Auguste Rodin - Knowledge

1690: 901: 661: 425: 65: 1884: 811: – having taken a cast from a living model. Rodin vigorously denied the charges, writing to newspapers and having photographs taken of the model to prove how the sculpture differed. He demanded an inquiry and was eventually exonerated by a committee of sculptors. Leaving aside the false charges, the piece polarized critics. It had barely won acceptance for display at the Paris Salon, and criticism likened it to "a statue of a sleepwalker" and called it "an astonishingly accurate copy of a low type". Others rallied to defend the piece and Rodin's integrity. The government minister Turquet admired the piece, and 1613: 701: 1097: 823: 1225: 1896: 2159: 5328: 2127: 1175: 736: 1321: 539:. Misfortune surrounded Rodin: his mother, who had wanted to see her son marry, was dead, and his father was blind and senile, cared for by Rodin's sister-in-law, Aunt Thérèse. Rodin's eleven-year-old son Auguste, possibly developmentally delayed, was also in the ever-helpful Thérèse's care. Rodin had essentially abandoned his son for six years, and would have a very limited relationship with him throughout his life. Father and son joined the couple in their flat, with Rose as caretaker. Charges of fakery surrounding 1588: 1560:

attitudes toward finish, and lacks any attempt to hide the arbitrary fusion of these two components. It was the freedom and creativity with which Rodin used these practices – along with his activation surfaces of sculptures through traces of his own touch and with his more open attitude toward bodily pose, sensual subject matter, and non-naturalistic surface – that marked Rodin's re-making of traditional 19th century sculptural techniques into the prototype for modern sculpture.

1567: 5303: 521: 6484: 6261: 1036: 788:. Attempting to combine Michelangelo's mastery of the human form with his own sense of human nature, Rodin studied his model from all angles, at rest and in motion; he mounted a ladder for additional perspective, and made clay models, which he studied by candlelight. The result was a life-size, well-proportioned nude figure, posed unconventionally with his right hand atop his head, and his left arm held out at his side, forearm parallel to the body. 1150:, heroic piece centered on Eustache de Saint-Pierre, the eldest of the six men, Rodin conceived the sculpture as a study in the varied and complex emotions under which all six men were laboring. One year into the commission, the Calais committee was not impressed with Rodin's progress. Rodin indicated his willingness to end the project rather than change his design to meet the committee's conservative expectations, but Calais said to continue. 574: 2144: 5335: 1414: 6271: 2110: 1770:(1840–1924) of Boston, all arranged by Sarah Hallowell. In appreciation for her efforts at unlocking the American market, Rodin eventually presented Hallowell with a bronze, a marble and a terra cotta. When Hallowell moved to Paris in 1893, she and Rodin continued their warm friendship and correspondence, which lasted to the end of the sculptor's life. After Hallowell's death, her niece, the painter 1939:, and was widely recognized as the greatest artist of the era. In the three decades following his death, his popularity waned with changing aesthetic values. Since the 1950s, Rodin's reputation has re-ascended; he is recognized as the most important sculptor of the modern era, and has been the subject of much scholarly work. The sense of incompletion offered by some of his sculpture, such as 490:, Rodin was called to serve in the French National Guard, but his service was brief due to his near-sightedness. Decorators' work had dwindled because of the war, yet Rodin needed to support his family, as poverty was a continual difficulty for him until about the age of 30. Carrier-Belleuse soon asked him to join him in Belgium, where they worked on ornamentation for the 764:, but instead the head was "broken off" at the neck, the nose was flattened and crooked, and the back of the head was absent, having fallen off the clay model in an accident. The work emphasized texture and the emotional state of the subject; it illustrated the "unfinishedness" that would characterize many of Rodin's later sculptures. The Salon rejected the piece. 1714:(1846–1924), a curator from Chicago who visited Paris to arrange exhibitions at the large Interstate Expositions of the 1870s and 1880s. Hallowell was not only a curator but an adviser and a facilitator who was trusted by a number of prominent American collectors to suggest works for their collections, the most prominent of these being the Chicago hotelier 512:, a life-size male figure whose naturalism brought Rodin attention but led to accusations of sculptural cheating – its naturalism and scale was such that critics alleged he had cast the work from a living model. Much of Rodin's later work was explicitly larger or smaller than life, in part to demonstrate the folly of such accusations. 1158:

struggling with his expected fate. Rodin soon proposed that the monument's high pedestal be eliminated, wanting to move the sculpture to ground level so that viewers could "penetrate to the heart of the subject". At ground level, the figures' positions lead the viewer around the work, and subtly suggest their common movement forward.

1631:) in Paris, he received requests to make busts of prominent people internationally, while his assistants at the atelier produced duplicates of his works. His income from portrait commissions alone totaled probably 200,000 francs a year. As Rodin's fame grew, he attracted many followers, including the German poet 362:. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community. 264: 317:; 12 November 1840 – 17 November 1917) was a French sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in 1946:

Rodin restored an ancient role of sculpture – to capture the physical and intellectual force of the human subject – and he freed sculpture from the repetition of traditional patterns, providing the foundation for greater experimentation in the 20th century. His popularity is ascribed to his

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immediately after his death in 1850. The society commissioned Rodin to create the memorial in 1891, and Rodin spent years developing the concept for his sculpture. Challenged in finding an appropriate representation of Balzac given the author's rotund physique, Rodin produced many studies: portraits,

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gestures and seems to move toward the viewer. The effect of walking is achieved despite the figure having both feet firmly on the ground – a technical achievement that was lost on most contemporary critics. Rodin chose this contradictory position to, in his words, "display simultaneously...views

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Since clay deteriorates rapidly if not kept wet or fired into a terra-cotta, sculptors used plaster casts as a means of securing the composition they would make from the fugitive material that is clay. This was common practice amongst Rodin's contemporaries, and sculptors would exhibit plaster casts

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George Bernard Shaw sat for a portrait and gave an idea of Rodin's technique: "While he worked, he achieved a number of miracles. At the end of the first fifteen minutes, after having given a simple idea of the human form to the block of clay, he produced by the action of his thumb a bust so living

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movements. His sculpture emphasized the individual and the concreteness of flesh, and suggested emotion through detailed, textured surfaces, and the interplay of light and shadow. To a greater degree than his contemporaries, Rodin believed that an individual's character was revealed by his physical

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Without finessing the join between upper and lower, between torso and legs, Rodin created a work that many sculptors at the time and subsequently have seen as one of his strongest and most singular works. This is despite the fact that the object conveys two different styles, exhibits two different

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Instead of copying traditional academic postures, Rodin preferred his models to move naturally around his studio (despite their nakedness). The sculptor often made quick sketches in clay that were later fine-tuned, cast in plaster, and cast in bronze or carved from marble. Rodin's focus was on the

1221: – a replica of which Rodin had requested. The realized sculpture displays Balzac cloaked in the drapery, looking forcefully into the distance with deeply gouged features. Rodin's intent had been to show Balzac at the moment of conceiving a work – to express courage, labor, and struggle. 696:

at a small old castle (the Château de l'Islette in the Loire), but Rodin refused to relinquish his ties to Beuret, his loyal companion during the lean years, and mother of his son. During one absence, Rodin wrote to Beuret, "I think of how much you must have loved me to put up with my caprices...I

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displayed in their preferred form: the work was placed in front of a public garden on a high platform, surrounded by a cast-iron railing. Rodin had wanted it located near the town hall, where it would engage the public. Only after damage during the First World War, subsequent storage, and Rodin's

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Rodin planned to stay in Belgium a few months, but he spent the next six years outside of France. It was a pivotal time in his life. He had acquired skill and experience as a craftsman, but no one had yet seen his art, which sat in his workshop since he could not afford castings. His relationship

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From the unexpected naturalism of Rodin's first major figure – inspired by his 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, his reputation grew, and Rodin became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy

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Sculptural fragments to Rodin were autonomous works, and he considered them the essence of his artistic statement. His fragments – perhaps lacking arms, legs, or a head – took sculpture further from its traditional role of portraying likenesses, and into a realm where forms existed for

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The town of Calais had contemplated a historical monument for decades when Rodin learned of the project. He pursued the commission, interested in the medieval motif and patriotic theme. The mayor of Calais was tempted to hire Rodin on the spot upon visiting his studio, and soon the memorial was

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factory – offered Rodin a part-time position as a designer. The offer was in part a gesture of reconciliation, and Rodin accepted. That part of Rodin which appreciated 18th-century tastes was aroused, and he immersed himself in designs for vases and table ornaments that brought the factory

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The relative ease of making reproductions has also encouraged many forgeries: a survey of expert opinion placed Rodin in the top ten most-faked artists. Rodin fought against forgeries of his works as early as 1901, and since his death, many cases of organized, large-scale forgeries have been

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was first displayed to general acclaim. It is a bronze sculpture weighing two short tons (1,814 kg), and its figures are 6.6 ft (2.0 m) tall. The six men portrayed do not display a united, heroic front; rather, each is isolated from his brothers, individually deliberating and

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In 1877, the work debuted in Brussels and then was shown at the Paris Salon. The statue's apparent lack of a theme was troubling to critics – commemorating neither mythology nor a noble historical event – and it is not clear whether Rodin intended a theme. He first titled the work

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Portraiture was an important component of Rodin's oeuvre, helping him to win acceptance and financial independence. His first sculpture was a bust of his father in 1860, and he produced at least 56 portraits between 1877 and his death in 1917. Early subjects included fellow sculptor

727:. John had a fervent attachment to Rodin and would write to him thousands of times over the next ten years. As their relationship came to a close, despite his genuine feeling for her, Rodin eventually resorted to the use of concièrges and secretaries to keep her at a distance. 688:, Rodin was chosen in 1891. His execution of both sculptures clashed with traditional tastes and met with varying degrees of disapproval from the organizations that sponsored the commissions. Still, Rodin was gaining support from diverse sources that propelled him toward fame. 498:

with Carrier-Belleuse had deteriorated, but he found other employment in Brussels, displaying some works at salons, and his companion Rose soon joined him there. Having saved enough money to travel, Rodin visited Italy for two months in 1875, where he was drawn to the work of

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with the hopes that they would be commissioned to have the works made in a more permanent material. Rodin, however, would have multiple plasters made and treat them as the raw material of sculpture, recombining their parts and figures into new compositions, and new names.

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To deal with the complexity of bronze reproduction, France has promulgated several laws since 1956 which limit reproduction to twelve casts – the maximum number that can be made from an artist's plasters and still be considered his work. As a result of this limit,

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were on display in the official French pavilion at the fair and so between the works that were on display and those that were not, he was noticed. However, the works he gave Hallowell to sell found no takers, but she soon brought the controversial Quaker-born financier

5338: 1448:, Rodin illuminated his aesthetic: "What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes." 4478: 1733:

but impossible, outside the rules. Instead, she suggested he send a number of works for her loan exhibition of French art from American collections and she told him she would list them as being part of an American collection. Rodin sent Hallowell three works,

1673:. A British journalist who visited the property noted in 1902 that in its complete isolation, there was "a striking analogy between its situation and the personality of the man who lives in it". Rodin moved to the city in 1908, renting the main floor of the 711:

Claudel and Rodin parted in 1898. Claudel suffered an alleged nervous breakdown several years later and was confined to an institution for 30 years by her family, until her death in 1943, despite numerous attempts by doctors to explain to her mother and

651:. The two formed a passionate but stormy relationship and influenced each other artistically. Claudel inspired Rodin as a model for many of his figures, and she was a talented sculptor, assisting him on commissions as well as creating her own works. Her 403:

Rodin was born in 1840 into a working-class family in Paris, the second child of Marie Cheffer and Jean-Baptiste Rodin, who was a police department clerk. He was largely self-educated, and began to draw at age 10. Between ages 14 and 17, he attended the

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As Rodin's practice developed into the 1890s, he became more and more radical in his pursuit of fragmentation, the combination of figures at different scales, and the making of new compositions from his earlier work. A prime example of this is the bold

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in 1909 expressed that "there is some show of reason in the complaint that conceptions are sometimes unsuited to his medium, and that in such cases they overstrain his vast technical powers". The 1897 plaster model was not cast in bronze until 1964.

467:, founder and head of the congregation, recognized Rodin's talent and sensed his lack of suitability for the order, so he encouraged Rodin to continue with his sculpture. Rodin returned to work as a decorator while taking classes with animal sculptor 390:, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, but within a few decades his legacy solidified. Rodin remains one of the few sculptors widely known outside the visual arts community. 1841:

in 1900, attempted to seduce her, and the next year sketched studies of her and her students. In July 1906, Rodin was also enchanted by dancers from the Royal Ballet of Cambodia and produced some of his most famous drawings from the experience.

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believed in first developing the personality of his students so that they observed with their own eyes and drew from their recollections, and Rodin expressed appreciation for his teacher much later in life. It was at Petite École that he met

478:(born in June 1844), with whom he stayed for the rest of his life, with varying commitment. The couple had a son named Auguste-Eugène Beuret (1866–1934). That year, Rodin offered his first sculpture for exhibition and entered the studio of 1129:. He agreed to spare them if six of the principal citizens would come to him prepared to die, bareheaded and barefooted and with ropes around their necks. When they came, he ordered that they be executed, but pardoned them when his queen, 950:

to refute , but it only partially succeeded. To prove completely that I could model from life as well as other sculptors, I determined...to make the sculpture on the door of figures smaller than life." Laws of composition gave way to the

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and carried that association into the title of the work. In 1880, Rodin submitted the sculpture to the Paris Salon. Critics were still mostly dismissive of his work, but the piece finished third in the Salon's sculpture category.

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In the market for sculpture, plagued by fakes, the value of a piece increases significantly when its provenance can be established. A Rodin work with a verified history sold for US$ 4.8 million in 1999, and Rodin's bronze

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Rodin willed to the French state his studio and the right to make casts from his plasters. Because he encouraged the edition of his sculpted work, Rodin's sculptures are represented in many public and private collections. The

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In 1889, the Paris Salon invited Rodin to be a judge on its artistic jury. Though Rodin's career was on the rise, Claudel and Beuret were becoming increasingly impatient with Rodin's "double life". Claudel and Rodin shared an

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After the start of the 20th century, Rodin was a regular visitor to Great Britain, where he developed a loyal following by the beginning of the First World War. He first visited England in 1881, where his friend, the artist

1538:), to cast the clay compositions into plaster or bronze, and to carve his marbles. Rodin's major innovation was to capitalize on such multi-staged processes of 19th century sculpture and their reliance on plaster casting. 4470: 1334:

The popularity of Rodin's most famous sculptures tends to obscure his total creative output. A prolific artist, he created thousands of busts, figures, and sculptural fragments over more than five decades. He painted in

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Rodin was a naturalist, less concerned with monumental expression than with character and emotion. Departing with centuries of tradition, he turned away from the idealism of the Greeks, and the decorative beauty of the

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auction in New York. Art critics concerned about authenticity have argued that taking a cast does not equal reproducing a Rodin sculpture – especially given the importance of surface treatment in Rodin's work.

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Fifty-three years into their relationship, Rodin married Rose Beuret. They married on 29 January 1917, and Beuret died two weeks later, on 16 February. Rodin was ill that year; in January, he suffered weakness from

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did not have an obviously religious theme. The model, an Italian peasant who presented himself at Rodin's studio, possessed an idiosyncratic sense of movement that Rodin felt compelled to capture. Rodin thought of

3699: 1710:, he had not yet conquered the American market. Because of his technique and the frankness of some of his work, he did not have an easy time selling his work to American industrialists. However, he came to know 2623: 607:. During his early appearances at these social events, Rodin seemed shy; in his later years, as his fame grew, he displayed the loquaciousness and temperament for which he is better known. French statesman 1832:

During his later creative years, Rodin's work turned increasingly toward the female form, and themes of more overt masculinity and femininity. He concentrated on small dance studies, and produced numerous

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Rodin saw suffering and conflict as hallmarks of modern art. "Nothing, really, is more moving than the maddened beast, dying from unfulfilled desire and asking in vain for grace to quell its passion."

1806:, in whom he found further support. Encouraged by the enthusiasm of British artists, students, and high society for his art, Rodin donated a significant selection of his works to the nation in 1914. 640:. With the museum commission came a free studio, granting Rodin a new level of artistic freedom. Soon, he stopped working at the porcelain factory in 1882; his income came from private commissions. 4655: 3646: 4160: 1850:, and on 16 November his physician announced that "congestion of the lungs has caused great weakness. The patient's condition is grave." Rodin died the next day, age 77, at his villa in 1056:, after Dante) was to become one of the best-known sculptures in the world. The original was a 27.5-inch (700 mm) high bronze piece created between 1879 and 1889, designed for the 4672:

Winship, Frederick M. (16 September 2002). "Bogus bronzes flood market: an estimated 4,000 fake castings have put the market for 19th- and 20th-century bronze sculpture in jeopardy".

3420: 5283: 4561: 3078: 1774:, inherited the Rodins and after her death, the American heirs could not manage to match their value in order to export them, so they became the property of the French state. 506:. Their work had a profound effect on his artistic direction. Rodin said, "It is Michelangelo who has freed me from academic sculpture." Returning to Belgium, he began work on 796:, in which form the left hand held a spear, but he removed the spear because it obstructed the torso from certain angles. After two more intermediary titles, Rodin settled on 354:

Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly

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to represent a great novelist as a huge comic mask crowning a bathrobe, but even at the present day this statue impresses one as slang." A modern critic, indeed, claims that

2277: 1791:. With his personal connections and enthusiasm for Rodin's art, Henley was most responsible for Rodin's reception in Britain. (Rodin later returned the favor by sculpting a 1534:

After he completed his work in clay, he employed highly skilled assistants to re-sculpt his compositions at larger sizes (including any of his large-scale monuments such as

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expressed a desire to meet Rodin, and the sculptor impressed him when they met at a salon. Gambetta spoke of Rodin in turn to several government ministers, likely including

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in a convent in 1862, and Rodin was anguished with guilt because he had introduced her to an unfaithful suitor. He turned away from art and joined the Catholic order of the

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disordered and untamed depiction of Hell. The figures and groups in this, Rodin's meditation on the condition of man, are physically and morally isolated in their torment.

4530: 804:, and in Rodin's words, "man arising from nature". Later, however, Rodin said that he had had in mind "just a simple piece of sculpture without reference to subject". 4600: 2615: 5254: 1677:, an 18th-century townhouse. He left Beuret in Meudon and began an affair with the American-born Duchesse de Choiseul. From 1910, he mentored the Russian sculptor, 1955:, are widely used outside the fine arts as symbols of human emotion and character. To honor Rodin's artistic legacy, the Google search engine homepage displayed a 1814: 4440: 3150: 2864: 3676: 1947:

emotion-laden representations of ordinary men and women – to his ability to find the beauty and pathos in the human animal. His most popular works, such as

4387: 3817: 5441: 486:. Rodin worked as Carrier-Belleuse' chief assistant until 1870, designing roof decorations and staircase and doorway embellishments. With the arrival of the 448:

in 1857 and earned a living as a craftsman and ornamenter for most of the next two decades, producing decorative objects and architectural embellishments.

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in an attempt to win entrance; he did not succeed, and two further applications were also denied. Entrance requirements were not particularly high at the

4652: 628:, an unfinished portal for a museum that was never built. Many of the portal's figures became sculptures in themselves, including Rodin's most famous, 4500: 1822: 1748:. All nudes, these works provoked great controversy and were ultimately hidden behind a drape with special permission given for viewers to see them. 920:

for Paris' planned Museum of Decorative Arts was awarded to Rodin in 1880. Although the museum was never built, Rodin worked throughout his life on

1763:(1837–1905) into the fold and he purchased two large marbles for his Chicago manse; Yerkes was likely the first American to own a Rodin sculpture. 612: 6546: 2255: 1114:

approved, with Rodin as its architect. It would commemorate the six townspeople of Calais who offered their lives to save their fellow citizens.

4300: 3642: 4350: 4156: 1920:, where Rodin had lived, and it holds the largest Rodin collection, with more than 6,000 sculptures and 7,000 works on paper. The French order 4691: 4101: 1298:

his commission and moved the figure to his garden. After this experience, Rodin did not complete another public commission. Only in 1939 was

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whom Rodin once called "the greatest phenomenon amongst sculptors." Other sculptors whose work has been described as owing to Rodin include

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comprised 186 figures in its final form. Many of Rodin's best-known sculptures started as designs of figures for this composition, such as

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in high relief. Often lacking a clear conception of his major works, Rodin compensated with hard work and a striving for perfection.

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is suggested by the grip of his toes on the rock, the rigidness of his back, and the differentiation of his hands. Speaking of

1250:. Criticizing the work, Morey (1918) reflected, "there may come a time, and doubtless will come a time, when it will not seem 6330: 5145: 4821: 4327: 3795: 1810: 471:. The teacher's attention to detail and his finely rendered musculature of animals in motion significantly influenced Rodin. 456: 4522: 2752: 2713: 2178:

revealed. A massive forgery was discovered by French authorities in the early 1990s and led to the conviction of art dealer

880:, Rodin had achieved a new degree of fame. Students sought him at his studio, praising his work and scorning the charges of 6561: 5733: 5392: 5383: 1623:

By 1900, Rodin's artistic reputation was established. Gaining exposure from a pavilion of his artwork set up near the 1900

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Rodin's talent for surface modeling allowed him to let every part of the body speak for the whole. The male's passion in

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was met with resistance because it did not fit conventional expectations. Commenting on Rodin's monument to Victor Hugo,

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The committee was incensed by the untraditional proposal, but Rodin would not yield. In 1895, Calais succeeded in having

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Rodin earned his living collaborating with more established sculptors on public commissions, primarily memorials and

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He described the evolution of his bust over a month, passing through "all the stages of art's evolution": first, a "

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praised the monument as "the greatest piece of sculpture of the 19th Century, perhaps, indeed, the greatest since

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that was used as the frontispiece to Henley's collected works and, after his death, on his monument in London.)

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Later, with his reputation established, Rodin made busts of prominent contemporaries such as English politician

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death was the sculpture displayed as he had intended. It is one of Rodin's best-known and most acclaimed works.

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continued. Rodin increasingly sought soothing female companionship in Paris, and Rose stayed in the background.

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Rilke stayed with Rodin in 1905 and 1906 and did administrative work for him; he would later write a laudatory

1587: 1076:, and Rodin himself have been ascribed to him. Other observers de-emphasize the apparent intellectual theme of 835: 778:, having returned from Italy. Modeled after a Belgian soldier, the figure drew inspiration from Michelangelo's 479: 2346:. St. James Press, 1990. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2006. 1966:

Rodin had enormous artistic influence. A whole generation of sculptors studied in his workshop. These include

6531: 6300: 2014:, even though Brancusi later rejected his legacy. Rodin also promoted the work of other sculptors, including 1818: 1477:

echoed those themes and was among Rodin's favorite poets. Rodin enjoyed music, especially the opera composer

566:, all to no avail. On his own time, he worked on studies leading to the creation of his next important work, 367: 5213: 1729:. Hallowell wanted to help promote Rodin's work and he suggested a solo exhibition, which she wrote him was 6048: 5701: 5606: 5238: 4508: 1482: 1433: 1015: 985: 547: 5352: 408:, a school specializing in art and mathematics where he studied drawing and painting. His drawing teacher 6541: 6072: 6018: 5781: 5463: 5379: 5224: 5198: 2810: 1466: 680:, Rodin won other commissions. He pursued an opportunity to create a historical monument for the town of 618:

Rodin's relationship with Turquet was rewarding. Through Turquet, he won the 1880 commission to create a

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depicts the men as they are leaving for the king's camp, carrying keys to the town's gates and citadel.

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for a planned museum of decorative arts. Rodin dedicated much of the next four decades to his elaborate

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Its mastery of form, light, and shadow made the work look so naturalistic that Rodin was accused of

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exhibit, and he kept company with a variety of high-profile intellectuals and artists. His student,

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Several films have been made featuring Rodin as a prominent character or presence. These include

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in 1890, Rodin served as the body's vice-president. In 1903, Rodin was elected president of the

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Julius, Muriel (January 1987). "Human Emotion Made Tangible – The Work of Auguste Rodin".

3726: 2188: 2071: 1799: 1460: 1135: 1106: 1101: 1091: 551: 341: 165: 1923: 700: 244: 5547: 5018: 4132: 4125: 3551: 2035: 1788: 1711: 1573: 1118: 619: 559: 31: 17: 3466: 6516: 6511: 6440: 6220: 6112: 6080: 6033: 5924: 4796: 2645: 2081: 2027: 1929: 1792: 1612: 1130: 1378:(1906), socialist (and former mistress of the Prince of Wales who became King Edward VII) 1224: 8: 6352: 6336: 6064: 5940: 5916: 5654: 4662:. Le Journal des Arts. n° 126. 27 April 2001. Artclair.com. Retrieved on 2 November 2011. 2232:

FRENCH SCULPTURE CENSUS - French sculpture 1500-1960 in North American public collections

2208:

A number of drawings previously attributed to Rodin are now known to have been forged by

2019: 1865:

was placed next to his tomb in Meudon; it was Rodin's wish that the figure served as his

1640: 1375: 1340: 528: 487: 468: 464: 5408: 3970: 2076: 1261:

The monument had its supporters in Rodin's day; a manifesto defending him was signed by

1209: 1080:, stressing the figure's rough physicality and the emotional tension emanating from it. 910: 685: 5979: 5971: 5852: 5662: 5435: 5348: 5327: 5116: 4242: 4204: 3760: 3280: 3132: 3043: 2418: 1877:, a museum of his works, but the director of the museum refused to let him stay there. 1766:

Other collectors soon followed including the tastemaking Potter Palmers of Chicago and

1632: 1578: 1474: 1391: 1300: 1294:." Rather than try to convince skeptics of the merit of the monument, Rodin repaid the 1273: 1238: 1096: 329: 1995: 1506:

that I would have taken it away with me to relieve the sculptor of any further work."

6146: 5908: 5555: 5523: 5515: 5423: 5413: 5169:

DelMonico Books – Prestel Publishing, Munich e. a. 2017, ISBN 978-3-7913-5708-9.

5141: 5123: 5100: 5081: 5065: 5047: 5004: 4985: 4962: 4939: 4892: 4875: 4856: 4836: 4817: 4800: 4777: 4740: 4592: 4136: 3612: 3394: 3384: 3284: 3136: 2894: 2837: 2774: 2742: 2584: 2043: 1971: 1771: 1744: 1599: 1523: 1309: 1174: 931: 922: 905: 895: 774: 740: 508: 375: 347: 137: 5248: 5193: 5152: 4293:"WAR MEMORIAL IN ALEXANDRA PARK, Non Civil Parish – 1389636 | Historic England" 2109: 1521:. "The hand of Rodin worked not as the hand of a sculptor works, but as the work of 444:

tastes, while Rodin had been schooled in light, 18th-century sculpture. He left the

6152: 5995: 5892: 5884: 5820: 5757: 5403: 5312: 5307: 5162: 4234: 4196: 3272: 3124: 3035: 2410: 2047: 2015: 1826: 1699: 1486: 969: 865: 761: 599:

The artistic community appreciated his work in this vein, and Rodin was invited to

374:, became his associate, lover, and creative rival. Rodin's other students included 282: 5388: 5363: 4371: 4323: 3787: 1855: 6316: 6169: 6088: 5749: 5590: 5507: 5375: 5287: 5271: 5258: 5232: 4659: 3187:

Stocker, Mark (November 2006). "A simple sculptor or an apostle of perversion?".

2736: 2705: 2011: 2003: 1987: 1983: 1979: 1803: 1784: 1670: 1624: 1617: 1548: 1454: 1419: 1122: 927: 670: 648: 535:

Rose Beuret and Rodin returned to Paris in 1877, moving into a small flat on the

418: 383: 371: 313: 151: 38: 822: 6360: 6246: 5963: 5900: 5741: 5670: 4746: 2318: 2099:

artists' cooperative housing in New York City, completed in 1917 to designs by

2092: 2031: 2007: 1967: 1838: 1760: 1663: 1636: 1371: 1143: 644: 358:. Rodin's most original work departed from traditional themes of mythology and 6391: 6134: 6130: 5427: 4014:

Kinetz, Erica (27 December 2006). "Rodin Show Visits Home Of Artist's Muses".

3263:

Schor, Naomi (2001). "Pensive Texts and Thinking Statues: Balzac with Rodin".

2436: 2150: 1917: 1913: 1674: 615:, the Undersecretary of the Ministry of Fine Arts, whom Rodin eventually met. 604: 6500: 5836: 5243: 4596: 3128: 2201: 2096: 2059: 2051: 1956: 1943:, influenced the increasingly abstract sculptural forms of the 20th century. 1719: 1715: 1678: 1510: 1383: 1287: 999: 624: 608: 563: 555: 441: 5062:

You Must Change Your Life: the Story of Rainer Maria Rilke and Auguste Rodin

5037: 4736: 3398: 1208:, a Parisian organization of writers, planned a monument to French novelist 1142:

Rodin began the project in 1884, inspired by the chronicles of the siege by

756:. The subject was an elderly neighborhood street porter. The unconventional 6466: 6448: 6228: 6140: 5789: 5773: 5765: 5574: 5367:

by Rainer Maria Rilke, trans. from German by Jessie Lemont and Hans Trausil

5316: 4523:"Henry Moore talks about Rodin's irresistible influence – from the archive" 2209: 2164: 2100: 2087: 2055: 2023: 1936: 1336: 1291: 724: 713: 503: 355: 42: 2675: 2300:

Early Modern Sculpture: Rodin, Degas, Matisse, Brancusi, Picasso, Gonzalez

693: 5582: 5563: 4848: 3788:"Who Was Auguste Rodin? Get To Know the Famous Sculptor of 'The Thinker'" 3471: 2250: 2134: 2063: 2039: 1991: 1874: 1694: 1667: 1644: 1364: 1229: 1183: 1147: 1125:

besieged Calais, and Edward ordered that the town's population be killed

1041: 1030: 963: 780: 753: 630: 600: 536: 475: 452: 414: 387: 323: 263: 216: 193: 3991:

Ludovici, Anthony M. (1923). "Personal Reminiscences of Auguste Rodin",

3026:

Alhadeff, Albert (1966). "Rodin: A Self-Portrait in the Gates of Hell".

2331:

Rodin was a child of the working class. (His father was a police clerk.)

2227:

Auguste Rodin left many sculptural traces in Brussels | Focus on Belgium

1320: 5325:

in American public collections, on the French Sculpture Census website

4246: 3930: 3047: 2834:

Scandalous Women: The Lives and Loves of History's Most Notorious Women

2422: 1834: 1356: 1214: 1073: 801: 735: 460: 4208: 1399:

Study of a Woman Nude, Standing, Arms Raised, Hands Crossed Above Head

723:, who modelled for him and became his lover after being introduced by 520: 1928:

made him a Commander, and he received an honorary doctorate from the

1866: 1847: 1651: 1242:

was exhibited in 1898, the negative reaction was not surprising. The

1196: 1035: 720: 592: 499: 5216:, association organizing for its members events around Auguste Rodin 4238: 3039: 2414: 588: 573: 5344: 5078:

In Rodin's Studio: A Photographic Record of Sculpture in the Making

4554:"Rodin review – Jacques Doillon sculpts an excruciatingly bad film" 4200: 3643:"Together and apart: Fragmentation and completion in Auguste Rodin" 3276: 2179: 1490: 1352: 1348: 1247: 1045:(1879–1889) is among the most recognized works in all of sculpture. 992: 359: 6285: 1706:

While Rodin was beginning to be accepted in France by the time of

5159:. New York: The Metropolitan Museum of Art, 2000–. (October 2004) 1870: 1594: 1514: 1429: 1413: 1266: 839:, was completed in 1878. Rodin sought to avoid another charge of 5448: 4879: 4840: 4835:(Time-Life Library of Art ed.). New York: Time-Life Books. 4804: 3946:. Vol. 2. London: Smith, Elder & Co. pp. 244, 246. 3866: 3864: 3332:

Varnedoe, Kirk (April 1974). "Early Drawings by Auguste Rodin".

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AUGUSTE RODIN · THE BURGHERS OF CALAIS: A Resource for Educators

2676:"Young Girl with a Sheaf | National Museum of Women in the Arts" 2893:. New Haven and London: Yale University Press. pp. 31–33. 2231: 1851: 1655: 1518: 1061: 785: 757: 681: 108: 5219: 3115:: The Career of a Sculpture and its Appeal to Civic Heroism". 5208: 4869: 4062: 3861: 3546: 3544: 1654:

on the sculptor. Rodin and Beuret's modest country estate in

1478: 1344: 1343:. The Musée Rodin holds 7,000 of his drawings and prints, in 1262: 847:

stands almost 6 feet 7 inches (2.01 m). While

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In 1864, Rodin submitted his first sculpture for exhibition,

705: 5400:

The John G. Johnson Collection: A History and Selected Works

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most obviously characterizes Dante, aspects of the Biblical

432:

In 1857, Rodin submitted a clay model of a companion to the

1999: 1815:

International Society of Painters, Sculptors, and Engravers

1218: 1069: 917: 856:

of an object which in fact can be seen only successively".

474:

In 1864, Rodin began to live with a young seamstress named

318: 288: 30:

This article is about the sculptor. For the racehorse, see

3541: 2616:"How Rodin's tragic lover shaped the history of sculpture" 1401:

is one of the works seized in 2012 from the collection of

819: – what it had cost Rodin to have it cast in bronze. 767: 587:

In 1880, Carrier-Belleuse – then art director of the

37:"Rodin" redirects here. For other people named Rodin, see 3360:

Hare, Marion J. (1987). "Rodin and His English Sitters".

3310: 1277: 1064:, from which the figure would gaze down upon Hell. While 643:

In 1883, Rodin agreed to supervise a course for sculptor

554:. In competitions for commissions he submitted models of 297: 4348: 2646:"Camille Claudel | National Museum of Women in the Arts" 1725:

The next opportunity for Rodin in America was the 1893

5038:

Chevillot, Catherine; Marraud, Hélène; Pinet, Hélène;

4225:

Gardner, Albert Ten Eyck (1957). "The Hand of Rodin".

3911:

Newton, Joy (1994). "Rodin Is a British Institution".

3730:. Vol. 27, no. 1 (No. 93). pp. 325–338. 3515:

Werner, Alfred (1960). "The Return of Auguste Rodin".

2403:

The Bulletin of the College Art Association of America

926:, a monumental sculptural group depicting scenes from 772:

In Brussels, Rodin created his first full-scale work,

5017: 4910:. Paris: Editions de la Réunion des Musées Nationaux. 4671: 4471:"Leaving Rodin behind? Sculpture in Paris, 1905–1914" 1963:

to celebrate his 172nd birthday on 12 November 2012.

1186:

in 1889, Rodin dealt extensively with the subject of

657:

was displayed to critical acclaim at the 1892 Salon.

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Procès Guy Hain, une décision qui fera jurisprudence

3818:"Rodin in the United States: Confronting the Modern" 2066:

acknowledged Rodin's seminal influence on his work.

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at the studio of his assistant Henri Lebossé in 1896

451:

Rodin's sister Maria, two years his senior, died of

294: 285: 1182:Commissioned to create a monument to French writer 719:In 1904, Rodin was introduced to the Welsh artist, 291: 5115: 4365: 4124: 2775:"Auguste Rodin | Biography, Art, & Facts" 1658:, purchased in 1897, was a host to such guests as 1005:She Who Was Once the Helmet-Maker's Beautiful Wife 5440:: CS1 maint: DOI inactive as of September 2024 ( 5094: 4905: 4772:Crone, Rainer; Salzmann, Siegfried, eds. (1992). 3724:Anderson, Alder (1902). "Auguste Rodin at Home". 2401:Morey, C. R. (1918). "The Art of Auguste Rodin". 6498: 4692:"Monet fetches record price at New York auction" 3613:"Walking Man | All Works | The MFAH Collections" 3552:"Auguste Rodin: production techniques · V&A" 3002:Bell, Millicent (Spring 2005). "Auguste Rodin". 2884: 2882: 2825: 2808: 4621: 4187:Hunisak, John M. (1981). "Rodin Rediscovered". 3881:Robber Baron: The Life of Charles Tyson Yerkes. 3413:"Photo Gallery: Munich Nazi Art Stash Revealed" 4377:, Philadelphia: American Philosophical Society 4268: 3740: 3514: 3331: 1916:was founded in 1916 and opened in 1919 at the 1901:Rodin's gravesite at the Musée Rodin de Meudon 1556:he was having re-sculpted at a reduced scale. 1169: 946:controversy still in mind: "...I had made the 366:private clients sought Rodin's work after his 6301: 5464: 4870:Jianou, Ionel & Goldscheider, C. (1967). 4814:Rodin: Sex and the Making of Modern Sculpture 4771: 4013: 3883:Urbana: University of Illinois Press; p. 209. 3580: 3534: 3532: 3530: 3239:"Auguste Rodin. His Sculpture And Its Aims". 3186: 3071:"Burghers of Calais | Victoria Tower Gardens" 2879: 2741:. New York: Harry N. Abrams. pp. 98–99. 1485:. He owned a work by the as-yet-unrecognized 1367:(1883) and companion Camille Claudel (1884). 647:in his absence, where he met the 18-year-old 5389:Portrait of Auguste Rodin by Alphonse Legros 5294:Public Art Fund: Rodin at Rockefeller Center 5239:Auguste Rodin at the National Gallery of Art 5003:. Berkeley: University of California Press. 4978:The Documented Image, Visions in Art History 4716: 4408: 4321: 4027: 4025: 2734: 2256:Random House Webster's Unabridged Dictionary 2198:Ève, grand modele – version sans rocher 2192:, for example, is found in fourteen cities. 1921: 242: 198: 184: 170: 156: 142: 5402:. Philadelphia Museum of Art. (cat. 1148). 4933: 4855:(3rd ed.). New York: Harry N. Abrams. 4380: 4374:Joseph Csaky: A Pioneer of Modern Sculpture 4273:. Grove Art Online, Oxford University Press 4220: 4218: 3701:History of Art and Architecture: Volume Two 3111:Swedberg, Richard (2005). "Auguste Rodin's 3106: 3104: 3102: 3100: 3098: 3096: 3021: 3019: 3017: 2831: 2813:. Grove Art Online, Oxford University Press 2589:The Met's Heilbrunn Timeline of Art History 2344:International Dictionary of Art and Artists 1935:During his lifetime, Rodin was compared to 1213:full-length figures in the nude, wearing a 1190:. Like many of Rodin's public commissions, 6308: 6294: 5471: 5457: 5326: 4182: 4180: 4178: 4127:Duh!: The Stupid History of the Human Race 3527: 2969: 2967: 1607: 872:Regardless of the immediate receptions of 63: 5407: 5167:Klimt & Rodin: An Artistic Encounter. 4923: 4545: 4388:"Solomon R. Guggenheim Museum, New York, 4022: 3510: 3508: 3232: 3182: 3180: 2981: 2979: 2482: 2480: 2363: 2361: 1083: 5398:Thompson, Jennifer A (2018). "Thought". 5397: 5313:Works by Rodin in the Simonow Collection 5122:. New York: Metropolitan Museum of Art. 5080:. Ithaca, NY: Cornell University Press. 4975: 4914: 4551: 4349:Ameena Mohammad & Meg Mason (2011). 4215: 3785: 3723: 3583:"The Making of Rodin at the Tate Modern" 3538:Quoted in Jianou & Goldscheider, 62. 3467:"NGA Sculpture Galleries: Auguste Rodin" 3158:. THE METROPOLITAN MUSEUM OF ART. 2000. 3110: 3093: 3025: 3014: 2888: 2857:Grunfeld, Frederic V. (15 August 2019). 2856: 2836:. New York: Penguin Group. p. 279. 1688: 1611: 1412: 1319: 1228:Rodin observing work on the monument to 1223: 1173: 1095: 1034: 899: 884:. The artistic community knew his name. 821: 734: 699: 697:remain, in all tenderness, your Rodin." 659: 572: 519: 515: 423: 5376:Newspaper clippings about Auguste Rodin 4917:Personal Reminiscences of Auguste Rodin 4886: 4717:Gibson, Eric (2005). "The real Rodin". 4585:"Living Spaces Tailor-Made for Artists" 4227:The Metropolitan Museum of Art Bulletin 4224: 4186: 4175: 4131:. Kansas City: Andrews McMeel. p. 4122: 3892:Extensive correspondence in Musee Rodin 3405: 3383:. Studley, Warwickshire: Brewin Books. 2997: 2995: 2993: 2991: 2964: 2523: 2521: 2519: 2396: 2394: 2392: 2390: 2388: 2200:sold for $ 18.9 million at a 2008 843:by making the statue larger than life: 768:Early figures: the inspiration of Italy 231: 1917; died 1917) 14: 6547:Grand Officers of the Legion of Honour 6499: 5988:Balzac in the Robe of a Dominican Monk 5281:Correspondence with Walter Butterworth 5249:Auguste Rodin: Timeline of Art History 5118:Rodin: the B. Gerald Cantor Collection 5113: 5095:Le Normand-Romain, Antoinette (2014). 5064:, New York: W. W. Norton and Company. 4952: 4906:Le Normand-Romain, Antoinette (2007). 4847: 4262: 4163:from the original on 25 September 2015 3910: 3901:The indefatigable Miss Hallowell, p. 8 3846:The Indefatigable Miss Hallowell, p. 6 3753: 3734: 3505: 3177: 2976: 2957: 2955: 2953: 2934: 2932: 2930: 2928: 2544: 2542: 2477: 2358: 2314:"The Stubborn Genius of Auguste Rodin" 2311: 6289: 5452: 5244:Rodin Collection, Stanford University 5140:, Dey's Publishing Company, Kolkata. 5075: 4998: 4811: 4790: 4745:. Series 5. Episode 3. 31 July 2016. 4634:from the original on 16 November 2018 4603:from the original on 20 November 2020 4564:from the original on 11 November 2020 4533:from the original on 18 November 2018 3828:from the original on 18 November 2022 3697: 3669:"Shadow: Rodin and the Modern Psyche" 3649:from the original on 9 September 2018 3484:from the original on 30 November 2006 3378: 3262: 2716:from the original on 10 February 2020 2613: 2400: 1452:their own sake. Notable examples are 1246:rejected the work, and the press ran 815:was purchased by the state for 2,200 550:architectural pieces in the style of 457:Congregation of the Blessed Sacrament 386:. He married his lifelong companion, 321:. He is known for such sculptures as 312: 6270: 5393:University of Michigan Museum of Art 5299:Video documentary about Rodin's work 4938:. New York: Crown Trade Paperbacks. 4891:. New Haven: Yale University Press. 4830: 4816:. New Haven: Yale University Press. 4729: 4582: 4421:from the original on 8 November 2016 4303:from the original on 11 January 2020 4271:"Rodin, (François-) Auguste (-René)" 3767:from the original on 23 October 2019 3593:from the original on 3 February 2023 3423:from the original on 3 December 2013 3359: 3001: 2988: 2781:from the original on 7 November 2017 2595:from the original on 9 February 2023 2516: 2385: 1817:. He replaced its former president, 1339:(especially in his thirties) and in 887: 6557:People of the French Third Republic 6315: 4411:"German Expressionism: Georg Kolbe" 3995:, Vol. LV, Nos. 325–26, New Series. 3929: 3786:Muzdakis, Madeleine (4 June 2023). 3450: 2950: 2925: 2656:from the original on 6 January 2020 2582: 2539: 2342:"(François) Auguste (René) Rodin." 2222:List of sculptures by Auguste Rodin 1386:(1909), former Argentine president 1133:, begged him to spare their lives. 24: 5229:Shizuoka Prefectural Museum of Art 5031: 5001:Art: Conversations with Paul Gsell 3923: 3798:from the original on 23 March 2023 3562:from the original on 21 March 2023 3442:"Art Exhibitions: Auguste Rodin". 2686:from the original on 30 April 2020 2447:from the original on 19 March 2020 1731:beaucoup moins beau que l'original 1616:A portrait of Rodin by his friend 784:, which Rodin had observed at the 684:. For a monument to French author 398: 25: 6578: 5478: 5290:held at the University of Salford 5173: 5157:Heilbrunn Timeline of Art History 5044:Rodin: The Laboratory of Creation 4583:Gray, Christopher (14 May 2006). 4481:from the original on 4 March 2016 4330:from the original on 4 March 2016 4073:from the original on 9 April 2011 3224:"M. Rodin and French Sculpture". 3165:from the original on 29 July 2020 2626:from the original on 14 July 2017 2280:from the original on 14 July 2019 1787:, had introduced him to the poet 1304:cast in bronze and placed on the 704:A photograph of Rodin in 1891 by 6483: 6482: 6472:Auguste Rodin (associate, lover) 6269: 6260: 6259: 5333: 5025:. London: Royal Academy of Arts. 4926:The Indefatigable Miss Hallowell 4874:. Paris: Arted, Editions d'Art. 4710: 4684: 4665: 4646: 4615: 4576: 4515: 4493: 4463: 4433: 4402: 4342: 4315: 4285: 4253: 3942:Dictionary of National Biography 3698:Lacey, Joann (23 January 2021). 3679:from the original on 6 July 2019 3623:from the original on 1 July 2023 2867:from the original on 1 July 2023 2755:from the original on 1 July 2023 2368:"Rodin, Famous Sculptor, Dead". 2157: 2142: 2125: 2108: 1894: 1882: 1825:, father of English philosopher 1811:Société Nationale des Beaux-Arts 1809:After the revitalization of the 1777: 1684: 1586: 1565: 1258:is one of Rodin's masterpieces. 1146:. Though the town envisioned an 482:, a successful mass producer of 281: 262: 6057:Illusions Received by the Earth 5409:10.29075/9780876332764/101812/1 5304:Works by or about Auguste Rodin 4552:Bradshaw, Peter (23 May 2017). 4149: 4116: 4108:. 24 March 1923. Archived from 4094: 4085: 4055: 4040: 4036:. 17 November 1917. p. 13. 4007: 3998: 3985: 3959: 3950: 3904: 3895: 3886: 3873: 3849: 3840: 3810: 3779: 3717: 3708: 3691: 3661: 3635: 3605: 3574: 3496: 3459: 3435: 3372: 3353: 3344: 3325: 3316: 3300: 3291: 3256: 3247: 3243:. 19 November 1917. p. 11. 3217: 3208: 3199: 3143: 3081:from the original on 9 May 2023 3063: 3054: 2941: 2916: 2907: 2850: 2832:Kerri Mahon, Elizabeth (2011). 2802: 2793: 2767: 2728: 2698: 2668: 2638: 2614:Akbar, Arifa (11 August 2012). 2607: 2576: 2551: 2530: 2507: 2498: 2489: 2468: 2459: 2429: 2372:. 18 November 1917. p. E3. 1517:intermingled", then an elegant 314:[fʁɑ̃swaoɡystʁəneʁɔdɛ̃] 228: 5861:Head of Saint John the Baptist 5540:The Maiden Kissed by the Ghost 5412:(inactive 11 September 2024). 4831:Hale, William Harlan (1973) . 3936:"Henley, William Ernest" 3581:ArtMuseLondon (20 June 2021). 2985:Jianou & Goldscheider, 41. 2486:Jianou & Goldscheider, 35. 2474:Jianou & Goldscheider, 34. 2465:Date of death from Elsen, 206. 2376: 2355:Jianou & Goldscheider, 31. 2349: 2336: 2305: 2292: 2262: 2244: 1554:St. John the Baptist Preaching 1315: 1022: 861:St. John the Baptist Preaching 836:St. John the Baptist Preaching 827:St. John the Baptist Preaching 568:St. John the Baptist Preaching 480:Albert-Ernest Carrier-Belleuse 13: 1: 6527:20th-century French sculptors 6522:19th-century French sculptors 6038: 6023: 6000: 5945: 5810: 5675: 4889:Rodin: Sculpture and Drawings 4622:Esterow, Milton (June 2005). 4051:. 30 January 1917. p. 3. 4032:"Auguste Rodin Gravely Ill". 3969:. Musée Rodin. Archived from 3228:. 4 October 1909. p. 12. 3117:Theory, Culture & Society 2270:"Auguste Rodin – Art History" 1858:, on the outskirts of Paris. 1819:James Abbott McNeill Whistler 578: 6049:The Spirit of Eternal Repose 5199:Resources in other libraries 4355:Syracuse University Archives 2735:Ayral-Clause, Odile (2002). 2237: 2172: 2167:, Philadelphia, Pennsylvania 1408: 1355:. He also produced a single 1276:, among many others. In the 1206:Société des Gens des Lettres 1170:Commissions and controversy 760:piece was not a traditional 750:The Man with the Broken Nose 393: 7: 6562:People of the July Monarchy 6019:Iris, Messenger of the Gods 5380:20th Century Press Archives 5343:public domain audiobook at 5153:"Auguste Rodin (1840–1917)" 4924:Morseburg, Jeffrey (2010). 4887:Lampert, Catherine (1986). 4624:"The 10 Most Faked Artists" 4445:Peggy Guggenheim Collection 3870:The Documented Image, p. 97 3704:. Sugar Creek. p. 413. 3446:. 14 July 1931. p. 12. 2437:"Auguste Rodin – Biography" 2215: 2095:as Rodin. Furthermore, the 1467:Iris, Messenger of the Gods 410:Horace Lecoq de Boisbaudran 277:François Auguste René Rodin 79:François Auguste René Rodin 27:French sculptor (1840–1917) 10: 6583: 5806:Young Woman with a Serpent 5798:Young Mother in the Grotto 5276:Victoria and Albert Museum 5251:Metropolitan Museum of Art 5220:Rodin Museum, Philadelphia 5114:Miller, Joan Vita (1986). 4976:Weisberg, Gabriel (1987). 4934:Taillandier, Yvon (1977). 4915:Ludovici, Anthony (1926). 4774:Rodin: Eros and Creativity 4764: 4047:"Auguste Rodin Has Grip". 3856:Rodin: The Shape of Genius 3556:Victoria and Albert Museum 2706:"Camille Claudel | artnet" 2559:"Auguste Rodin, Céramiste" 1798:Through Henley, Rodin met 1489:and admired the forgotten 1388:Domingo Faustino Sarmiento 1382:(1908), Austrian composer 1089: 1028: 893: 603:by such friends as writer 36: 29: 6480: 6459: 6400: 6379: 6323: 6255: 6239: 6178: 6162: 6123: 5486: 5194:Resources in your library 5046:. Dijon: Éditions Faton. 4982:Syracuse University Press 4833:World of Rodin, 1840–1917 4791:Elsen, Albert E. (1963). 4324:"Rodin's Approach to Art" 2889:Langdale, Cecily (1987). 2583:Vincent, Authors: Clare. 2103:, was named after Rodin. 1906: 1698:, 1881 – c. 1899 bronze, 1496: 1481:, and wrote a book about 1374:(1905), Irish playwright 1308:at the intersection with 1306:Boulevard du Montparnasse 916:A commission to create a 270: 261: 256: 252: 238: 210: 127: 116: 97: 74: 62: 55: 41:. For the 2017 film, see 5734:Eustache de Saint Pierre 5647:Bust of Maurice Haquette 5500:Man with the Broken Nose 5136:Sanyal, Narayan (1984). 5060:Corbett, Rachel (2016). 4953:Tucker, William (1974). 3129:10.1177/0263276405051665 3060:Taillandier, 42, 46, 48. 1768:Isabella Stewart Gardner 1351:, and thirteen vigorous 730: 92:Paris, Kingdom of France 6552:French modern sculptors 6409:Head of Camille Claudel 5710:Mask of a Weeping Woman 5694:Head of Camille Claudel 5270:6 November 2011 at the 5099:. New York: Abbeville. 4999:Rodin, Auguste (1984). 4959:Oxford University Press 4351:"Ivan Meštrović Papers" 4063:"Accueil – Musée Rodin" 3913:The Burlington Magazine 3673:Ahlstrom Appraisals LLC 3478:National Gallery of Art 3379:David, Buttery (1988). 3362:The Burlington Magazine 3334:The Burlington Magazine 2863:. Plunkett Lake Press. 2738:Camille Claudel: A Life 2563:Smithsonian Institution 2091:, a 2017 film starring 2075:, a 1988 film in which 1608:Later years (1900–1917) 1461:Meditation without Arms 1329:National Museum, Warsaw 1192:Monument to Victor Hugo 492:Brussels Stock Exchange 172:Les Bourgeois de Calais 111:, French Third Republic 6467:Paul Claudel (brother) 6420:(1889 sculpture model) 6369:Perseus and the Gorgon 5726:Psyche Looking at Love 5686:The Burghers of Calais 5599:Saint John the Baptist 5165:, Max Hollein (Eds.): 5076:Elsen, Albert (1980). 4955:Early Modern Sculpture 4919:. London: John Murray. 4297:historicengland.org.uk 3727:The Pall Mall Magazine 3113:The Burghers of Calais 2809:Ward-Jackson, Philip. 2189:The Burghers of Calais 1922: 1800:Robert Louis Stevenson 1708:The Burghers of Calais 1703: 1629:Exposition Universelle 1620: 1424: 1331: 1233: 1179: 1155:The Burghers of Calais 1136:The Burghers of Calais 1110: 1107:Victoria Tower Gardens 1102:The Burghers of Calais 1092:The Burghers of Calais 1085:The Burghers of Calais 1046: 913: 830: 745: 708: 673: 596:renown across Europe. 584: 532: 429: 342:The Burghers of Calais 243: 199: 185: 171: 166:The Burghers of Calais 157: 143: 6537:French male sculptors 6412:(1884/1911 sculpture) 6387:Musée Camille Claudel 6345:Bust of Auguste Rodin 5371:. Sunwise turn. 1919. 5019:Royal Academy of Arts 4812:Getsy, David (2010). 4694:. AFP. Archived from 4501:"Rodin and Modernism" 4409:Heather Hess (2011). 4398:on 20 September 2015. 4322:Hans de Roos (2004). 4123:Fenster, Bob (2000). 3879:Franch, John (2006). 2274:Oxford Bibliographies 2132:Rodin's signature on 2036:Henri Gaudier-Brzeska 1789:William Ernest Henley 1712:Sarah Tyson Hallowell 1692: 1615: 1417:A famous "fragment": 1416: 1390:and French statesman 1323: 1227: 1177: 1099: 1038: 903: 851:is statically posed, 825: 738: 703: 663: 576: 560:Jean-Jacques Rousseau 523: 516:Artistic independence 427: 32:Auguste Rodin (horse) 6532:Sculptors from Paris 6441:Camille Claudel 1915 6221:Camille Claudel 1915 6186:1888–89 Claudel bust 6113:Standing Female Faun 6034:Bacchantes Embracing 5925:Kneeling Female Faun 5845:Ovid's Metamorphoses 5607:Ugolino and His Sons 4908:The Bronzes of Rodin 4797:Museum of Modern Art 4658:4 March 2016 at the 4415:Museum of Modern Art 4392:, Collection Online" 4361:on 6 September 2015. 4269:Lampert, Catherine. 4102:"Art: Rodin's Death" 3419:. 17 November 2013. 2082:Camille Claudel 1915 2028:Alexander Archipenko 1930:University of Oxford 1727:Chicago World's Fair 1700:Jardin des Tuileries 1513:masterpiece", then " 1397:His undated drawing 1131:Philippa of Hainault 833:A second male nude, 434:École des Beaux-Arts 6197:Rodin — The Thinker 6191:1909 Bourdelle bust 6073:The Death of Adonis 5782:Paolo and Francesca 5655:Bust of Victor Hugo 5286:10 May 2010 at the 5261:Nov 1987 – Jan 1988 4776:. Munich: Prestel. 4674:Insight on the News 4372:Edith Balas, 1998, 4112:on 6 November 2007. 3822:Clark Art Institute 3743:Contemporary Review 3480:, Washington, D.C. 3381:Portraits of a lady 2312:Schjeldahl, Peter. 1976:Constantin Brâncuși 1641:Joris-Karl Huysmans 1380:Countess of Warwick 1376:George Bernard Shaw 1178:Rodin in mid-career 1105:(1884–ca. 1889) in 1072:, the mythological 1052:(originally titled 859:Despite the title, 716:that she was sane. 676:Although busy with 529:John Singer Sargent 488:Franco-Prussian War 469:Antoine-Louis Barye 465:Peter Julian Eymard 380:Constantin Brâncuși 6542:French printmakers 6331:List of sculptures 5980:Monument to Balzac 5956:Brother and Sister 5853:Pierre de Wiessant 5663:Eternal Springtime 5494:List of sculptures 5349:Ranier Maria Rilke 5225:Rodin Wing - Guide 5209:Musée Rodin, Paris 5042:(transl.) (2014). 4589:The New York Times 4049:The New York Times 4034:The New York Times 4016:The New York Times 3973:on 7 December 2011 3675:. 1 October 2015. 2860:Rodin: A Biography 2370:The New York Times 1704: 1633:Rainer Maria Rilke 1621: 1579:High Museum of Art 1531:is his own hand." 1502:handling of clay. 1475:Charles Baudelaire 1425: 1392:Georges Clemenceau 1332: 1301:Monument to Balzac 1274:Georges Clemenceau 1239:Monument to Balzac 1234: 1180: 1119:Hundred Years' War 1111: 1047: 995:Carrying her Stone 914: 831: 746: 709: 674: 585: 533: 430: 330:Monument to Balzac 158:L'homme qui marche 6494: 6493: 6283: 6282: 6200:(1902 photograph) 6147:Museu Rodin Bahia 5556:The Gates of Hell 5524:The Age of Bronze 5180:Library resources 5146:978-81-295-1331-1 4823:978-0-300-16725-2 4529:. 23 March 2013. 3993:Cornhill Magazine 3645:. 25 April 2018. 2811:"Camille Claudel" 2777:. 19 April 2023. 2044:Wilhelm Lehmbruck 1972:Antoine Bourdelle 1772:Harriet Hallowell 1756:Burgher of Calais 1600:The Age of Bronze 1483:French cathedrals 1403:Cornelius Gurlitt 1310:Boulevard Raspail 1109:, London, England 959:The Gates of Hell 923:The Gates of Hell 906:The Gates of Hell 896:The Gates of Hell 889:The Gates of Hell 878:The Age of Bronze 849:The Age of Bronze 813:The Age of Bronze 800:, suggesting the 798:The Age of Bronze 775:The Age of Bronze 741:The Age of Bronze 678:The Gates of Hell 541:The Age of Bronze 509:The Age of Bronze 376:Antoine Bourdelle 348:The Gates of Hell 274: 273: 138:The Age of Bronze 16:(Redirected from 6574: 6486: 6485: 6310: 6303: 6296: 6287: 6286: 6273: 6272: 6263: 6262: 6043: 6040: 6028: 6025: 6005: 6002: 5996:Youth Triumphant 5950: 5947: 5893:The Kneeling Man 5885:Standing Mercury 5821:The Three Shades 5815: 5812: 5758:Avarice and Lust 5702:The Prodigal Son 5680: 5677: 5473: 5466: 5459: 5450: 5449: 5445: 5439: 5431: 5411: 5372: 5337: 5336: 5330: 5317:Abbaye de Flaran 5308:Internet Archive 5255:Rodin Exhibition 5214:Friends of Rodin 5163:Tobias G. 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Archived from 4346: 4340: 4339: 4337: 4335: 4319: 4313: 4312: 4310: 4308: 4289: 4283: 4282: 4280: 4278: 4266: 4260: 4259:Taillandier, 23. 4257: 4251: 4250: 4222: 4213: 4212: 4184: 4173: 4172: 4170: 4168: 4153: 4147: 4146: 4130: 4120: 4114: 4113: 4098: 4092: 4089: 4083: 4082: 4080: 4078: 4059: 4053: 4052: 4044: 4038: 4037: 4029: 4020: 4019: 4011: 4005: 4002: 3996: 3989: 3983: 3982: 3980: 3978: 3963: 3957: 3954: 3948: 3947: 3944:(2nd supplement) 3938: 3927: 3921: 3920: 3908: 3902: 3899: 3893: 3890: 3884: 3877: 3871: 3868: 3859: 3853: 3847: 3844: 3838: 3837: 3835: 3833: 3814: 3808: 3807: 3805: 3803: 3783: 3777: 3776: 3774: 3772: 3757: 3751: 3750: 3738: 3732: 3731: 3721: 3715: 3712: 3706: 3705: 3695: 3689: 3688: 3686: 3684: 3665: 3659: 3658: 3656: 3654: 3639: 3633: 3632: 3630: 3628: 3617:emuseum.mfah.org 3609: 3603: 3602: 3600: 3598: 3578: 3572: 3571: 3569: 3567: 3548: 3539: 3536: 3525: 3524: 3512: 3503: 3500: 3494: 3493: 3491: 3489: 3475: 3463: 3457: 3454: 3448: 3447: 3439: 3433: 3432: 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2433: 2427: 2426: 2398: 2383: 2380: 2374: 2373: 2365: 2356: 2353: 2347: 2340: 2334: 2333: 2328: 2326: 2309: 2303: 2298:William Tucker, 2296: 2290: 2289: 2287: 2285: 2266: 2260: 2248: 2161: 2146: 2129: 2112: 2079:portrays Rodin, 2077:Gérard Depardieu 2048:Jacques Lipchitz 2016:Aristide Maillol 1927: 1924:Légion d'honneur 1898: 1886: 1827:Anthony Ludovici 1736:Cupid and Psyche 1590: 1569: 1286:, art historian 1210:Honoré de Balzac 1016:The Prodigal Son 970:The Three Shades 911:Kunsthaus Zürich 866:John the Baptist 686:Honoré de Balzac 583: 580: 316: 311: 307: 306: 303: 302: 299: 296: 293: 290: 287: 266: 248: 245:Légion d'Honneur 232: 230: 202: 188: 174: 160: 146: 130: 104: 101:17 November 1917 89:12 November 1840 88: 86: 67: 53: 52: 21: 6582: 6581: 6577: 6576: 6575: 6573: 6572: 6571: 6567:Camille Claudel 6497: 6496: 6495: 6490: 6476: 6455: 6433:Camille Claudel 6425:Camille Claudel 6396: 6375: 6319: 6317:Camille Claudel 6314: 6284: 6279: 6251: 6235: 6213:Camille Claudel 6205:Camille Claudel 6174: 6170:Camille Claudel 6158: 6119: 6089:The Walking Man 6041: 6026: 6003: 5948: 5813: 5750:Jean de Fiennes 5678: 5631:The Falling Man 5591:Crouching Woman 5508:Alsatian Orphan 5482: 5477: 5433: 5432: 5420: 5365:Auguste Rodin, 5362: 5334: 5288:Wayback Machine 5272:Wayback Machine 5259:Brooklyn Museum 5205: 5204: 5203: 5188: 5187: 5183: 5176: 5130: 5107: 5088: 5054: 5034: 5032:Further reading 5029: 5011: 4992: 4969: 4946: 4899: 4863: 4824: 4784: 4767: 4762: 4761: 4751: 4749: 4735: 4734: 4730: 4715: 4711: 4701: 4699: 4690: 4689: 4685: 4670: 4666: 4660:Wayback Machine 4651: 4647: 4637: 4635: 4620: 4616: 4606: 4604: 4581: 4577: 4567: 4565: 4550: 4546: 4536: 4534: 4521: 4520: 4516: 4499: 4498: 4494: 4484: 4482: 4469: 4468: 4464: 4454: 4452: 4451:on 8 March 2020 4439: 4438: 4434: 4424: 4422: 4407: 4403: 4386: 4385: 4381: 4370: 4366: 4347: 4343: 4333: 4331: 4320: 4316: 4306: 4304: 4291: 4290: 4286: 4276: 4274: 4267: 4263: 4258: 4254: 4239:10.2307/3257752 4223: 4216: 4185: 4176: 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2085:from 2013, and 2072:Camille Claudel 2012:Margaret Winser 2004:Gustav Vigeland 1996:François Pompon 1988:Malvina Hoffman 1984:Charles Despiau 1980:Camille Claudel 1941:The Walking Man 1909: 1902: 1899: 1890: 1887: 1835:erotic drawings 1823:Albert Ludovici 1804:Robert Browning 1785:Alphonse Legros 1780: 1687: 1671:Wanda Landowska 1618:Alphonse Legros 1610: 1603: 1591: 1582: 1570: 1549:The Walking Man 1499: 1455:The Walking Man 1420:The Walking Man 1411: 1327:(1890s) in the 1325:Reclining Woman 1318: 1188:artist and muse 1172: 1123:King Edward III 1094: 1088: 1033: 1027: 1010:The Falling Man 898: 892: 770: 733: 671:Camille Claudel 649:Camille Claudel 581: 518: 419:Alphonse Legros 401: 399:Formative years 396: 384:Charles Despiau 372:Camille Claudel 309: 284: 280: 234: 226: 222: 219: 206: 152:The Walking Man 128: 112: 106: 102: 93: 90: 84: 82: 81: 80: 70: 69:1902 photograph 58: 49: 39:Rodin (surname) 35: 28: 23: 22: 15: 12: 11: 5: 6580: 6570: 6569: 6564: 6559: 6554: 6549: 6544: 6539: 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1718:and his wife, 1686: 1683: 1668:harpsichordist 1664:Isadora Duncan 1637:Octave Mirbeau 1635:, and authors 1609: 1606: 1605: 1604: 1592: 1585: 1583: 1571: 1564: 1498: 1495: 1410: 1407: 1372:George Wyndham 1317: 1314: 1171: 1168: 1144:Jean Froissart 1121:, the army of 1090:Main article: 1087: 1082: 1029:Main article: 1026: 1021: 909:(unfinished), 894:Main article: 891: 886: 794:The Vanquished 769: 766: 732: 729: 645:Alfred Boucher 613:Edmund Turquet 582: 1875–80 517: 514: 400: 397: 395: 392: 272: 271: 268: 267: 259: 258: 254: 253: 250: 249: 240: 236: 235: 224: 220: 215: 214: 212: 208: 207: 205: 204: 190: 176: 162: 148: 144:L'age d'airain 133: 131: 125: 124: 118: 117:Known for 114: 113: 107: 105:(aged 77) 99: 95: 94: 91: 78: 76: 72: 71: 68: 60: 59: 56: 26: 9: 6: 4: 3: 2: 6579: 6568: 6565: 6563: 6560: 6558: 6555: 6553: 6550: 6548: 6545: 6543: 6540: 6538: 6535: 6533: 6530: 6528: 6525: 6523: 6520: 6518: 6515: 6513: 6510: 6508: 6507:Auguste Rodin 6505: 6504: 6502: 6489: 6479: 6473: 6470: 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Studios 2094: 2090: 2089: 2084: 2083: 2078: 2074: 2073: 2067: 2065: 2061: 2060:Ossip Zadkine 2057: 2053: 2052:Pablo Picasso 2049: 2045: 2041: 2037: 2033: 2029: 2025: 2021: 2017: 2013: 2009: 2005: 2001: 1997: 1993: 1989: 1985: 1981: 1977: 1973: 1969: 1964: 1962: 1958: 1957:Google Doodle 1954: 1950: 1944: 1942: 1938: 1933: 1931: 1926: 1925: 1919: 1915: 1897: 1892: 1889:Rodin in 1914 1885: 1880: 1879: 1878: 1876: 1872: 1868: 1864: 1859: 1857: 1856:Île-de-France 1853: 1849: 1843: 1840: 1836: 1830: 1828: 1824: 1820: 1816: 1812: 1807: 1805: 1801: 1796: 1794: 1790: 1786: 1778:Great Britain 1775: 1773: 1769: 1764: 1762: 1757: 1753: 1752:Bust of Dalou 1749: 1747: 1746: 1741: 1737: 1732: 1728: 1723: 1722:(1849–1918). 1721: 1720:Bertha Palmer 1717: 1716:Potter Palmer 1713: 1709: 1701: 1697: 1696: 1695:Ève au rocher 1691: 1685:United States 1682: 1680: 1679:Moissey Kogan 1676: 1672: 1669: 1665: 1661: 1657: 1653: 1648: 1646: 1642: 1638: 1634: 1630: 1626: 1619: 1614: 1602: 1601: 1596: 1589: 1584: 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