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410:. It provides a dual transition, both harmonically – moving from a major key to minor to prepare the third movement – and thematically – "progressing (or retrogressing) from the state of celebration to a recognition of the humility of Christ's state".
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oboe d'amore and strings. It expands on the minor mode and theme of privation established in the second movement. The movement emphasizes the interval of the seventh and the technique of inversion to support the meaning of the text. It begins with a
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The tenor recitative reverses the motion of the bass, modulating from minor to major and changing the emphasis of the text from humility to celebration. It is secco, short, and simple in its melody.
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Bach first performed the cantata on 27 December 1725. It was performed again between 1728 and 1731. The autograph score and parts are now held by the
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Because of its intimate scoring and lack of large-scale opening chorus, the work is a "treasureable miniature" and "the most personal of Bach's
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string line led by solo violin, which when the vocal line begins "becomes inextricably, even obsessively, intertwined" with the singer.
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in 12/8 time. This movement "dominates and casts a glow over the entire work", with its "mood of iridescent transparency". It is in
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was used only for the final movement, as with other Bach works for a third consecutive feast day.
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The final movement is a four-part setting of the eighth and final stanza of Herman's chorale.
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flute and strings doubled by oboe d'amore. The flute line is highly embellished, almost an
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Süßer Trost, mein Jesus kömmt BWV 151; BC A 17 / Sacred cantata (3rd
Christmas Day)
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and gold sunbursts of the many churches from this era in
Bavaria and Austria".
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Bach composed this solo cantata in late 1725 in
Leipzig, in his third year as
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for the third day of
Christmas and first performed it on 27 December 1725.
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Johann
Sebastian Bach (1685-1750) / Cantatas Nos 57, 64, 133 & 151
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suggests that this movement includes "music pre-echoes of both
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includes a sharply contrasting middle section, "an ecstatic
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notes that this is "the closest Bach gets to South German
152:. He wrote it for the church service for the feast day of
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The prescribed readings for the feast day were from the
603:"Cantata BWV 151, "Süsser Trost, mein Jesus kömmt""
462:Choir and Orchestra "Pro Arte" Munich, Kurt Redel.
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222:The work is scored for four vocal soloists (
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859:International Music Score Library Project
2398:Church cantatas by Johann Sebastian Bach
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464:J. S. Bach: Cantatas Nos. 157 · 55 · 151
413:The da capo alto aria is accompanied by
371:", built on a motif of "agile chains of
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855:Süsser Trost, mein Jesus kömmt, BWV 151
438:Amsterdam Baroque Orchestra & Choir
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845:Süßer Trost, mein Jesus kömmt, BWV 151
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504:Bach Edition Vol. 12 – Cantatas Vol. 6
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873:BWV 151 Süßer Trost, mein Jesus kömmt
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446:J. S. Bach: Complete Cantatas Vol. 18
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308:Heut schleußt er wieder auf die Tür
197:Lobt Gott, ihr Christen alle gleich
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851:(video and background information)
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108:(Sweet comfort, my Jesus comes),
212:Kunstsammlungen der Veste Coburg
58:, the author of the cantata text
522:Bach Cantatas Vol. 15: New York
1:
710:. bach-cantatas. pp. 5–6
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431:
276:Süßer Trost, mein Jesus kömmt
104:Süßer Trost, mein Jesus kömmt
21:Süßer Trost, mein Jesus kömmt
457:J. S. Bach: Cantatas Vol. 43
292:In Jesu Demut kann ich Trost
7:
583:. bach-cantatas. p. 17
506:. Brilliant Classics, 1999.
10:
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822:. bach-cantatas. p. 8
496:Netherlands Bach Collegium
175:) and the prologue of the
80:27 December 1726
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605:. Bach Choir of Bethlehem
448:. Antoine Marchand, 2002.
402:The second movement is a
395:. One can almost see the
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203:with words and melody by
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849:Netherlands Bach Society
524:. Soli Deo Gloria, 2000.
514:English Baroque Soloists
474:Bach-Collegium Stuttgart
314:
187:). Bach chose a text by
875:: English translation,
811:Hofmann, Klaus (2008).
630:. University of Alberta
284:Erfreue dich, mein Herz
150:his third cantata cycle
576:Bach Cantatas, Vol. 36
572:Schuhmacher, Gerhard.
451:Bach Collegium Japan,
345:and is accompanied by
173:Hebrews 1:1–14
169:Epistle to the Hebrews
158:Third Day of Christmas
103:
20:
925:Johann Sebastian Bach
877:University of Vermont
847:: performance by the
265:The cantata has five
218:Scoring and structure
189:Georg Christian Lehms
126:Johann Sebastian Bach
56:Georg Christian Lehms
771:Gardiner, John Eliot
703:Britten at Aldeburgh
470:Frankfurter Kantorei
300:Du teurer Gottessohn
297:Recitative (tenor):
156:, celebrated on the
128:. He composed it in
742:"Chapter 8 BWV 151"
518:John Eliot Gardiner
393:rococo architecture
377:John Eliot Gardiner
363:dance of joy, part
281:Recitative (bass):
207:published in 1560.
185:John 1:1–14
154:John the Evangelist
2408:Christmas cantatas
500:Pieter Jan Leusink
492:Holland Boys Choir
321:Christmas cantatas
2403:1725 compositions
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885:bach-chorales.com
740:Mincham, Julian.
650:"Cantata No. 151"
548:"Cantata BWV 151"
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39:Christmas cantata
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2377:Secular cantatas
2338:Chorale cantatas
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857:: Scores at the
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813:"Liner notes to
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744:. jsbachcantatas
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680:. Emmanuel Music
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482:Die Bach Kantate
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181:Hymn to the Word
136:History and text
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2300:— discography;
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868:Bach Digital
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459:. BIS, 2008.
456:
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358:
355:da capo aria
335:
326:The opening
325:
318:
264:
248:oboe d'amore
221:
214:in Germany.
209:
166:
162:Thomanerchor
142:Thomaskantor
139:
109:
101:
100:
881:Luke Dahn:
815:Cantatas 43
791:31 December
748:4 September
684:4 September
609:14 December
442:Ton Koopman
389:Craig Smith
2392:Categories
652:. Allmusic
529:References
432:Recordings
408:recitative
360:alla breve
84:1726-12-27
43:J. S. Bach
2363:3rd cycle
2358:2nd cycle
2353:1st cycle
2278:1140–1141
883:BWV 151.5
678:"BWV 151"
628:"BWV 151"
420:chromatic
351:arabesque
347:obbligato
305:Chorale:
267:movements
75:Performed
69:Christmas
2375: ;
2332: ;
2330:Cantatas
2309:spurious
2304:doubtful
996:oratorio
920:Cantatas
787:website)
773:(2006).
486:Hänssler
373:triplets
64:Occasion
2323:Lists:
2298:Anh. 18
2293:Anh. 11
2223:248 III
488:, 1971.
367:, part
365:gavotte
343:G major
332:lullaby
252:violins
224:soprano
146:Leipzig
130:Leipzig
120:, is a
91:Leipzig
82: (
2348:Weimar
2288:Anh. 9
2283:Anh. 5
2238:248 VI
2228:248 IV
2218:248 II
932:number
826:2 June
714:2 June
656:2 June
634:2 June
587:2 June
554:2 June
415:unison
385:Brahms
338:adagio
336:molto
334:-like
258:, and
250:, two
234:, and
193:stanza
160:. The
116:
2343:Early
2233:248 V
2213:248 I
1580:motet
820:(PDF)
708:(PDF)
581:(PDF)
406:bass
404:secco
397:putti
381:Gluck
369:gigue
315:Music
256:viola
244:flute
238:), a
232:tenor
199:", a
2373:Late
2268:1127
2263:1083
2258:1045
2253:1040
2248:249b
2243:249a
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2151:216a
2116:210a
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2076:205a
2031:197a
2006:193a
1986:190a
1894:173a
1757:147a
1683:134a
1662:131a
1601:120b
1596:120a
828:2013
793:2018
783:(at
750:2022
716:2013
686:2022
658:2013
636:2013
611:2012
589:2013
556:2013
383:and
328:aria
236:bass
228:alto
195:of "
2306:);
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2198:223
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2016:195
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1386:80a
1326:69a
1306:66a
1149:36c
1144:36b
1139:36a
1124:34a
1099:30a
930:BWV
928:by
922:by
323:".
144:in
124:by
118:151
112:BWV
41:by
32:151
30:BWV
2394::
2336::
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866::
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512:/
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269::
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88::
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898:v
830:.
817:"
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578:"
558:.
183:(
171:(
86:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
