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203:, the first four volumes of Johnson's "Scots Musical Museum" interleaved with some 140 pages of Robert Burns's explanatory notes on the 184 songs that he contributed. These volumes had long been in the possession of the Riddell family of Friars Carse in Nithsdale. These notes have provided many insights into the authorship and editing of the songs he contributed.
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for the first time, and found that Burns shared this interest and would become an enthusiastic contributor. The first volume was published in 1787 and included three songs by Burns. He contributed 40 songs to volume 2, and would end up responsible for about a third of the 600 songs in the whole
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The 'Museum' was issued totally uncut, in plain boards and without any lettering. The earliest version of the title-page does not have a border around the vignette. Later versions have a border and a thistle design is present at the top and bottom.
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The earliest issues of the ‘Museum’ did not identify the songs that were by Burns as in 1787 his fame had yet to imbed itself, however in later issues his name was appended to his contributions in the index and the text often had the declaration
192:, published from 1793 to 1818, which adapted Scottish folk-songs with "classical" arrangements. While this brought songs to new audiences, many of the songs and tunes continued in the folk tradition, both in Scotland and America.
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As well as collecting old songs, Burns wrote new words to old tunes, and many of the songs now attributed to Burns have older roots. Songs in the collection include
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collection as well as making a considerable editorial contribution. The final volume was published in 1803 and contained the first printing of
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and music, the six volumes with 100 songs in each collected many pieces, introduced new songs, and brought many of them into the
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The collection became popular internationally, and songs and tunes were arranged by composers such as
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222:"The Scottish Minstrel: The Songs of Scotland Subsequent to Burns, with Memoirs of the Poets"
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published from 1787 to 1803. While it was not the first collection of
Scottish
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songs and a determination to preserve them. In the winter of 1786 he met
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51:, a struggling music engraver / music seller, with a love of old
254:. Southern Illinois University Press. p. 357.
239:. Southern Illinois University Press. p. 359.
32:was an influential collection of traditional folk
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201:Robert Burns's Interleaved Scots Musical Museum
190:A Select Collection of Original Scottish Airs
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286:International Music Score Library Project
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298:, printed between 1787 and 1803, from
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167:Written for this Work by Robert Burns.
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265:Burns Chronicle XXIII January 1914
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306:Island 7: Burns and Scottish Song
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199:was at one time in possession of
120:Ye Banks and Braes of Bonnie Doon
311:Robert Burns - Travels and Music
144:There Grows a Bonnie Brier Bush
90:My love is like a Red, Red Rose
336:Book series introduced in 1787
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252:A Bibliography of Robert Burns
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237:A Bibliography of Robert Burns
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300:National Library of Scotland
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302:. JPEG, PDF, XML versions.
184:. Burns collaborated with
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281:The Scots Musical Museum
220:Rogers, Charles (1885).
96:The Battle of Sherramuir
366:Folk music publications
195:The American collector
114:Flow Gently Sweet Afton
93:. Burns' songs include
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250:Egerer, J.W. (1965).
235:Egerer, J.W. (1965).
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132:The Winter it is Past
108:Green Grow the Rashes
68:, Burns' first song.
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361:Scots-language works
356:Ludwig van Beethoven
292:Scots Musical Museum
182:Ludwig van Beethoven
150:John Anderson, My Jo
29:Scots Musical Museum
16:Book by Robert Burns
346:Scottish folk music
138:Comin' Thro the Rye
79:Lord Ronald, my Son
294:in six volumes by
290:Digitised copy of
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81:(better known as
59:who was visiting
34:music of Scotland
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331:1787 in Scotland
284:: Scores at the
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371:Music books
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326:1787 books
320:Categories
207:References
38:folk songs
61:Edinburgh
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