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Royal Court Theatre

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309: 54: 132: 4226: 735: 4238: 524:, founded the English Stage Company (ESC) with a mission to present plays by young and experimental dramatists and "the best contemporary plays from abroad". Devine served as the first artistic director of the ESC, while Poke was its Honorary Secretary. The ESC purchased the Royal Court in 1956 and began to produce adventurous new and foreign works, together with some classical revivals. 742:
Though the main auditorium and the façade were attractive, the remainder of the building provided poor facilities for both audience and performers, and throughout the 20th century the stalls and understage often flooded. By the early 1990s the building had deteriorated dangerously, and the theatre
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as Archie Rice, a play the actor effectively commissioned from the playwright. The artistic board of the ESC initially rejected the play, although they soon reversed that decision. Two members of the board opposed
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played at the theatre in 2009. Many Jewish leaders and journalists criticised the play as antisemitic. One called it "a libellous and despicable demonisation of Israeli parents and grandparents" and a modern
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as historically inaccurate and harshly critical of Jews. The Royal Court denied the accusations, saying: "In keeping with its philosophy, the Royal Court Theatre presents a multiplicity of viewpoints."
455:, it is constructed of fine red brick, moulded brick, and a stone facade in free Italianate style. Originally the theatre had a capacity of 841 in the stalls, dress circle, amphitheatre, and a gallery. 3173: 2647: 3082:(Includes a detailed comparison of the Royal Court and a theater in New York City that was influenced by it; also includes discussion of Royal Court plays that the Chelsea presented, including 1866:
During mid-1870, it was briefly called the "Belgravia" Theatre, but all of W. S. Gilbert's pieces presented at the theatre, beginning in 1871, were publicised as playing at the "Court Theatre".
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Further alterations were made in 1882 by Alexander Peebles, after which its capacity was 728 (including stalls and boxes, dress circle and balcony, amphitheatre, and gallery). After that,
1002:. But this Award is given not so much for the Court's distinguished history as for its championship ... of new generation of challenging, often profoundly disturbing, writers ... like 2706: 4289: 970:
he Royal Court Theatre ... has done more than any other institution to promote new writing. Since 1956 it has premiered the work of many of the best-known British dramatists:
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has also supported the production of international plays. The theatre received a 1999 International Theatre Institute award. In May 2008, the English Stage Company presented
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After the war, the interior was reconstructed as a stage theatre by Robert Cromie, and the number of seats was reduced to under 500. The theatre re-opened in 1952, with
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Theatre Downstairs, and the 85-seat studio theatre, now the Jerwood Theatre Upstairs. Since 1994, a new generation of playwrights debuting at the theatre has included
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and Arthur Chudleigh in 1887, although Cecil continued acting in their company (and others) until 1895. The first production in the new building was a play by
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had begun its support of the International Residency programme (which started in 1989 as the Royal Court International Summer School), and more recently the
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described the play as "a heartfelt lamentation for the future generations" and contended that the play, though controversial, is not antisemitic. Another
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from "Hershel Fink" to "Henry Finn" following criticism of perpetuating anti-Semitic stereotypes. The Royal Court Theatre also made an apology.
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The present building was built on the east side of Sloane Square, replacing the earlier building, and opened on 24 September 1888 as the
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Since the 1990s the Royal Court has placed an emphasis on the development and production of international plays. By 1993, the
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in the UK. During the period of Devine's directorship, besides Osborne and Bond, the Royal Court premiered works by
3513: 3338: 2917: 2037: 1529: 576: 569: 492:'s plays were produced at the New Court for a period. It ceased to be used as a theatre in 1932, but was used as a 721:
Theatre Downstairs, the much smaller studio Theatre Upstairs was opened in 1969, at the time a 63-seat facility.
572:, did not want one of the theatre's new plays to be overwhelmed by its star and did not think much of the play. 4023: 3948: 2911: 2613: 31: 3137: 755:, it was completely rebuilt, except for the façade and the intimate auditorium. The architects for this were 53: 4093: 3377: 2171: 826: 416: 308: 88: 2221: 4230: 3993: 3888: 3750: 3432: 3331: 2567: 1522: 1326: 925: 371: 3117: 1538: 1490: 1447: 1387: 650: 135: 2851: 2571: 879:
at the Royal Court Theatre was abandoned after protests and commissioned reviews from two historians,
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was threatened with closure in 1995. The Royal Court received a grant of £16.2 million from the
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The first theatre on Lower George Street, off Sloane Square, was the converted Nonconformist
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Social history: Social and cultural activities, A History of the County of Middlesex
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for redevelopment, and beginning in 1996, under the artistic directorship of
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The Making of Theatrical Reputations: Studies from the Modern London Theatre
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Despite Heilpern's claim, Duncan seems to have recognised the qualities of
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Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre
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historian Gilbert said the play was "a travesty of the facts" and "deeply
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Grade II listed buildings in the Royal Borough of Kensington and Chelsea
2298:"Royal Court hires Vicky Featherstone as first female artistic director" 4088: 3584: 3251: 2007:"The Royal Court Theatre, Sloane Square, London: The New Court Theatre" 1797: 1753: 1689: 1646: 1502: 1486: 1443: 1383: 1003: 768: 694: 686: 666: 654: 618: 1921:: Volume 12: Chelsea (2004), pp. 166–76. Date accessed: 22 March 2007. 3813: 3785: 3323: 3184: 2799: 2759: 1733: 1577: 1273: 946:
In November 2021, the theatre renamed the lead character of the play
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managed the theatre for the first few years of the 20th century, and
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The Left's Jewish problem: Jeremy Corbyn, Israel and anti-Semitism
1038:) ... presented outstanding plays by young Irish writers such as 3231: 1817: 1378: 1008: 904: 357: 2637:"Prominent Jews accuse Royal Court play of demonising Israelis" 799: 233: 75: 3138:
The Royal Court Upstairs marks 40 years of scaling new heights
2254:"Royal Court theatre prepares to bid farewell to King Dominic" 564:: Duncan disliked Osborne's work, according to the biographer 4098: 1206: 2755:"The inside story of the Royal Court Theatre's antisemitism" 599:, formally responsible for the licensing of plays until the 759:. The theatre reopened in February 2000, with the 380-seat 512:
as the general manager. In 1954, Lewenstein, together with
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Chelsea on the Edge: The Adventures of an American Theater
1941:, Oxford University Press, 2004, accessed 7 October 2008, 2271:"Royal Court names Vicky Featherstone as Cooke successor" 400:(1875). By 1878, management of the theatre was shared by 609:
of the two plays helped to bring about the abolition of
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Theatres in the Royal Borough of Kensington and Chelsea
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In the mid-1960s, the ESC became involved in issues of
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Cecil and Clayton yielded management of the theatre to
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The Court Theatre 1904–1907 A Commentary and Criticism
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The Great Theatres of London: An Illustrated Companion
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was the first female artistic director (2013–2024).
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Profile of the theatre and other Victorian theatres
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Profile of the theatre and other Victorian theatres
798:at the "Contact International Theatre Festival" in 3034: 2869: 2688: 2635: 3114:English Stage Company/Royal Court Theatre Archive 442: 4256: 301:to remodel the interior, and it was renamed the 3123:English Stage Company Correspondence Collection 1973:. London: The Library Association. p. 54. 1912: 1910: 1908: 419:. Among other works, they produced a series of 3198:Bloody Sunday: Scenes from the Saville Inquiry 2622:...the same standards must apply to all faiths 2527:"Workshop May Present Play Critical of Israel" 2111: 2109: 2103:, Royal Court Theatre. Retrieved 21 April 2022 2018: 2009:, ArthurLloyd.co.uk, accessed 19 December 2017 907:machine" of stirring up controversy unfairly. 3339: 3158: 3041:. Cambridge, UK: Cambridge University Press. 2852:"Europe Theatre Prize: VII Edition – Reasons" 2243:, Royal Court Theatre. Retrieved 28 July 2023 864: 289:, opened as a theatre in 1870 under the name 3037:The Royal Court Theatre and the modern stage 2887:"The Royal Court at 60: look back in wonder" 2073:The Royal Court Theatre and the Modern Stage 2021:Curtains!!!; or, A new life for old theatres 1905: 527:The new company's third production in 1956, 503: 2222:Contact International Theatre Festival 2008 2106: 336:'s early plays were staged here, including 3346: 3332: 3165: 3151: 2566: 2494:"Outrage over 'demonising' play for Gaza," 2143: 899:, denied the accusations and accused the " 579:. Their premiere productions of Osborne's 316:, showing the scandalous impersonation of 52: 3021: 2832:(in Italian). Premio Europa per il Teatro 2488: 2486: 2383: 2381: 2379: 2172:"Lewenstein, (Silvion) Oscar (1917–1997)" 2076:. Cambridge University Library. pp.  2028: 1971:London Theatres and Music Halls 1850–1950 727:premiered there in 1973. The theatre was 3065: 3002: 2721: 2633: 2595:"Is Seven Jewish Children anti-semitic?" 2502: 2354:. New York: Cambridge University Press. 2347: 2034: 2019:Mackintosh, Iain; Sell, Michael (1982). 1933:Knight, Joseph, rev. Nilanjana Banerji. 733: 307: 3032: 2988:. London: Trafalgar Square Publishing. 2967:Gilbert and Sullivan – A Dual Biography 2951:, Charles Letts & Co. (1991), p. 97 2884: 2788: 2593:Higgins, Charlotte (18 February 2009). 2592: 2510:"The Royal Court Theatre's Blood Libel" 2295: 2176:Oxford Dictionary of National Biography 2069: 2023:. Eastbourne: John Offord. p. 155. 1939:Oxford Dictionary of National Biography 957: 738:The Royal Court Theatre at dusk in 2007 394:by Labiche and Marc-Michel (1874); and 14: 4257: 3353: 2983: 2964: 2746: 2660: 2654: 2611: 2483: 2387: 2376: 1968: 1899: 962:In 1999, the theatre was awarded the " 374:; Gilbert's most controversial play); 3327: 3146: 2686: 2680: 2650:from the original on 12 January 2022. 2634:Beckford, Martin (19 February 2009). 2614:"Selective bravery is not very brave" 2612:Romain, Jonathan (20 February 2009). 2323:"Royal Court names David Byrne as AD" 2051:from the original on 15 December 2013 1929: 1927: 4237: 2709:from the original on 12 January 2022 2454: 2423:"London Theater Drops Disputed Play" 2164: 280: 3007:. Theatres Trust. pp. 135–36. 3005:Guide to British Theatres 1750–1950 2969:. Oxford: Oxford University Press. 2915: 2661:Thorpe, Vanessa (6 November 2021). 2519: 2351:Drama and ideology in modern Israel 1051:Notable productions since the 1950s 297:became its manager in 1871, hiring 24: 4295:Producing house theatres in London 3003:Earl, John; Sell, Michael (2000). 2752: 2687:Sawer, Patrick (6 November 2021). 2388:Joffee, Linda (23 February 1987). 1924: 966:". The prize organization stated: 924:drawing on old antisemitic myths. 861:took over the role in early 2024. 248:, at different times known as the 30:For the theatre in Liverpool, see 25: 4306: 3098: 2791:"The Royal Court Theatre renames 2789:Malvern, Jack (8 November 2021). 2124:, London: Vintage, 2007 , p.216; 964:Europe Prize Theatrical Realities 805:Artistic Directors have included 270:Europe Prize Theatrical Realities 4236: 4225: 4224: 2918:"The Knack ...and How to Get It" 2885:Wiegand, Chris (24 March 2016). 2198:English Heritage listing details 2035:Benedick, Adam (31 March 1997). 895:". Loach and the play's author, 130: 3070:. Iowa State University Press. 2958: 2937: 2904: 2844: 2822: 2782: 2627: 2605: 2586: 2560: 2536: 2461:. London: Biteback Publishing. 2448: 2415: 2341: 2315: 2296:Dickson, Andrew (11 May 2012). 2289: 2263: 2246: 2234: 2215: 2203: 2191: 2180: 2137: 2094: 1996:. 25 September 1888. p. 9. 1869: 1530:Drunk Enough to Say I Love You? 1194:with music, lyrics and book by 451:. Designed by Walter Emden and 262:non-commercial West End theatre 58:The Royal Court Theatre in 2020 4265:1870 establishments in England 2241:"About Us: Artistic Directors" 2121:John Osborne: A Patriot for Us 2012: 2000: 1985: 1962: 1951: 1893: 1860: 717:. In addition to the 400-seat 443:The current theatre: 1888–1952 32:Royal Court Theatre, Liverpool 13: 1: 2394:The Christian Science Monitor 2390:"A play no theater will play" 1848: 568:, while Lewenstein, a former 380:Un Chapeau de Paille d'Italie 4094:Theatre Royal Stratford East 3118:Victoria & Albert Museum 2429:. Reuters. 22 January 1987. 2038:"Obituary: Oscar Lewenstein" 1886: 192:; 154 years ago 7: 4285:Theatre companies in London 3433:Delfont Mackintosh Theatres 3022:MacCarthy, Desmond (1907). 1935:"Cecil, Arthur (1843–1896)" 537:, was a play by one of the 10: 4311: 4270:Theatres completed in 1888 3809:ChickenShed's Amphitheatre 2795:character after complaint" 865:Antisemitism controversies 275: 29: 27:Theatre in London, England 4220: 4137: 4119:Upstairs at The Gatehouse 3794: 3701: 3643: 3598: 3550: 3527: 3484: 3431: 3368: 3359: 3180: 2949:The Films of Nicolas Roeg 2856:archivio.premioeuropa.org 2348:Abramson, Glenda (1998). 2144:Zarhy-Levo, Yael (2008). 504:The English Stage Company 496:from 1935 to 1940, until 392:La Dame aux Jambes d'Azur 231: 226: 204: 186: 181: 169: 159: 149: 141: 126: 87: 67: 63: 51: 46:1870: New Chelsea Theatre 44: 4275:Grade II listed theatres 3761:Menier Chocolate Factory 3529:Nederlander Organization 3245:Jerwood Theatre Upstairs 3033:Roberts, Philip (1999). 2965:Ainger, Michael (2002). 2227:13 February 2012 at the 2210:International Department 2187:63 seat Theatre Upstairs 2134:, 6 March 2007 (extract) 2070:Roberts, Philip (1999). 1969:Howard, Deborah (1970). 1853: 1677: 1454: 1319: 1242: 1171: 1106: 1055: 372:Gilbert Abbott à Beckett 4054:Rosemary Branch Theatre 3066:Napoleon, Davi (1991). 3028:. London: A. H. Bullen. 2984:Bergan, Ronald (1992). 500:bomb damage closed it. 486:Harley Granville-Barker 291:The New Chelsea Theatre 175:Theatre Downstairs: 380 3056:History of the theatre 2200:accessed 28 April 2007 2126:"'It's me, isn't it?'" 1553:, in a new version by 1303:Timberlake Wertenbaker 1048: 739: 659:Timberlake Wertenbaker 329: 164:Non-commercial theatre 111:51.492583°N 0.156583°W 4152:Bolton's Theatre Club 3829:Battersea Arts Centre 2923:Turner Classic Movies 2574:Seven Jewish Children 2549:Seven Jewish Children 2212:, Royal Court Theatre 1992:"New Court Theatre". 1947:10.1093/ref:odnb/4974 1634:Seven Jewish Children 1191:The Rocky Horror Show 1074:, music for songs by 968: 940:Seven Jewish Children 916:Seven Jewish Children 737: 724:The Rocky Horror Show 423:'s farces, including 311: 145:English Stage Company 3265:Fishamble for Silent 2570:(11 February 2009). 2497:The Jewish Chronicle 2231:accessed 24 May 2008 1563:Kristin Scott Thomas 1411:Shopping and Fucking 1327:Death and the Maiden 1025:Shopping and Fucking 958:Europe Theatre Prize 796:Marius von Mayenburg 474:and John Hare, with 388:The Blue-Legged Lady 384:Eugène Marin Labiche 345:Creatures of Impulse 177:Theatre Upstairs: 85 116:51.492583; -0.156583 4172:Greenwich Playhouse 4069:Southwark Playhouse 4024:Queen's, Hornchurch 4019:Pleasance Islington 3693:Shakespeare's Globe 3127:Harry Ransom Center 2943:The play was later 2910:The play was later 2733:The Times of Israel 2695:The Daily Telegraph 2568:Billington, Michael 2508:Goldberg, Jeffrey. 2455:Rich, Dave (2016). 1555:Christopher Hampton 1305:, adapted from the 631:Christopher Hampton 545:. Osborne followed 541:. The director was 490:George Bernard Shaw 254:New Chelsea Theatre 246:Royal Court Theatre 107: /  41: 40:Royal Court Theatre 18:Royal Court Theater 3756:Marylebone Theatre 3354:Theatres in London 3296:No Ceremony (2021) 2916:Steiner, Richard. 2557:, 15 February 2009 2533:, 17 February 2009 2499:, 12 February 2009 2427:The New York Times 1877:Look Back in Anger 1810:Genevieve O'Reilly 1749:Spur of the Moment 1730:Henry Lloyd-Hughes 1714:Harry Hadden-Paton 1514:The Sugar Syndrome 1507:Vicky Featherstone 1420:Max Stafford-Clark 1298:Our Country's Good 1257:Max Stafford-Clark 1063:Look Back in Anger 926:Michael Billington 855:Vicky Featherstone 839:Max Stafford-Clark 788:Genesis Foundation 740: 611:theatre censorship 606:succès de scandale 547:Look Back in Anger 534:Look Back in Anger 433:The Schoolmistress 421:Arthur Wing Pinero 390:, translated from 378:, translated from 356:(adapted from the 354:Great Expectations 330: 39: 4252: 4251: 4044:Riverside Studios 3751:Lyric Hammersmith 3683:Royal Opera House 3639: 3638: 3370:ATG Entertainment 3321: 3320: 2947:. Sinyard, Neil. 2945:adapted as a film 2912:adapted as a film 2468:978-1-78590-151-5 1363:My Night with Reg 948:Rare Earth Mettle 873:'s production of 779:, among others. 601:Theatres Act 1968 449:New Court Theatre 376:The Wedding March 350:Alberto Randegger 281:The first theatre 258:Belgravia Theatre 242: 241: 234:royalcourttheatre 16:(Redirected from 4302: 4240: 4239: 4228: 4227: 4202:Stratford Circus 3974:Leicester Square 3954:Intimate Theatre 3939:Hen and Chickens 3804:Alexandra Palace 3766:The Other Palace 3736:Donmar Warehouse 3519:London Palladium 3366: 3365: 3348: 3341: 3334: 3325: 3324: 3167: 3160: 3153: 3144: 3143: 3136:, 21 July 2009, 3110: 3109: 3107:Official website 3081: 3052: 3040: 3029: 3018: 2999: 2980: 2952: 2941: 2935: 2934: 2932: 2930: 2908: 2902: 2901: 2899: 2897: 2882: 2867: 2866: 2864: 2862: 2848: 2842: 2841: 2839: 2837: 2826: 2820: 2819: 2817: 2815: 2786: 2780: 2779: 2777: 2775: 2750: 2744: 2743: 2741: 2739: 2725: 2719: 2718: 2716: 2714: 2692: 2684: 2678: 2677: 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the Stag 4143: 4141: 4135: 4134: 4132: 4131: 4126: 4121: 4116: 4111: 4106: 4101: 4096: 4091: 4086: 4081: 4079:Studio Theatre 4076: 4071: 4066: 4061: 4056: 4051: 4049:Rose, Kingston 4046: 4041: 4036: 4031: 4026: 4021: 4016: 4011: 4006: 4001: 3996: 3991: 3986: 3981: 3976: 3971: 3966: 3961: 3956: 3951: 3946: 3941: 3936: 3934:Hackney Empire 3931: 3926: 3921: 3916: 3911: 3906: 3901: 3896: 3891: 3886: 3881: 3876: 3871: 3866: 3861: 3856: 3851: 3846: 3841: 3836: 3831: 3826: 3821: 3816: 3811: 3806: 3800: 3798: 3792: 3791: 3789: 3788: 3783: 3778: 3773: 3768: 3763: 3758: 3753: 3748: 3743: 3738: 3733: 3728: 3723: 3718: 3713: 3707: 3705: 3699: 3698: 3696: 3695: 3690: 3688:Sadler's Wells 3685: 3680: 3675: 3670: 3665: 3660: 3655: 3649: 3647: 3641: 3640: 3637: 3636: 3634: 3633: 3628: 3623: 3618: 3613: 3608: 3602: 3600: 3596: 3595: 3593: 3592: 3587: 3582: 3577: 3572: 3567: 3562: 3556: 3554: 3552:Nimax Theatres 3548: 3547: 3545: 3544: 3539: 3533: 3531: 3525: 3524: 3522: 3521: 3516: 3511: 3506: 3501: 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2153: 2149: 2148: 2140: 2133: 2132: 2127: 2123: 2122: 2117: 2112: 2110: 2102: 2097: 2089: 2087:0-521-47962-2 2083: 2079: 2075: 2074: 2066: 2050: 2046: 2045: 2039: 2031: 2025:See Plate 15. 2022: 2015: 2008: 2003: 1995: 1988: 1980: 1976: 1972: 1965: 1959: 1954: 1948: 1944: 1940: 1936: 1930: 1928: 1920: 1919: 1913: 1911: 1909: 1902:, p. 168 1901: 1896: 1892: 1878: 1872: 1863: 1859: 1843: 1839: 1835: 1831: 1827: 1823: 1822:Stuart Graham 1819: 1815: 1811: 1807: 1803: 1799: 1795: 1791: 1790: 1786: 1783: 1779: 1775: 1771: 1767: 1766: 1762: 1759: 1758:Jeremy Herrin 1755: 1751: 1750: 1746: 1743: 1739: 1735: 1731: 1727: 1723: 1719: 1715: 1711: 1710:Kit Harington 1707: 1703: 1699: 1695: 1694:Simon Sheperd 1691: 1687: 1686: 1682: 1681: 1672: 1668: 1667:Susannah Wise 1664: 1663:Samuel Roukin 1660: 1656: 1652: 1648: 1644: 1643:Dominic Cooke 1640: 1636: 1635: 1631: 1628: 1624: 1620: 1616: 1612: 1611: 1607: 1604: 1600: 1599:Julian Wadham 1596: 1592: 1588: 1587:Jeremy Herrin 1584: 1583:Polly Stenham 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1125: 1124:Exit the King 1121: 1118: 1114: 1111: 1110: 1101: 1097: 1093: 1089: 1088: 1084: 1081: 1080:Kenneth Haigh 1077: 1073: 1069: 1065: 1064: 1060: 1059: 1047: 1045: 1041: 1037: 1036: 1031: 1027: 1026: 1021: 1017: 1016: 1011: 1010: 1005: 1001: 997: 993: 989: 985: 981: 977: 973: 967: 965: 955: 953: 949: 944: 941: 937: 933: 932: 927: 923: 918: 917: 912: 908: 906: 902: 901:Zionist lobby 898: 894: 890: 886: 882: 878: 877: 872: 862: 860: 856: 852: 851:Dominic Cooke 848: 845:(1992–1998), 844: 841:(1979–1992), 840: 837:(1977–1979), 836: 833:(1975–1977), 832: 828: 825:(1972–1975), 824: 821:(1969–1972), 820: 816: 813:(1965–1972), 812: 809:(1956–1965), 808: 807:George Devine 803: 801: 797: 793: 789: 785: 780: 778: 774: 770: 766: 762: 758: 754: 750: 746: 736: 732: 730: 726: 725: 720: 716: 712: 708: 704: 700: 696: 692: 691:Polly Stenham 688: 684: 680: 676: 672: 671:Sylvia Wynter 668: 664: 660: 656: 652: 651:Sarah Daniels 648: 644: 640: 636: 632: 628: 624: 620: 616: 615:Arnold Wesker 612: 608: 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S. Gilbert 327: 323: 319: 315: 310: 306: 304: 303:Court Theatre 300: 296: 292: 288: 273: 271: 267: 266:Sloane Square 263: 259: 255: 251: 250:Court Theatre 247: 237: 230: 225: 221: 215: 211: 207: 203: 189: 185: 180: 174: 172: 168: 165: 162: 158: 155: 152: 148: 144: 140: 137: 136:Sloane Square 133: 129: 125: 120: 92: 90: 86: 81: 77: 73: 72:Sloane Square 70: 66: 62: 55: 50: 43: 37: 33: 19: 4242: 4229: 4192:New Players' 4064:South London 4034:RADA Studios 4029:The Questors 3994:Old Red Lion 3979:Little Angel 3854:The Broadway 3824:Barons Court 3775: 3703:Off West End 3311: 3305: 3299: 3290: 3284: 3278: 3270: 3264: 3258: 3250: 3244: 3238: 3230: 3224: 3218: 3210: 3204: 3196: 3191:Andrew Scott 3133:The Guardian 3131: 3091: 3087: 3083: 3067: 3036: 3024: 3004: 2985: 2966: 2959:Bibliography 2948: 2939: 2927:. Retrieved 2921: 2906: 2894:. Retrieved 2891:The Guardian 2890: 2859:. Retrieved 2855: 2846: 2834:. Retrieved 2824: 2812:. Retrieved 2798: 2792: 2784: 2772:. Retrieved 2758: 2748: 2736:. 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Index

Royal Court Theater
Royal Court Theatre, Liverpool

Sloane Square
London
SW1
Coordinates
51°29′33″N 0°09′24″W / 51.492583°N 0.156583°W / 51.492583; -0.156583
London Underground
Sloane Square
Grade II listed
Non-commercial theatre
Capacity
Walter Emden
Bertie Crewe
Haworth Tompkins
royalcourttheatre.com
non-commercial West End theatre
Sloane Square
Europe Prize Theatrical Realities
Marie Litton
Walter Emden

Gladstone
Lowe
Ayrton
W. S. Gilbert
Randall's Thumb
Creatures of Impulse
Alberto Randegger

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