed in 1974 and since haunted by technical problems, never was able to deliver the intended visual output and - quoting Hall - "thus adds itself to the many projects within the that didn't endure confrontation with reality." The artist favoured by Helldén, 500:, built in the 1930s, Sergels torg is thus an attempt with few parallels in the world, to make public art of a traffic junction dominating the central district of a city. Since the mid-1990s, numerous proposals to rebuild the square have been produced, and the debate regarding the square is likely to continue. 495:
However, considering Stockholm's northern location, to give the sun full access to public spaces is top priority, and Kulturhuset has proven a problematic wall which not only shuts the sun off, but also tends to dominate the square with its large volume. Additionally, Sergels torg is dominated by its
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South of the square, intentions were to erect two buildings separated by a street leading to Brunkebergstorg, but the old buildings south of the square turned their gables towards the modernist composition of Helldén throughout most of the 1960s. A contest in 1965 for this area included a cultural
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In 1957, a first official proposal presented a square virtually similar to the present; except that instead of the fountain there was an opening with tall trees and on the western side, where the flight of stairs is today, was a building standing on pillars. The Chamber of Commerce was critical of
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was eventually inaugurated in 1974. It basically is a single huge concrete wall from which are consoling shallow stories with glassed façades, a structure Hultén lyrically described as a stage which would "exercise a strong attractive force" by exhibiting people and works of art through the glass
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of 1928. In his proposal he envisioned a square whose north-south oriented axis would line-up with Sveavägen intended to be extended south across the square down to the waterfront with widened Hamngatan and Klarabergsgatan joining in from west and east. After this first proposal, the square is
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featured on every subsequent city plan produced for the area, with alternations in width and length. Notwithstanding the considerable number of revised proposals produced, surprisingly few were preoccupied by architectonic considerations, instead focusing on optimization of traffic flow.
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and much like its French counterpart remains the most popular space in Stockholm for meeting friends, for political demonstrations, for a wide range of events, and for drug-dealers. This includes the fountain, in which people celebrate major victories by Swedish sports teams.
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The construction of the square was completed in 1967. Before the creation of Sergels torg, Brunkebergstorg was the most important public space in the area, the hub about which traffic revolved, the place where people would go to work and to find entertainment.
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Since its creation, Sergels torg has been much criticized for giving priority to cars at the cost of pedestrians. It has, among some quarters, become the main target for criticism of the much debated demolition of the central city district of
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This newly introduced centre-piece resulted in a proposal for a fountain with a monument above it. For the shape of this fountain, Helldén consulted his friend, the mathematician and artist
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Albert Lilienberg was appointed city-planning superintendent in 1927, and a year later he produced the first proposal for a public square on the location in his
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metro station and other continuous underpasses west thereof, Sergels torg forms part of a continuous underground structure almost a kilometre in length.
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Currently (2015) large areas of the place are closed for renovation of the 50 years old structures. There is also preparation for the installation of
439:. Before presenting his final proposal in 1960, Helldén added the triangular pattern to the pedestrian plaza and the wide stairs on its western side. 242: 451: 666: 635: 89: 61: 561: 108: 428:
with a round restaurant with glass walls, an aesthetic device intended to give the square an architectonic dignity.
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North of this traffic junction is a considerably smaller open space overlooked by the high-rise façade of the fifth
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traffic roundabout and is hard to experience as a single coherent space. Together with the traffic structure at
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during the 1950s and 1960s. Nevertheless, it is not dissimilar to but larger than the public space in front of
46: 435:, who in less than in minute found a curve with a "continuously varying bending" and immediately named it the 75: 705: 658: 454:, started to work on a sculpture for the square in 1960 but never was invited to participate in the contest. 42: 179:
A sunken pedestrian plaza furnished with a triangular-colored floor pattern (colloquially referred to as
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Mathematical Carnival. A New Round-Up of Tantalizers and Puzzles from Scientific American
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they could conclude that having pedestrians on a lower level required escalators, and in
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Sergels torg has a dominant west-to-east axis and is divided into three distinct parts:
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This plaza is partly overbuilt by a roundabout centered on a glass obelisk and by the
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Huvudstad i omvandling – Stockholms planering och utbyggnad under 700 år
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In the city plan Helldén produced in 1946, the square, still named
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who wished to see his museum relocated from the isolated island
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The site south of the square is taken up by the cultural centre
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gave them the inspiration to replace the central open space at
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A contest for the central monument in 1962 was won by
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The iconic triangular pattern of the pedestrian plaza.
49:. Unsourced material may be challenged and removed. 613: 697: 387:The hexagonal building, a 1990 coffeehouse ( 343:Crystal - vertical accent in glass and steel 711:Buildings and structures completed in 1967 448:Kristall - vertikal accent i glas och stĂĄl 466:Night view of the obelisk and Kulturhuset 109:Learn how and when to remove this message 461: 394: 380: 337: 303: 291: 120: 608: 698: 602: 595: 593: 591: 589: 587: 585: 583: 581: 249:leads west past the department store 547: 483:. The contest was won by architect 47:adding citations to reliable sources 18: 578: 13: 356: 16:Public square in central Stockholm 14: 722: 647: 376: 652: 412:, to find a better solution. In 399:The superellipse-shaped fountain 23: 241:headquarters facing the square 151:("Sergel's Square") is a major 34:needs additional citations for 457: 1: 541: 214:decks of three major streets. 7: 514: 475:, the legendary founder of 170: 10: 727: 615:"Piet Hein's Superellipse" 333: 233:, which also harbours the 140: 552:(in Swedish). Stockholm: 536:Redevelopment of Norrmalm 420:the pedestrian underpass 125:Sergels torg viewed from 571: 323:Centre Georges Pompidou 554:Sveriges Radios förlag 467: 400: 392: 349: 313: 301: 235:Stockholm City Theatre 221:from where the avenue 187:, connecting south to 138: 137:(to the left) at night 135:Stockholm City Theatre 682:59.33250°N 18.06444°E 661:at Wikimedia Commons 548:Hall, Thomas (1999). 465: 398: 384: 341: 307: 295: 124: 706:Squares in Stockholm 531:History of Stockholm 511:to Klarabergsgatan. 43:improve this article 678: /  471:centre proposed by 245:behind. The street 165:Johan Tobias Sergel 143:Sergels torg (song) 687:59.33250; 18.06444 468: 401: 393: 350: 314: 302: 271:Malmskillnadsgatan 189:Stockholm Old Town 141:For the song, see 139: 127:Malmskillnadsgatan 657:Media related to 637:978-0-394-72349-5 599:Hall, pp 181-186. 269:leads east under 259:Klaraberg Viaduct 219:Hötorget Building 119: 118: 111: 93: 718: 693: 692: 690: 689: 688: 683: 679: 676: 675: 674: 671: 656: 641: 640: 617: 606: 600: 597: 567: 199:and refurbished 114: 107: 103: 100: 94: 92: 51: 27: 19: 726: 725: 721: 720: 719: 717: 716: 715: 696: 695: 686: 684: 680: 677: 672: 669: 667: 665: 664: 650: 645: 644: 638: 610:Gardner, Martin 607: 603: 598: 579: 574: 564: 544: 517: 460: 386: 379: 359: 357:Early proposals 336: 275:KungsträdgĂĄrden 247:Klarabergsgatan 243:Brunkebergstorg 205:Stockholm metro 173: 146: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 724: 714: 713: 708: 649: 648:External links 646: 643: 642: 636: 601: 576: 575: 573: 570: 569: 568: 562: 543: 540: 539: 538: 533: 528: 523: 516: 513: 477:Moderna Museet 459: 456: 452:Olle Baertling 444:Edvin Ă–hrström 378: 377:Final proposal 375: 358: 355: 347:Edvin Ă–hrström 335: 332: 310:Kulturfestival 308:The Stockholm 239:Bank of Sweden 237:and hides the 227: 226: 225:extends north. 215: 208: 203:trains of the 185:Drottninggatan 172: 169: 117: 116: 58:"Sergels torg" 31: 29: 22: 15: 9: 6: 4: 3: 2: 723: 712: 709: 707: 704: 703: 701: 694: 691: 662: 660: 655: 639: 633: 629: 625: 624:Vintage Press 621: 616: 611: 605: 596: 594: 592: 590: 588: 586: 584: 582: 577: 565: 563:91-522-1810-4 559: 555: 551: 546: 545: 537: 534: 532: 529: 527: 524: 522: 519: 518: 512: 510: 506: 501: 499: 493: 490: 486: 485:Peter Celsing 482: 478: 474: 473:Pontus HultĂ©n 464: 455: 453: 449: 445: 440: 438: 434: 429: 427: 423: 419: 415: 411: 407: 397: 390: 383: 374: 372: 367: 364: 354: 348: 344: 340: 331: 328: 324: 320: 311: 306: 300:demonstration 299: 294: 290: 288: 284: 280: 279:Norrmalmstorg 276: 272: 268: 264: 260: 256: 252: 248: 244: 240: 236: 232: 224: 220: 216: 213: 209: 206: 202: 198: 194: 191:and north to 190: 186: 182: 178: 177: 176: 168: 166: 162: 158: 154: 153:public square 150: 144: 136: 132: 128: 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 663: 659:Sergels torg 651: 622:, New York: 619: 604: 549: 507:tracks from 502: 494: 481:Skeppsholmen 469: 447: 441: 437:superellipse 430: 425: 422:Opernpassage 402: 370: 368: 363:general plan 360: 351: 342: 315: 309: 255:Klara Church 228: 180: 174: 149:Sergels torg 148: 147: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 685: / 626:, pp.  489:Kulturhuset 458:Kulturhuset 426:Sveaplatsen 371:Sveaplatsen 287:T-Centralen 283:Strandvägen 263:Kungsholmen 251:Ă…hlĂ©ns City 231:Kulturhuset 131:Kulturhuset 700:Categories 673:18°03′52″E 670:59°19′57″N 542:References 193:Kungsgatan 99:March 2013 69:newspapers 509:Hamngatan 433:Piet Hein 414:Stuttgart 267:Hamngatan 223:Sveavägen 157:Stockholm 612:(1977), 526:Norrmalm 521:Hötorget 515:See also 492:façade. 406:Coventry 212:concrete 171:Overview 628:240–254 498:Slussen 334:History 298:May Day 257:to the 181:Plattan 83:scholar 634:  560:  418:Vienna 410:London 312:(2011) 281:, and 161:Sweden 85:  78:  71:  64:  56:  572:Notes 345:, by 327:Paris 319:Klara 129:with 90:JSTOR 76:books 632:ISBN 558:ISBN 505:tram 487:and 408:and 261:and 253:and 133:and 62:news 325:in 273:to 201:C20 197:C30 155:in 45:by 702:: 630:, 618:, 580:^ 556:. 389:sv 296:A 277:, 265:. 159:, 566:. 207:. 145:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Malmskillnadsgatan
Kulturhuset
Stockholm City Theatre
Sergels torg (song)
public square
Stockholm
Sweden
Johan Tobias Sergel
Drottninggatan
Stockholm Old Town
Kungsgatan
C30
C20
Stockholm metro
concrete
Hötorget Building
Sveavägen
Kulturhuset

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