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72:). He died in the same circumstances as Molière, when coming out of stage, and his family met the same difficulties for his burial (see
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50:, to which he remained attached until 1673, moving later to the
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94:. The same year, he acquired a house with vines in
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74:Excommunication of actors by the Catholic Church
44:Le Nouveau festin de Pierre, ou l'Athée foudroyé
170:17th-century French dramatists and playwrights
88:Vie des Saints pour tous les jours de l'année
70:Troupe of the Comédie-Française in 1680
36:Le Duel fantasque, ou les Valets rivaux
152:
27:, 31 October 1686) was a 17th-century
180:Sociétaires of the Comédie-Française
66:sociétaires of the Comédie-Française
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105:His rich theatrical library is in
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175:17th-century French male writers
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160:17th-century French male actors
34:In 1668, he had his first play
64:, and became one of the first
42:. The following year, he gave
1:
54:. There, he revived roles by
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98:, a house which is now the
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165:French male stage actors
84:Jean-Baptiste Du Mesnil
119:Rosimond et ses pièces
61:The Imaginary Invalid
195:People of Montmartre
100:Musée de Montmartre
52:Hôtel de Guénégaud
19:, better known as
86:, Rosimond wrote
48:Théâtre du Marais
29:French playwright
17:Claude de La Rose
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90:, published in
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113:External links
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107:St. Petersburg
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58:, especially
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38:presented in
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121:sur le site
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23:, (c.1640 –
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16:
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190:1686 deaths
31:and actor.
154:Categories
96:Montmartre
79:Under the
81:pen name
40:Grenoble
21:Rosimond
144:theatre
56:Molière
46:at the
130:Portal
123:CÉSAR
25:Paris
92:1680
76:).
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102:.
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