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Sanshiro Sugata

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Initially, Sanshiro is physically capable, but he lacks any type of poise or reflection concerning his self-control and demeanor, even getting into merry fights at a village festival. His master believes him to be talented but lacking in discipline, describing teaching him judo as "like giving a knife to a madman". After being told about his lack of care about life, Sanshiro jumps into a lotus pond to prove his strength and loyalty. Clinging to a stake in the pond, he stays the whole day and night before he sees the opening of a lotus blossom that makes him find self-realization. Leaping out of the pond, he goes to Yano to ask for his forgiveness. He starts to appreciate that there is more to his life and to his art than simple muscle and brawl and soon becomes a leading student in his school.
456:, "I had been so much in charge of production I had felt like the director". After hearing of a new novel from the writer Tomita Tsuneo in an advertisement, Kurosawa decided the project was for him and asked film producer Iwao Mori to buy the rights for him. Kurosawa, told that Toho wouldn't be able to buy the rights until it was published, eagerly awaited its release, to the point where he stalked bookstores night and day until he found a copy; he quickly read the book and wrote a screenplay for it. Despite his enthusiasm, 314:
his school in a public match against Murai himself to determine which school is best to train the local police in the martial arts. The scheduled bout gets off to a slow start, but Sanshiro soon comes into his own and begins executing devastating throws which cause internal physical damage to his opponent. Although Murai tries to stand every time, energized by the memory of his daughter Sayo, he is forced to give up after the third time he is violently sent to the ground by Sanshiro.
331: 29: 483:, who called it an important artistic achievement despite other voices claiming it was too "British-American". After the initial release, Japanese censors reportedly trimmed the film by 17 minutes. Some of this footage was later recovered and added to a DVD release, and the original script with the missing material still exists; intertitles are included in the release that describe what occurred in the missing parts. The 1952 re-release (from which the 2009 471:, the reason Kurosawa was allowed to direct the film was because he had had two film scripts printed, including one of which had won the education minister's prize. However, his work was too far away from the government requirements for a wartime film. Tomita's novel, on the other hand, was considered "safe", dealing, as it did, with a Japanese subject such as the 518:
the cold waters near Yano's temple and stays there in order to show his master his dedication, and the fact that he is neither afraid to live nor to die. However, the resident monk chides him for this self-serving display, and he emerges from the pond a humbler man after witnessing the blooming of a lotus blossom, a Buddhist symbol of purity.
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and insist that he is the most interesting character in this film. Given the heightened drama of every scene he invades, the visual association between him and the shadow, as well as the sound of his voice -- cued as it is to the raging wind -- Higaki does spur Kurosawa to deviate from the path of a
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led by Hansuke Murai. He first faces Kodama, a jujutsu tough that had tried to take out Shogoro in the river. The ensuing match leads to the death of Kodama after a move by Sanshiro leaves him crashing into a corner. In a scheduled competition between the two schools, Sanshiro is chosen to represent
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The central theme of the film is the education and initiation of Sugata and the way in which, whilst learning the ways of Judo, he also learns about himself. The film's central scene concerning this theme is when, after being accosted by Yano for getting involved in a streetfight, Sugata leaps into
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After the match, Sanshiro makes friends with his defeated opponent and is attracted to Sayo. Sayo is a local beauty, and another Ryōi Shintō-ryū jujutsu master, Higaki, competes with Sanshiro for her affections. When he challenges Sanshiro to a duel to the death, Sanshiro accepts and defeats him by
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has been remade five times since it was initially released, although these versions are even harder to find in the west than the original. The 1955 and 1965 versions share the script of the original versions, whereas the subsequent three releases are all based on the novel rather than Kurosawa's
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master by becoming a student at one of the city's martial arts schools. His first attempts to find a suitable instructor fail, until he finally finds an accomplished master, Shogoro Yano from the Shudokan Judo school, who he sees defending himself against a group of jujutsu bullies near a river.
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conventional wartime 'spiritist' film. The director's focus shifts away; from a wholesome story of a guileless youth, perfecting his skill along with his pure Japanese heart. He stays strangely fixed on Higaki and conveys an unmistakable sympathy for the devil, no matter the moral consequence."
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between judo and jujitsu; being a period piece; and having a popular subject. Kurosawa deliberately went out to make a "movie-like movie", as he knew he would not be able to insert any particularly didactic qualities in the film.
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The city is looking to employ one of the local martial arts schools to guide the training of its local police force, and the school of Sanshiro becomes a leading candidate along with its rival, the local school of
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Paul Anderer emphasized Kurosawa's attention to the character of Gennosuke Higaki in the film. Higaki, created by Tsuneo Tomita for the novel and inspired by real life jujutsu master
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film studios, the film was eventually released in the United States on 28 April 1974. The film is based on the novel of the same name written by Tsuneo Tomita, the son of prominent
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The film is seen as an early example of Kurosawa's immediate grasp of the film-making process, and includes many of his directorial trademarks, such as the use of
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inflicting permanent crippling damage to Higaki. After emerging victorious from his duel, Sanshiro prepares for his next assignment in
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When he went to the board of censors (which he likened to being on trial), the film passed on the basis of recommendation by
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while being escorted on the local train by Sayo. He promises to return to her after he finishes his journey.
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who would win the heart of Sanshiro in Kurosawa's early film. Contemporaneous photograph from 1937.
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In 1883, Sanshiro is a talented though willful youth who wishes to become a
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DVD is made) opens with (translated from the original Japanese text):
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Following five years of second unit director work on films such as
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Starring Sanshiro Sugata Japan's greatest JUDO exponent
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Index


Akira Kurosawa
Keiji Matsuzaki
Denjirō Ōkōchi
Susumu Fujita
Yukiko Todoroki
Takashi Shimura
Akira Mimura
Toho Studios
Toho Company Ltd.
Japanese
Japanese
Hepburn
martial arts
drama film
film director
Akira Kurosawa
Toho
judoka
Tsunejirō Tomita
Jujutsu
Judo
Saigō Shirō
wipes
Sanshiro Sugata Part II
jujutsu
Ryōi Shintō-ryū
jujutsu
Yokohama

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