Knowledge

Roya Arab

Source 📝

139: 31: 217:(UCL) in 2000 to complete an Archaeology BA and Public Archaeology MA and remained as an Honorary Research Associate from 2008 until 2015. She is currently undertaking research into music in Iranian films and what it reveals about society’s attitudes to music and musicianship. In 2020 she was made Associate Member of SMEI and CIS at 209:
Roya Arab was born in Tehran, Iran. She attended Maktabe Tarbiat school in Tehran, while also studying at summer schools in Montana, Switzerland, and St Georges in Ascot. After the 1979 revolution she boarded at Ancaster House School in Bexhill-on-Sea, before taking her A-levels at North Westminster
229:
Arab learned the craft of singing during jam sessions around London in the early and mid-1990s. She was the first Iranian female to receive a publishing and recording deal from a major Western label, when she was signed as a member of
297:
was made available to the public. ‘Mooye Parishoon’ was released in 2013 for raising awareness of domestic violence and abuse. She appeared on Rosko John 's debut solo album Call to Arms. Arab started collaborating with
451:
Arab. R & Rehren.Th 2004. "The pyrotechnological expedition of 1968". In: Th. Stöllner, R. Slotta and A. Vatandoust, eds), Persiens Antike Pracht, Bergbau Handwerk Archäogie, Deutsches Bergbau-Museum, Bochum:
462:
Arab, R. 2009. "Comments and Reflections on ‘Archaeology in Conflict: Cultural heritage, site management and sustainable developments in conflict and post- conflict states in the Middle East" in www.wikiarc.org
458:
Arab, R. 2005. Student Guide Book for IHF educational programme in conjunction with the British Museum exhibition British Museum with Achaemenid assistance from S. Razmjou, edited by F. Hakimzadeh & R.
518:
2009. "Review and reflections on: Is the kingdom of Saudi Arabia prepared to defend Human Rights, Civil Liberties and Fight Terrorism". A Conference by Society Outreach, House of Lords, 7 December 2009.
348:(Island Records): "All Time", "So Few Words", "Ubiquitous Wife" (a.k.a. "Headspace"), "Darkroom", "Londinium", "Nothing Else", "Parvaneh (Butterfly)", "Last Five", "Ubiquitous Wife Remix" (hidden song) 505:
Arab, R. 2017. “How Men Became the Sole Adult Dancing Singers in Iranian Films” in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online) Autumn 2017, Vol. 3.
839: 314:
During and after Arab's studies in public archaeology at the UCL she has catalogued historical documents including the Wertime Collection and the Campbell archives.
739: 528:
2010. "An overview of ‘State terrorism and Libya’s record on human rights: fact of fiction? A Conference by Society Outreach", House of Lords, 27 January 2010.
508:
Arab, R. 2019. “Parviz Sayyad: Socio-political commentator dressed as village fool” in The Middle East in London. Volume 15 – Number 2 February–March 2019
824: 502:
Arab, R. 2016. "The changing use of music in Iranian films reflects a complex culture in flux". 30 April 2016 in www.mediadiversified.org.
864: 859: 814: 325:
to curate cultural and educational events celebrating the heritage of Middle East and North Africa. In 2019, Arab co-edited an issue of
148: 854: 834: 522: 285:, before joining Leila on a European tour in 2009. Arab started working with young Iranian musicians leaving Iran including 489:
Arab, R. 2015. "Review and reflections on Culture in Crisis Conference V&A April 2015". 20 May 2015 in www.wikiarc.org
844: 196: 174: 159: 849: 321:. She has worked with organisations and festivals such as Nour (RBKC) and the London Middle East Institute at 244:
was released in 1996. The band broke up shortly after. Arab went on to work with various artists, including
214: 829: 492:
Arab, R. 2015. "Can Composition and Performance be Research?" 25 November 2015. City University Blogspot.
455:
Arab, R. & Rehren, Th. 2004. ‘The Wertime Pyrotechnological Expedition of 1968’, IAMS, Vol 24: 29–34.
322: 717: 692: 327: 218: 153: 521:
2009. "A report of the seminar for National Interfaith week" at the Zoroastrian Centre in London (
765: 809: 178: 819: 278:(2000) by Leila was the last album Arab appeared on before a hiatus to study archaeology. 8: 375:
2000: Leila, Courtesy of Choice: "Different time" (R. Arab, L. Arab, G. Jones, Woolley)
274: 122: 667: 345: 240: 421: 407: 379: 210:
Community School. She then completed one year of a copywriting/advertising course.
438: 434: 369: 365: 293:, and performing live again. In 2011 the live recording of ‘Killing fields’ with 265: 170: 341: 235: 231: 165:
Contentious material about living persons that is unsourced or poorly sourced
803: 472:
Arab, R. & N. Earl. 2011. "Persians, Classics and Secondary Education",
114: 63: 427:
2019: Arshid Azarine, Sing me a Song “Hidden Hell” (R.Arab & A.Azarine)
406:, R. Arab & Dariush "Mooye Parishoon" (Hichkas, R. Arab, Dariush & 358:, Mysteries of Funk: "Rainbows of Colour" (Roya Arab, Grooverider, Optical) 249: 382:, Blood, Looms and Blooms: "Daisies, Cats and Spacemen" (R. Arab, L. Arab) 420:
2014: Rosko John, Call to Arms: "March Forth" (Rosko John, R. Arab &
355: 317:
Arab promotes the cultures of the MENA region with a special interest in
309: 269: 253: 794: 495:
Arab, R. 2016. "Swaying to Persian and Middle Eastern tunes in London",
479:
Arab, R. 2013, "Terror and I", 23 July 2013 in www.mediadiversified.org.
290: 245: 351:
1998 & 2020: Leila, Like Weather: "Blue Grace" (R. Arab, L. Arab)
302:
in 2018 and recorded a song for his 2019 album. A collaboration with
30: 399:
2013: Funkshy, Think before you do: “Funkshy’ (T.Omar & R.Arab)
59: 482:
Arab, R. 2014. "Campbell, John Nicholl Robert ii. The Archives",
795:
Roya Arab page at the Institute for Archaeo-Metallurgical Studies
403: 390: 386: 294: 286: 67: 775:. Vol. 15, no. 2. London Middle East Institute. 2019. 118: 48: 261: 299: 789: 318: 303: 99: 396:
2012: Rosko John, "Tactical light" (Rosko John and R.Arab)
840:
Exiles of the Iranian Revolution in the United Kingdom
740:"Dernière minute : Roya Arab remplace Terry Hall" 310:
Archeological archiving and socio-political commentary
361:
1999: Naab, L’étranger: "L’étranger" (R. Arab, Naab)
465:Arab, R. 2010. "Open letter on Iranian heritage". 430:2021: Faubourg, Rith Banney and Roya Arab ''Lost'' 801: 413:2014: R. Arab, "Siren's call" film score for 499:. Vol 12, No 2, February/March 2016: 19–20. 268:and Naab, before working on a project with 128: 825:Alumni of the UCL Institute of Archaeology 29: 197:Learn how and when to remove this message 445: 368:, Organique: "À la Manière" (Roya Arab, 334: 802: 389:, "Killing Fields" live (R.Arab & 113:(born 1967) is a British musician and 132: 437:, Rone & Friends, “Twenty 20” ( 13: 865:21st-century British women singers 860:20th-century British women singers 815:20th-century Iranian women singers 633:album of the month, 28 March 1998. 417:, a short film by Sebastian Lister 158:it lacks sufficient corresponding 14: 876: 783: 617:Ben Willmott album of the month, 224: 718:"Leila: Blood, Looms And Blooms" 693:"Leila: Blood, Looms and Blooms" 668:"Review NME: Courtesy Of Choice" 474:The Journal of Classics Teaching 137: 758: 732: 710: 685: 660: 648: 636: 624: 611: 599: 587: 575: 563: 551: 539: 1: 532: 476:, no. 24, Autumn 2011: 11–14. 855:Iranian women archaeologists 835:British women archaeologists 169:, especially if potentially 149:biography of a living person 7: 260:, followed by some work in 173:or harmful. Please help to 167:must be removed immediately 152:includes a list of general 10: 881: 790:Roya Arab personal website 512: 323:SOAS, University of London 773:The Middle East in London 497:The Middle East in London 331:covering Iranian cinema. 328:The Middle East in London 121:, she is an exile of the 95: 91: 81: 73: 55: 42: 37: 28: 21: 845:British music historians 221:, University of London. 215:Institute of Archaeology 129:Early life and education 100:http://www.royaarab.com/ 469:, Vol 9, No 2: 108–120. 283:Blood, Looms and Blooms 238:in 1994, and the album 181:more precise citations. 38:Background information 850:Musicians from Tehran 446:Selected publications 281:In 2008 Arab sang on 77:Vocals, piano, guitar 572:, 28 September 1996. 525:), 18 November 2009. 484:Encyclopædia Iranica 385:2011: R. Arab & 335:Selected discography 645:, 1 September 1998. 608:, 28 February 1998. 830:British archivists 746:. 10 February 2009 558:Straight No Chaser 546:Straight No Chaser 467:Public Archaeology 306:appeared in 2021. 275:Courtesy of Choice 123:Iranian Revolution 657:, 29 August 1998. 596:, 6 October 1996. 364:2000 & 2020: 258:Mysteries of Funk 207: 206: 199: 105: 104: 872: 777: 776: 770: 766:"Iranian Cinema" 762: 756: 755: 753: 751: 736: 730: 729: 727: 725: 714: 708: 707: 705: 703: 689: 683: 682: 680: 678: 664: 658: 652: 646: 640: 634: 628: 622: 615: 609: 603: 597: 591: 585: 579: 573: 567: 561: 555: 549: 543: 408:Mahdyar Aghajani 202: 195: 191: 188: 182: 177:this article by 160:inline citations 141: 140: 133: 84: 33: 19: 18: 16:British musician 880: 879: 875: 874: 873: 871: 870: 869: 800: 799: 786: 781: 780: 768: 764: 763: 759: 749: 747: 744:Letelegramme.fr 738: 737: 733: 723: 721: 716: 715: 711: 701: 699: 691: 690: 686: 676: 674: 666: 665: 661: 653: 649: 641: 637: 629: 625: 616: 612: 604: 600: 592: 588: 584:, January 1997. 580: 576: 568: 564: 556: 552: 544: 540: 535: 515: 448: 337: 312: 227: 213:She joined the 203: 192: 186: 183: 164: 142: 138: 131: 108: 82: 47: 24: 17: 12: 11: 5: 878: 868: 867: 862: 857: 852: 847: 842: 837: 832: 827: 822: 817: 812: 798: 797: 792: 785: 784:External links 782: 779: 778: 757: 731: 709: 684: 659: 647: 643:Blues and Soul 635: 623: 610: 598: 586: 574: 562: 560:, Spring 1999. 550: 548:, Spring 1999. 537: 536: 534: 531: 530: 529: 526: 519: 514: 511: 510: 509: 506: 503: 500: 493: 490: 487: 480: 477: 470: 463: 460: 456: 453: 447: 444: 443: 442: 431: 428: 425: 418: 411: 400: 397: 394: 383: 376: 373: 362: 359: 352: 349: 336: 333: 311: 308: 300:Arshid Azarine 236:Island Records 226: 225:Musical career 223: 205: 204: 145: 143: 136: 130: 127: 107:Musical artist 106: 103: 102: 97: 93: 92: 89: 88: 85: 79: 78: 75: 71: 70: 57: 53: 52: 44: 40: 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 877: 866: 863: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 836: 833: 831: 828: 826: 823: 821: 818: 816: 813: 811: 810:Living people 808: 807: 805: 796: 793: 791: 788: 787: 774: 767: 761: 745: 741: 735: 720:. 6 July 2008 719: 713: 698: 697:Pitchfork.com 694: 688: 673: 669: 663: 656: 655:Record Mirror 651: 644: 639: 632: 627: 620: 614: 607: 602: 595: 590: 583: 578: 571: 566: 559: 554: 547: 542: 538: 527: 524: 520: 517: 516: 507: 504: 501: 498: 494: 491: 488: 485: 481: 478: 475: 471: 468: 464: 461: 457: 454: 450: 449: 440: 436: 432: 429: 426: 423: 419: 416: 412: 409: 405: 401: 398: 395: 392: 388: 384: 381: 377: 374: 371: 367: 363: 360: 357: 353: 350: 347: 343: 339: 338: 332: 330: 329: 324: 320: 315: 307: 305: 301: 296: 292: 288: 284: 279: 277: 276: 271: 267: 263: 259: 255: 251: 247: 243: 242: 237: 233: 222: 220: 216: 211: 201: 198: 190: 180: 176: 172: 168: 162: 161: 155: 151: 150: 144: 135: 134: 126: 124: 120: 116: 115:archaeologist 112: 101: 98: 94: 90: 86: 80: 76: 74:Instrument(s) 72: 69: 65: 64:archaeologist 61: 58: 56:Occupation(s) 54: 50: 45: 41: 36: 32: 27: 20: 772: 760: 748:. Retrieved 743: 734: 722:. Retrieved 712: 700:. Retrieved 696: 687: 675:. Retrieved 671: 662: 654: 650: 642: 638: 630: 626: 618: 613: 606:Melody Maker 605: 601: 594:Sunday Times 593: 589: 581: 577: 569: 565: 557: 553: 545: 541: 496: 483: 473: 466: 414: 326: 316: 313: 282: 280: 273: 257: 250:Like Weather 239: 228: 212: 208: 193: 184: 166: 157: 147: 110: 109: 87:1994–present 83:Years active 820:1967 births 621:, May 1998. 422:M. Aghajani 366:Zend Avesta 356:Grooverider 270:Mike Figgis 266:Zend Avesta 254:Grooverider 187:August 2022 179:introducing 804:Categories 533:References 415:Hinterland 291:Ash Koosha 154:references 117:. Born in 441:, R.Arab) 346:Londinium 241:Londinium 111:Roya Arab 23:Roya Arab 750:1 August 724:1 August 702:1 August 677:1 August 452:550–555. 370:Rebotini 171:libelous 60:Musician 672:Nme.com 513:Reports 404:Hichkas 391:Hichkas 387:Hichkas 342:Archive 295:Hichkas 287:Hichkas 232:Archive 175:improve 96:Website 68:curator 459:Dwyer. 433:2021: 402:2013: 378:2008: 354:1998: 340:1996: 156:, but 119:Tehran 51:, Iran 49:Tehran 769:(PDF) 380:Leila 264:with 262:Paris 246:Leila 146:This 752:2020 726:2020 704:2020 679:2020 582:Mojo 523:ZTFE 439:Rone 435:Rone 319:Iran 304:Rone 289:and 219:SOAS 46:1967 43:Born 631:NME 619:VOX 570:NME 256:in 248:in 234:to 806:: 771:. 742:. 695:. 670:. 344:, 272:. 252:, 125:. 66:, 62:, 754:. 728:. 706:. 681:. 486:. 424:) 410:) 393:) 372:) 200:) 194:( 189:) 185:( 163:.

Index


Tehran
Musician
archaeologist
curator
http://www.royaarab.com/
archaeologist
Tehran
Iranian Revolution
biography of a living person
references
inline citations
libelous
improve
introducing
Learn how and when to remove this message
Institute of Archaeology
SOAS
Archive
Island Records
Londinium
Leila
Like Weather
Grooverider
Paris
Zend Avesta
Mike Figgis
Courtesy of Choice
Hichkas
Ash Koosha

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.