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Saavedra position

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1026:; this is why this study is well-known while many other elaborations on the Saavedra position are forgotten: 1.Nc1 Rd5+ 2.Kc2 (2.Nd3? Rxd3+ 3.Kc2 Rd5! 4.Kc3 Rxb5 draws; 2.Ke2? Rxb5 3.c7 Re5+ draws) 2...Rc5+ 3.Kd3! (3.Kd2? Rxb5 4.c7 Rb2+! 5.Kd1 Rc2! 6.Kxc2 stalemate) 3...Rxb5 (3...Rxc1 4.Kd4, intending 5.Kd5 and 6.b6, wins) 4.c7 Rb8! and now both 5.cxb8=Q and 5.cxb8=R are stalemate, 5.cxb8=N leaves a drawn ending, and 5.Nb3+ Rxb3+ 6.Kc2 Rb2+! 7.Kc1 (7.Kc3 876: 890: 883: 869: 862: 855: 645: 638: 631: 624: 427: 420: 413: 406: 399: 392: 385: 90: 83: 76: 69: 849: 618: 379: 63: 1019:, 1931) where White is to play and win. After the first move 1.Nc1, Black has two main defences; the first of these shows the Saavedra theme: 1.Nc1 Rxb5 (1...Kb2 2.Nd3+ wins) 2.c7 Rd5+ 3.Nd3! Rxd3+ 4.Kc2 Rd4 and we have a position already seen in the Saavedra position itself; White wins with 5.c8=R Ra4 6.Kb3. 796:
confirm, Black can offer longer resistance by 3...Kb2, for which White has only one winning reply, 4.c8=Q, promoting to a queen instead of the underpromotion to a rook. Then White can force checkmate on the twenty-sixth move. However, per the normal conventions of endgame studies, moves that result
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The Saavedra position has inspired many chess composers. There are only four pieces, yet there are both tricks and counter-tricks, challenging a composer's imagination as to just what might be achievable with a full set of pieces. It is among a minority of positions where a king and a pawn can win
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chess column of April 27, 1895, which he claimed to have occurred in Fenton–Potter. In fact, he had misremembered the game, and the position he published (see diagram) had never arisen. It was published as a study with Black to play and White to win; the technique is just that demonstrated by
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instead wins, a solution published by Barbier on May 18. Saavedra, a Spanish priest who lived in Glasgow at the time, was a weak amateur player; his sole claim to fame in the chess world is his discovery of this move. The modern form of the position was obtained by
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Or 2...Rd2 3.c8=Q Rb2+ 4.Ka4 Ra2+ 5.Kb3 Rb2+ 6.Kc3 and White wins. Note that if Black's king were on b1, 6...Rc2+ would win, so White must acquiesce to a draw by perpetual check.
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This is the move that Saavedra introduced. White threatens 7. Ra8+ and mate. Material is even, but the unfortunate positions of Black's king and rook doom him to a loss.
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Kb1! and Black wins) only draws after 7...Rb1+ or 7...Rb4 8.c8=Q (8.c8=R Ra4 is safe now) Rc4+. White can only win by 5.cxb8=B! followed by a
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calls it "unquestionably the most famous of all endgame studies". It has inspired many other composers: the many promotions in the studies of
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A number of composers have produced work which elaborates on the basic Saavedra idea including the one by Mark Liburkin (second prize,
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because of 5...Rb1+) 4...Ra5+ 5.Kc4 Ra4+ 6.Kc3 (or 6.Kb3 Ra1 7.Kb2) 6...Ra3+ 7. Kb2, and White will promote the pawn when the
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in positions known to be theoretically lost, such as the resulting queen versus rook endgame, are considered sidelines.
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from h6 to a1 the position could be transformed into a "Black to move and draw" study. On May 11 he gave the solution
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The position as it is usually given today, with White to move and win, is shown in the diagram. The solution is:
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The other Black defence features two new stalemate defences, and a second underpromotion, this time to
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in 1875. From the position shown, the game continued 1.Rxh3 Kxh3 2.Kc6 Rxa5 3.b7 Ra6+ and the players
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during the late 19th century. Though not a strong player, he spotted a win involving a dramatic
529: 262:; if instead 2.Kb7? then Rd7 pins the pawn, allowing Black to capture it to assure a draw.) 1200: 1146: 528:
The long history of the study has its origins in a game played between Richard Fenton and
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is a theoretical win (this winning method had earlier been demonstrated in a study by
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Upon Potter's death in March 1895, G.E. Barbier published a position in his Glasgow
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When Barbier published this solution on May 4, he claimed that by moving the black
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1... Rd6+ 2. Kb5 Rd5+ 3. Kb4 Rd4+ 4. Kb3 Rd3+ 5. Kc2 Rd4! 6. c8=Q Rc4+ 7. Qxc4
1290: 1220:(Faber and Faber, 1972) – positions 112 to 115 tell the story of the position 1213: 1173: 1150: 1007: 999: 556: 759: 549: 320: 214: 560: 544:, 1875, White could have won with 4.Kc5 (not 4.Kb5 Ra1 when White cannot 1245: 1224: 766: 296: 282:
It looks like Black is out of squares, but he has one last attempt.
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Tim Krabbé's page on the position, including the original five
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1... Rd6+ 2. Kb5 Rd5+ 3. Kb4 Rd4+ 4. Kb3 Rd3+ 5. Kc2
1203:, another endgame problem involving underpromotion 1288: 809: 578: 339: 213:in a position previously thought to have been a 23: 751:Zukertort and by Kling and Horwitz before him: 994:The study has been widely reproduced, and in 1231:, Gambit Publications, pp. 10, 52–53, 1145: 1109: 1159:(2nd ed.), Oxford University Press, 1172: 1069: 16:Chess endgame study by Fernando Saavedra 1050: 875: 1289: 1282:Video explaining the Saavedra Position 1044: 1244: 889: 882: 868: 861: 854: 845: 644: 637: 630: 623: 614: 426: 419: 412: 405: 398: 391: 384: 375: 89: 82: 75: 68: 59: 1223: 1120: 1082: 769:; however, as Saavedra pointed out, 1252:, Batsford Chess, pp. 119–20, 1096:"KPVKR – Syzygy endgame tablebases" 13: 1207: 1126:The Survival Guide to Rook Endings 14: 1308: 1266: 787: 888: 881: 874: 867: 860: 853: 847: 643: 636: 629: 622: 616: 425: 418: 411: 404: 397: 390: 383: 377: 295:Now if 6. c8=Q? Rc4+! 7.Qxc4 is 88: 81: 74: 67: 61: 1102: 1088: 1075: 1062: 277:3. Kb4 Rd4+ 4. Kb3 Rd3+ 5. Kc2 1: 1156:The Oxford Companion to Chess 1037: 542:City of London Chess Magazine 327:) or be checkmated by 8.Rc1. 1010:was also one such composer. 7: 1194: 1032:bishop and knight checkmate 319:Black must either lose the 235: 221:against a king and a rook. 10: 1313: 1178:The Encyclopaedia of Chess 330: 223: 1056:The Mammoth Book of Chess 800: 198:is one of the best-known 1250:Practical Chess Endgames 781:The Brooklyn Daily Eagle 336:Fenton vs. Potter, 1875 230:to describe chess moves. 1110:Hooper & Whyld 1992 254:then Rd1 threatening a 989:White to play and win 792:As computer-generated 189:White to move and win 1180:, St. Martins Press, 806:Mark Liburkin, 1931 325:elementary checkmate 1130:Gambit Publications 575:G.E. Barbier, 1895 571:, September 1853). 540:pointed out in the 323:(allowing White an 20:Saavedra position 794:endgame tablebases 538:Johannes Zukertort 228:algebraic notation 226:This article uses 1259:978-1-84994-495-3 1238:978-1-901983-83-8 1229:Endgame Challenge 1201:Plaskett's Puzzle 1187:978-0-7091-4697-1 1139:978-1-904600-94-7 987: 986: 742: 741: 554:queen versus rook 524: 523: 245:1. c7 Rd6+ 2. Kb5 196:Saavedra position 187: 186: 1304: 1262: 1241: 1190: 1169: 1142: 1113: 1106: 1100: 1099: 1092: 1086: 1079: 1073: 1066: 1060: 1059: 1048: 1016:Shakhmaty v SSSR 892: 891: 885: 884: 878: 877: 871: 870: 864: 863: 857: 856: 851: 850: 810: 647: 646: 640: 639: 633: 632: 626: 625: 620: 619: 579: 569:The Chess Player 565:Bernhard Horwitz 429: 428: 422: 421: 415: 414: 408: 407: 401: 400: 394: 393: 387: 386: 381: 380: 340: 92: 91: 85: 84: 78: 77: 71: 70: 65: 64: 24: 1312: 1311: 1307: 1306: 1305: 1303: 1302: 1301: 1287: 1286: 1269: 1260: 1239: 1218:Test Tube Chess 1210: 1208:Further reading 1197: 1188: 1167: 1140: 1117: 1116: 1107: 1103: 1094: 1093: 1089: 1080: 1076: 1067: 1063: 1058:, Running Press 1052:Burgess, Graham 1049: 1045: 1040: 996:Test Tube Chess 992: 991: 990: 894: 893: 886: 879: 872: 865: 858: 848: 807: 803: 790: 744: 743: 649: 648: 641: 634: 627: 617: 576: 526: 525: 431: 430: 423: 416: 409: 402: 395: 388: 378: 337: 333: 314:6... Ra4 7. Kb3 238: 233: 232: 231: 203:endgame studies 192: 191: 190: 94: 93: 86: 79: 72: 62: 21: 17: 12: 11: 5: 1310: 1300: 1299: 1297:Chess endgames 1285: 1284: 1279: 1275:Weekly Citizen 1268: 1267:External links 1265: 1264: 1263: 1258: 1242: 1237: 1221: 1209: 1206: 1205: 1204: 1196: 1193: 1192: 1191: 1186: 1174:Sunnucks, Anne 1170: 1165: 1151:Whyld, Kenneth 1143: 1138: 1115: 1114: 1101: 1087: 1074: 1061: 1042: 1041: 1039: 1036: 988: 985: 984: 982: 979: 976: 973: 970: 967: 964: 961: 958: 955: 954: 951: 947: 946: 943: 939: 938: 935: 931: 930: 927: 923: 922: 919: 915: 914: 911: 907: 906: 903: 899: 898: 895: 887: 880: 873: 866: 859: 852: 846: 844: 840: 839: 837: 834: 831: 828: 825: 822: 819: 816: 813: 808: 805: 804: 802: 799: 789: 788:Alternate line 786: 776:Emanuel Lasker 748:Weekly Citizen 740: 739: 737: 734: 731: 728: 725: 722: 719: 716: 713: 710: 709: 706: 702: 701: 698: 694: 693: 690: 686: 685: 682: 678: 677: 674: 670: 669: 666: 662: 661: 658: 654: 653: 650: 642: 635: 628: 621: 615: 613: 609: 608: 606: 603: 600: 597: 594: 591: 588: 585: 582: 577: 574: 573: 536:. However, as 530:William Potter 522: 521: 519: 516: 513: 510: 507: 504: 501: 498: 495: 492: 491: 488: 484: 483: 480: 476: 475: 472: 468: 467: 464: 460: 459: 456: 452: 451: 448: 444: 443: 440: 436: 435: 432: 424: 417: 410: 403: 396: 389: 382: 376: 374: 370: 369: 367: 364: 361: 358: 355: 352: 349: 346: 343: 338: 335: 334: 332: 329: 317: 316: 307: 306: 293: 292: 280: 279: 270: 269: 248: 247: 237: 234: 225: 224: 211:underpromotion 188: 185: 184: 182: 179: 176: 173: 170: 167: 164: 161: 158: 155: 154: 151: 147: 146: 143: 139: 138: 135: 131: 130: 127: 123: 122: 119: 115: 114: 111: 107: 106: 103: 99: 98: 95: 87: 80: 73: 66: 60: 58: 54: 53: 51: 48: 45: 42: 39: 36: 33: 30: 27: 22: 19: 18: 15: 9: 6: 4: 3: 2: 1309: 1298: 1295: 1294: 1292: 1283: 1280: 1278: 1276: 1271: 1270: 1261: 1255: 1251: 1247: 1243: 1240: 1234: 1230: 1226: 1222: 1219: 1215: 1214:John Roycroft 1212: 1211: 1202: 1199: 1198: 1189: 1183: 1179: 1175: 1171: 1168: 1166:0-19-280049-3 1162: 1158: 1157: 1152: 1148: 1147:Hooper, David 1144: 1141: 1135: 1131: 1127: 1123: 1119: 1118: 1111: 1105: 1097: 1091: 1084: 1078: 1071: 1070:Sunnucks 1970 1065: 1057: 1053: 1047: 1043: 1035: 1033: 1029: 1025: 1020: 1018: 1017: 1011: 1009: 1008:Mark Liburkin 1005: 1004:Harold Lommer 1001: 1000:John Roycroft 997: 983: 980: 977: 974: 971: 968: 965: 962: 959: 957: 956: 952: 949: 948: 944: 941: 940: 936: 933: 932: 928: 925: 924: 920: 917: 916: 912: 909: 908: 904: 901: 900: 896: 842: 841: 838: 835: 832: 829: 826: 823: 820: 817: 814: 812: 811: 798: 795: 785: 783: 782: 777: 772: 768: 765: 761: 756: 754: 749: 738: 735: 732: 729: 726: 723: 720: 717: 714: 712: 711: 707: 704: 703: 699: 696: 695: 691: 688: 687: 683: 680: 679: 675: 672: 671: 667: 664: 663: 659: 656: 655: 651: 611: 610: 607: 604: 601: 598: 595: 592: 589: 586: 583: 581: 580: 572: 570: 567:published in 566: 562: 558: 555: 551: 547: 543: 539: 535: 534:agreed a draw 531: 520: 517: 514: 511: 508: 505: 502: 499: 496: 494: 493: 489: 486: 485: 481: 478: 477: 473: 470: 469: 465: 462: 461: 457: 454: 453: 449: 446: 445: 441: 438: 437: 433: 372: 371: 368: 365: 362: 359: 356: 353: 350: 347: 344: 342: 341: 328: 326: 322: 315: 312: 311: 310: 305: 302: 301: 300: 298: 291: 290: 285: 284: 283: 278: 275: 274: 273: 268: 265: 264: 263: 261: 257: 253: 246: 243: 242: 241: 229: 222: 218: 216: 212: 208: 204: 201: 197: 183: 180: 177: 174: 171: 168: 165: 162: 159: 157: 156: 152: 149: 148: 144: 141: 140: 136: 133: 132: 128: 125: 124: 120: 117: 116: 112: 109: 108: 104: 101: 100: 96: 56: 55: 52: 49: 46: 43: 40: 37: 34: 31: 28: 26: 25: 1274: 1249: 1228: 1217: 1177: 1154: 1125: 1104: 1090: 1077: 1064: 1055: 1046: 1021: 1014: 1012: 995: 993: 791: 779: 770: 763: 757: 752: 747: 745: 568: 541: 527: 318: 313: 308: 303: 294: 286: 281: 276: 271: 266: 249: 244: 239: 219: 195: 193: 1246:Keres, Paul 561:Josef Kling 258:via 3...Rc1 1225:Nunn, John 1122:Emms, John 1038:References 1248:(2018) , 1083:Emms 2008 767:stalemate 304:6. c8=R!! 297:stalemate 267:2... Rd5+ 250:(If 2.Kc5 1291:Category 1227:(2002), 1195:See also 1176:(1970), 1153:(1992), 1124:(2008), 1054:(2010), 236:Solution 1277:columns 1085::10–11) 771:6. c8=R 557:endgame 546:promote 331:History 287:5...Rd4 207:Glasgow 1256:  1235:  1184:  1163:  1136:  1024:bishop 801:Legacy 256:skewer 200:chess 1254:ISBN 1233:ISBN 1182:ISBN 1161:ISBN 1134:ISBN 778:(in 760:king 563:and 550:pawn 548:the 321:rook 215:draw 194:The 1293:: 1216:, 1149:; 1132:, 1128:, 1034:. 1028:?? 998:, 755:. 299:. 217:. 1112:) 1108:( 1098:. 1081:( 1072:) 1068:( 981:h 978:g 975:f 972:e 969:d 966:c 963:b 960:a 953:1 950:1 945:2 942:2 937:3 934:3 929:4 926:4 921:5 918:5 913:6 910:6 905:7 902:7 897:8 843:8 836:h 833:g 830:f 827:e 824:d 821:c 818:b 815:a 736:h 733:g 730:f 727:e 724:d 721:c 718:b 715:a 708:1 705:1 700:2 697:2 692:3 689:3 684:4 681:4 676:5 673:5 668:6 665:6 660:7 657:7 652:8 612:8 605:h 602:g 599:f 596:e 593:d 590:c 587:b 584:a 518:h 515:g 512:f 509:e 506:d 503:c 500:b 497:a 490:1 487:1 482:2 479:2 474:3 471:3 466:4 463:4 458:5 455:5 450:6 447:6 442:7 439:7 434:8 373:8 366:h 363:g 360:f 357:e 354:d 351:c 348:b 345:a 289:! 260:! 252:? 181:h 178:g 175:f 172:e 169:d 166:c 163:b 160:a 153:1 150:1 145:2 142:2 137:3 134:3 129:4 126:4 121:5 118:5 113:6 110:6 105:7 102:7 97:8 57:8 50:h 47:g 44:f 41:e 38:d 35:c 32:b 29:a

Index

chess
endgame studies
Glasgow
underpromotion
draw
algebraic notation
?
skewer
!
!
stalemate
rook
elementary checkmate
William Potter
agreed a draw
Johannes Zukertort
promote
pawn
queen versus rook
endgame
Josef Kling
Bernhard Horwitz
king
stalemate
Emanuel Lasker
The Brooklyn Daily Eagle
endgame tablebases
John Roycroft
Harold Lommer
Mark Liburkin

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