433:
240:
396:
Litton had a long affair with the married theatre manager, William Wybrow
Robertson (1831–1908), beginning by 1865, and after his wife died, they married in 1879. By mid-1882 Litton's health was declining with the cancer that would eventually kill her, and she was forced to retire, making only a few
392:
noted her generosity with aid, advice and friendly help to others in the theatrical profession and commented: "Her vivacity and versatility were associated with a refinement and intelligence commanding not only the admiration of playgoers, but the esteem and respect of all acquainted with her in
195:, both in 1873. Litton appeared in most of the plays that she produced, receiving favourable critical reviews for the "grace of manner" of her acting. At times during her tenure at the Court, she also appeared at the
22:
257:'s theatre. In 1878, she became the manager of that theatre (renamed the Imperial Theatre in 1879), succeeding her husband. Her company there, which included the veteran actor
638:
350:, Scotland and also toured the north with her Imperial company, but returned to the Drury Lane in 1881, playing Eve de Malvoisie in the melodrama
643:
648:
683:
98:, Derbyshire, but was raised in Lincolnshire, where her father Thomas Lowe was a clergyman. In 1868 she made her London stage debut at the
678:
668:
608:
486:
673:
623:
421:"Mary Jessie Lowe" in London, England, Church of England Births and Baptisms (1880) – London Metropolitan Archives
383:
332:
At the Gaiety in 1879, while still managing the
Imperial, she managed the matinees, at which she played Peggy in
206:
191:
338:
228:
375:
273:, produced revivals of classic English comedies. There, she played Lydia Languish in an 1897 revival of
326:
42:, an English actress and theatre manager. After beginning a stage career in 1868, Litton became an
653:
363:
299:
145:
116:
534:
343:
315:
249:
125:
95:
64:
510:
281:
216:
99:
76:
663:
658:
167:
8:
388:
152:
47:
309:
161:
196:
402:
398:
201:
55:
62:, where she had some of her biggest acting successes, including as Lady Teazle in
355:
304:
107:
321:
254:
185:
82:
59:
27:
481:
632:
333:
270:
262:
258:
156:
51:
43:
437:
266:
111:
21:
397:
more appearances on stage. She moved with her husband and two children to
285:, in 1879, for a long run. She also produced there a revival of Gilbert's
141:
434:
Marriage Banns, 1879, for Mary Jessie Lowe and
William Wybrow Robertson
275:
224:
70:
239:
144:(1869). After this, she appeared for a year for Mrs Nye Chart at the
211:
347:
176:
136:
by Paulin
Meunier. She next appeared there as Alice Renshaw in
379:
370:, among other works, and created the role of Vere Herbert in
358:
and Paul John Meritt. In 1882, she played the female lead in
490:, Oxford University Press, 2004, accessed 21 December 2014
243:
The Royal
Aquarium Theatre, managed by Litton in the 1870s
209:. She created the role of Caroline Effingham in Gilbert's
120:. She followed this with the leading role in Boucicault's
38:(7 May 1846 – 1 April 1884) was the stage name of
128:, she played Mrs Cureton in a play by Alfred Thompson,
58:. In the late 1870s, Litton managed the theatre at the
54:. She also appeared in, and sometimes managed, other
325:at the Imperial in 1879 before transferring to the
199:; there she created the role of Zayda in Gilbert's
234:
630:
46:in 1871, producing plays for four years at the
506:
504:
502:
500:
498:
496:
639:People associated with Gilbert and Sullivan
493:
480:Knight, Joseph, revised by J. Gilliland.
452:
450:
448:
446:
440:, accessed 28 December 2014 (pay to view)
386:, her last major success. An obituary in
319:at the Imperial. She played Rosalind in
238:
89:
20:
529:
527:
525:
523:
487:Oxford Dictionary of National Biography
429:
427:
329:, earning "universal" critical praise.
124:. Later in 1868, at the opening of the
644:English theatre managers and producers
631:
443:
342:. Litton also briefly managed the new
219:in 1875, and played Mrs Montressor in
151:From 1871 to 1874, Litton managed the
476:
474:
472:
470:
468:
466:
405:, London, in 1884, at the age of 37.
205:(1873). She also briefly managed the
649:Women theatre managers and producers
520:
424:
684:19th-century English businesspeople
539:Modern English Biography: I–Q
16:English actress and theatre manager
13:
679:19th-century English businesswomen
669:People from Hartington, Derbyshire
607:Adams, William Davenport (1904).
541:(Vol 2), Netherton and Worth, 1897
463:
382:'s novel of the same name, at the
313:(1879). She also played Olivia in
297:by Frank Marshall (both in 1878),
14:
695:
617:
261:and such other notable actors as
584:
571:
568:Adams, pp. 108, 131–32 and 392
562:
553:
544:
456:"Death of Miss Marie Litton",
415:
235:Royal Aquarium and later years
165:. She also produced Gilbert's
1:
674:19th-century theatre managers
601:
247:Litton played Lady Teazle in
577:"The Action against Truth",
25:Marie Litton as Rosalind in
7:
155:, beginning with a play by
74:(1878), Miss Hardcastle in
10:
700:
102:as the title character in
68:(1877), Lydia Languish in
610:A Dictionary of the Drama
590:"Death of Marie Litton",
517:, March 1882, pp. 443–444
327:Theatre Royal, Drury Lane
229:Prince of Wales's Theatre
408:
104:The Trial of Effie Deans
279:and Miss Hardcastle in
146:Theatre Royal, Brighton
117:The Heart of Midlothian
50:, including several by
624:Portrait; cabinet card
592:Edinburgh Evening News
559:Adams, pp. 488 and 555
550:Adams, pp. 257 and 605
316:The Vicar of Wakefield
250:The School for Scandal
244:
65:The School for Scandal
32:
613:, Chatto & Windus
282:She Stoops to Conquer
242:
90:Early life and career
77:She Stoops to Conquer
24:
460:, 5 April 1884, p. 6
300:The Beaux' Stratagem
168:Creatures of Impulse
138:Uncle Dick's Darling
122:Presumptive Evidence
374:, an adaptation by
289:in 1877, the farce
183:, all in 1881, and
94:Litton was born in
581:, 28 November 1878
401:, and she died in
362:and Daisy Bret in
310:The Poor Gentleman
287:Great Expectations
245:
217:St James's Theatre
175:(adapted from the
173:Great Expectations
100:Princess's Theatre
33:
533:Boase, Frederic.
197:Haymarket Theatre
192:The Wedding March
56:West End theatres
691:
595:
588:
582:
575:
569:
566:
560:
557:
551:
548:
542:
531:
518:
515:The Drawing Room
508:
491:
478:
461:
454:
441:
431:
422:
419:
403:South Kensington
399:Ascot, Berkshire
339:The Country Girl
202:The Wicked World
112:Sir Walter Scott
86:(both in 1879).
80:and Rosalind in
40:Mary Jessie Lowe
699:
698:
694:
693:
692:
690:
689:
688:
629:
628:
620:
604:
599:
598:
589:
585:
576:
572:
567:
563:
558:
554:
549:
545:
535:"Litton, Marie"
532:
521:
509:
494:
482:"Litton, Marie"
479:
464:
455:
444:
432:
425:
420:
416:
411:
393:private life."
364:Herman Merivale
360:Son of the Soil
356:Augustus Harris
305:George Farquhar
253:in 1877 at the
237:
207:Queen's Theatre
162:Randall's Thumb
132:, adapted from
110:, adapted from
108:Dion Boucicault
92:
17:
12:
11:
5:
697:
687:
686:
681:
676:
671:
666:
661:
656:
654:Actor-managers
651:
646:
641:
627:
626:
619:
618:External links
616:
615:
614:
603:
600:
597:
596:
594:, 2 April 1884
583:
570:
561:
552:
543:
519:
492:
462:
442:
423:
413:
412:
410:
407:
376:Henry Hamilton
322:As You Like It
255:Royal Aquarium
236:
233:
186:The Happy Land
126:Gaiety Theatre
91:
88:
83:As You Like It
60:Royal Aquarium
28:As You Like It
15:
9:
6:
4:
3:
2:
696:
685:
682:
680:
677:
675:
672:
670:
667:
665:
662:
660:
657:
655:
652:
650:
647:
645:
642:
640:
637:
636:
634:
625:
622:
621:
612:
611:
606:
605:
593:
587:
580:
574:
565:
556:
547:
540:
536:
530:
528:
526:
524:
516:
512:
511:"Miss Litton"
507:
505:
503:
501:
499:
497:
489:
488:
483:
477:
475:
473:
471:
469:
467:
459:
453:
451:
449:
447:
439:
435:
430:
428:
418:
414:
406:
404:
400:
394:
391:
390:
385:
384:Globe Theatre
381:
377:
373:
369:
365:
361:
357:
353:
349:
345:
344:Theatre Royal
341:
340:
335:
334:David Garrick
330:
328:
324:
323:
318:
317:
312:
311:
306:
302:
301:
296:
295:Family Honour
292:
288:
284:
283:
278:
277:
272:
271:Lionel Brough
268:
264:
263:Hermann Vezin
260:
259:Samuel Phelps
256:
252:
251:
241:
232:
230:
226:
222:
221:Unequal Match
218:
214:
213:
208:
204:
203:
198:
194:
193:
188:
187:
182:
178:
174:
170:
169:
164:
163:
158:
157:W. S. Gilbert
154:
153:Court Theatre
149:
147:
143:
139:
135:
131:
127:
123:
119:
118:
113:
109:
105:
101:
97:
87:
85:
84:
79:
78:
73:
72:
67:
66:
61:
57:
53:
52:W. S. Gilbert
49:
48:Court Theatre
45:
44:actor-manager
41:
37:
30:
29:
23:
19:
609:
591:
586:
578:
573:
564:
555:
546:
538:
514:
485:
457:
438:Ancestry.com
417:
395:
387:
371:
367:
359:
351:
337:
331:
320:
314:
308:
298:
294:
291:Fun in a Fog
290:
286:
280:
274:
267:Kyrle Bellew
248:
246:
220:
210:
200:
190:
184:
180:
172:
166:
160:
150:
137:
134:L'Escamoteur
133:
130:On the Cards
129:
121:
115:
106:, a play by
103:
93:
81:
75:
69:
63:
39:
36:Marie Litton
35:
34:
26:
18:
664:1884 deaths
659:1846 births
179:novel) and
142:H. J. Byron
633:Categories
602:References
276:The Rivals
225:Tom Taylor
96:Hartington
71:The Rivals
368:The Cynic
114:'s novel
579:Standard
212:Tom Cobb
181:On Guard
458:The Era
389:The Era
348:Glasgow
227:at the
215:at the
177:Dickens
31:, 1880
409:Notes
380:Ouida
372:Moths
352:Youth
140:, by
307:and
293:and
269:and
189:and
378:of
366:'s
354:by
346:in
336:'s
303:by
223:by
635::
537:,
522:^
513:,
495:^
484:,
465:^
445:^
436:,
426:^
265:,
231:.
171:,
159:,
148:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
