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Sai Hsai Mao

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245: 59: 381: 354: 407: 392: 252: 422: 417: 427: 355:"I Was Cool When My Country Wasn't: "Mao" and "Deng" Making Transnational Music in the Golden Triangle" 432: 412: 209:, which is home to a large Shan community. Throughout his career, he has also released 10 8: 225: 164: 256: 332: 366: 210: 186: 221: 217: 401: 336: 229: 202: 178: 170: 83: 216:
Sai Hsai Mao gained popularity after 1968, when a Shan language program on
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broadcast his music. From 1973 to 1976, he was associated with the
206: 118: 321:"Shan noises, Burmese sound: crafting selves through pop music" 58: 91: 193:), was a distinguished Burmese singer and musician of 399: 318: 197:descent. The most prominent singer of Shan 57: 47: 352: 228:" (Panglong Agreement), was composed by 400: 348: 346: 314: 312: 310: 308: 306: 304: 239: 13: 14: 444: 408:20th-century Burmese male singers 386: 343: 301: 243: 201:, he was known for his prolific 174: 235: 1: 294: 382:Bio of Sai Hsai Mao in Shan. 319:Jirattikorn, Amporn (2010). 7: 10: 449: 48: 18: 393:Tribute to Sai Htee Saing 224:. His most famous song, " 190: 141: 124: 114: 100: 70: 65: 56: 40: 325:South East Asia Research 282:Tender Cherry Leaf Songs 181:, Burma), also known as 353:Ferguson, Jane (2016). 423:People from Shan State 222:Shan State Army - East 66:Background information 371:10.1353/amu.2016.0018 284:(ချယ်ရီရွက်နုတေးများ) 257:adding missing items 226:Lik Hom Mai Panglong 418:Burmese Shan people 255:; you can help by 428:Burmese musicians 273: 272: 205:and was based in 158: 157: 440: 375: 374: 350: 341: 340: 316: 268: 265: 247: 246: 240: 211:Burmese language 192: 191:စိုင်းဆိုင်မောဝ် 176: 107: 95: 81:18 February 1948 80: 78: 61: 52: 51: 50: 38: 37: 448: 447: 443: 442: 441: 439: 438: 437: 398: 397: 389: 379: 378: 351: 344: 317: 302: 297: 277:Kau Yon Pe Tang 269: 263: 260: 244: 238: 177:; born 1948 in 161: 154: 137: 109: 105: 93: 82: 76: 74: 46: 45: 43: 36: 17: 12: 11: 5: 446: 436: 435: 430: 425: 420: 415: 410: 396: 395: 388: 387:External links 385: 377: 376: 365:(2): 114–137. 342: 331:(1): 161–189. 299: 298: 296: 293: 292: 291: 285: 279: 271: 270: 250: 248: 237: 234: 218:Radio Thailand 160:Musical artist 159: 156: 155: 153: 152: 149: 145: 143: 139: 138: 136: 135: 132: 128: 126: 122: 121: 116: 112: 111: 108:(aged 76) 102: 98: 97: 72: 68: 67: 63: 62: 54: 53: 41: 15: 9: 6: 4: 3: 2: 445: 434: 431: 429: 426: 424: 421: 419: 416: 414: 411: 409: 406: 405: 403: 394: 391: 390: 384: 383: 372: 368: 364: 360: 356: 349: 347: 338: 334: 330: 326: 322: 315: 313: 311: 309: 307: 305: 300: 289: 286: 283: 280: 278: 275: 274: 267: 258: 254: 251:This list is 249: 242: 241: 233: 231: 230:Sai Kham Leik 227: 223: 219: 214: 212: 208: 204: 200: 196: 188: 184: 183:Sai Saing Maw 180: 172: 168: 166: 150: 147: 146: 144: 140: 133: 130: 129: 127: 123: 120: 117: 113: 103: 99: 96: 89: 85: 73: 69: 64: 60: 55: 44:Sai Saing Maw 39: 34: 30: 26: 22: 16:Shan musician 380: 362: 358: 328: 324: 290:(အဖေ့ရဲ့သား) 288:Father's Son 287: 281: 276: 261: 215: 182: 175:ၸၢႆးသၢႆမၢဝ်း 163: 162: 106:(2024-07-17) 104:17 July 2024 49:ၸၢႆးသၢႆမၢဝ်း 42:Sai Hsai Mao 24: 21:Burmese name 433:2024 deaths 413:1948 births 359:Asian Music 236:Discography 203:cover songs 142:Instruments 125:Occupations 402:Categories 295:References 264:March 2023 253:incomplete 134:songwriter 88:Shan State 77:1948-02-18 33:given name 337:0967-828X 232:in 1973. 199:pop music 94:(Myanmar) 29:honorific 213:albums. 207:Thailand 167:Hsai Mao 119:Pop rock 31:, not a 19:In this 187:Burmese 335:  151:vocals 148:guitar 131:Singer 115:Genres 110:Yangon 92:Burma 27:is an 333:ISSN 195:Shan 179:Muse 171:Shan 101:Died 84:Muse 71:Born 367:doi 259:. 165:Sai 25:Sai 404:: 363:47 361:. 357:. 345:^ 329:18 327:. 323:. 303:^ 189:: 173:: 90:, 86:, 23:, 373:. 369:: 339:. 266:) 262:( 185:( 169:( 79:) 75:( 35:.

Index

Burmese name
honorific
given name

Muse
Shan State
Burma (Myanmar)
Pop rock
Sai
Shan
Muse
Burmese
Shan
pop music
cover songs
Thailand
Burmese language
Radio Thailand
Shan State Army - East
Lik Hom Mai Panglong
Sai Kham Leik
incomplete
adding missing items






"Shan noises, Burmese sound: crafting selves through pop music"

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