Rock music - Knowledge

1243: 4442: 7186:.) In popular music, there has been a gendered "distinction between public (male) and private (female) participation" in music. "Several scholars have argued that men exclude women from bands or from the bands' rehearsals, recordings, performances, and other social activities". "Women are regarded as passive and private consumers of slick, prefabricated – hence, inferior – pop music ..., excluding them from participating as high status rock musicians". One of the reasons that there are mixed gender bands is that "bands operate as tight-knit units in which homosocial solidarity – social bonds between people of the same sex ... – plays a crucial role". In the 1960s rock music scene, "singing was sometimes an acceptable pastime for a girl, but playing an instrument ... simply wasn't done". 4581: 7167: 4875: 6181:, with American influences, including post-grunge. Drawn from across the United Kingdom (with several important bands emerging from the north of England, Scotland, Wales and Northern Ireland), the themes of their music tended to be less parochially centered on British, English and London life and more introspective than had been the case with Britpop at its height. This, beside a greater willingness to engage with the American press and fans, may have helped some of them in achieving international success. Several alternative bands that had enjoyed some success during the mid-1990s, but did not find major commercial success until the late 1990s included 2153: 1514: 5675: 5523: 7026: 5052: 5938: 2917: 3406: 4562: 6671: 2739: 6304:(2003). The new emo had a much more mainstream sound than in the 1990s and a far greater appeal amongst adolescents than its earlier incarnations. At the same time, use of the term emo expanded beyond the musical genre, becoming associated with fashion, a hairstyle and any music that expressed emotion. By 2003 post-hardcore bands had also caught the attention of major labels and began to enjoy mainstream success in the album charts. A number of these bands were seen as a more aggressive offshoot of emo and given the often vague label of 895: 5426: 1197: 5348: 4256: 2398: 1980: 17757: 5015:, who incorporated elements of religious imagery together with political commentary into their often anthemic music, and by the late 1980s had become one of the biggest bands in the world. Although many post-punk bands continued to record and perform, it declined as a movement in the mid-1980s as acts disbanded or moved off to explore other musical areas, but it has continued to influence the development of rock music and has been seen as a major element in the creation of the alternative rock movement. 3830: 17376: 5207: 17745: 5689:

the less commercial contours of the scene were increasingly referred to by the label indie. They characteristically attempted to retain control of their careers by releasing albums on their own or small independent labels, while relying on touring, word-of-mouth, and airplay on independent or college radio stations for promotion. Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands like

6162: 4387: 6327: 1551: 3064: 1410:." The predominance of white, male, and often middle class musicians in rock music has often been noted, and rock has been seen as an appropriation of Black musical forms for a young, white and largely male audience. As a result, it has also been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll usually implies an identification of male sexuality and aggression". 4025: 17314: 3672: 2484: 17326: 1841: 3220: 6515: 3668:(1970). Reflecting on this change of trends in rock music over the past few years, Christgau wrote in his June 1970 "Consumer Guide" column that this "new orthodoxy" and "cultural lag" abandoned improvisatory, studio-ornamented productions in favor of an emphasis on "tight, spare instrumentation" and song composition: "Its referents are '50s rock, country music, and rhythm-and-blues, and its key inspiration is the Band." 7189:"The rebellion of rock music was a male rebellion; the women – often, in the 1950s and '60s, girls in their teens – in rock sang songs as personæ dependent on their macho boyfriends ...". Philip Auslander says that "Although there were many women in rock by the late 1960s, most performed only as singers, a feminine position in popular music". Though some women played instruments in American 1924:), moved on to play rock and roll. While former rock and roll market in the US was becoming dominated by lightweight pop and ballads, British rock groups at clubs and local dances were developing a style more strongly influenced by blues-rock pioneers, and were starting to play with an intensity and drive seldom found in white American acts; this influence would go on to shape the future of rock music through the 4724: 3518: 7233: 3591:– there were lots of songs about the rock and roll life but very few about how rock could change the world, except as a new brand of painkiller ... In the '70s the powerful took over, as rock industrialists capitalized on the national mood to reduce potent music to an often reactionary species of entertainment—and to transmute rock's popular base from the audience to market." 3379:. With the advent of punk rock and technological changes in the late 1970s, progressive rock was increasingly dismissed as pretentious and overblown. Many bands broke up, but some, including Genesis, ELP, Yes, and Pink Floyd, regularly scored top ten albums with successful accompanying worldwide tours. Some bands which emerged in the aftermath of punk, such as 6342:. Because the bands came from across the globe, cited diverse influences (from traditional blues, through New Wave to grunge), and adopted differing styles of dress, their unity as a genre has been disputed. There had been attempts to revive garage rock and elements of punk in the 1980s and 1990s and by 2000 scenes had grown up in several countries. 3033:, during which rock music transitioned from the singles format to albums and achieved cultural legitimacy in the mainstream. Led by the Beatles in the mid-1960s, rock musicians advanced the LP as the dominant form of recorded music expression and consumption, initiating a rock-informed album era in the music industry for the next several decades. 4228:(1977) was the best-selling album of the decade. In contrast, hard rock was more often derived from blues-rock and was played louder and with more intensity. It often emphasised the electric guitar, both as a rhythm instrument using simple repetitive riffs and as a solo lead instrument, and was more likely to be used with 5399:, who produced a series of successful albums and singles. For a while the contest between Blur and Oasis was built by the popular press into the "Battle of Britpop", initially won by Blur, but with Oasis achieving greater long-term and international success, directly influencing later Britpop bands, such as 4503:, it was partly a reaction to post-industrial urban decline in the East and Mid-West, often dwelling on issues of social disintegration and isolation, beside a form of good-time rock and roll revivalism. The genre reached its commercial, artistic and influential peak in the mid-1980s, with Springsteen's 7181:

have featured women as lead singers with men playing instruments. According to Schaap and Berkers, "playing in a band is a male homosocial activity, that is, learning to play in a band is a peer-based ... experience, shaped by existing sex-segregated friendship networks. They note that rock music "is

5374:

phenomenon and as a reassertion of a British rock identity. Britpop was varied in style, but often used catchy tunes and hooks, beside lyrics with particularly British concerns and the adoption of the iconography of the 1960s British Invasion, including the symbols of British identity previously used

5225:

area) formed a new style of rock which sharply contrasted with the mainstream music of the time. The developing genre came to be known as "grunge", a term descriptive of the dirty sound of the music and the unkempt appearance of most musicians, who actively rebelled against the over-groomed images of

5066:

The term alternative rock was coined in the early 1980s to describe rock artists who did not fit into the mainstream genres of the time. Bands dubbed "alternative" had no unified style, but were all seen as distinct from mainstream music. Alternative bands were linked by their collective debt to punk

4572:

Punk rock was developed between 1974 and 1976 in the United States and the United Kingdom. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed the perceived excesses of mainstream 1970s rock. They created fast, hard-edged music, typically with short

3554:

The decade is, of course, an arbitrary schema itself—time doesn't just execute a neat turn toward the future every ten years. But like a lot of artificial concepts—money, say—the category does take on a reality of its own once people figure out how to put it to work. "The '60s are over," a slogan one

1215:

guitarists. The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered jazz music in the same era, and by percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has often been complemented by the inclusion of

4758:

began to infiltrate the punk scene; in some quarters the description "new wave" began to be used to differentiate these less overtly punk bands. Record executives, who had been mostly mystified by the punk movement, recognized the potential of the more accessible new wave acts and began aggressively

4536:

Heartland rock faded away as a recognized genre by the early 1990s, as rock music in general, and blue-collar and white working class themes in particular, lost influence with younger audiences, and as heartland's artists turned to more personal works. Many heartland rock artists continued to record

3615:

Roots rock is the term now used to describe a move away from what some saw as the excesses of the psychedelic scene, to a more basic form of rock and roll that incorporated its original influences, particularly blues, country and folk music, leading to the creation of country rock and Southern rock.

7080:

When an international rock culture developed, it supplanted cinema as the major sources of fashion influence. Paradoxically, followers of rock music have often mistrusted the world of fashion, which has been seen as elevating image above substance. Rock fashions have been seen as combining elements

6625:

rules, caused widespread cancellations and postponements of concerts, tours, festivals, album releases, award ceremonies, and competitions. Some artists resorted to giving online performances to keep their careers active. Another scheme to circumvent the quarantine limitations was used at a concert

5688:

In the 1980s the terms indie rock and alternative rock were used interchangeably. By the mid-1990s, as elements of the movement began to attract mainstream interest, particularly grunge and then Britpop, post-grunge and pop-punk, the term alternative began to lose its meaning. Those bands following

4619:

on 1 December 1976, was the watershed moment in British punk's transformation into a major media phenomenon, even as some stores refused to stock the records and radio airplay was hard to come by. In May 1977, the Sex Pistols achieved new heights of controversy (and number two on the singles chart)

3425:

states that the term jazz-rock "may refer to the loudest, wildest, most electrified fusion bands from the jazz camp, but most often it describes performers coming from the rock side of the equation." Jazz-rock "...generally grew out of the most artistically ambitious rock subgenres of the late '60s

2377:

Garage rock was a raw form of rock music, particularly prevalent in North America in the mid-1960s and so called because of the perception that it was rehearsed in the suburban family garage. Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" and

7141:

Since its early development, rock music has been associated with rebellion against social and political norms, most in early rock and roll's rejection of an adult-dominated culture, the counterculture's rejection of consumerism and conformity and punk's rejection of all forms of social convention,

5553:, and the more hardcore-influenced elements of alternative rock in the 1980s. Pop-punk tends to use power-pop melodies and chord changes with speedy punk tempos and loud guitars. Punk music provided the inspiration for some California-based bands on independent labels in the early 1990s, including 5491:

emerged. Bands like Creed and Nickelback took post-grunge into the 21st century with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs, and were followed in this vein by newer acts including

5436:

The term post-grunge was coined for the generation of bands that followed the emergence into the mainstream and subsequent hiatus of the Seattle grunge bands. Post-grunge bands emulated their attitudes and music, but with a more radio-friendly commercially oriented sound. Often they worked through

5114:

Few of these early bands achieved mainstream success, although exceptions to this rule include R.E.M., the Smiths, and the Cure. Despite a general lack of spectacular album sales, the original alternative rock bands exerted a considerable influence on the generation of musicians who came of age in

4347:

from Germany, all marking the expansion in popularity of the subgenre. Despite a lack of airplay and very little presence on the singles charts, late-1970s heavy metal built a considerable following, particularly among adolescent working-class males in North America and Europe. In the 1980s, bands

1413:

Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it is often distanced by an emphasis on musicianship, live performance, and a focus on serious

6287:

Emo also emerged from the hardcore scene in 1980s Washington, D.C., initially as "emocore", used as a term to describe bands who favored expressive vocals over the more common abrasive, barking style. The early emo scene operated as an underground, with short-lived bands releasing small-run vinyl

6176:

From about 1997, as dissatisfaction grew with the concept of Cool Britannia, and Britpop as a movement began to dissolve, emerging bands began to avoid the Britpop label while still producing music derived from it. Many of these bands tended to mix elements of British traditional rock (or British

5853:

Alternative metal emerged from the hardcore scene of alternative rock in the US in the later 1980s, but gained a wider audience after grunge broke into the mainstream in the early 1990s. Early alternative metal bands mixed a wide variety of genres with hardcore and heavy metal sensibilities, with

5441:

or hard rock. The term post-grunge originally was meant to be pejorative, suggesting that they were simply musically derivative, or a cynical response to an "authentic" rock movement. Originally, grunge bands that emerged when grunge was mainstream and were suspected of emulating the grunge sound

2306:

and even temporarily derailed the chart success of surviving rock and roll acts, including Elvis. The British Invasion also played a major part in the rise of a distinct genre of rock music, and cemented the primacy of the rock group, based on guitars and drums and producing their own material as

2123:

top 100 and helped make the surf music craze a national phenomenon. It is often argued that the surf music craze and the careers of almost all surf acts was effectively ended by the arrival of the British Invasion from 1964, because most surf music hits were recorded and released between 1960 and

5287:

was more melodic than its predecessors, by signing to Geffen Records the band was one of the first to employ traditional corporate promotion and marketing mechanisms such as an MTV video, in store displays and the use of radio "consultants" who promoted airplay at major mainstream rock stations.

1880:

of major American rock and roll hits before the recordings could spread internationally, often translating them into local languages where appropriate. Steele in particular toured Britain, Scandinavia, Australia, the USSR and South Africa from 1955 to 1957, influencing the globalisation of rock.

6283:

Post-hardcore developed in the US, particularly in the Chicago and Washington, DC areas, in the early to mid-1980s, with bands that were inspired by the do-it-yourself ethics and guitar-heavy music of hardcore punk, but influenced by post-punk, adopting longer song formats, more complex musical

2224:

acts tended towards less sexually innocent, more aggressive songs, often adopting an anti-establishment stance. There was, however, particularly in the early stages, considerable musical crossover between the two tendencies. By 1963, led by the Beatles, beat groups had begun to achieve national

1936:

The first four years of the 1960s has traditionally been seen as an era of hiatus for rock and roll. More recently some authors have emphasised important innovations and trends in this period without which future developments would not have been possible. While early rock and roll, particularly

2458:

groups) to adopt a British influence, and encouraging many more groups to form. Thousands of garage bands were extant in the United States and Canada during the era and hundreds produced regional hits. Despite scores of bands being signed to major or large regional labels, most were commercial

1937:

through the advent of rockabilly, saw the greatest commercial success for male and white performers, in this era, the genre was dominated by black and female artists. Rock and roll had not disappeared entirely from music at the end of the 1950s and some of its energy can be seen in the various

1337:

derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock. Because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is

6542:

suggested that hip-hop became more popular because it is a more transformative genre and does not need to rely on past sounds, and that there is a direct connection to the stagnation of rock music and changing social attitudes during the 2010s. Bill Flanagan, in a 2016 opinion piece for

6481:

advanced, it became possible to create high quality music using little more than a single laptop computer. This resulted in a massive increase in the amount of home-produced electronic music available to the general public via the expanding internet, and new forms of performance such as

3276:. Most British bands depended on a relatively small cult following, but a handful, including Pink Floyd, Genesis, and Jethro Tull, managed to produce top ten singles at home and break the American market. The American brand of progressive rock varied from the eclectic and innovative 2293:

The British Invasion helped internationalize the production of rock and roll, opening the door for subsequent British (and Irish) performers to achieve international success. In America it arguably spelled the end of instrumental surf music, vocal girl groups and (for a time) the

3930:. While highly successful in the single charts in the United Kingdom, very few of these musicians were able to make a serious impact in the United States; Bowie was the major exception becoming an international superstar and prompting the adoption of glam styles among acts like 6799:

performing a heavier, more riff-based version of neo-psychedelia containing stronger blues and metal influences. Europe has been described as "really good" for new psychedelic music, with many American stoner rock bands choosing to tour in Europe as opposed to North America.

3787:, soul, and country in the early 1970s. The most successful act to follow them were Lynyrd Skynyrd, who helped establish the "Good ol' boy" image of the subgenre and the general shape of 1970s' guitar rock. Their successors included the fusion/progressive instrumentalists 2220:, were much more directly influenced by rhythm and blues and later blues music. Soon these groups were composing their own material, combining US forms of music and infusing it with a high energy beat. Beat bands tended towards "bouncy, irresistible melodies", while early 7081:

of different cultures and periods, as well as expressing divergent views on sexuality and gender, and rock music in general has been noted and criticised for facilitating greater sexual freedom. Rock has also been associated with various forms of drug use, including the

7182:

often defined as a form of male rebellion vis-à-vis female bedroom culture." (The theory of "bedroom culture" argues that society influences girls to not engage in crime and deviance by virtually trapping them in their bedroom; it was identified by a sociologist named

2253:

singles chart, including the entire top five. The Beatles went on to become the biggest selling rock band of all time and they were followed into the US charts by numerous British bands. During the next two years British acts dominated their own and the US charts with

2896:. However, the hybridization of folk and rock has been seen as having a major influence on the development of rock music, bringing in elements of psychedelia, and helping to develop the ideas of the singer-songwriter, the protest song, and concepts of "authenticity". 3479:. From the psychedelic rock and the Canterbury scenes came Soft Machine, who, it has been suggested, produced one of the artistically successfully fusions of the two genres. Perhaps the most critically acclaimed fusion came from the jazz side of the equation, with 2378:

unfair social circumstances being particularly common. The lyrics and delivery tended to be more aggressive than was common at the time, often with growled or shouted vocals that dissolved into incoherent screaming. They ranged from crude one-chord music (like

4475:

counterpart to West Coast country rock and the Southern rock of the American South. Led by figures who had initially been identified with punk and New Wave, it was most strongly influenced by acts such as Bob Dylan, the Byrds, Creedence Clearwater Revival and

6634:. Musically, the pandemic led to a surge in new releases from the slower, less energetic, and more acoustic subgenres of rock music. The industry raised funds to help itself through efforts such as Crew Nation, a relief fund for live music crews organised by 5320:

album featuring members of Pearl Jam and Soundgarden, became among the 100 top-selling albums. Major record labels signed most of the remaining grunge bands in Seattle, while a second influx of acts moved to the city in the hope of success. However, with the

4888:

If hardcore most directly pursued the stripped down aesthetic of punk, and new wave came to represent its commercial wing, post-punk emerged in the later 1970s and early 1980s as its more artistic and challenging side. Major influences beside punk bands were

2687:

Early blues rock bands often emulated jazz, playing long, involved improvisations, which would later be a major element of progressive rock. From about 1967 bands like Cream and the Jimi Hendrix Experience had moved away from purely blues-based music into

4423:, who achieved considerable mainstream success in the 1980s, was more controversial. From the 1990s there were increasing numbers of acts who attempted to avoid the Christian band label, preferring to be seen as groups who were also Christians, including 9365: 1449:

that caters to his sensibility as "a rock-and-roller", including a fondness for a good beat, a meaningful lyric with some wit, and the theme of youth, which holds an "eternal attraction" so objective "that all youth music partakes of sociology and the

6538:, the latter of which had surpassed it as the most consumed musical genre in the United States by 2017. The rise of streaming and the advent of technology, which changed approaches toward music creation, were cited as major factors. Ken Partridge of 7137:

concert for Ethiopia in 1985, which, while raising awareness of world poverty and funds for aid, have also been criticised (along with similar events), for providing a stage for self-aggrandisement and increased profits for the rock stars involved.

5716:

By the end of the 1990s many recognisable subgenres, most with their origins in the late 1980s alternative movement, were included under the umbrella of indie. Lo-fi eschewed polished recording techniques for a D.I.Y. ethos and was spearheaded by

3844:

Glam rock emerged from the English psychedelic and art rock scenes of the late 1960s and can be seen as both an extension of and reaction against those trends. Musically diverse, varying between the simple rock and roll revivalism of figures like

3426:

and early '70s", including the singer-songwriter movement. Many early US rock and roll musicians had begun in jazz and carried some of these elements into the new music. In Britain the subgenre of blues rock, and many of its leading figures, like

6251:(2000), achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s, arguably providing a launchpad for the subsequent 7205:

emerged in 1973, "no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader". According to Auslander, she was "kicking down the male door in rock and roll and proving that a female

5119:, associated with the early recordings of R.E.M., which incorporated the ringing guitars of mid-1960s pop and rock, and college rock, used to describe alternative bands that began in the college circuit and college radio, including acts such as 1889:" was one of the earliest Australian rock and roll hits. By the late 1950s, as well as in the American-influenced Western world, rock was popular in communist states such as Yugoslavia, and the USSR, as well as in regions such as South America. 2245:

on 9 February 1964, drawing an estimated 73 million viewers (at the time a record for an American television program) is considered a milestone in American pop culture. During the week of 4 April 1964, the Beatles held 12 positions on the

4111:

album, including the eponymous "Vestido Mojado", as well as "Por Una Mujer Casada" and "Puño de Tierra"; his brothers had successful New Mexico music singles in "La Del Moño Colorado" by Tiny Morrie and "La Cumbia De San Antone" by Baby Gaby.

4197:

From the late 1960s it became common to divide mainstream rock music into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included

3644:, both of which mixed basic rock and roll with folk, country and blues, to be among the most successful and influential bands of the late 1960s. The same movement saw the beginning of the recording careers of Californian solo artists like 2459:

failures. It is generally agreed that garage rock peaked both commercially and artistically around 1966. By 1968 the style largely disappeared from the national charts and at the local level as amateur musicians faced college, work or the

3125:(1967) and subsequently created orchestral sounds with synthesizers. Classical orchestration, keyboards, and synthesizers were a frequent addition to the established rock format of guitars, bass, and drums in subsequent progressive rock. 2828:, Dylan (even before his adoption of electric instruments) influenced rock musicians like the Beatles, demonstrating "to the rock generation in general that an album could be a major standalone statement without hit singles", such as on 989:, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s. 4405:

Rock, mostly the heavy metal genre, has been criticized by some Christian leaders, who have condemned it as immoral, anti-Christian and even satanic. However, Christian rock began to develop in the late 1960s, particularly out of the

1721:

Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with "hillbilly" country music, which was usually played and recorded in the mid-1950s by white singers such as

1530:

The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various

1224:

band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums). A group of musicians performing rock music is termed as a rock band or a rock group. Furthermore, it typically consists of between three (the

12056: 4615:, in London, were recognized as the vanguard of a new musical movement. The following year saw punk rock spreading around the world. Punk quickly became a major cultural phenomenon in the UK. The Sex Pistols' live TV skirmish with 2394:). There were also regional variations in many parts of the country with flourishing scenes particularly in California and Texas. The Pacific Northwest states of Washington and Oregon had perhaps the most defined regional sound. 6385:(2002). They were christened by the media as the "The" bands, and dubbed "The saviours of rock 'n' roll", leading to accusations of hype. A second wave of bands that gained international recognition due to the movement included 2978:

did extended distorted, feedback-filled jams which became a key feature of psychedelia. Psychedelic rock reached its apogee in the last years of the decade. 1967 saw the Beatles release their definitive psychedelic statement in

4270:

From the late 1960s the term "heavy metal" began to be used to describe some hard rock played with even more volume and intensity, first as an adjective and by the early 1970s as a noun. The term was first used in music in

2195:

from Manchester. They drew on a wide range of American influences including 1950s rock and roll, soul, rhythm and blues, and surf music, initially reinterpreting standard American tunes and playing for dancers. Bands like

4418:

scene. Starting in the 1980s Christian pop performers have had some mainstream success. While these artists were largely acceptable in Christian communities, the adoption of heavy rock and glam metal styles by bands like

11802: 2861:. In 1969 Fairport Convention abandoned their mixture of American covers and Dylan-influenced songs to play traditional English folk music on electric instruments. This British folk-rock was taken up by bands including 5411:. Although its more popular bands, particularly Blur and Oasis, were able to spread their commercial success overseas, especially to the United States, the movement had largely fallen apart by the end of the decade. 3420:

In the late 1960s, jazz-rock emerged as a distinct subgenre out of the blues-rock, psychedelic, and progressive rock scenes, mixing the power of rock with the musical complexity and improvisational elements of jazz.

1821:

scandal (which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songs), gave a sense that the rock and roll era established at that point had come to an end.

1422:, rock was "something more than pop, something more than rock and roll" and "ock musicians combined an emphasis on skill and technique with the romantic concept of art as artistic expression, original and sincere". 6337:

In the early 2000s, a new group of bands that played a stripped down and back-to-basics version of guitar rock, emerged into the mainstream. They were variously characterised as part of a garage rock, post-punk or

3184:, is often taken as the key recording in progressive rock, helping the widespread adoption of the genre in the early 1970s among existing blues-rock and psychedelic bands, as well as newly formed acts. The vibrant 14361: 1949:" (1960). Some music historians have also pointed to important and innovative technical developments that built on rock and roll in this period, including the electronic treatment of sound by such innovators as 7120:

and exploiting that culture. While rock music has absorbed many influences and introduced Western audiences to different musical traditions, the global spread of rock music has been interpreted as a form of

14127: 5618:, who made use of humour in their videos and had a more radio-friendly tone to their music, while retaining the speed, some of the attitude and even the look of 1970s punk. Later pop-punk bands, including 6210:

Post-Britpop bands have been seen as presenting the image of the rock star as an ordinary person and their increasingly melodic music was criticised for being bland or derivative. Post-Britpop bands like

5246:. The lyrics were typically apathetic and angst-filled, and often concerned themes such as social alienation and entrapment, although it was also known for its dark humor and parodies of commercial rock. 3946:, often known as "glitter rock" and with a darker lyrical content than their British counterparts. In the UK the term glitter rock was most often used to refer to the extreme version of glam pursued by 5370:

scene, which had dissolved in the early 1990s. The movement has been seen partly as a reaction against various US-based, musical and cultural trends in the late 1980s and early 1990s, particularly the

1817:

and Ritchie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become a preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the

3910:

developed his Ziggy Stardust persona, incorporating elements of professional make up, mime and performance into his act. These performers were soon followed in the style by acts including Roxy Music,

6740:

described Australia as a place where "independently minded rock bands are free to develop at their own pace". Other Australian psychedelic and progressive revival acts of the 2010s and 2020s include

4537:

with critical and commercial success, most notably Bruce Springsteen, Tom Petty, and John Mellencamp, although their output became more personal and experimental, no longer fitting a specific genre.

5567:, which found a new, largely teenage, audience and proved a surprise diamond-selling success, leading to a series of hit singles, including two number ones in the US. They were soon followed by the 6550:

The rock bands which had chart success in the 2010s were mostly associated with the trends that had been popular in the 2000s and earlier decades rather than reflecting new scenes and sounds. Some

4471:

and Styx, but which came to be associated with a more socially concerned form of roots rock more directly influenced by folk, country and rock and roll. It has been seen as an American Midwest and

2577:

album (1966), considered one of the seminal British blues recordings and the sound of which was much emulated in both Britain and the United States. Eric Clapton went on to form supergroups Cream,

14912: 3718:

who helped establish the respectability and parameters of the genre, before Parsons departed to pursue a solo career. Bands in California that adopted country rock included Hearts and Flowers,

3555:

only began to hear in 1972 or so, mobilized all those eager to believe that idealism had become passe, and once they were mobilized, it had. In popular music, embracing the '70s meant both an

11509: 11486: 6963:

During the mid-to-late 2010s, some mainstream rock bands began to gain notoriety for performing in a back-to-basics style of rock music meant to emulate the sound of legacy acts popular on

12040: 6690:

Psychedelic and progressive styles in rock would see a major resurgence in popularity during the 2010s and 2020s. Some of the most notable acts in neo-psychedelia originated in Australia;

7193:, none of these bands achieved more than regional success. So they "did not provide viable templates for women's on-going participation in rock". In relation to the gender composition of 5705:. It has been noted that indie rock has a relatively high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of feminist-informed 2757:

had grown to a major movement, using traditional music and new compositions in a traditional style, usually on acoustic instruments. In America the genre was pioneered by figures such as

1099:

revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of

6840:

helped spark nostalgia for the angst-driven musical style among young listeners during the pandemic. Among the most successful of these releases have been Machine Gun Kelly's 2020 album

1766:. In addition, the 1950s saw the growth in popularity of the electric guitar, and the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, 2104:, formed in 1961 in Southern California. Their early albums included both instrumental surf rock (among them covers of music by Dick Dale) and vocal songs, drawing on rock and roll and 4364:

saw mainstream success, with hard rock and a fusion of hard rock with pop. During the 1990s, hard rock saw a slight decline in popularity, save for some major hits like Guns N' Roses'

14392: 1406:. Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, and asserts that rock's primary "function" "pertains to music, or, more generally, 15838: 2892:

Folk-rock reached its peak of commercial popularity in the period 1967–68, before many acts moved off in a variety of directions, including Dylan and the Byrds, who began to develop

6857:

In the mid-to-late 2010s and early 2020s, a new wave of post-punk bands from Britain and Ireland emerged. The groups in this scene have been described with the term "Crank Wave" by

2812:" which topped the charts in 1965. With members who had been part of the café-based folk scene in Los Angeles, the Byrds adopted rock instrumentation, including drums and 12-string 6987:

sound as "hard-hitting, swaggering, riff-driven rock 'n' roll built around a core vocal-guitar-bass-drum configuration". Other groups considered to be a part of this trend include

15955: 2503:

on American popular music was through beat and R&B based acts, the impetus was soon taken up by a second wave of bands that drew their inspiration more directly from American

5362:

Britpop emerged from the British alternative rock scene of the early 1990s and was characterised by bands particularly influenced by British guitar music of the 1960s and 1970s.

11810: 3710:(1968), generally considered one of the most influential recordings in the genre. The Byrds continued in the same vein, but Parsons left to be joined by another ex-Byrds member 14445: 6808:

At the start of the 2020s, recording artists in both pop and rap music released popular pop-punk-influenced recordings, many of them produced or assisted by Blink-182 drummer

2958:

from 1965. The psychedelic lifestyle, which revolved around hallucinogenic drugs, had already developed in San Francisco and particularly prominent products of the scene were

15778: 3837: 767: 7129:, making political statements on subjects such as war, religion, poverty, civil rights, justice and the environment. Political activism reached a mainstream peak with the " 3803:. After the loss of original members of the Allmans and Lynyrd Skynyrd, the genre began to fade in popularity in the late 1970s, but was sustained the 1980s with acts like 14353: 14230: 7312:

placed an emphasis on harmonies and polished production that was in contrast to earlier rock and roll. Some of the most significant girl group hits were products of the

3234:

in 2007. From left to right, Daryl Stuermer on bass, Mike Rutherford on guitar, behind him Chester Thompson on drums, Phil Collins on vocals and Tony Banks on keyboards.

2793:" to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences. 8949: 3873:; manifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of 2424:(1963) are mainstream examples of the genre in its formative stages. By 1963, garage band singles were creeping into the national charts in greater numbers, including 11662: 11168: 4850:" gently poked fun at the station, despite the fact that it had helped make them international stars, but in general, guitar-oriented rock was commercially eclipsed. 7805: 7750: 4738:

Although punk rock was a significant social and musical phenomenon, it achieved less in the way of record sales (being distributed by small specialty labels such as

3546: 1381: 14269: 14191: 13271:"Long Live Rock n' Rap: Rock isn't dead, it's just moving to a hip-hop beat. So are its mostly white fans, who face questions about racial identity as old as Elvis" 8664: 5473:, who all cemented post-grunge as one of the most commercially viable subgenres of the late 1990s. Although male bands predominated post-grunge, female solo artist 4414:, usually seen as the first major "star" of Christian rock. The genre was mostly a phenomenon in the United States. Many Christian rock performers have ties to the 3970:, dominated the British single charts from about 1974 to 1976. Existing acts, some not usually considered central to the genre, also adopted glam styles, including 13248: 8433: 3770:(made up of members of the Burritos, Poco, and Stone Canyon Band), who emerged as one of the most successful rock acts of all time, producing albums that included 1678:

magazine's main sales and airplay charts, and opened the door worldwide for this new wave of popular culture. Other artists with early rock and roll hits included

17342: 14135: 5805:, while the revival of baroque pop reacted against lo-fi and experimental music by placing an emphasis on melody and classical instrumentation, with artists like 10195: 7490: 7431: 7400: 3849:

to the complex art rock of Roxy Music, and can be seen as much as a fashion as a musical subgenre. Visually it was a mesh of various styles, ranging from 1930s

8176: 6702:" in 2012, which became a hit on alternative radio in various countries, and would be followed by the release of critically acclaimed albums by Parker such as 3140: 5979:

became known for his "acid rap" style, which fused rapping with a sound that was often based in rock and heavy metal. Rappers who sampled rock songs included

15510:

Yazicioglu, E. T.; Firat, A. F. (7 June 2007). "Clocal Rock Festivals as Mirrors into the Futures of Cultures". In Belk, Russell W.; Sherry, John F. (eds.).

3754:

were, unusually, a country act, who moved towards rock music. The greatest commercial success for country rock came in the 1970s, with artists including the

14595: 13789: 4984:, using a variety of electronic and sampling techniques that emulated the sound of industrial production and which would develop into a variety of forms of 4940:, who placed less emphasis on art than their US counterparts and more on the dark emotional qualities of their music. Bands like Siouxsie and the Banshees, 15101: 7337:

Only the Beach Boys were able to sustain a creative career into the mid-1960s, producing a string of hit singles and albums, including the highly regarded

7201:". However, "...now maybe more than ever–strong metal women have put up their dukes and got down to it", "carv out a considerable place for selves." When 14763: 13092: 10693:

Hotel California: The True-Life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eagles, and Their Many Friends

3244:(1973), seen as a masterpiece of the genre, becoming one of the best-selling albums of all time. There was an emphasis on instrumental virtuosity, with 11685: 8633:

Mitchell, G. A. M. (2011). "A Very 'British' Introduction to Rock 'n' Roll: Tommy Steele and the Advent of Rock 'n' Roll Music in Britain, 1956–1960".

8485: 992:

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with

13225: 3998:

as well as on punk rock, which helped end the fashion for glam from about 1976. Glam has since enjoyed sporadic modest revivals through bands such as

15754: 3456:(1966). The first group of bands to self-consciously use the label were R&B oriented white rock bands that made use of jazzy horn sections, like 1211:

electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was also greatly influenced by the sounds of

14514: 13738: 11105: 6490:. These techniques also began to be used by existing bands and by developing genres that mixed rock with digital techniques and sounds, including 4311:, helping to produce a "darker" sound. These elements were taken up by a "second generation" of heavy metal bands into the late 1970s, including: 1445:, which it has been influenced with but often contrasted through much of its history. Christgau has used the term broadly to refer to popular and 1390:

Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against "

11199: 7197:, it has been said that "eavy metal performers are almost exclusively male" "...at least until the mid-1980s" apart from "...exceptions such as 6288:

records on tiny independent labels. Emo broke into mainstream culture in the early 2000s with the platinum-selling success of Jimmy Eat World's

15001: 8210: 4779:, used the new wave movement as the springboard for relatively long and critically successful careers, while "skinny tie" bands exemplified by 4232:

and other effects. Key acts included British Invasion bands like the Kinks, as well as psychedelic era performers like Cream, Jimi Hendrix and

2804:" (1964), arguably the first Beatles song to be influenced directly by Dylan. The folk rock movement is usually thought to have taken off with 996:

at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed

14168: 9133: 7142:

however, it can also be seen as providing a means of commercial exploitation of such ideas and of diverting youth away from political action.

5111:, fanzines, touring, and word-of-mouth. They rejected the dominant synth-pop of the early 1980s, marking a return to group-based guitar rock. 3326:, which would last until the costs of complex shows (often with theatrical staging and special effects), would be replaced by more economical 2857:" (1965) being remixed with rock instruments to be the first of many hits. These acts directly influenced British performers like Donovan and 2664:, whose guitar virtuosity and showmanship would be among the most emulated of the decade. Blues rock bands from the southern states, like the 919:

that originated in the United States, but also in United Kingdom, in the late 1950s and early 1960s, developing a lot of subgenres, including

14809: 13522: 11731: 6665: 5407:. Britpop groups brought British alternative rock into the mainstream and formed the backbone of a larger British cultural movement known as 2585:, followed by an extensive solo career that helped bring blues rock into the mainstream. Green, along with the Bluesbreaker's rhythm section 14384: 13612: 13337: 4452:

American working-class oriented heartland rock, characterized by a straightforward musical style, and a concern with the lives of ordinary,

3636:, a route pursued by a number of largely acoustic folk musicians. Other acts that followed the back-to-basics trend were the Canadian group 3238:

Greater commercial success was enjoyed by Pink Floyd, who also moved away from psychedelia after the departure of Syd Barrett in 1968, with

6018:", often seen as the first truly successful combination of heavy metal with rap. This paved the way for the success of existing bands like 5115:

the 1980s and ended up breaking through to mainstream success in the 1990s. Styles of alternative rock in the US during the 1980s included

1813:

Commentators have traditionally perceived a decline of rock and roll in the late 1950s and early 1960s. By 1959, the death of Buddy Holly,

13399: 3896:

and taken up electric instruments by the end of the 1960s. Often cited as the moment of inception is his appearance on the BBC music show

3779:

The founders of Southern rock are usually thought to be the Allman Brothers Band, who developed a distinctive sound, largely derived from

3316:, all demonstrated a prog rock influence and while ranking among the most commercially successful acts of the 1970s, heralding the era of 17364: 12201: 9003: 14299: 13657: 7984: 6034:, who all fused rock and hip hop among other influences. Among the first wave of performers to gain mainstream success as rap rock were 4116:

also began his successful rock-infused New Mexico music recording career in the 1970s, with his 1976 rendition of "Flor De Las Flores".

1900:

artists, who had been surpassed by the rise of rock and roll in the US, found new popularity in the UK, visiting with successful tours.

13635: 12417: 12372: 10420: 3467:

British acts to emerge in the same period from the blues scene, to make use of the tonal and improvisational aspects of jazz, included

3347:

label, which became a mainstay of the genre. Instrumental rock was particularly significant in continental Europe, allowing bands like

15611: 11354: 8116: 7221:. This is distinct from a girl group, in which the female members are vocalists, though this terminology is not universally followed. 4750:). Punk rock had attracted devotees from the art and collegiate world and soon bands sporting a more literate, arty approach, such as 2617:. Many of the songs on their first three albums, and occasionally later in their careers, were expansions on traditional blues songs. 1154:, as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult 14943: 14437: 13568: 9216: 6300: 1664:") for a multi-racial audience, and is credited with first using the phrase "rock and roll" to describe the music. Four years later, 14415: 13045: 12670: 11708: 10528: 3877:, beside extensive use of theatrics. It was prefigured by the showmanship and gender-identity manipulation of American acts such as 17372: 16857: 13709: 12772: 11232: 11040: 10576: 8097: 7769: 5713:

scene, flourishing with bands with enough popularity to survive inside the respective country, but virtually unknown outside them.

3083:, moved beyond established musical formulas by experimenting with different instruments, song types, and forms. From the mid-1960s 2981: 2800:" (1964), which was the first commercially successful folk song to be recorded with rock and roll instrumentation and the Beatles " 2624:, but the genre began to take off in the mid-1960s as acts developed a sound similar to British blues musicians. Key acts included 1456: 13759: 13545: 12439: 8649:

Meyers, J. P. (2015). "The Beatles in Buenos Aires, Muse in Mexico City: Tribute Bands and the Global Consumption of Rock Music".

8017: 7824: 5457:, were from Seattle, but the subgenre was marked by a broadening of the geographical base of grunge, with bands like Los Angeles' 3272:, formed in 1969 by ex-Yardbirds Jim McCarty and Keith Relf, evolved into a high-concept band featuring the three-octave voice of 1333:

and dissonant harmonic progressions. Since the late 1950s, and particularly from the mid-1960s onwards, rock music often used the

14488: 13203: 13136: 12726: 11330: 6135:, did not sell as well as their previous releases, while nu metal bands were played more infrequently on rock radio stations and 5571:, which spawned three top ten singles in the US. This success opened the door for the multi-platinum sales of metallic punk band 5483:, labelled as post-grunge, also became a multi-platinum hit. Post-grunge morphed during the late 1990s as post-grunge bands like 5325:

and the subsequent break-up of Nirvana in 1994, touring problems for Pearl Jam and the departure of Alice in Chains' lead singer

3954:, who between them achieved eighteen top ten singles in the UK between 1972 and 1976. A second wave of glam rock acts, including 3128:

Instrumentals were common, while songs with lyrics were sometimes conceptual, abstract, or based in fantasy and science fiction.

2816:

guitars, which became a major element in the sound of the genre. Later that year Dylan adopted electric instruments, much to the

2781:

had come to the fore in this movement as singer-songwriters. Dylan had begun to reach a mainstream audience with hits including "

9349: 1233:

whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often

17822: 13423: 7316:

Sound, named after the block in New York where many songwriters were based, which included the number 1 hit for the Shirelles "

869: 14569: 14222: 12349: 9945: 5067:

rock, through hardcore, New Wave or the post-punk movements. Important alternative rock bands of the 1980s in the US included

4509:(1984), topping the charts worldwide and spawning a series of top ten singles, together with the arrival of artists including 17802: 15519: 15347: 15233: 14789: 14330: 14077: 14049: 14024: 13995: 13949: 13505: 12846: 12128: 12012: 11862: 11603: 11162: 10700: 10638: 10361: 9896: 9812: 9595: 9546: 9359: 8957: 8735: 8518: 8310: 7978: 7928: 7855: 7555: 4625: 4496: 2298:, that had dominated the American charts in the late 1950s and 1960s. It dented the careers of established R&B acts like 15583: 14543: 11670: 10725: 8524: 4441: 2935:

from Texas. The Beatles introduced many of the major elements of the psychedelic sound to audiences in this period, such as

1358:

Rock and roll was conceived as an outlet for adolescent yearnings ... To make rock and roll is also an ideal way to explore

17216: 16673: 15991: 14614: 8547: 5011:, tended to move away from dark sonic landscapes. Arguably the most successful band to emerge from post-punk was Ireland's 2700:"were barely visible", as bands began recording rock-style albums. The genre was continued in the 1970s by figures such as 1114:

Rock has also embodied and served as the vehicle for cultural and social movements, leading to major subcultures including

14640: 12394: 6547:, compared the state of rock during this period to the state of jazz in the early 1980s, "slowing down and looking back." 4291:. By 1970 three key British bands had developed the characteristic sounds and styles which would help shape the subgenre. 3982:

and, for a time, even the Rolling Stones. It was also a direct influence on acts that rose to prominence later, including

3902:

in March 1971 wearing glitter and satins, to perform what would be his second UK Top 10 hit (and first UK Number 1 hit), "

3446:

scene. Often highlighted as the first true jazz-rock recording is the only album by the relatively obscure New York–based

15851: 14253: 14199: 13833: 13165: 12950: 12815: 8425: 6741: 4632:. For the most part, punk took root in local scenes that tended to reject association with the mainstream. An associated 4149: 4073:

experimented with his sound to mixed reception. He later released a series of four albums that all achieved gold status:

2959: 2515:. British blues musicians of the late 1950s and early 1960s had been inspired by the acoustic playing of figures such as 1246: 1130:

that spread out from San Francisco in the U.S. in the 1960s, the latter of which continues to this day. Similarly, 1970s

16869: 13682: 13256: 13021: 12995: 12972: 12927: 12904: 12748: 12584: 12489: 11638: 9262: 5797:

emphasised pain and suffering through melodic use of acoustic and electronic instrumentation in the music of bands like

3509:

recorded significant jazz-influenced albums in this period, and it has continued to be a major influence on rock music.

1718:, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed. 17797: 17792: 16862: 14468: 11306: 10860: 10306: 10186: 10133: 9236: 8594: 8401: 7251: 7210: ... and this is a point I am extremely concerned about ... could play as well if not better than the boys". 6925:. Post-punk artists that attained prominence in the 2010s and early 2020s from other countries besides the UK included 6195:(1997) was a worldwide hit, and Radiohead achieved near-universal critical acclaim with their experimental third album 2559: 1566: 9756: 7423: 7392: 4759:

signing and marketing any band that could claim a remote connection to punk or new wave. Many of these bands, such as

4051:

continued to have successful careers throughout the 1970s. Santana opened the decade with success in his 1970 single "

3188:

saw acts following Soft Machine from psychedelia, through jazz influences, toward more expansive hard rock, including

1203:

in 2006, showing a quartet lineup for a rock band (from left to right: bassist, lead vocalist, drummer, and guitarist)

1176:

A good definition of rock, in fact, is that it's popular music that to a certain degree doesn't care if it's popular.

17812: 17807: 15901: 15883: 15867: 15806: 15497: 15476: 15455: 15434: 15413: 15392: 15371: 15325: 15304: 15283: 15262: 15211: 15190: 14101: 13973: 13927: 13906: 13885: 13864: 13820: 13598: 13386: 13365: 13307: 13122: 13100: 12891: 12870: 12649: 12615: 12564: 12541: 12469: 12335: 12314: 12280: 12231: 12188: 12106: 12085: 12050: 11994: 11973: 11952: 11919: 11886: 11840: 11779: 11581: 11560: 11539: 11518: 11495: 11472: 11451: 11430: 11406: 11385: 11286: 11265: 11023: 11002: 10968: 10944: 10916: 10891: 10847: 10826: 10802: 10781: 10665: 10616: 10514: 10493: 10472: 10451: 10406: 10385: 10337: 10293: 10272: 10251: 10165: 10062: 10038: 10017: 9996: 9975: 9848: 9787: 9716: 9695: 9674: 9640: 9619: 9570: 9524: 9503: 9483: 9466: 9419: 9398: 9335: 9314: 9293: 9163: 9075: 9054: 9033: 8936: 8915: 8878: 8844: 8816: 8783: 8759: 8618: 8557: 8463: 8388: 8367: 8334: 8256: 8160: 8110: 8075: 8052: 7954: 7899: 7818: 7763: 7728: 7705: 7684: 7646: 7607: 7522: 7480: 7463: 4655:

had become the predominant mode of punk rock. This has resulted in several evolved strains of hardcore punk, such as

4122: 1886: 15488:

E.T. Yazicioglu and A.F. Firat, "Clocal rock festivals as mirrors into the futures of cultures", in R.W. Belk, ed.,

14659: 13270: 8180: 3501:. The genre began to fade in the late 1970s, as a mellower form of fusion began to take its audience, but acts like 1048:

reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on

17827: 16921: 16879: 15024: 13473: 12519: 8807:

B. Bradby, "Do-talk, don't-talk: the division of the subject in girl-group music" in S. Frith and A. Goodwin, eds,

7673:

J. Covach, "From craft to art: formal structure in the music of the Beatles", in K. Womack and Todd F. Davis, eds,

7293: 7130: 6722:

acts of the '60s and '70s, but also incorporated new and unique musical influences from various subgenres of rock,

5832: 5269:

becoming the most successful by the end of the decade. Grunge remained largely a local phenomenon until 1991, when

4902: 3168: 2572: 2450:

The British Invasion greatly influenced garage bands, providing them with a national audience, leading many (often

2323: 16852: 15050: 13446: 13068: 8269: 3734:. Some performers also enjoyed a renaissance by adopting country sounds, including: the Everly Brothers; one-time 3575:

Rock saw greater commodification during this decade, turning into a multibillion-dollar industry and doubling its

3483:, particularly influenced by the work of Hendrix, incorporating rock instrumentation into his sound for the album 695: 17817: 17735: 17357: 17134: 15914: 15682:

Brake, Mike (1990). "Heavy Metal Culture, Masculinity and Iconography". In Frith, Simon; Goodwin, Andrew (eds.).

9913: 8240: 6749: 6078:, who were often classified as rap metal or nu metal, the first of which are the best-selling band of the genre. 5589: 4369: 3772: 2991: 1590: 15183:

Comparative Youth Culture: the Sociology of Youth Cultures and Youth Subcultures in America, Britain, and Canada

15075: 6147:. Since then, many bands have changed to a more conventional hard rock, heavy metal, or electronic music sound. 5127:. In the UK, Gothic rock was dominant in the early 1980s, but by the end of the decade, indie or dream pop like 4683:. Musicians identifying with or inspired by punk also pursued a broad range of other variations, giving rise to 17832: 14972: 14737: 7166: 4456:

American people, developed in the second half of the 1970s. The term heartland rock was first used to describe

3001: 2692:. By the 1970s, blues rock had become heavier and more riff-based, exemplified by the work of Led Zeppelin and 2317:

in particular, other British rock acts released rock albums intended as artistic statements in 1966, including

884: 16789: 14861: 11770:

A. Rodel, "Extreme Noise Terror: Punk Rock and the Aesthetics of Badness", in C. Washburne and M. Derno, eds,

1338:

impossible to bind rock music to a rigidly delineated musical definition." In the opinion of music journalist

16712: 11693: 8835: 6780: 5630:, had a sound that has been described as closer to 1980s hardcore, while still achieving commercial success. 4372:" saw a huge increase in popularity of rock and pop rock and helped introduce the genres to a newer fanbase. 3723: 2986: 2830: 2628:(whose band acted like Mayall's Bluesbreakers in Britain as a starting point for many successful musicians), 1759: 1735: 17: 16917: 11877:

T. Gosling, "'Not for sale': The Underground network of Anarcho-punk" in A. Bennett and R.A. Peterson, eds,

8477: 8066: 8043: 7675: 7598: 7454: 17196: 16874: 13233: 7177:

Professional women instrumentalists are uncommon in rock genres such as heavy metal although bands such as

7020: 6813: 6709: 6530:

During the 2010s, rock music declined from its position as the major popular music genre, now sharing with

5960: 5310: 4834:

and led to a great deal of exposure for this brand of synth-pop, creating what has been characterised as a

4830:, sometimes using the synthesizer to replace all other instruments. This period coincided with the rise of 4415: 3697: 3641: 1063:

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of

15748: 7284:

Having died down in the late 1950s, doo wop enjoyed a revival in the same period, with hits for acts like

5537:

The origins of 1990s pop-punk can be seen in the more song-oriented bands of the 1970s punk movement like

4580: 17164: 12555: 10795:

Supremely American: Popular Song in the 20th Century: Styles and Singers and What They Said About America

10465:

Supremely American: Popular Song in the 20th Century: Styles and Singers and What They Said About America

7054: 6973: 6699: 6386: 6247: 6189:. After the decline of Britpop they began to gain more critical and popular attention. The Verve's album 5786: 5577: 4742:), or American radio airplay (as the radio scene continued to be dominated by mainstream formats such as 3850: 3715: 3560: 3209: 2931:-inspired vibe began in the folk scene. The first group to advertise themselves as psychedelic rock were 2920: 2754: 2657: 2425: 1242: 1127: 35: 13732: 11095: 11068: 10959:

P. Auslander, "Watch that man David Bowie: Hammersmith Odeon, London, July 3, 1973" in Ian Inglis, ed.,

7945: 7513: 2523:. Increasingly they adopted a loud amplified sound, often centered on the electric guitar, based on the 17787: 17350: 17269: 15896:. Third ed. Upper Saddle River NJ: Prentice-Hall, 1996. xvi, 320 p., ill., mostly with b&w photos. 15626: 12271:

S.T. Erlewine, "American Alternative Rock / Post Punk", in V. Bogdanov, C. Woodstra and S.T. Erlewine,

10935:

P. Auslander, "Watch that man David Bowie: Hammersmith Odeon, London, July 3, 1973" in I. Inglis, ed.,

8728:

How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom

5329:

in 1998, the genre began to decline, partly to be overshadowed by Britpop and more commercial sounding

5148: 3680: 2817: 1803: 1747: 1622: 1562: 1394:", social concerns, and life styles. These themes were inherited from a variety of sources such as the 844: 15933: 15762: 7173:, a singer, bassist, bandleader, and one of the first prominent women instrumentalists and bandleaders 7041:

Different subgenres of rock were adopted by, and became central to, the identity of a large number of

4573:

songs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a

3391:, showed the influence of progressive rock, as well as their more usually recognized punk influences. 17191: 17084: 16949: 16839: 16351: 14835: 9805:

The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980

7317: 6745: 6635: 6361: 6227: 6015: 5104: 4957: 4933: 4882: 3800: 3380: 3257: 3240: 2520: 2176: 1758:

along with his brothers Tiny Morrie and Baby Gaby as they began combining rock and roll with country-

1415: 859: 16542: 14685: 13530: 11191: 8696:

Vuletic, D. (2008). "Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s".

8202: 2282:

all having one or more number one singles. Other major acts that were part of the invasion included

17169: 15984: 14160: 9141: 7887: 7343:

in 1966, which made them, arguably, the only American rock or pop act that could rival the Beatles.

7113: 6089: 6027: 5623: 5096: 4972:

respectively. Another early post-punk movement was the industrial music developed by British bands

4952:, moved increasingly in this direction to found Gothic rock, which had become the basis of a major 4847: 4577:, with many bands self-producing their recordings and distributing them through informal channels. 4357: 4236:. Hard rock-influenced bands that enjoyed international success in the later 1970s included Queen, 4093: 3812: 3313: 2932: 2842: 2838: 2601:, also an alumnus of the Yardbirds, moved blues rock in the direction of heavy rock with his band, 2329: 2229: 2225:

success in Britain, soon to be followed into the charts by the more rhythm and blues focused acts.

2184: 1504: 1418:

that is frequently combined with an awareness of the genre's history and development. According to

1346:

virtues—directness, utility, natural audience—into the present with shots of modern technology and

927:. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of 15383:

J. Fairley, "The 'local' and 'global' in popular music" in S. Frith, W. Straw and J. Street, eds,

11739: 8064:

R. Beebe, D. Fulbrook and B. Saunders, "Introduction" in R. Beebe, D. Fulbrook, B. Saunders, eds,

6062:. Later in the decade this style, which contained a mix of grunge, punk, metal, rap and turntable 4991:

The second generation of British post-punk bands that broke through in the early 1980s, including

3464:, to become some of the most commercially successful acts of the later 1960s and the early 1970s. 2239:, spending seven weeks at the top and a total of 15 weeks on the chart. Their first appearance on 17842: 17761: 17109: 17079: 16884: 16834: 16784: 13620: 13343: 12243:

D. Hesmondhaigh, "Indie: the institutional political and aesthetics of a popular music genre" in

10536: 7297: 7266: 6894: 6691: 6679: 6371: 6000: 5867: 5280: 4977: 4965: 4835: 4075: 3706: 3584: 3285: 2971: 2950:. Psychedelic rock particularly took off in California's emerging music scene as groups followed 2797: 2413: 2405: 2391: 2100:

Surf music achieved its greatest commercial success as vocal pop music, particularly the work of

2066: 2035: 1905: 1481: 1350: 1249: 1151: 15128: 14973:"The Quietus: Black Sky Thinking - Idle Threat: Who Are The True Champions Of DIY Rock In 2020?" 11081:

referred to as career suicide, as recalled in a 2013 interview by drummer and album co-producer

11041:

https://books.google.com/books?id=eikEAAAAMBAJ&q=pacific+high+recording+studioas&pg=PA55

7719: 17837: 17380: 17201: 16824: 16804: 16600: 12119:

Young, Jon (2007). "Roll over guitar heroes, synthesizers are here". In Cateforis, Theo (ed.).

11152: 11055: 7117: 6842: 6418: 6295: 5964: 5761:, as well as leading to more dense and complex, guitar-based math rock, developed by acts like 5322: 4890: 4791: 4589: 4165: 4087: 3903: 3731: 3452: 3249: 3193: 3108: 2846: 2782: 2567: 2058: 2054: 1532: 1104: 12209: 10428: 10351: 8995: 7891: 7662: 4874: 2081:

charts in 1965. Surf rock was also popular in Europe during this time, with the British group

17223: 16844: 16809: 16769: 16764: 16759: 16749: 16739: 16734: 16707: 16683: 16668: 16663: 16658: 16097: 15729:

Kelly, Kim (17 January 2013). "Queens of noise: heavy metal encourages heavy-hitting women".

15568:

J. Schaap and P. Berkers, "Grunting Alone? Online Gender Inequality in Extreme Metal Music",

15550:

J. Schaap and P. Berkers. "Grunting Alone? Online Gender Inequality in Extreme Metal Music",

15534:

J. Schaap and P. Berkers, "Grunting Alone? Online Gender Inequality in Extreme Metal Music",

14291: 13665: 11362: 8248: 7968: 7547: 7360:, who employed a much more aggressive approach to the form. These bands began to be labelled 7352:

In Detroit, garage rock's legacy remained alive into the early 1970s, with bands such as the

7151: 6977:(2018) saw a renewed mainstream interest in earlier rock styles of the 1960s and 1970s, with 6031: 5294: 5136: 5004: 4985: 3339: 3149: 3121: 2854: 2582: 2412:

The style had been evolving from regional scenes as early as 1958. "Tall Cool One" (1959) by

2086: 1831: 1669: 1665: 1570: 1522: 1200: 982: 246: 15102:"Viagra Boys Set the Bar High with Brash Post-Punk Hijinks on 'Welfare Jazz' (ALBUM REVIEW)" 14886: 13643: 13576: 12425: 12380: 12357: 8231:

Will the creator of modern music please stand up? Alexis Petridis The Guardian 16 April 2004

7540: 2845:

to move to electric instrumentation, and in New York, where it spawned performers including

17749: 17518: 17053: 17022: 16819: 16814: 16799: 16794: 16779: 16754: 16744: 16574: 16562: 16537: 16346: 15876:

Continuum Encyclopedia of Popular Music of the World: Volume II: Performance and Production

15654: 15154: 14473: 9478:

Otfinoski, Steven. "The Golden Age of Rock Instrumentals". Billboard Books, (1997), p. 36,

8092: 7161: 7122: 6984: 6958: 6607: 6559: 6523: 6125: 5782: 4949: 4410:

beginning in Southern California, and emerged as a subgenre in the 1970s with artists like

4069: 4063: 3858: 3579:

while, as Christgau noted, suffering a significant "loss of cultural prestige". "Maybe the

3525: 2821: 2665: 2241: 2180: 2027: 1674: 1606: 956: 15584:"Music History Primer: 3 Pioneering Female Songwriters of the '60s | REBEAT Magazine" 12305:

S.T. Erlewine, "British Alternative Rock", in V. Bogdanov, C. Woodstra and S.T. Erlewine,

8153:

Shout, Sister, Shout!: The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe

6775:

Psychedelic trends in rock have also seen a revival in Europe, with European and American

5217:

Disaffected by commercialized and highly produced pop and rock in the mid-1980s, bands in

4160:

into genres was well underway, it was often hard to tell one catch-phrase from the next. "

2708:, but, particularly on the British scene (except perhaps for the advent of groups such as 1795: 1162:. At the same time, it has been commercially highly successful, leading to accusations of 8: 17782: 17671: 17603: 17391: 17318: 17249: 17211: 17206: 17114: 16829: 16774: 16024: 15977: 14519: 14016: 13053: 12958: 12678: 11716: 9222: 7810: 7755: 7261: 7256: 7246: 7157: 7050: 6978: 6898: 6769: 6583: 6317: 6252: 6004: 5992: 5945: 5911: 5855: 5810: 5798: 5769:. Space rock looked back to progressive roots, with drone heavy and minimalist acts like 5568: 5470: 5235: 5140: 5076: 4929: 4906: 4815: 4747: 4324: 4288: 4233: 4003: 3743: 3658: 3007: 2858: 2850: 2825: 2602: 2287: 2201: 2188: 1574: 1513: 1119: 803: 317: 291: 16702: 14515:"Coronavirus: Updated List of Tours and Festivals Canceled or Postponed Due to COVID-19" 14469:"BTS, Madonna, Khalid, Billie Eilish, and more artists canceling shows over coronavirus" 13717: 13173: 11338: 11222: 10568: 7800: 7745: 6670: 4336: 17676: 16678: 16019: 15825: 15646: 14711: 14639:

Joven, Jason; Rosenborg, Rutger A.; Seekhao, Nuttiiya; Yuen, Michelle (23 April 2020).

13767: 13553: 12447: 11227: 8007: 7917: 7030: 7000: 6930: 6914: 6603: 5802: 5602: 5479: 5437:

the major labels and came to incorporate diverse influences from jangle pop, pop-punk,

5400: 5250: 5239: 5218: 5051: 4621: 4272: 4229: 3804: 3576: 3489:(1970). It was a major influence on subsequent rock-influenced jazz artists, including 3269: 3261: 3020: 2967: 2809: 2633: 2540: 2508: 2492: 2387: 2383: 2318: 2213: 2147: 1799: 1775: 899: 839: 15820: 14615:"'Hey Siri, Play Songs to Calm Me Down': What the World Is Listening to Amid COVID-19" 14354:"News & views: How Imagine Dragons' faceless rock music became the genre's future" 13431: 13200: 13144: 12734: 5522: 2597:, who enjoyed some of the greatest commercial success in the genre. In the late 1960s 700: 17407: 17330: 17325: 17264: 16530: 16205: 16180: 16077: 15897: 15879: 15863: 15802: 15650: 15638: 15515: 15493: 15472: 15451: 15430: 15409: 15388: 15367: 15343: 15321: 15300: 15279: 15258: 15229: 15207: 15186: 14261: 14097: 14073: 14045: 14020: 13991: 13969: 13945: 13923: 13902: 13881: 13860: 13816: 13594: 13501: 13382: 13361: 13303: 13118: 12887: 12866: 12842: 12645: 12611: 12560: 12537: 12465: 12331: 12310: 12276: 12227: 12184: 12124: 12102: 12081: 12046: 11990: 11969: 11948: 11915: 11882: 11858: 11836: 11775: 11599: 11577: 11556: 11535: 11514: 11491: 11468: 11447: 11426: 11402: 11381: 11282: 11261: 11158: 11019: 10998: 10964: 10940: 10912: 10887: 10843: 10822: 10798: 10777: 10696: 10661: 10634: 10612: 10510: 10489: 10468: 10447: 10402: 10381: 10357: 10333: 10289: 10268: 10247: 10161: 10129: 10122:

The Beatles vs. The Rolling Stones: Sound Opinions on the Great Rock 'n' Roll Rivalry

10058: 10034: 10013: 9992: 9971: 9892: 9844: 9808: 9783: 9712: 9691: 9670: 9636: 9615: 9591: 9566: 9542: 9520: 9499: 9479: 9462: 9415: 9394: 9355: 9331: 9310: 9289: 9159: 9071: 9050: 9029: 8932: 8911: 8874: 8840: 8812: 8779: 8755: 8731: 8672: 8614: 8590: 8553: 8514: 8459: 8384: 8363: 8330: 8306: 8252: 8156: 8106: 8071: 8048: 7974: 7950: 7924: 7895: 7880: 7851: 7814: 7759: 7724: 7701: 7680: 7642: 7603: 7551: 7518: 7459: 7238: 7194: 7178: 7066: 6765: 6723: 6661: 6618: 6611: 6587: 6567: 6356: 6321: 6256: 6237: 5899: 5836: 5826: 5474: 5438: 5316: 5231: 5008: 4973: 4894: 4484: 4445: 4181: 4143: 4052: 4007: 3727: 3664: 3628: 3281: 3129: 3087:, the Beatles, the Rolling Stones and the Beach Boys, had pioneered the inclusion of 3058: 3052: 3016: 2963: 2721: 2709: 2689: 2645: 2441: 2247: 2233: 1970: 1882: 1446: 1391: 1359: 1334: 1096: 920: 854: 798: 655: 242: 212: 16014: 13339:

Will Korn, Papa Roach and Limp Bizkit evolve or die: a look at the Nu Metal meltdown

9026:

Gladsongs and Gatherings: Poetry and its Social Context in Liverpool Since the 1960s

4956:

by the early 1980s. Similar emotional territory was pursued by Australian acts like

4838:. Some more traditional rock bands adapted to the video age and profited from MTV's 3260:

were a supergroup who produced some of the genre's most technically demanding work.

2152: 1864:

is credited with one of the first rock and roll hits outside of North America with "

1279:

Rock music is traditionally built on a foundation of simple syncopated rhythms in a

17528: 17478: 17184: 17159: 16912: 16907: 16392: 16331: 16240: 16235: 15816: 15630: 13966:

Chilling Out: the Cultural Politics of Substance Consumption, Youth and Drug Policy

9937: 8088: 7871: 7796: 7741: 7190: 7098: 7058: 6792: 6784: 6719: 6715: 6631: 6539: 6531: 6491: 6376: 6339: 6106: 5919: 5891: 5871: 5814: 5742: 5172: 5092: 5059: 5024: 4969: 4869: 4692: 4660: 4457: 4398: 4353: 4344: 4190: 4113: 4098: 3999: 3622: 3588: 3541: 3476: 3447: 3293: 3185: 3096: 3092: 3042: 2905: 2862: 2766: 2701: 2625: 2500: 2359: 2255: 2160: 2133: 1946: 1925: 1857: 1763: 1536: 1461: 1460:(1990), he said this sensibility is evident in the music of folk singer-songwriter 1403: 1376: 1339: 1298: 1208: 1115: 1057: 1044:, which highlighted showmanship and visual style. In the second half of the 1970s, 1037: 1029: 932: 834: 445: 282: 277: 182: 155: 87: 14322: 12556:

Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991

11855:

Youth and Subculture as Creative Force: Creating New Spaces for Radical Youth Work

10677:

R. Unterberger, "The Band", and S.T. Erlewine, "Creedence Clearwater Revival", in

7848:

Rock 'n' roll Wisdom: What Psychologically Astute Lyrics Teach About Life and Love

5959:

had gained attention from rock acts in the early 1980s, including the Clash with "

4299:

brought in symphonic and medieval interests from their progressive rock phase and

3029:

was later regarded as the greatest album of all time and a starting point for the

1979: 1091:. Some movements were conscious attempts to revisit rock's history, including the 1004:" period, a few distinct rock music subgenres had emerged, including hybrids like 17573: 17124: 16961: 16642: 16627: 16321: 16175: 16029: 15950: 15928: 15758: 15714: 15448:

Continuum Encyclopedia of Popular Music of the World: Media, Industry and Society

13207: 11127: 11082: 10717: 10157: 9496:

The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s

8508: 7455:

The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s

7218: 7214: 7183: 7102: 7070: 7062: 6968: 6825: 6647: 6591: 6575: 6446: 6394: 6131: 6083: 6059: 6039: 5887: 5883: 5774: 5750: 5726: 5698: 5690: 5682: 5581:(1994). This first wave of pop punk reached its commercial peak with Green Day's 5462: 5305: 5176: 4992: 4718: 4641: 4633: 4510: 4505: 4276: 4263: 4224: 4169: 4057: 3919: 3898: 3755: 3376: 3352: 3201: 3181: 3116: 2870: 2770: 2271: 2090: 2070: 2031: 1853: 1695: 1638: 1630: 1234: 1220:, and the synthesizer. The basic rock instrumentation was derived from the basic 1135: 1080: 952: 762: 650: 600: 565: 540: 510: 450: 369: 354: 160: 13841: 7946:

Instruments of Desire: the Electric Guitar and the Shaping of Musical Experience

3656:, and influenced the work of established performers such as the Rolling Stones' 808: 17598: 17294: 17259: 17037: 17027: 17010: 16993: 16637: 16622: 16595: 16590: 16552: 16326: 16316: 16160: 16125: 16039: 15960: 15846: 15834: 13690: 13407: 13029: 13003: 12980: 12935: 12912: 12756: 12592: 12497: 12402: 11646: 10125: 10029:

K. Keightley, "Reconsidering rock" in, S. Frith, W. Straw, and J. Street, eds,

9270: 8102: 7875: 7313: 7034: 6938: 6926: 6910: 6833: 6599: 6595: 6478: 6406: 6402: 6381: 6290: 6259:, which has also been seen as a reaction to their introspective brand of rock. 6119: 5895: 5746: 5674: 5607: 5583: 5563: 5550: 5505: 5408: 5300: 5270: 5243: 5210: 5120: 5072: 4981: 4941: 4799: 4784: 4776: 4772: 4764: 4731: 4704: 4684: 4629: 4468: 4436: 4407: 4381: 4215: 4107: 4044: 4028: 3939: 3927: 3846: 3792: 3763: 3759: 3498: 3490: 3468: 3461: 3413: 3409: 3344: 3301: 3265: 3223: 3189: 3084: 2916: 2882: 2801: 2786: 2669: 2661: 2586: 2344: 2303: 2101: 1983: 1942: 1901: 1814: 1787: 1783: 1751: 1691: 1618: 1602: 1594: 1451: 1407: 1326: 1212: 1049: 964: 940: 757: 735: 715: 680: 630: 625: 605: 555: 550: 505: 485: 465: 430: 237: 202: 150: 72: 15634: 15340:

Something in the Air: Radio, Rock, and the Revolution that Shaped a Generation

14128:"Report: Hip-Hop/R&B Is The Dominant Genre In The U.S. For The First Time" 12823: 11314: 10868: 10314: 9665:

R. Uterberger, "Blues Rock", in V. Bogdanov, C. Woodstra, S.T. Erlewine, eds,

9284:

K. Keightley, "Reconsidering rock" in, S. Frith, W. Straw and J. Street, eds,

9244: 8409: 6630:: the audience watched the performance from inside their cars, much like in a 4767:

can be seen as pop bands marketed as new wave; other existing acts, including

4561: 2551:, combining blues standards and forms with rock instrumentation and emphasis. 2167:

By the end of 1962, what would become the British rock scene had started with

1852:

Rock quickly spread out from its origins in the US, associated with the rapid

1362:

of sex, love, violence, and fun, to broadcast the delights and limitations of

17776: 17553: 17493: 17432: 17375: 17299: 17279: 17228: 17174: 17005: 16976: 16902: 16727: 16632: 16525: 16452: 16412: 16265: 16185: 16092: 15945: 15642: 14265: 11100: 10908: 10149: 10113: 9780:

Legends of Rock Guitar: the Essential Reference of Rock's Greatest Guitarists

9764: 9709:

Legends of Rock Guitar: the Essential Reference of Rock's Greatest Guitarists

9539:

This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk

8833:

K. Keightley, "Reconsidering rock" in S. Frith, W. Straw and J. Street, eds,

8676: 7305: 6906: 6809: 6714:(2015). This new style of Australian psychedelic music not only built on the 6535: 6414: 6398: 6268: 6232: 6222: 6212: 6165: 6101: 6023: 6011: 5927: 5875: 5859: 5778: 5766: 5710: 5572: 5554: 5442:

were pejoratively labelled as post-grunge. From 1994, former Nirvana drummer

5227: 5168: 5128: 5084: 4996: 4922: 4918: 4751: 4739: 4723: 4648: 4585: 4556: 4518: 4500: 4464: 4386: 4365: 4300: 4219: 4177: 4157: 3967: 3893: 3878: 3808: 3767: 3738:

Rick Nelson who became the frontman for the Stone Canyon Band; former Monkee

3711: 3676: 3653: 3610: 3506: 3457: 3405: 3334: 3327: 3297: 3289: 3159: 2936: 2866: 2758: 2681: 2677: 2641: 2594: 2544: 2536: 2524: 2512: 2478: 2267: 2221: 2217: 2143: 2109: 2094: 1995: 1954: 1917: 1909: 1877: 1861: 1779: 1731: 1646: 1614: 1598: 1586: 1582: 1578: 1544: 1517: 1498: 1469: 1395: 1363: 1330: 1322: 1302: 1294: 1217: 1017: 936: 916: 750: 745: 660: 635: 590: 515: 495: 470: 435: 82: 57: 31: 16610: 15839:"Crammer: A lively cram course on the history of rock and some other things" 15025:"We Dug Through The Pile Of British And Irish Buzz Bands On Callin Me Maybe" 14944:"Mark, My Words: I give you crank wave, the start of the subculture revival" 14738:"Review: Tame Impala's Currents is a journey to the center of a single mind" 14438:"Here Are All the Major Music Events Canceled Due to Coronavirus (Updating)" 13278: 8044:

Pop Music: Technology and Creativity: Trevor Horn and the Digital Revolution

4279:" (1967) and began to be associated with pioneer bands like San Francisco's 17558: 17412: 17284: 17274: 17119: 17058: 16971: 16966: 16927: 16693: 16617: 16567: 16557: 16447: 16170: 14794: 12326:

T. Frank, "Alternative to what?", in C.L. Harrington and D.D. Bielby, eds,

11966:

The Greenwood Encyclopedia of Rock History: The Video Generation, 1981–1990

9351:

Working Class Heroes: Rock Music and British Society in the 1960s and 1970s

8774:

Eder, B. "British Blues", in V. Bogdanov, C. Woodstra, S.T. Erlewine, eds,

7676:

Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four

7321: 7309: 7301: 7126: 7008: 6964: 6934: 6902: 6890: 6821: 6817: 6736: 6621:

brought extreme changes to the rock scene worldwide. Restrictions, such as

6571: 6495: 6460: 6456: 6161: 6156: 6095: 5984: 5972: 5937: 5915: 5758: 5702: 5627: 5619: 5501: 5484: 5447: 5429: 5384: 5376: 5351: 5326: 5108: 5034: 4937: 4843: 4819: 4807: 4727: 4714: 4676: 4668: 4664: 4637: 4477: 4411: 4312: 4308: 4292: 4259: 4207: 4173: 4048: 4019: 3979: 3951: 3947: 3882: 3751: 3739: 3701: 3692: 3687: 3649: 3633: 3606: 3540:

Reflecting on developments that occurred in rock music in the early 1970s,

3521: 3485: 3443: 3439: 3435: 3427: 3388: 3360: 3273: 3253: 3227: 3205: 3163: 3104: 3100: 3088: 3072: 2975: 2947: 2893: 2813: 2796:

Early attempts to combine elements of folk and rock included the Animals' "

2790: 2649: 2637: 2614: 2563: 2548: 2532: 2528: 2460: 2433: 2429: 2421: 2263: 2259: 2074: 2062: 2041:" in 1961 and launched the surf music craze, following up with songs like " 2015: 1987: 1958: 1938: 1873: 1869: 1845: 1771: 1755: 1743: 1723: 1707: 1699: 1642: 1610: 1540: 1434: 1430: 1367: 1147: 1131: 1013: 1001: 740: 730: 705: 690: 675: 670: 665: 610: 595: 585: 580: 570: 545: 520: 480: 475: 460: 455: 344: 15772: 13481: 6812:. Representing a commercial resurgence for the genre, these acts included 6509: 4964:. Members of Bauhaus and Joy Division explored new stylistic territory as 4320: 4210:. It reached its commercial peak in the mid- to late 1970s with acts like 3587:", he said. "Insofar as the music retained any mythic power, the myth was 2620:

In America, blues rock had been pioneered in the early 1960s by guitarist

2049:, most early surf bands were formed in Southern California, including the 1738:

movements in rock and roll, which would eventually lead to the success of

1472:—"all kids working out their identities"—as much as it is in the music of 17653: 17578: 17452: 17129: 17104: 16988: 16944: 16498: 16488: 16407: 16230: 16215: 16195: 16165: 16155: 16150: 16135: 16034: 15744: 13878:

Garage Rock and its Roots: Musical Rebels and the Drive for Individuality

13797: 13454: 13076: 12780: 12513: 10181: 9412:

Garage Rock and its Roots: Musical Rebels and the Drive for Individuality

9305:

F.W. Hoffmann, "British Invasion" in F.W. Hoffmann and H. Ferstler, eds,

8277: 7485: 7357: 7325: 7285: 7217:

is a musical group in genres such as rock and blues which is composed of

7202: 7170: 7082: 7065:

began in the US, but it was given a distinctive look by British designer

7042: 7025: 6996: 6946: 6865: 6776: 6761: 6731: 6695: 6683: 6657: 6627: 6487: 6430: 6390: 6346: 6330: 6217: 6197: 6191: 6178: 6169: 6067: 6051: 5941: 5923: 5863: 5806: 5678: 5669: 5649: 5611: 5466: 5420: 5404: 5388: 5380: 5375:

by the mods. It was launched around 1993 with releases by groups such as

5330: 5254: 5160: 5156: 5124: 5080: 4953: 4910: 4865: 4811: 4616: 4608: 4604: 4593: 4565: 4530: 4514: 4453: 4361: 4340: 4328: 4304: 4296: 4255: 4203: 4199: 3991: 3983: 3971: 3955: 3907: 3833: 3788: 3719: 3533: 3494: 3480: 3472: 3305: 3277: 3197: 3155: 2944: 2886: 2762: 2717: 2705: 2693: 2653: 2629: 2621: 2578: 2555: 2417: 2372: 2339: 2313: 2308: 2299: 2205: 2197: 2192: 2172: 2156: 2082: 2003: 1999: 1921: 1913: 1893: 1791: 1727: 1687: 1679: 1661: 1554: 1550: 1473: 1419: 1314: 1306: 1187: 1163: 1155: 1092: 1033: 993: 912: 849: 824: 685: 645: 615: 560: 535: 525: 500: 440: 404: 334: 307: 257: 217: 14764:"King Gizzard and the Lizard Wizard have Set a Path to World Domination" 14570:"Common Performs Classics, Freestyles During 'Together at Home' Concert" 9921: 8709:

Rauth, R. (1982). "Back in the USSR—Rock and roll in the Soviet Union".

6881:

in 2021. Artists that have been identified as part of the style include

6602:

was a major theme of the decade, with both global megafestivals such as

6558:

bands continued to see commercial success during this period, including

4636:

emerged, expressing youthful rebellion and characterized by distinctive

4024: 1111:

scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s.

17648: 17628: 17503: 17417: 17289: 17244: 16998: 16981: 16932: 16605: 16547: 16437: 16427: 16422: 16376: 16371: 16361: 16301: 16291: 16275: 16270: 16255: 16250: 16225: 16145: 16140: 16109: 16104: 16082: 15768: 14596:"In Photos: Denmark's Drive-In Venue Gets Around Coronavirus Event Ban" 14467:

Yang, Rachel; Huff, Lauren; Nolfi, Joey; Kinane, Ruth (26 March 2020).

11444:

Running With the Devil: Power, Gender, and Madness in Heavy Metal Music

11423:

Running With the Devil: Power, Gender, and Madness in Heavy Metal Music

11399:

Running With the Devil: Power, Gender, and Madness in Heavy Metal Music

11378:

Running With the Devil: Power, Gender, and Madness in Heavy Metal Music

7476: 7365: 7339: 7289: 7198: 7046: 7004: 6992: 6988: 6882: 6796: 6757: 6622: 6499: 6483: 6464: 6452: 6426: 6422: 6410: 6351: 6114: 6063: 6035: 5879: 5790: 5770: 5706: 5694: 5661: 5645: 5639: 5488: 5458: 5443: 5425: 5392: 5367: 5363: 5164: 5116: 5100: 5046: 5030: 5000: 4901:

scene which placed an emphasis on performance, including bands such as

4827: 4795: 4768: 4680: 4522: 4460: 4390: 4332: 4316: 4284: 4280: 4237: 4211: 4081: 4032: 3995: 3975: 3923: 3889: 3796: 3780: 3747: 3626:. This, and subsequent more clearly country-influenced albums, such as 3600: 3502: 3431: 3372: 3356: 3322: 3309: 3245: 3231: 3068: 2996: 2606: 2590: 2543:. The band involved and inspired many of the figures of the subsequent 2516: 2488: 2472: 2437: 2349: 2275: 2168: 2139: 2113: 2011: 1974: 1897: 1739: 1715: 1711: 1683: 1657: 1634: 1561:

Debate surrounds the many recordings which have been suggested as "the

1508: 1438: 1399: 1318: 1310: 1226: 1182: 1159: 1143: 1108: 1072: 1005: 1000:

in the music industry for the next several decades. By the late 1960s "

951:

and other musical styles. For instrumentation, rock is centered on the

944: 874: 793: 720: 710: 640: 575: 530: 490: 409: 384: 379: 349: 339: 312: 297: 252: 207: 197: 187: 92: 77: 62: 15129:"The new wave of classic rock: 15 guitar bands you need to know about" 11510:

Apostles of Rock: The Splintered World of Contemporary Christian Music

11487:

Apostles of Rock: The Splintered World of Contemporary Christian Music

5347: 5206: 4647:

By the beginning of the 1980s, faster, more aggressive styles such as

3268:

both pursued very different, but distinctly English, brands of music.

2837:

Folk rock particularly took off in California, where it led acts like

2738: 2660:(which included two British members, and was founded in Britain), and 2483: 1702:. Soon rock and roll was the major force in American record sales and 1196: 17718: 17713: 17703: 17698: 17693: 17032: 17015: 16954: 16722: 16493: 16483: 16478: 16402: 16397: 16366: 16356: 16341: 16336: 16311: 16306: 16296: 16260: 16245: 16220: 16200: 16190: 15699:

Running with the Devil:Power, Gender and Madness in Heavy Metal Music

14917: 14195: 11791:

Savage (1992), pp. 260, 263–67, 277–79; Laing (1985), pp. 35, 37, 38.

11154:

The Garland Encyclopedia of World Music: The United States and Canada

10330:

Rocking the Classics: English Progressive Rock and the Counterculture

10286:

Rocking the Classics: English Progressive Rock and the Counterculture

10265:

Rocking the Classics: English Progressive Rock and the Counterculture

8340: 7369: 7361: 7112:

Rock has been credited with changing attitudes to race by opening up

7090: 7077:

subcultures grew, both of which presented distinctive visual styles.

6753: 6727: 6579: 6555: 6519: 6472: 6366: 6345:

The commercial breakthrough from these scenes was led by four bands:

6186: 6182: 6019: 5988: 5907: 5844: 5754: 5730: 5657: 5653: 5597: 5558: 5542: 5538: 5526: 5493: 5454: 5355: 5289: 5275: 5262: 5042: 5038: 4961: 4859: 4823: 4780: 4708: 4688: 4672: 4612: 4574: 4552: 4546: 4492: 4488: 4472: 4249: 4241: 4139: 4135: 4117: 3911: 3874: 3870: 3866: 3862: 3824: 3735: 3645: 3617: 3568: 3563:

scene and a profiteering pursuit of the lowest common denominator in

3529: 3400: 3368: 3364: 3348: 3173: 3162:, often telling an epic story or tackling a grand overarching theme. 3134: 3030: 3012: 2955: 2951: 2911: 2805: 2778: 2774: 2746: 2742: 2733: 2697: 2598: 2451: 2401: 2379: 2354: 2295: 2283: 2046: 2019: 1991: 1767: 1653: 1626: 1465: 1347: 1343: 1088: 1053: 1045: 1041: 1025: 1021: 1009: 997: 986: 924: 864: 829: 725: 620: 414: 394: 374: 364: 359: 302: 287: 272: 267: 262: 232: 222: 177: 15799:

All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul

14544:"They Were Going to Be Spring's Biggest Albums – Until COVID-19 Hit" 12307:

All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul

12273:

All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul

8665:"The Wild One by Johnny O'Keefe – Australia's first rock'n'roll hit" 8243:, "Church of the Sonic Guitar", pp. 13–38 in Anthony DeCurtis, 3829: 1810:

in the early 1950s, was popularized by Link Wray in the late 1950s.

963:, and one or more singers. Usually, rock is song-based music with a 17608: 16717: 16442: 16432: 16210: 16130: 16087: 16044: 15051:"Geese Are Legit Indie-Rock Prodigies, Straight Out of High School" 14660:"Aerosmith, BTS, U2 Among Contributors to Live Nation Charity Fund" 13358:

Britpop!: Cool Britannia and the Spectacular Demise of English Rock

12788: 10117: 9561:

F.W. Hoffmann "Garage Rock/Punk", in F.W. Hoffman and H. Ferstler,

9024:

R. Stakes, "Those boys: the rise of Mersey beat", in S. Wade, ed.,

7134: 7116:

to white audiences; but at the same time, rock has been accused of

7045:. In the 1950s and 1960s, respectively, British youths adopted the 6922: 6878: 6851: 6829: 6704: 6675: 6651: 6563: 6551: 6503: 6468: 6242: 6140: 6110: 6043: 5848: 5840: 5737:

helped inspire both post rock, an experimental style influenced by

5517: 5396: 5266: 5152: 5144: 5088: 4945: 4914: 4803: 4760: 4526: 4349: 4161: 3987: 3959: 3943: 3935: 3931: 3637: 3580: 3564: 3422: 3384: 3080: 3048: 2878: 2874: 2050: 2042: 1950: 1840: 1807: 1084: 1076: 960: 772: 399: 389: 192: 15446:

D. Horn and D. Bucley, "Disasters and accidents", in J. Shepherd,

14039: 13498:

Popular Music and the State in the UK: Culture, Trade or Industry?

12099:

Brand Royalty: How the World's Top 100 Brands Thrive & Survive

10995:

Beyond Subculture: Pop, Youth and Identity in a Postcolonial World

6514: 6349:, who emerged from the New York club scene with their début album 5561:. In 1994 Green Day moved to a major label and produced the album 4798:, British new wave went in the direction of such New Romantics as 4105:

music, which led to several successful singles, especially on his

3219: 17473: 17442: 17437: 17254: 17063: 16937: 16688: 16468: 14913:"Olivia Rodrigo, MGK and Willow Smith among pop-punk revivalists" 14044:(14th ed.). Footscray, Victoria: Lonely Planet. p. 52. 11096:"Santana: Caravanserai : Music Reviews : Rolling Stone" 10378:

Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon

10094: 8012: 7106: 7094: 6886: 6788: 6305: 6278: 5996: 5968: 5956: 5931: 5903: 5794: 5722: 5665: 5546: 5497: 5342: 5258: 5222: 5184: 5132: 4898: 4839: 4600: 4420: 4394: 4040: 3963: 3854: 3556: 3145: 2455: 2397: 2334: 2279: 2209: 2105: 1865: 1835: 1703: 1477: 1442: 1230: 1229:) and five members. Classically, a rock band takes the form of a 1216:

other instruments, particularly keyboards such as the piano, the

1100: 1068: 879: 8789: 8426:"The problem with how the music streaming industry handles data" 6477:

In the 2000s, as computer technology became more accessible and

4521:. It can also be heard as an influence on artists as diverse as 3023:, which saw performances by most of the major psychedelic acts. 2724:

innovation, and blues rock began to slip out of the mainstream.

17583: 17422: 16417: 15964: 14641:"COVID-19's Effect on the Global Music Business, Part 1: Genre" 11987:

Crossroads: American Popular Culture and the Vietnam Generation

11016:

Performing Glam Rock: Gender and Theatricality in Popular Music

10884:

Performing Glam Rock: Gender and Theatricality in Popular Music

10840:

Performing Glam Rock: Gender and Theatricality in Popular Music

9667:

All Music Guide to the Blues: The Definitive Guide to the Blues

9517:

TV-a-Go-Go: Rock on TV from American Bandstand to American Idol

9174: 9172: 8776:

All Music Guide to the Blues: The Definitive Guide to the Blues

8305:(3rd ed.). Boston, MA: Cengage Learning. pp. 157–58. 6942: 6870: 6837: 6434: 6075: 6071: 5615: 5371: 5201: 5180: 5068: 5055: 4787:, began as punk acts and moved into more commercial territory. 4656: 4067:

yielded the single "No One to Depend On", and his fourth album

3784: 2713: 2673: 2436:(South Bend, Indiana). Other influential garage bands, such as 2023: 1931: 1818: 1123: 1064: 788: 227: 14810:"Jay Watson takes us through the recording of Gum's new album" 14416:"Festival Trends of The 2010s: Representation and Inclusivity" 14063: 14061: 11120: 9841:

Music of the Counterculture Era American History Through Music

8950:"Throwback tune of the day: Nowhere to Go – The Four Freshmen" 7923:. Bloomington, IN: Indiana University Press. pp. 108–09. 4129: 3517: 3063: 17708: 17633: 17623: 17548: 17543: 17468: 17427: 15969: 15276:

Time Passages: Collective Memory and American Popular Culture

12515:

10 years later, Cobain continues to live on through his music

12301: 12299: 12297: 12295: 12293: 12291: 12289: 12267: 12265: 12263: 12261: 12259: 12257: 12255: 12253: 12032: 10772:

B. Hinton, "The Nitty Gritty Dirt Band", in P. Buckley, ed.,

7919:

Rush, Rock Music and the Middle Class: Dreaming in Middletown

6918: 6326: 6203: 6081:

In 2001, nu metal reached its peak with albums like Staind's

5980: 5976: 5762: 5734: 4743: 4480:, and the basic rock of 1960s garage and the Rolling Stones. 4424: 4245: 3915: 3363:

to circumvent the language barrier. Their synthesiser-heavy "

3333:

The instrumental strand of the genre resulted in albums like

3213: 3079:

Progressive rock, a term sometimes used interchangeably with

2940: 2504: 1221: 928: 67: 15564: 15562: 15560: 15546: 15544: 14790:"Tame Impala kickstart the Australian psychedelic explosion" 12839:

Gender in the Music Industry: Rock, Discourse and Girl Power

11857:. Toronto, Canada: University of Toronto Press. p. xi. 10980:

D. Thompson, "Glitter Band" and S. Huey, "Gary Glitter", in

9733: 9731: 9729: 9727: 9725: 9541:. Berkeley CA: University of California Press. p. 116. 9196: 9184: 9169: 9110: 8587:

Juke Box Britain: Americanisation and Youth Culture, 1945–60

8067:

Rock Over the Edge: Transformations in Popular Music Culture

7599:

Any Sound you can Imagine: Making Music/Consuming Technology

7069:, a look which spread worldwide. Out of the punk scene, the 4483:

Exemplified by the commercial success of singer songwriters

2085:

scoring hits in the early 1960s with instrumentals such as "

2069:" in 1963 and probably the best-known surf tune was 1963's " 1790:

was popularized by Chuck Berry in the mid-1950s. The use of

17523: 17447: 17179: 15249: 15247: 15245: 14058: 11831:

R. Sabin, "Rethingking punk and racism", in R. Sabin, ed.,

8770: 8768: 6055: 5949: 5820: 5738: 5718: 5530: 5190: 4755: 4102: 3177: 3112: 2680:

elements into their style to produce the distinctive genre

1908:" was a major influence and helped to develop the trend of 1301:

on beats two and four. Melodies often originate from older

948: 97: 15821:"B.E.: A Dozen Moments in the Prehistory of Rock and Roll" 15797:

Bogdanov, V.; Woodstra, C.; Erlewine, S. T., eds. (2002).

14072:. Aldershot, England: Ashgate Publishing. pp. 80–81. 12876: 12286: 12250: 12045:, Edinburgh: Edinburgh University Press, pp. 121–23, 11258:

Rock Eras: Interpretations of Music and Society, 1954–1984

10633:(2nd ed.). Abingdon, England: Routledge. p. 83. 10529:"Rock in the Name of Progress (Part VI -"Thelonius Punk")" 10055:

Sixties Rock: Garage, Psychedelic, and Other Satisfactions

9590:. Edinburgh, UK: Edinburgh University Press. p. 134. 9097: 8871:

Education and the State: Politics, Patriarchy and Practice

8549:

Sixties Rock: Garage, Psychedelic, and Other Satisfactions

8456:

Rock Eras: Interpretations of Music and Society, 1954–1984

8131: 7973:. Aldershot, England: Ashgate Publishing. pp. 43–44. 7514:

Rock Eras: Interpretations of Music and Society, 1954–1984

5187:

in the UK, bringing alternative rock into the mainstream.

4295:

added elements of fantasy to their riff laden blues-rock,

3583:

became more popular than the Beatles, but they were never

16473: 15557: 15541: 15471:(Cambridge: Cambridge University Press, 2nd edn., 1995), 14638: 13813:

Turn on your Mind: Four Decades of Great Psychedelic Rock

13424:"Roll over Britpop ... it's the rebirth of art rock" 12608:

Hop on Pop: the Politics and Pleasures of Popular Culture

9722: 9661: 9659: 9657: 9655: 9653: 9651: 9649: 9581: 9579: 9461:(Edinburgh: Edinburgh University Press, 2nd edn., 2004), 7353: 7086: 7074: 7053:

subcultures, which revolved around US rock and roll. The

6874: 6859: 6272: 6177:

trad rock), particularly the Beatles, Rolling Stones and

6144: 6136: 5450:, helped popularize the genre and define its parameters. 5107:, building an extensive underground music scene based on 4831: 4652: 3671: 2928: 2566:(after Clapton's departure from the Yardbirds) and later 1248:

Audio playback is not supported in your browser. You can

1139: 1075:. Further fusion subgenres have since emerged, including 15796: 15297:

The Control of Drugs and Drug Users: Reason or Reaction?

15242: 14192:"Why Did Rock Music Decline and Can It Make a Comeback?" 13187: 13180: 12795: 12705: 12692: 12685: 12534:

Selling Seattle: Representing Contemporary Urban America

12155: 12150: 12148: 12146: 12144: 12142: 12140: 12026: 11758: 11574:

Raised by Wolves: the Story of Christian Rock & Roll

11553:

God's Schools: Choice and Compromise in American Society

11532:

Raised by Wolves: the Story of Christian Rock & Roll

11465:

Raised by Wolves: the Story of Christian Rock & Roll

10981: 10760: 10678: 10595: 10590: 10588: 10586: 10230: 10088: 9874: 9869: 9867: 9865: 9863: 9861: 9859: 9857: 9738: 9612:

Britain and the Americas: Culture, Politics, and History

9445: 9104: 9091: 8982: 8977: 8975: 8891: 8857: 8778:(Milwaukee, WI: Backbeat Books, 3rd ed., 2003), p. 700. 8765: 8138: 7546:(2nd ed.). Belmont, CA: Thomson Schirmer. pp. 7101:

in the mid-late 1960s and early 1970s; and sometimes to

5709:

music. Many countries have developed an extensive local

4913:. Early contributors to the genre included the US bands 1912:

groups throughout the country, many of which, including

15278:(Minneapolis MN: University of Minnesota Press, 2001), 13990:(7th ed.). London, UK: Lonely Planet. p. 75. 13790:"Franz Ferdinand: Franz Ferdinand (Australia Bonus CD)" 12123:(1st ed.). London, UK: Routledge. pp. 21–38. 12038: 10353:

Mean Deviation: Four Decades of Progressive Heavy Metal

6641: 6510:

2010s–present: Commercial stagnation and revival scenes

6123:

became a platinum hit. Korn's long-awaited fifth album

5012: 4878: 4659:(a distortion-heavy subgenre influenced by the UK band 4120:

gained popularity at this time, with their first album

3799:

and (incorporating elements of R&B and gospel) the

2716:

who moved towards a form of high energy and repetitive

1856:

that was taking place globally in the aftermath of the

15612:"I Wanna Be Your Man: Suzi Quatro's musical androgyny" 15514:. Bingley: Emerald Group Publishing. pp. 109–14. 15318:

Under the Influence: the Disinformation Guide to Drugs

15255:

Fashion Cultures: Theories, Explorations, and Analysis

14862:"Panorama: A brief guide to Neo-psychedelia in Europe" 14385:"Why Twenty One Pilots Are Such A Vital Band For Rock" 13985: 13604: 13500:. Aldershot, England: Ashgate Publishing. p. 21. 12579: 12577: 12575: 12573: 10961:

Performance and Popular Music: History, Place and Time

10937:

Performance and Popular Music: History, Place and Time

10755: 10753: 10751: 10749: 10747: 10745: 10743: 10695:. Hoboken, NJ: John Wiley & Sons. pp. 87–90. 9807:. Aldershot, England: Ashgate Publishing. p. 95. 9646: 9576: 8730:. Aldershot, England: Ashgate Publishing. p. 22. 8611:

From Blues to Rock: An Analytical History of Pop Music

8177:"World's First Rock-and-Roll Song Identified - Seeker" 7806:

Christgau's Record Guide: Rock Albums of the Seventies

7751:

Christgau's Record Guide: Rock Albums of the Seventies

7109:

and heroin, all of which have been eulogised in song.

5999:. The mixing of thrash metal and rap was pioneered by 4039:

After the early successes of Latin rock in the 1960s,

3547:

Christgau's Record Guide: Rock Albums of the Seventies

3141:

Arthur (Or the Decline and Fall of the British Empire)

2885:, to use their traditional music to create a brand of 2753:

By the 1960s, the scene that had developed out of the

2519:, who was a major influence on the Skiffle craze, and 1487: 15177: 15175: 15153:

Schaffner, Lauryn SchaffnerLauryn (17 January 2023).

12841:. Aldershot, England: Ashgate Publishing. p. 2. 12137: 11633: 11631: 11629: 11627: 11513:(Lexington, KY: University Press of Kentucky, 2004), 11490:(Lexington, KY: University Press of Kentucky, 2004), 11144: 11018:(Ann Arbor, MI: University of Michigan Press, 2006), 10905:

Bolan – The Rise And Fall of a 20th Century Superstar

10886:(Ann Arbor, MI: University of Michigan Press, 2006), 10842:(Ann Arbor, MI: University of Michigan Press, 2006), 10813: 10811: 10583: 10083: 10081: 10079: 10077: 10075: 10073: 10071: 9854: 9686:

T. Rawlings, A. Neill, C. Charlesworth and C. White,

9320: 8972: 7085:

taken by mods in the early to mid-1960s, through the

6311: 5279:

became a huge success, containing the anthemic song "

4734:, performing at Maple Leaf Gardens in Toronto in 1977 4101:, though he was also experimenting more heavily with 3343:(1973), the first record, and worldwide hit, for the 2989:", the Rolling Stones responded later that year with 2010:

The instrumental rock and roll of performers such as

1754:

and even those within other heritage genres, such as

15677: 15675: 15224:

Goodlad, Lauren M. E.; Bibby, Michael, eds. (2007).

15155:"11 Bands That Are Leading the Classic Rock Revival" 14489:"Concerts Canceled Due To Coronavirus: Ongoing List" 13944:. Oxford, UK: Oxford University Press. p. 240. 13016: 13014: 12019: 11912:

Music Cultures in the United States: an Introduction

10974: 10955: 10953: 10931: 10929: 10927: 10925: 10225: 10223: 10221: 10219: 10217: 10215: 10213: 9889:

Mods, Rockers, and the Music of the British Invasion

8929:

The Illustrated Discography of Surf Music, 1961–1965

8908:

The Illustrated Discography of Surf Music, 1961–1965

7228: 6284:

structures and sometimes more melodic vocal styles.

4097:. Al Hurricane continued to mix his rock music with 1672:" (1954) became the first rock and roll song to top 1366:, and to deal with the depredations and benefits of 14466: 14284: 13249:"Turners blurs line between sports bar, dance club" 13117:(Chicago, IL: University of Illinois Press, 2002), 12698: 12570: 12484: 12482: 12480: 12478: 11881:(Nashville TN: Vanderbilt University Press, 2004), 11446:(Middletown, CT: Wesleyan University Press, 1993), 11425:(Middletown, CT: Wesleyan University Press, 1993), 11401:(Middletown, CT: Wesleyan University Press, 1993), 11380:(Middletown, CT: Wesleyan University Press, 1993), 10740: 10057:(Chicago, IL: University of Illinois Press, 2000), 9798: 9796: 7602:(Middletown, CT, Wesleyan University Press, 1997), 3212:almost single-handedly created the new music genre 2108:and the close harmonies of vocal pop acts like the 1660:

began playing rhythm and blues music (then termed "

1207:The sound of rock is traditionally centered on the 985:, but the genre has become extremely diverse. Like 15894:Rockin' in Time: a Social History of Rock-and-Roll 15366:(Chicago IL: University of Illinois Press, 2000), 15172: 13467: 13465: 11624: 11277:J. Kennaugh, "Fleetwood Mac", in P. Buckley, ed., 10808: 10185: 10068: 9257: 9255: 9218:When the Beatles hit America CNN February 10, 2004 8850: 8629: 8627: 8613:. Manchester: Manchester University Press. p. 78. 8383:(New Brunswick, NJ: Transaction, 3rd edn., 1986), 7916: 7879: 7539: 6803: 6598:. Outside of the charts, the commercialisation of 5288:During 1991 and 1992, other grunge albums such as 5234:into a single sound, and made heavy use of guitar 3099:sections on their recordings to produce a form of 2547:boom, including members of the Rolling Stones and 15672: 15605: 15603: 15601: 13703: 13701: 13627: 13011: 12810: 12808: 12806: 12804: 12309:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002), 12275:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002), 11800: 11417: 11415: 10950: 10922: 10244:Sonic Cool: the Life & Death of Rock 'n' Roll 10210: 9891:. Westport, CT: Praeger Publishers. p. 128. 9669:(Milwaukee, WI: Backbeat Books, 3rd edn., 2003), 9440: 9438: 9436: 9434: 9432: 9430: 9428: 9086: 9084: 8884: 7949:(Cambridge, MA: Harvard University Press, 2001), 7870: 6050: – was pursued by bands including 5697:, through do-it-yourself experimental bands like 3853:glamor, through 1950s pin-up sex appeal, pre-war 3512: 2463:. New styles had evolved to replace garage rock. 2307:singer-songwriters. Following the example set by 1414:and progressive themes as part of an ideology of 17774: 15790: 14568:Blistein, Jon; Legaspi, Althea (19 March 2020). 13815:(Milwaukee, WI: Hal Leonard Corporation, 2003), 13650: 13447:"Stereophonics: You Gotta Go There to Come Back" 13300:Nu-metal: The Next Generation of Rock & Punk 13193: 13134: 12863:Sound Tracks: Popular Music, Identity, and Place 12794:S.T. Erlewine, "Green Day", and "Offspring", in 12475: 11833:Punk Rock: So What?: the Cultural Legacy of Punk 11753: 11751: 11749: 11301: 11299: 11297: 11295: 10246:(Milwaukee, WI: Hal Leonard Corporation, 2003), 9793: 9782:(Milwaukee, WI: Hal Leonard Corporation, 1997), 9711:(Milwaukee, WI: Hal Leonard Corporation, 1997), 8931:(Ypsilanti, MI: Pierian Press, 2nd edn., 1985), 8910:(Ypsilanti, MI: Pierian Press, 2nd edn., 1985), 8829: 8827: 8825: 8478:"Get It Low: The Dirty Guitar of Junior Barnard" 7481:"Chuck Berry Invented the Idea of Rock and Roll" 7033:in August 1969 was seen as a celebration of the 5545:, commercially successful new wave acts such as 5018: 4790:Between 1979 and 1985, influenced by Kraftwerk, 30:For the original 1950s style of rock music, see 15801:(3rd ed.). Milwaukee, WI: Backbeat Books. 15509: 15387:(Cambridge: Cambridge University Press, 2001), 14567: 14254:"Opinion | Is Rock 'n' Roll Dead, or Just Old?" 13968:(Maidenhead: McGraw-Hill International, 2004), 13857:This Is It-: the First Biography of the Strokes 13677: 13675: 13591:This Is It-: the First Biography of the Strokes 13462: 13381:(Edinburgh: Edinburgh University Press, 2004), 13201:"What Is Rap-Rock: A Brief History of Rap-Rock" 13160: 13158: 13156: 13154: 12720: 12718: 12716: 12714: 10236: 10033:(Cambridge: Cambridge University Press, 2001), 9635:(Cambridge: Cambridge University Press, 2003), 9354:. Lanham, MD: Lexington Books. pp. 96–97. 9288:(Cambridge: Cambridge University Press, 2001), 9252: 9127: 9125: 9028:(Liverpool: Liverpool University Press, 2001), 8839:(Cambridge: Cambridge University Press, 2001), 8754:. Mineappolis, MN: Lerner Publications. p. 13. 8721: 8719: 8624: 8296: 8294: 8137:R. Unterberger, "Birth of Rock & Roll", in 7970:Taking Popular Music Seriously: Selected Essays 7850:. Westport, CT: Praeger. pp. xxvi–xxviii. 7723:(Cambridge: Cambridge University Press, 1990), 7393:"Power Pop Guide: A Brief History of Power Pop" 6614:, and smaller-scale local festivals expanding. 3865:styles, science fiction, to ancient and occult 3704:album. Later that year he joined the Byrds for 3005:. Key recordings included Jefferson Airplane's 2232:" was the Beatles' first number one hit on the 1868:" (1959), effectively ushering in the sound of 15598: 15575: 15320:(New York: The Disinformation Company, 2004), 13698: 13331: 13329: 12801: 12559:(Boston, MA: Little Brown and Company, 2001), 12387: 11412: 11252: 11250: 10563: 10561: 10559: 10010:Workin' Man Blues: Country Music in California 9425: 9081: 9068:Understanding Rock: Essays in Musical Analysis 8394: 6836:. The popularity of the social media platform 2570:. Particularly significant was the release of 1986:posing for a publicity photo in 1963. L to R: 1953:, and the elaborate production methods of the 939:. Rock also drew strongly from genres such as 17358: 15985: 15712:Eddy, Chuck (1 July 2011). "Women of Metal". 15469:Rock Music: Culture, Aesthetics and Sociology 14223:"Rock 'N' Roll Is Dead. No, Really This Time" 14161:"Why Rock Can't Compete With Hip-Hop in 2017" 14155: 14153: 13730: 13415: 11746: 11292: 10652: 10650: 10631:Liveness: Performance in a Mediatized Culture 10049: 10047: 9385: 9383: 9208: 8822: 8381:Tarnished Gold: the Record Industry Revisited 8037: 8035: 7882:Rock & Roll Is Here to Stay: An Anthology 7720:Rock Music: Culture, Aesthetics and Sociology 7658: 7537: 7125:. Rock music inherited the folk tradition of 6666:Psychedelic rock in Australia and New Zealand 6014:broke into the mainstream with their single " 5596:A second wave of pop-punk was spearheaded by 5366:were a major influence, as were bands of the 4928:The first wave of British post-punk included 3888:The origins of glam rock are associated with 2382:) to near-studio musician quality (including 1964: 110:1950s–1960s, United States and United Kingdom 15223: 14995: 14993: 14966: 14964: 13707: 13672: 13537: 13186:S. T. Erlewine, et al., "Faith No More", in 13151: 12711: 12671:"Post-Grunge: A History of Post-Grunge Rock" 12664: 12662: 12660: 12658: 12167: 12078:Rip It Up and Start Again Postpunk 1978–1984 12011:harvnb error: no target: CITEREFBorack2007 ( 11660: 11223:"The Move: Great Move! The Best of the Move" 10543: 10391: 10112: 9122: 9047:Urban Rhythms: Pop Music and Popular Culture 8716: 8645: 8643: 8552:. University of Illinois Press. p. 17. 8291: 7633: 7631: 7629: 5432:performing an acoustic show in November 2007 4495:, along with less widely known acts such as 3375:), would be a major influence on subsequent 3216:with their first albums in the early 1970s. 2527:, particularly after the tour of Britain by 1932:1960s: British invasion and broadening sound 1892:In the late 1950s and early 1960s, American 15492:(Bingley: Emerald Group Publishing, 2007), 14937: 14935: 14413: 14040:Rawlings-Way, Charles; et al. (2008). 13566: 13421: 13350: 13335: 13326: 12897: 12547: 12328:Popular Culture: Production and Consumption 11879:Music Scenes: Local, Translocal and Virtual 11852: 11683: 11593: 11247: 10853: 10556: 10349: 10343: 9935: 8890:R. Unterberger, "Brill Building Sound", in 8589:. Manchester: Manchester University Press. 8070:(Durham, NC: Duke University Press, 2002), 7097:and other hallucinogenic drugs linked with 5383:, who were soon joined by others including 5179:. The next decade would see the success of 4517:and more gentle singer-songwriters such as 4130:Soft rock, hard rock, and early heavy metal 3532:performing in 2007. They are known as the " 2873:, which in turn prompted Irish groups like 17365: 17351: 15992: 15978: 15342:. New York, NY: Random House. p. 53. 15126: 14189: 14150: 13752: 13543: 13520: 13246: 12610:(Durham NC: Duke University Press, 2002), 11183: 10647: 10607:I. Carr, D. Fairweather and B. Priestley, 10187:"All That Music, and Nothing to Listen To" 10044: 9989:The Guinness Encyclopedia of Popular Music 9911: 9519:(Chicago IL: Chicago Review Press, 2005), 9380: 9229: 9214: 9018: 8809:On Record: Rock, Pop, and the Written Word 8360:The Guide to United States Popular Culture 8303:Popular Music in America: The Beat Goes On 8093:"Introduction: Canons and Listening Lists" 8032: 7533: 7531: 7415: 7385: 6850:200, and Rodrigo's number-one hit single " 6440: 6369:from Sweden after their compilation album 6066:, spawned a wave of successful bands like 5773:, the two bands created out of its split, 3632:, have been seen as creating the genre of 2554:The other key focus for British blues was 2212:, and particularly those from London like 2077:, which hit number 2 and number 10 on the 2034:influences. He produced the regional hit " 1730:and with the greatest commercial success, 1107:can be seen in rock music, notably in the 1028:, which contributed to the development of 15833: 15815: 15684:On Record: Rock, Pop and the Written Word 15609: 15152: 14990: 14961: 14910: 13093:"Rappers Who Definitely Know How to Rock" 13090: 13066: 12770: 12655: 12606:H. Jenkins, T. McPherson and J. Shattuc, 12370: 12347: 12070: 11706: 11328: 11220: 10787: 10715: 10628: 10332:(Oxford: Oxford University Press, 1997), 10288:(Oxford: Oxford University Press, 1997), 10267:(Oxford: Oxford University Press, 1997), 10154:Joel Whitburn's Top Pop Singles 1955-2002 10100: 9688:Then, Now and Rare British Beat 1960–1969 9347: 9341: 9202: 9190: 9178: 9116: 9070:(Oxford: Oxford University Press, 1997), 8902: 8900: 8795: 8653:(Vol. 24, No. 3, pp. 329–348). Routledge. 8640: 8346: 8087: 8005: 7795: 7740: 7626: 7469: 6301:The Places You Have Come to Fear the Most 6046:. A more metallic sound – 3288:, to more pop rock orientated bands like 2824:" becoming a US hit single. According to 2159:arriving in New York at the start of the 15954:) is being considered for deletion. See 15873: 15701:. Wesleyan University Press. p. 76. 14999: 14941: 14932: 14251: 14113: 14067: 13930:, pp. 498–99, 1024–26, 1040–41, 1162–64. 13922:(London: Rough Guides, 3rd edn., 2003), 13223: 12511: 12415: 12224:Encyclopedia of Recorded Sound, Volume 1 11931: 11618: 11596:The Words and Music of Bruce Springsteen 11281:(London: Rough Guides, 1st edn., 1996), 10776:(London: Rough Guides, 1st edn., 1996), 10611:(London: Rough Guides, 3rd edn., 2004), 10148: 9936:Unterberger, Richie (31 December 2018). 9827: 9802: 9778:P. Prown, H.P. Newquist and J.F. Eiche, 9707:P. Prown, H.P. Newquist and J.F. Eiche, 9585: 9563:Encyclopedia of Recorded Sound, Volume 1 9307:Encyclopedia of Recorded Sound, Volume 1 9131: 8725: 8572: 8300: 8234: 7914: 7620: 7584: 7571: 7538:Campbell, Michael; Brody, James (2007). 7320:" in 1960, penned by the partnership of 7165: 7024: 6669: 6513: 6325: 6262: 6160: 6003:on their 1987 comedy-influenced single " 5967:" (1980). Early crossover acts included 5936: 5821:Alternative metal, rap rock and nu metal 5673: 5521: 5424: 5346: 5226:other artists. Grunge fused elements of 5205: 5191:1990s–2000s: Rise of alternative culture 5050: 4873: 4722: 4579: 4560: 4440: 4385: 4254: 4023: 3990:, and less directly on the formation of 3828: 3670: 3516: 3404: 3248:showcasing the skills of both guitarist 3218: 3172:, which mixed powerful guitar riffs and 3062: 2915: 2737: 2482: 2440:(Tacoma, Washington), never reached the 2396: 2274:, Herman's Hermits, the Rolling Stones, 2151: 2097:saw success in both Sweden and Britain. 1978: 1839: 1549: 1512: 1195: 1040:, which extended artistic elements, and 15427:American Popular Music: The Age of Rock 15385:The Cambridge Companion to Pop and Rock 15022: 14657: 14612: 14096:(Abingdon: Routledge, 2nd edn., 2005), 13495: 13084: 13043: 12836: 12704:S.T. Erlewine, "Alanis Morissette", in 12668: 12464:(Abingdon: Routledge, 2nd edn., 2005), 12226:(New York: CRC Press, 2nd edn., 2004), 12101:(London: Kogan Page Publishers, 2006), 11947:(Abingdon: Routledge, 2nd edn., 2005), 11898: 11150: 11093: 10821:(Abingdon: Routledge, 2nd edn., 2005), 10690: 10356:. Bazillion Points Books. p. 242. 10229:R. Unterberger, "Progressive Rock", in 10180: 10087:R. Unterberger, "Psychedelic Rock", in 10031:The Cambridge Companion to Pop and Rock 10008:G.W. Haslam, A.H. Russell and R. Chon, 9751: 9749: 9747: 9565:(New York: CRC Press, 2nd edn., 2004), 9536: 9393:(Abingdon: Routledge, 2nd edn., 2005), 9330:(Abingdon: Routledge, 2nd edn., 2005), 9309:(New York: CRC Press, 2nd edn., 2004), 9286:The Cambridge Companion to Pop and Rock 9090:R. Unterberger, "British Invasion", in 8836:The Cambridge Companion to Pop and Rock 8327:American Popular Music: The Age of Rock 7746:"Genesis: Selling England by the Pound" 7698:Rhythm and Noise: an Aesthetics of Rock 7528: 7446: 7421: 6952: 6359:, from Detroit, with their third album 2773:. In the early sixties figures such as 2696:, and the lines between blues rock and 1750:; with rock and roll standard musician 1321:modes. Harmonies range from the common 955:, usually as part of a rock group with 14: 17775: 15696: 15337: 14836:"Psychedelic Porn Crumpets - Fronzoli" 14686:"Tame Impala - "Elephant" Music Video" 14683: 14541: 14272:from the original on 20 September 2023 14171:from the original on 20 September 2023 13319:B. Reesman, "Sustaining the success", 13107: 12418:"Twee as Fuck: The Story of Indie Pop" 12006: 11202:from the original on 20 September 2023 11157:. Taylor & Francis. p. 1253. 10509:(London: Taylor & Francis, 2002), 10446:(London: Taylor & Francis, 2002), 9948:from the original on 20 September 2023 9886: 9103:R. Unterberger, "British R&B", in 8897: 8873:(London: Taylor & Francis, 1981), 8506: 8423: 8417: 8020:from the original on 20 September 2023 7845: 7641:(New York: Infobase, 4th edn., 2004), 7434:from the original on 20 September 2023 5163:entered. Particularly vibrant was the 4368:. But in the early 2000s, Bon Jovi's " 3559:withdrawal from the messy concert and 17346: 15973: 15728: 15681: 15610:Auslander, Philip (28 January 2004). 15581: 15228:. Durham, NC: Duke University Press. 15076:"Deeper, espoirs post-punk à Chicago" 15048: 14970: 14761: 14593: 14364:from the original on 27 February 2024 14351: 14302:from the original on 16 December 2019 14183: 14010: 13942:101 Albums That Changed Popular Music 13939: 13787: 13633: 13471: 13444: 13379:Popular Music Genres: an Introduction 12118: 12042:Popular Music Genres: an Introduction 11801:Young, Charles M. (20 October 1977). 11598:. Westport, CT: Praeger. p. 51. 11352: 11189: 11094:Gleason, Ralph J. (8 December 1976). 10797:(Lanham, MA: Scarecrow Press, 2005), 10579:from the original on 16 February 2011 10467:(Lanham, MA: Scarecrow Press, 2005), 10198:from the original on 27 December 2017 9633:The Cambridge Companion to the Guitar 9368:from the original on 16 November 2023 8981:W. Ruhlman, et al., "Beach Boys", in 8662: 8545: 8475: 8267: 8081: 7966: 7791: 7789: 7787: 7639:The Facts on File Dictionary of Music 7475: 4497:Southside Johnny and the Asbury Jukes 4156:A strange time, 1971—although rock's 3371:(for a time the keyboard player with 3119:used a full orchestra on their album 2985:, including the controversial track " 2982:Sgt. Pepper's Lonely Hearts Club Band 17217:Rock music and the fall of communism 15747:are referred to as a "girl band" in 15711: 15429:(Madison, WI: Popular Press, 1989), 15206:(Madison, WI: Popular Press, 1991), 14942:Beaumont, Mark (10 September 2019). 14787: 14320: 14125: 13135:W.E. Ketchum III (15 October 2008), 11772:Bad Music: The Music We Love to Hate 11729: 11260:(Madison, WI: Popular Press, 1987), 9744: 9737:R. Unterberger, "Southern Rock", in 9066:J.R. Covach and G. MacDonald Boone, 8663:Smith, Barnaby (30 September 2014). 8584: 8527:from the original on 8 February 2023 8458:(Madison, WI: Popular Press, 1987), 8362:(Madison, WI: Popular Press, 2001), 8329:(Madison, WI: Popular Press, 1989), 8213:from the original on 27 October 2022 8150: 7517:(Madison, WI: Popular Press, 1987), 6742:King Gizzard & the Lizard Wizard 6642:Psychedelic and progressive revivals 3906:". From 1971, already a minor star, 2065:scored a top ten national hit with " 1872:. Several artists, most prominently 1802:in the 19th century and later on by 1032:, influenced by the countercultural 15852:University of North Texas Libraries 14735: 14252:Flanagan, Bill (19 November 2016). 12724: 11803:"Rock Is Sick and Living in London" 10759:R. Unterberger, "Country Rock", in 10418: 10399:The British Folk Revival, 1944–2002 10012:(Berkeley CA: Heyday Books, 2005), 9929: 8424:Lucero, Mario J. (3 January 2020). 8008:"Tuning Out, Tuning In, Turning On" 7734: 7452:W. E. Studwell and D. F. Lonergan, 7152:Women in music § Popular music 5103:. Artists were largely confined to 4150:List of soft rock artists and songs 3330:as major live venues in the 1990s. 3036: 2960:Big Brother and the Holding Company 2899: 2605:. The last Yardbirds guitarist was 2127: 2112:. The Beach Boys first chart hit, " 1488:1940s–1950s: Birth of rock and roll 1036:. New genres that emerged included 947:, and incorporated influences from 24: 15512:Consumer Culture Theory: Volume 11 14788:True, Everett (13 November 2014). 14684:Bassil, Ryan (19 September 2012). 14613:Hissong, Samantha (7 April 2020). 14448:from the original on 11 April 2020 14382: 14333:from the original on 28 March 2024 14321:Team, uDiscover (24 August 2020). 13880:(Jefferson, NC: McFarland, 2006), 13741:from the original on 7 August 2017 13610: 13546:"Are we in Britpop's second wave?" 13115:Rap Music and Street Consciousness 13069:"The Clash: The Magnificent Seven" 12691:S.T. Erlewine, "Foo Fighters", in 12522:from the original on 11 March 2011 11989:(Rowman & Littlefield, 2005), 11663:"Heartland rock: Bruce's Children" 11555:(Rutgers University Press, 1990), 10716:Christgau, Robert (18 June 1970). 10526: 9968:The British Folk Revival 1944–2002 9444:R. Unterberger, "Garage Rock", in 9414:(Jefferson, NC: McFarland, 2006), 8436:from the original on 31 March 2023 8098:Christgau's Record Guide: The '80s 8006:Christgau, Robert (11 June 1972). 7784: 7493:from the original on 11 March 2021 7422:Azerrad, Michael (16 April 1992). 7252:List of mainstream rock performers 6312:Garage rock and post-punk revivals 5606:(1999), followed by bands such as 4501:Joe Grushecky and the Houserockers 3892:, who had renamed his folk duo to 3019:. These trends peaked in the 1969 1567:Strange Things Happening Every Day 1457:Christgau's Record Guide: The '80s 1169: 1152:associated with political activism 25: 17854: 15958:to help reach a consensus. › 15908: 15862:. New York: Pyramid Books, 1972. 15771:are termed a "girl group" at the 14658:Millman, Ethan (12 August 2020). 14233:from the original on 9 April 2023 14190:Whitecloud, Shane (15 May 2018). 13986:Else, David; et al. (2007). 13172:, 15 October 2008, archived from 12330:(Oxford: Wiley-Blackwell, 2001), 12059:from the original on 10 June 2024 11171:from the original on 10 June 2024 10728:from the original on 6 April 2023 10486:Kraftwerk: Man, Machine and Music 9843:(Westwood, CT: Greenwood, 2004), 9494:W.E. Studwell and D.F. Lonergan, 9006:from the original on 23 July 2019 8609:D. Hatch and S. Millward (1987). 8488:from the original on 12 July 2018 8179:. 23 January 2021. Archived from 7987:from the original on 6 April 2023 7827:from the original on 2 April 2019 7772:from the original on 6 April 2023 6201:(1997), as well as its follow-up 5465:and beyond the US to Australia's 4430: 4375: 4184:" remained an amorphous concept. 4123:Los Lobos del Este de Los Angeles 3103:and can be heard in singles like 2499:Although the first impact of the 1274:drum pattern common in rock music 17755: 17743: 17374: 17324: 17313: 17312: 15737: 15722: 15705: 15690: 15582:White, Erika (28 January 2015). 15528: 15503: 15482: 15461: 15440: 15419: 15398: 15377: 15356: 15331: 15310: 15289: 15268: 15217: 15196: 15146: 15120: 15094: 15068: 15042: 15023:DeVille, Chris (22 April 2022). 15016: 15000:Perpetua, Matthew (6 May 2021). 14971:Doran, John (26 November 2019). 14904: 14879: 14854: 14828: 14802: 14781: 14762:Keith, Cup of (9 October 2023). 14755: 14729: 14704: 14677: 14651: 14632: 14606: 14587: 14561: 14535: 14507: 14481: 14460: 14430: 14407: 14395:from the original on 8 July 2023 14376: 14345: 14314: 14245: 14220: 14214: 14119: 14107: 14086: 14033: 14004: 13979: 13958: 13933: 13912: 13891: 13870: 13849: 13826: 13805: 13781: 13724: 13583: 13567:A. Petridis (26 February 2004), 13560: 13514: 13489: 13438: 13422:A. Petridis (14 February 2004), 13392: 13371: 13323:, 23 June 2001, 113 (25), p. 25. 13313: 13292: 13263: 13240: 13217: 13128: 13060: 13037: 12988: 12965: 12943: 12920: 12855: 12830: 12764: 12741: 12634: 12621: 12600: 12526: 12505: 12454: 12432: 12409: 12364: 12341: 12320: 12237: 12216: 12194: 12183:(London: Reaktion Books, 2002), 12173: 12161: 12112: 12091: 12039:S. Borthwick and R. Moy (2004), 12000: 11979: 11958: 11937: 11925: 11904: 11892: 11871: 11846: 11825: 11794: 11785: 11764: 11723: 11700: 11677: 11654: 11612: 11587: 11566: 11545: 11524: 11501: 11478: 11457: 11436: 11391: 11370: 11346: 11322: 11271: 11235:from the original on 9 July 2023 11214: 11108:from the original on 5 June 2017 11087: 11075: 11029: 11008: 10987: 10897: 10876: 10832: 10766: 10736:– via robertchristgau.com. 10709: 10684: 10671: 10622: 10601: 10594:R. Unterberger, "Jazz Rock", in 10569:"Jazz-Rock Music Genre Overview" 10520: 10499: 10478: 10457: 10436: 10412: 10370: 10322: 10299: 10278: 10257: 10174: 10142: 10106: 10023: 10002: 9981: 9960: 9905: 9880: 9873:R. Unterberger, "Folk Rock", in 9833: 9821: 9772: 9701: 9680: 9158:(Poole, Dorset: Javelin, 1985), 9049:(Basingstoke: Macmillan, 1985), 8119:from the original on 9 July 2023 7835:– via robertchristgau.com. 7780:– via robertchristgau.com. 7424:"Grunge City: The Seattle Scene" 7403:from the original on 24 May 2022 7294:Maurice Williams and the Zodiacs 7231: 7145: 7014: 6129:, and Papa Roach's second album 5833:New Wave of American Heavy Metal 5600:, with their breakthrough album 4903:James Chance and the Contortions 3783:, but incorporating elements of 3169:In the Court of the Crimson King 3154:(1969) introduced the format of 2820:of many folk purists, with his " 2573:Blues Breakers with Eric Clapton 1876:from the UK, found success with 1825: 1746:within the US, began to rise in 1492: 1433:including forms like pop music, 1429:has occasionally been used as a 1425:In the new millennium, the term 893: 17135:Progressive rock (radio format) 14911:Jefferson, J'na (5 June 2021). 14542:Leight, Elias (30 March 2020). 14094:Popular Music: the Key Concepts 13859:(London: Omnibus Press, 2003), 13731:H.A.S. Popkin (26 March 2006), 13708:J. DeRogatis (3 October 2003), 13593:(London: Omnibus Press, 2003), 13360:(Cambridge MA: Da Capo, 2004), 13302:(London, Omnibus Press, 2002), 12462:Popular Music: the Key Concepts 12222:F.W. Hoffmann and H. Ferstler, 12154:S.T. Erlewine, "Post Punk", in 12080:(London: Penguin Books, 2006), 11945:Popular Music: the Key Concepts 11684:A. DeCurtis (18 October 2007), 11661:J.A. Peraino (30 August 1987), 10819:Popular Music: the Key Concepts 10549:T. Udo, "Did Punk kill prog?", 10488:(London: SAF, 3rd end., 2004), 9690:(London: Omnibus Press, 2002), 9625: 9604: 9555: 9530: 9509: 9488: 9472: 9451: 9404: 9391:Popular Music: the Key Concepts 9328:Popular Music: the Key Concepts 9299: 9278: 9148: 9060: 9039: 8988: 8942: 8921: 8863: 8801: 8744: 8703: 8690: 8656: 8603: 8578: 8566: 8539: 8500: 8469: 8448: 8373: 8352: 8319: 8261: 8225: 8195: 8169: 8144: 8058: 7999: 7960: 7937: 7908: 7864: 7839: 7711: 7700:, (London: I.B. Tauris, 1996), 7690: 7667: 7652: 7613: 7346: 7331: 7300:. The rise of girl groups like 7278: 6804:Pop-punk and post-punk revivals 6750:Rolling Blackouts Coastal Fever 6150: 5701:, to punk-folk singers such as 5167:scene, producing such bands as 4599:By late 1976, acts such as the 4397:stop on the Fading West Tour – 4013: 3460:, Blood, Sweat & Tears and 2992:Their Satanic Majesties Request 2026:, rapid alternate picking, and 1941:of the early 1960s, started by 1297:, with a repetitive snare drum 1128:Western counterculture movement 15999: 15538:, vol.4(1) (2014), pp. 101–02. 15299:(Amsterdam: CRC Press, 1998), 15202:P.A. Cunningham and S.V. Lab, 15049:Dolan, Jon (28 October 2021). 14736:Cox, Jamieson (14 July 2015). 14594:Nikel, David (29 April 2020). 13901:(London: Rough Guides, 2003), 13734:What exactly is 'emo,' anyway? 13523:"Travis: The boy with no name" 13277:, 19 July 1999, archived from 12025:S.T. Erlewine, "New Wave", in 11686:"Kid Rock: Rock n' Roll Jesus" 10660:(London: Rough Guides, 2000), 10658:Country Music: The Rough Guide 9215:T. Leopold (5 February 2004), 8856:R. Unterberger, "Doo Wop", in 8379:R. S. Denisoff, W. L. Schurk, 8203:"The First Rock and Roll Song" 7679:(New York: SUNY Press, 2006), 7590: 7577: 7570:R.C. Brewer, "Bass Guitar" in 7564: 7542:Rock and Roll: An Introduction 7505: 6781:Uncle Acid & the Deadbeats 6686:performing in New York in 2013 6105:. New bands also emerged like 5414: 3950:and his support musicians the 3838:Ziggy Stardust and the Spiders 3791:, the more country-influenced 3513:1970s–1980s: Commercialisation 3308:. These, beside British bands 3002:The Piper at the Gates of Dawn 2853:, with the latter's acoustic " 2366: 2343:, as well as American acts in 2022:, who added distinctive "wet" 1535:genres of the time, including 13: 1: 17823:Culture of the United Kingdom 15943: 15791:Further reading and listening 15408:(Abingdon: Routledge, 1994), 15257:(Abingdon: Routledge, 2000), 15185:(Abingdon: Routledge, 1990), 14292:"Hot Rock Songs – Decade-End" 14019:: Lonely Planet. p. 58. 13544:S. Dowling (19 August 2005), 13247:T. Potterf (1 October 2003), 13214:. Retrieved 31 December 2008. 13091:K. Sanneh (3 December 2000), 12865:(Abingdon: Routledge, 2003), 12644:(Abingdon: Routledge, 2004), 12512:E. Olsen (4 September 2004), 11914:(Abingdon: Routledge, 2005), 11853:Skott-Myhre, Hans A. (2009). 11835:(Abingdon: Routledge, 1999), 11542:, pp. 66–67 and 159–161. 11507:J.R. Howard and J.M. Streck, 11484:J.R. Howard and J.M. Streck, 10997:(Abingdon: Routledge, 2006), 10507:Progressive Rock Reconsidered 10444:Progressive Rock Reconsidered 9588:American Culture in the 1980s 9498:(Abingdon: Routledge, 1999), 8811:(Abingdon: Routledge, 1990), 8726:Schwartz, Roberta F. (2007). 8476:Davis, Lance (8 March 2011). 7458:(Abingdon: Routledge, 1999), 7378: 5781:, and later groups including 5749:and taken up by acts such as 5633: 5453:Some post-grunge bands, like 5019:Emergence of alternative rock 4642:anti-authoritarian ideologies 4031:, New Year's Eve 1976 at the 4006:and in R&B crossover act 3724:New Riders of the Purple Sage 3594: 2987:Lucy in the Sky with Diamonds 2466: 1844:British rock and roll singer 1633:and his Delta Cats (in fact, 860:relationship with electronics 17803:Culture of the United States 15934:Resources in other libraries 15686:. Routledge. pp. 87–91. 15554:, Vol.4 (1), (2014), p. 102, 15253:S. Bruzzi and P. C. Gibson, 15082:(in French). 5 December 2021 13834:"New Wave/Post-Punk Revival" 12536:(London: Wallflower, 2004), 12416:N. Abebe (24 October 2005), 11757:J. Dougan, "Punk Music", in 11576:(Toronto: ECW Press, 2000), 11534:(Toronto: ECW Press, 2000), 11467:(Toronto: ECW Press, 2000), 11132:(in Spanish). Gran Via. 1998 10963:(Aldershot: Ashgate, 2006), 10939:(Aldershot: Ashgate, 2006), 10401:(Aldershot: Ashgate, 2003), 10380:(Aldershot: Ashgate, 2005), 9970:(Ashgate, Aldershot, 2003), 8635:Contemporary British History 8155:. Beacon Press. p. 68. 8047:(Aldershot: Ashgate, 2003), 7583:R. Mattingly, "Drum Set" in 7191:all-female garage rock bands 7131:Do They Know It's Christmas? 7057:was closely associated with 7021:Social effects of rock music 4853: 4620:with a song that referenced 4607:, in New York City, and the 4540: 4416:contemporary Christian music 3818: 3698:International Submarine Band 3642:Creedence Clearwater Revival 3394: 2727: 2266:, Freddie and the Dreamers, 2093:", while Swedish surf group 2045:" (1962). Like Dale and his 1736:Hispanic and Latino American 1245: 1237:or another instrumentalist. 1142:subcultures. Inheriting the 1034:psychedelic and hippie scene 27:Broad genre of popular music 7: 17762:Rhythm and blues portal 17165:List of years in rock music 15572:, Vol.4(1), (2014), p. 104. 15450:(London: Continuum, 2003), 15406:Understanding Popular Music 13988:Lonely Planet Great Britain 13899:The Rough Guide to Cult Pop 13230:The San Diego Union-Tribune 13224:C. Nixon (16 August 2007), 12886:(London: Continuum, 2006), 12884:A to X of Alternative Music 11968:(London: Greenwood, 2006), 8711:Popular Music & Society 7224: 7055:counterculture of the 1960s 6974:Anthem of the Peaceful Army 6387:Black Rebel Motorcycle Club 5963:" (1980) and Blondie with " 5787:Godspeed You! Black Emperor 5587:(1997) and the Offspring's 5569:eponymous debut from Weezer 5511: 5062:band in the 1980s and 1990s 4698: 4164:" could mean anything from 3716:the Flying Burrito Brothers 2921:The Jimi Hendrix Experience 2881:, Spencer's Feat and later 2877:and Scottish acts like the 2755:American folk music revival 2720:), bands became focused on 2658:the Jimi Hendrix Experience 2426:Paul Revere and the Raiders 1848:in a 1958 promotional photo 1623:Bill Haley & His Comets 36:Rock music (disambiguation) 10: 17859: 17270:Rock and Roll Hall of Fame 15874:Shepherd, J., ed. (2003). 15627:Cambridge University Press 15127:Brad Angle (9 July 2021). 15002:"The Post-Brexit New Wave" 13521:A. Begrand (17 May 2007), 12861:J. Connell and C. Gibson, 11221:Christgau, Robert (1995). 10629:Auslander, Philip (2008). 10553:, vol. 97, September 2006. 9991:(London: Guinness, 1992), 9914:"The Beatles: I'm a Loser" 9803:Mitchell, Gillian (2007). 9614:(Oxford: ABC-CLIO, 2005), 8510:Chuck Berry: The Biography 8301:Campbell, Michael (2008). 7364:and are now often seen as 7155: 7149: 7018: 6956: 6655: 6645: 6450: 6444: 6315: 6276: 6266: 6154: 6117:, whose major label début 5830: 5824: 5643: 5637: 5515: 5418: 5340: 5336: 5265:pioneered the genre, with 5199: 5028: 5022: 4863: 4857: 4712: 4702: 4575:DIY (do it yourself) ethic 4550: 4544: 4434: 4379: 4147: 4133: 4017: 3822: 3700:, arguably the first true 3681:Long Road out of Eden Tour 3616:In 1966 Bob Dylan went to 3604: 3598: 3398: 3367:", along with the work of 3258:Emerson, Lake & Palmer 3056: 3046: 3040: 2909: 2903: 2831:The Freewheelin' Bob Dylan 2765:and often identified with 2731: 2476: 2470: 2370: 2177:Gerry & the Pacemakers 2137: 2131: 1968: 1965:Instrumental rock and surf 1829: 1621:" (1949), also covered by 1563:first rock and roll record 1502: 1496: 29: 17798:21st-century music genres 17793:20th-century music genres 17731: 17684: 17668: 17661: 17641: 17616: 17591: 17566: 17536: 17511: 17486: 17461: 17400: 17388: 17308: 17237: 17192:Electronics in rock music 17143: 17097: 17072: 17046: 16895: 16858:Hard rock and heavy metal 16651: 16583: 16518: 16511: 16461: 16385: 16352:Pub rock (United Kingdom) 16284: 16118: 16070: 16055: 16007: 15929:Resources in your library 15635:10.1017/S0261143004000030 15204:Dress and Popular Culture 14414:Curtis-Horsfall, Thomas. 14042:Lonely Planet New Zealand 13569:"And the bland played on" 13377:S. Borthwick and R. Moy, 12627:E. Kessler, "Noelrock!", 11709:"The Killers: Sam's Town" 11594:Kirkpatrick, Rob (2007). 10850:, pp. 57, 63, 87 and 141. 10681:, pp. 61–62, 265–66. 9887:Perone, James E. (2009). 9586:Thompson, Graham (2007). 9348:Simonelli, David (2013). 7888:W.W. Norton & Company 7846:Farber, Barry A. (2007). 7659:Campbell & Brody 2007 7318:Will You Love Me Tomorrow 6746:Psychedelic Porn Crumpets 6241:(2001), and particularly 6228:Performance and Cocktails 6026:, and new acts including 5195: 5105:independent record labels 4934:Siouxsie and the Banshees 4897:, and the New York-based 4883:the Joshua Tree Tour 2017 4303:introduced facets of the 3801:Ozark Mountain Daredevils 3640:and the California-based 3475:and John Mayall spin-off 3381:Siouxsie and the Banshees 3241:The Dark Side of the Moon 2839:the Mamas & the Papas 2789:" (1963), which brought " 2018:was further developed by 1613:'s "Rock Awhile" (1949); 1557:in a 1958 publicity photo 892: 821: 816: 785: 780: 427: 422: 331: 326: 174: 169: 143: 114: 106: 50: 45: 17813:African-American culture 17808:American styles of music 17750:United States portal 17170:Origins of rock and roll 15956:templates for discussion 14068:Emmerson, Simon (2007). 13496:Cloonan, Martin (2007). 13206:29 December 2016 at the 12837:Leonard, Marion (2007). 12168:Goodlad & Bibby 2007 10691:Hoskyns, Barney (2007). 9156:The Book Of Beatle Lists 7915:McDonald, Chris (2009). 7272: 7114:African-American culture 6626:of Danish rock musician 6333:performing in March 2006 6028:Rage Against the Machine 5862:using progressive rock, 5624:the All-American Rejects 5097:the Jesus and Mary Chain 3813:the Marshall Tucker Band 3662:(1968) and the Beatles' 3286:Blood, Sweat & Tears 3115:-inspired introduction. 2933:the 13th Floor Elevators 2843:Crosby, Stills, and Nash 2808:' recording of Dylan's " 2531:in 1958, which prompted 2230:I Want to Hold Your Hand 2185:Freddie and the Dreamers 1591:The House of Blue Lights 1581:(1946), which was later 1520:in a promotion shot for 1505:Origins of rock and roll 1382:Christgau's Record Guide 17828:British styles of music 17110:Adult album alternative 15878:. New York: Continuum. 15757:1 November 2012 at the 15743:For example, vocalists 15697:Walser, Robert (1993). 15490:Consumer Culture Theory 15226:Goth: Undead Subculture 14712:"Tame Impala: Lonerism" 14070:Living Electronic Music 14013:Lonely Planet Australia 13920:The Rough Guide to Rock 12121:The Rock History Reader 11774:(New York: Routledge), 10656:K. Wolff and O. Duane, 10609:The Rough Guide to Jazz 9537:Waksman, Steve (2009). 9459:American Youth Cultures 9138:Encyclopædia Britannica 8546:Hicks, Michael (2000). 7619:D. Laing, "Quartet" in 7489:. New York Media, LLC. 7298:Shep and the Limelights 7267:Rock for the Rainforest 6895:Black Country, New Road 6526:performing live in 2015 6441:Digital electronic rock 6372:Your New Favourite Band 6245:from their debut album 5868:Corrosion of Conformity 5281:Smells Like Teen Spirit 5143:, and what were dubbed 4836:second British Invasion 4061:album. His third album 3795:, funk/R&B-leaning 3707:Sweetheart of the Rodeo 3679:during their 2008–2009 3585:more popular than Jesus 3442:, had emerged from the 3158:and opened the door to 3017:self-titled debut album 2972:Jimi Hendrix Experience 2798:House of the Rising Sun 2593:, formed Peter Green's 2059:Eddie & the Showmen 1565:". Contenders include " 1342:, "the best rock jolts 1250:download the audio file 1126:movement and the wider 17818:African-American music 17202:Rock Against Communism 16601:Brazilian thrash metal 7874:; et al. (2000). 7174: 7038: 6967:radio. The release of 6869:in 2019, and as "Post- 6843:Tickets to My Downfall 6687: 6527: 6334: 6296:Dashboard Confessional 6173: 5953: 5685: 5534: 5433: 5359: 5214: 5063: 4891:the Velvet Underground 4885: 4792:Yellow Magic Orchestra 4735: 4596: 4569: 4449: 4448:in East Berlin in 1988 4402: 4393:taking a bow at their 4267: 4186: 4036: 3841: 3732:Nitty Gritty Dirt Band 3683: 3573: 3537: 3453:Out of Sight and Sound 3417: 3235: 3194:Hatfield and the North 3109:A Whiter Shade of Pale 3076: 2924: 2750: 2609:, who went on to form 2496: 2409: 2164: 2119:" in 1961 reached the 2007: 1849: 1558: 1527: 1372: 1335:verse–chorus structure 1204: 1178: 1150:, rock music has been 1105:electronic dance music 701:Spanish-speaking world 461:Bosnia and Herzegovina 34:. For other uses, see 17833:1950s fads and trends 17677:Urban (industry term) 17224:Rockism and poptimism 16684:British rock and roll 15625:(1). United Kingdom: 15364:Race, Rock, and Elvis 15338:Fisher, Marc (2007). 14887:"Doomed & Stoned" 13940:Smith, Chris (2009). 13342:, MTV, archived from 13188:Bogdanov et al., 2002 12796:Bogdanov et al., 2002 12706:Bogdanov et al., 2002 12693:Bogdanov et al., 2002 12156:Bogdanov et al., 2002 12027:Bogdanov et al., 2002 11759:Bogdanov et al., 2002 11279:Rock: The Rough Guide 11129:La Herencia Del Norte 10982:Bogdanov et al., 2002 10774:Rock: The Rough Guide 10761:Bogdanov et al., 2002 10718:"Consumer Guide (11)" 10679:Bogdanov et al., 2002 10596:Bogdanov et al., 2002 10551:Classic Rock Magazine 10231:Bogdanov et al., 2002 10089:Bogdanov et al., 2002 9875:Bogdanov et al., 2002 9739:Bogdanov et al., 2002 9446:Bogdanov et al., 2002 9221:, CNN, archived from 9105:Bogdanov et al., 2002 9092:Bogdanov et al., 2002 8983:Bogdanov et al., 2002 8892:Bogdanov et.al., 2002 8858:Bogdanov et.al., 2002 8651:Ethnomusicology Forum 8585:Horn, Adrian (2009). 8513:. Aurum. p. 38. 8507:Collis, John (2002). 8249:Duke University Press 8139:Bogdanov et al., 2002 7967:Frith, Simon (2007). 7169: 7061:. The mid-late 1970s 7028: 6698:released the single " 6673: 6517: 6329: 6263:Post-hardcore and emo 6164: 6032:Red Hot Chili Peppers 5961:The Magnificent Seven 5940: 5677: 5525: 5428: 5350: 5221:(particularly in the 5209: 5137:Half Man Half Biscuit 5054: 5005:Echo and the Bunnymen 4986:post-industrial music 4980:, and New York-based 4877: 4726: 4583: 4564: 4444: 4389: 4258: 4154: 4027: 3832: 3674: 3552: 3520: 3408: 3222: 3166:'s 1969 début album, 3122:Days of Future Passed 3066: 3057:Further information: 2954:' shift from folk to 2919: 2855:The Sounds of Silence 2741: 2613:which rapidly became 2583:Derek and the Dominos 2486: 2400: 2155: 1982: 1843: 1832:British rock and roll 1670:Rock Around the Clock 1571:Sister Rosetta Tharpe 1553: 1516: 1356: 1201:Red Hot Chili Peppers 1199: 1174: 17672:Contemporary R&B 17381:Black American music 17059:Sahara desert region 16347:Pub rock (Australia) 15193:, pp. 73–79, 90–100. 14474:Entertainment Weekly 14011:Smitz, Paul (2005). 13710:"True Confessional?" 13137:"Mayor Esham? What?" 11813:on 14 September 2006 11192:"Flor De Las Flores" 11151:Koskoff, E. (2017). 10350:Jeff Wagner (2010). 8750:Roberts, J. (2001). 8698:Nationalities Papers 8151:Wald, Gayle (2007). 7811:Ticknor & Fields 7756:Ticknor & Fields 7479:(20 December 2016). 7162:Women in heavy metal 7133:" single (1984) and 7123:cultural imperialism 6985:classic rock revival 6959:Classic rock revival 6953:Classic rock revival 6734:. A 2014 article in 6429:from Australia, and 6379:from Australia with 5783:Flying Saucer Attack 5323:death of Kurt Cobain 4950:the Sisters of Mercy 4783:, or the photogenic 4568:, performing in 1976 3620:to record the album 3252:and keyboard player 2927:Psychedelic music's 2889:in the early 1970s. 2822:Like a Rolling Stone 2666:Allman Brothers Band 2242:The Ed Sullivan Show 1607:Good Rocking Tonight 1468:, and synth-pop duo 957:electric bass guitar 671:Sahara desert region 17604:Chopped and screwed 17392:American folk music 17250:List of rock genres 17212:Rock Against Sexism 17207:Rock Against Racism 17115:Album-oriented rock 15892:Szatmary, David P. 15860:Pop, Rock, and Soul 15858:Robinson, Richard. 14891:doomedandstoned.com 14017:Footscray, Victoria 13844:on 16 February 2011 13800:on 16 February 2011 13693:on 15 February 2011 13533:on 19 February 2011 13484:on 14 February 2011 13457:on 14 February 2011 13410:on 17 February 2011 13400:"British Trad Rock" 13346:on 21 December 2010 13079:on 14 February 2011 13032:on 14 February 2011 13022:"Alternative Metal" 13006:on 14 February 2011 12983:on 14 February 2011 12938:on 14 February 2011 12915:on 14 February 2011 12783:on 13 February 2011 12759:on 17 February 2011 12595:on 13 February 2011 12500:on 13 February 2011 12450:on 24 February 2011 12405:on 29 December 2010 12317:, pp. 1346–47. 12247:, 13 (2002), p. 46. 11761:, pp. 1335–36. 11649:on 13 February 2011 11365:on 12 February 2011 11341:on 12 February 2011 11317:on 12 February 2011 10871:on 12 February 2011 10431:on 12 February 2011 10317:on 12 February 2011 10233:, pp. 1330–31. 10128:. pp. 70, 75. 10091:, pp. 1322–23. 9924:on 12 February 2011 9877:, pp. 1308–09. 9767:on 12 February 2011 9741:, pp. 1332–33. 9448:, pp. 1320–21. 9273:on 12 February 2011 9247:on 11 February 2011 9144:on 21 December 2010 9107:, pp. 1315–16. 8894:, pp. 1311–12. 8860:, pp. 1306–07. 8412:on 11 February 2011 8349:, show 55, track 2. 8141:, pp. 1303–04. 7262:Rock Against Sexism 7257:Rock Against Racism 7247:List of rock genres 7158:Rock Against Sexism 6846:, which topped the 6770:Tropical Fuck Storm 6584:Panic! at the Disco 6318:Garage rock revival 6253:garage rock revival 5946:Sonisphere Festival 5944:performing at 2009 5870:using garage punk, 5811:Belle and Sebastian 5799:American Music Club 5149:My Bloody Valentine 5141:the Wedding Present 4816:A Flock of Seagulls 4748:album-oriented rock 4289:Grand Funk Railroad 4234:the Jeff Beck Group 3744:First National Band 3204:. The French group 3138:(1968), the Kinks' 3111:" (1967), with its 3008:Surrealistic Pillow 2974:'s lead guitarist, 2859:Fairport Convention 2851:Simon and Garfunkel 2847:the Lovin' Spoonful 2826:Ritchie Unterberger 2783:Blowin' in the Wind 2603:the Jeff Beck Group 2327:, the Beatles' own 2288:the Dave Clark Five 2183:from Liverpool and 1782:guitarists such as 1762:within traditional 1726:, Jerry Lee Lewis, 1545:country and western 804:San Francisco sound 115:Typical instruments 17403:Early 20th century 15718:. SpinMedia Group. 14352:McDermott, Maeve. 14258:The New York Times 13646:on 14 January 2011 13623:on 21 January 2011 13281:on 1 February 2022 13097:The New York Times 13056:on 15 January 2011 12798:, pp. 484–85, 816. 12428:on 3 February 2011 12088:, pp. 340, 342–43. 11667:The New York Times 11289:, pp. 323–24. 11190:Hurricane, Al Jr. 10784:, pp. 612–13. 10533:The Vermont Review 10527:Knight, Brian L., 10192:The New York Times 10184:(5 January 1997). 9677:, pp. 701–02. 9237:"British Invasion" 9134:"British Invasion" 8183:on 23 January 2021 7649:, pp. 251–52. 7175: 7039: 7031:Woodstock Festival 6915:The Murder Capital 6688: 6545:The New York Times 6528: 6437:from New Zealand. 6335: 6174: 6139:began focusing on 6099:and Linkin Park's 5954: 5803:Red House Painters 5686: 5603:Enema of the State 5535: 5480:Jagged Little Pill 5434: 5401:Ocean Colour Scene 5360: 5215: 5213:performing in 1992 5064: 4958:the Birthday Party 4893:, Frank Zappa and 4886: 4794:, David Bowie and 4736: 4626:God Save the Queen 4622:Queen Elizabeth II 4597: 4570: 4450: 4403: 4268: 4037: 3842: 3684: 3538: 3505:, Frank Zappa and 3418: 3236: 3077: 3021:Woodstock festival 2968:Jefferson Airplane 2925: 2810:Mr. Tambourine Man 2751: 2634:Jefferson Airplane 2541:Blues Incorporated 2509:the Rolling Stones 2497: 2493:the Rolling Stones 2432:(Minneapolis) and 2410: 2384:the Knickerbockers 2319:the Rolling Stones 2214:the Rolling Stones 2165: 2148:British rock music 2008: 1850: 1800:Heitor Villa-Lobos 1559: 1528: 1205: 900:2024 in rock music 506:Dominican Republic 17788:Rock music genres 17770: 17769: 17727: 17726: 17408:Call and response 17340: 17339: 17265:Progressive music 17093: 17092: 16531:Palm Desert Scene 16507: 16506: 16181:Experimental rock 16078:Instrumental rock 15915:Library resources 15817:Christgau, Robert 15780:Belfast Telegraph 15521:978-0-7623-1446-1 15349:978-0-375-50907-0 15235:978-0-8223-3921-2 14842:. 8 November 2023 14079:978-0-7546-5548-0 14051:978-1-74104-816-2 14026:978-1-74059-740-1 14015:(14th ed.). 13997:978-1-74104-565-9 13951:978-0-19-537371-4 13714:Chicago Sun-Times 13507:978-0-7546-5373-8 13253:The Seattle Times 12848:978-0-7546-3862-9 12826:on 5 January 2011 12212:on 1 January 2011 12202:"Industrial rock" 12130:978-0-415-97501-8 11964:M. Janosik, ed., 11934:, pp. 273–74 11864:978-1-4426-0992-1 11605:978-0-275-98938-5 11164:978-1-351-54414-6 11063:Missing or empty 10722:The Village Voice 10702:978-0-470-12777-3 10640:978-0-415-77353-9 10363:978-0-9796163-3-4 10242:J.S. Harrington, 10160:. p. xxiii. 9898:978-0-275-99860-8 9814:978-0-7546-5756-9 9610:H.S. Macpherson, 9597:978-0-7486-1910-8 9548:978-0-520-25310-0 9361:978-0-7391-7051-9 9000:Nostalgia Central 8737:978-0-7546-5580-0 8700:, 36(5), 861–879. 8637:, 25(2), 205–225. 8520:978-1-85410-873-9 8312:978-0-495-50530-3 8089:Christgau, Robert 7980:978-0-7546-2679-4 7930:978-0-253-35408-2 7872:Christgau, Robert 7857:978-0-275-99164-7 7797:Christgau, Robert 7742:Christgau, Robert 7610:, pp. 69–70. 7557:978-0-534-64295-2 7525:, pp. 68–73. 7239:Rock music portal 7195:heavy metal bands 7179:Within Temptation 7067:Vivienne Westwood 6937:(United States), 6814:Machine Gun Kelly 6662:Palm Desert Scene 6619:COVID-19 pandemic 6588:Black Veil Brides 6568:Twenty One Pilots 6362:White Blood Cells 6357:the White Stripes 6322:Post-punk revival 6257:post-punk revival 5975:. Detroit rapper 5837:Alternative metal 5827:Heavy metal music 5475:Alanis Morissette 5446:'s new band, the 5439:alternative metal 5358:in September 2005 5317:Temple of the Dog 5314:, along with the 5009:Teardrop Explodes 4974:Throbbing Gristle 4895:Captain Beefheart 4848:Money for Nothing 4842:, most obviously 4640:and a variety of 4485:Bruce Springsteen 4446:Bruce Springsteen 4218:and the reformed 4176:was launched and 4144:Heavy metal music 4053:Black Magic Woman 3629:Nashville Skyline 3282:Captain Beefheart 3130:The Pretty Things 3059:Progressive music 3053:Experimental rock 2964:the Grateful Dead 2646:the J. Geils Band 2611:The New Yardbirds 2560:the Bluesbreakers 2539:to form the band 1971:Instrumental rock 1796:Francisco Tárrega 1637:and his band the 1447:semipopular music 1392:The Establishment 1254: 1146:tradition of the 1122:in the U.K., the 983:verse–chorus form 906: 905: 855:progressive music 799:Palm Desert Scene 213:experimental rock 51:Stylistic origins 16:(Redirected from 17850: 17760: 17759: 17758: 17748: 17747: 17746: 17687: 17666: 17665: 17529:Psychedelic soul 17479:Rhythm and blues 17379: 17378: 17367: 17360: 17353: 17344: 17343: 17328: 17316: 17315: 17185:Rhythm and blues 17160:British Invasion 16516: 16515: 16393:Alternative rock 16332:Post-progressive 16241:Psychedelic rock 16236:Progressive rock 16068: 16067: 16064: 16058:decade of origin 15994: 15987: 15980: 15971: 15970: 15889: 15855: 15843: 15830: 15812: 15784: 15741: 15735: 15734: 15726: 15720: 15719: 15709: 15703: 15702: 15694: 15688: 15687: 15679: 15670: 15669: 15667: 15665: 15659: 15653:. Archived from 15616: 15607: 15596: 15595: 15593: 15591: 15579: 15573: 15566: 15555: 15548: 15539: 15532: 15526: 15525: 15507: 15501: 15486: 15480: 15465: 15459: 15444: 15438: 15423: 15417: 15402: 15396: 15381: 15375: 15360: 15354: 15353: 15335: 15329: 15314: 15308: 15293: 15287: 15272: 15266: 15251: 15240: 15239: 15221: 15215: 15200: 15194: 15179: 15170: 15169: 15167: 15165: 15150: 15144: 15143: 15141: 15139: 15124: 15118: 15117: 15115: 15113: 15108:. 7 January 2021 15098: 15092: 15091: 15089: 15087: 15072: 15066: 15065: 15063: 15061: 15046: 15040: 15039: 15037: 15035: 15020: 15014: 15013: 15011: 15009: 14997: 14988: 14987: 14985: 14983: 14968: 14959: 14958: 14956: 14954: 14939: 14930: 14929: 14927: 14925: 14908: 14902: 14901: 14899: 14897: 14883: 14877: 14876: 14874: 14872: 14858: 14852: 14851: 14849: 14847: 14832: 14826: 14825: 14823: 14821: 14814:Mixdown Magazine 14806: 14800: 14799: 14785: 14779: 14778: 14776: 14774: 14759: 14753: 14752: 14750: 14748: 14733: 14727: 14726: 14724: 14722: 14708: 14702: 14701: 14699: 14697: 14681: 14675: 14674: 14672: 14670: 14655: 14649: 14648: 14636: 14630: 14629: 14627: 14625: 14610: 14604: 14603: 14591: 14585: 14584: 14582: 14580: 14565: 14559: 14558: 14556: 14554: 14539: 14533: 14532: 14530: 14528: 14511: 14505: 14504: 14502: 14500: 14485: 14479: 14478: 14464: 14458: 14457: 14455: 14453: 14444:. 3 April 2020. 14434: 14428: 14427: 14425: 14423: 14411: 14405: 14404: 14402: 14400: 14380: 14374: 14373: 14371: 14369: 14349: 14343: 14342: 14340: 14338: 14318: 14312: 14311: 14309: 14307: 14288: 14282: 14281: 14279: 14277: 14249: 14243: 14242: 14240: 14238: 14218: 14212: 14211: 14209: 14207: 14198:. Archived from 14187: 14181: 14180: 14178: 14176: 14157: 14148: 14147: 14145: 14143: 14134:. Archived from 14126:McIntyre, Hugh. 14123: 14117: 14111: 14105: 14090: 14084: 14083: 14065: 14056: 14055: 14037: 14031: 14030: 14008: 14002: 14001: 13983: 13977: 13962: 13956: 13955: 13937: 13931: 13916: 13910: 13895: 13889: 13874: 13868: 13853: 13847: 13845: 13840:, archived from 13830: 13824: 13809: 13803: 13801: 13796:, archived from 13785: 13779: 13778: 13777: 13775: 13770:on 21 March 2012 13766:, archived from 13756: 13750: 13749: 13748: 13746: 13728: 13722: 13721: 13716:, archived from 13705: 13696: 13694: 13689:, archived from 13679: 13670: 13669: 13664:, archived from 13654: 13648: 13647: 13642:, archived from 13631: 13625: 13624: 13619:, archived from 13608: 13602: 13587: 13581: 13580: 13579:on 21 April 2010 13575:, archived from 13564: 13558: 13557: 13556:on 17 March 2010 13552:, archived from 13541: 13535: 13534: 13529:, archived from 13518: 13512: 13511: 13493: 13487: 13485: 13480:, archived from 13469: 13460: 13458: 13453:, archived from 13442: 13436: 13435: 13430:, archived from 13419: 13413: 13411: 13406:, archived from 13396: 13390: 13375: 13369: 13354: 13348: 13347: 13333: 13324: 13317: 13311: 13296: 13290: 13289: 13288: 13286: 13267: 13261: 13260: 13255:, archived from 13244: 13238: 13237: 13232:, archived from 13221: 13215: 13197: 13191: 13184: 13178: 13177: 13162: 13149: 13148: 13143:, archived from 13132: 13126: 13111: 13105: 13104: 13099:, archived from 13088: 13082: 13080: 13075:, archived from 13064: 13058: 13057: 13052:, archived from 13041: 13035: 13033: 13028:, archived from 13018: 13009: 13007: 13002:, archived from 12992: 12986: 12984: 12979:, archived from 12969: 12963: 12962: 12957:, archived from 12947: 12941: 12939: 12934:, archived from 12924: 12918: 12916: 12911:, archived from 12901: 12895: 12880: 12874: 12859: 12853: 12852: 12834: 12828: 12827: 12822:, archived from 12812: 12799: 12792: 12786: 12784: 12779:, archived from 12768: 12762: 12760: 12755:, archived from 12745: 12739: 12738: 12733:, archived from 12722: 12709: 12702: 12696: 12689: 12683: 12682: 12677:, archived from 12666: 12653: 12638: 12632: 12625: 12619: 12604: 12598: 12596: 12591:, archived from 12581: 12568: 12551: 12545: 12530: 12524: 12523: 12509: 12503: 12501: 12496:, archived from 12486: 12473: 12458: 12452: 12451: 12446:, archived from 12436: 12430: 12429: 12424:, archived from 12413: 12407: 12406: 12401:, archived from 12391: 12385: 12384: 12379:, archived from 12368: 12362: 12361: 12356:, archived from 12345: 12339: 12324: 12318: 12303: 12284: 12269: 12248: 12245:Cultural Studies 12241: 12235: 12220: 12214: 12213: 12208:, archived from 12198: 12192: 12177: 12171: 12165: 12159: 12152: 12135: 12134: 12116: 12110: 12095: 12089: 12074: 12068: 12067: 12066: 12064: 12036: 12030: 12023: 12017: 12016: 12004: 11998: 11983: 11977: 11962: 11956: 11941: 11935: 11929: 11923: 11908: 11902: 11896: 11890: 11875: 11869: 11868: 11850: 11844: 11829: 11823: 11822: 11820: 11818: 11809:. Archived from 11798: 11792: 11789: 11783: 11768: 11762: 11755: 11744: 11743: 11738:, archived from 11732:"Heartland Rock" 11727: 11721: 11720: 11719:on 29 April 2011 11715:, archived from 11704: 11698: 11697: 11692:, archived from 11681: 11675: 11674: 11669:, archived from 11658: 11652: 11650: 11645:, archived from 11639:"Heartland Rock" 11635: 11622: 11616: 11610: 11609: 11591: 11585: 11570: 11564: 11549: 11543: 11528: 11522: 11505: 11499: 11482: 11476: 11461: 11455: 11440: 11434: 11419: 11410: 11395: 11389: 11374: 11368: 11366: 11361:, archived from 11350: 11344: 11342: 11337:, archived from 11326: 11320: 11318: 11313:, archived from 11303: 11290: 11275: 11269: 11254: 11245: 11244: 11242: 11240: 11218: 11212: 11211: 11209: 11207: 11196:Frontera Project 11187: 11181: 11180: 11178: 11176: 11148: 11142: 11141: 11139: 11137: 11124: 11118: 11117: 11115: 11113: 11091: 11085: 11079: 11073: 11072: 11066: 11061: 11059: 11051: 11049: 11047: 11033: 11027: 11012: 11006: 10991: 10985: 10978: 10972: 10957: 10948: 10933: 10920: 10901: 10895: 10880: 10874: 10872: 10867:, archived from 10857: 10851: 10836: 10830: 10815: 10806: 10791: 10785: 10770: 10764: 10757: 10738: 10737: 10735: 10733: 10713: 10707: 10706: 10688: 10682: 10675: 10669: 10654: 10645: 10644: 10626: 10620: 10605: 10599: 10592: 10581: 10580: 10565: 10554: 10547: 10541: 10540: 10535:, archived from 10524: 10518: 10505:K. Holm-Hudson, 10503: 10497: 10482: 10476: 10461: 10455: 10442:K. Holm-Hudson, 10440: 10434: 10432: 10427:, archived from 10416: 10410: 10395: 10389: 10374: 10368: 10367: 10347: 10341: 10326: 10320: 10318: 10313:, archived from 10303: 10297: 10282: 10276: 10261: 10255: 10240: 10234: 10227: 10208: 10207: 10205: 10203: 10189: 10178: 10172: 10171: 10146: 10140: 10139: 10110: 10104: 10098: 10092: 10085: 10066: 10051: 10042: 10027: 10021: 10006: 10000: 9985: 9979: 9964: 9958: 9957: 9955: 9953: 9933: 9927: 9925: 9920:, archived from 9912:R. Unterberger, 9909: 9903: 9902: 9884: 9878: 9871: 9852: 9837: 9831: 9825: 9819: 9818: 9800: 9791: 9776: 9770: 9768: 9763:, archived from 9753: 9742: 9735: 9720: 9705: 9699: 9684: 9678: 9663: 9644: 9629: 9623: 9608: 9602: 9601: 9583: 9574: 9559: 9553: 9552: 9534: 9528: 9513: 9507: 9492: 9486: 9476: 9470: 9455: 9449: 9442: 9423: 9408: 9402: 9387: 9378: 9377: 9375: 9373: 9345: 9339: 9324: 9318: 9303: 9297: 9282: 9276: 9274: 9269:, archived from 9259: 9250: 9248: 9243:, archived from 9233: 9227: 9226: 9225:on 11 April 2010 9212: 9206: 9200: 9194: 9188: 9182: 9176: 9167: 9152: 9146: 9145: 9140:, archived from 9129: 9120: 9114: 9108: 9101: 9095: 9088: 9079: 9064: 9058: 9043: 9037: 9022: 9016: 9015: 9013: 9011: 8992: 8986: 8979: 8970: 8969: 8967: 8965: 8956:. Archived from 8946: 8940: 8925: 8919: 8904: 8895: 8888: 8882: 8867: 8861: 8854: 8848: 8831: 8820: 8805: 8799: 8793: 8787: 8772: 8763: 8748: 8742: 8741: 8723: 8714: 8707: 8701: 8694: 8688: 8687: 8685: 8683: 8660: 8654: 8647: 8638: 8631: 8622: 8607: 8601: 8600: 8582: 8576: 8570: 8564: 8563: 8543: 8537: 8536: 8534: 8532: 8504: 8498: 8497: 8495: 8493: 8482:The Adios Lounge 8473: 8467: 8452: 8446: 8445: 8443: 8441: 8421: 8415: 8413: 8408:, archived from 8398: 8392: 8377: 8371: 8356: 8350: 8344: 8338: 8325:T. E. Scheurer, 8323: 8317: 8316: 8298: 8289: 8288: 8287: 8285: 8276:, archived from 8265: 8259: 8238: 8232: 8229: 8223: 8222: 8220: 8218: 8199: 8193: 8192: 8190: 8188: 8173: 8167: 8166: 8148: 8142: 8135: 8129: 8128: 8126: 8124: 8085: 8079: 8062: 8056: 8039: 8030: 8029: 8027: 8025: 8003: 7997: 7996: 7994: 7992: 7964: 7958: 7941: 7935: 7934: 7922: 7912: 7906: 7905: 7885: 7868: 7862: 7861: 7843: 7837: 7836: 7834: 7832: 7793: 7782: 7781: 7779: 7777: 7738: 7732: 7715: 7709: 7694: 7688: 7671: 7665: 7656: 7650: 7635: 7624: 7617: 7611: 7594: 7588: 7581: 7575: 7568: 7562: 7561: 7545: 7535: 7526: 7509: 7503: 7502: 7500: 7498: 7473: 7467: 7450: 7444: 7443: 7441: 7439: 7419: 7413: 7412: 7410: 7408: 7399:. 4 March 2022. 7389: 7373: 7350: 7344: 7335: 7329: 7282: 7241: 7236: 7235: 7234: 7219:female musicians 7099:psychedelic rock 7059:psychedelic rock 6983:describing this 6879:Matthew Perpetua 6793:All Them Witches 6720:progressive rock 6632:drive-in theater 6532:electronic dance 6492:indie electronic 6340:New Wave revival 6172:in November 2007 5892:industrial music 5872:the Jesus Lizard 5856:Jane's Addiction 5815:Rufus Wainwright 5743:electronic music 5681:indie rock band 5461:, and Georgia's 5298:, Soundgarden's 5219:Washington state 5173:Inspiral Carpets 5087:, and in the UK 5077:Jane's Addiction 5060:alternative rock 5025:Alternative rock 4978:Cabaret Voltaire 4966:Love and Rockets 4870:Industrial music 4693:alternative rock 4399:Buckhead Theatre 4343:from Canada and 4337:Blue Öyster Cult 4193: 4191:Robert Christgau 4114:Al Hurricane Jr. 4099:New Mexico music 4035:in San Francisco 4000:Chainsaw Kittens 3773:Hotel California 3659:Beggar's Banquet 3623:Blonde on Blonde 3589:self-referential 3542:Robert Christgau 3448:the Free Spirits 3210:Christian Vander 3186:Canterbury scene 3043:Progressive rock 3037:Progressive rock 2906:Psychedelic rock 2900:Psychedelic rock 2702:George Thorogood 2626:Paul Butterfield 2501:British Invasion 2406:the Fifth Estate 2392:the Fifth Estate 2360:Blonde on Blonde 2256:Peter and Gordon 2189:Herman's Hermits 2161:British Invasion 2134:British Invasion 2128:British Invasion 2117: 2039: 2036:Let's Go Trippin 2014:, Link Wray and 1926:British Invasion 1906:Rock Island Line 1885:'s 1958 record " 1858:Second World War 1764:New Mexico music 1575:That's All Right 1537:rhythm and blues 1482:the Replacements 1462:Michelle Shocked 1404:rhythm and blues 1386: 1377:Robert Christgau 1340:Robert Christgau 1293: 1292: 1291: 1290: 1273: 1272: 1271: 1270: 1192: 1058:alternative rock 1038:progressive rock 1030:psychedelic rock 978: 977: 976: 975: 933:rhythm and blues 897: 896: 870:rock music terms 283:psychedelic rock 278:progressive rock 183:alternative rock 156:post-progressive 144:Derivative forms 107:Cultural origins 88:rhythm and blues 43: 42: 21: 17858: 17857: 17853: 17852: 17851: 17849: 17848: 17847: 17773: 17772: 17771: 17766: 17756: 17754: 17744: 17742: 17723: 17685: 17680: 17657: 17646: 17637: 17621: 17612: 17596: 17587: 17571: 17562: 17541: 17532: 17516: 17507: 17491: 17482: 17466: 17457: 17396: 17384: 17373: 17371: 17341: 17336: 17304: 17233: 17153: 17139: 17125:Mainstream rock 17089: 17068: 17042: 16891: 16647: 16579: 16512:Regional scenes 16503: 16457: 16381: 16322:Industrial rock 16280: 16176:Electronic rock 16114: 16062: 16061:(sub-subgenres 16060: 16059: 16057: 16051: 16030:Electric guitar 16003: 15998: 15959: 15940: 15939: 15938: 15923: 15922: 15918: 15911: 15886: 15841: 15835:Gilliland, John 15809: 15793: 15788: 15787: 15759:Wayback Machine 15742: 15738: 15727: 15723: 15710: 15706: 15695: 15691: 15680: 15673: 15663: 15661: 15657: 15614: 15608: 15599: 15589: 15587: 15586:. Rebeatmag.com 15580: 15576: 15567: 15558: 15549: 15542: 15533: 15529: 15522: 15508: 15504: 15487: 15483: 15466: 15462: 15445: 15441: 15425:T.E. Scheurer, 15424: 15420: 15403: 15399: 15382: 15378: 15362:M.T. Bertrand, 15361: 15357: 15350: 15336: 15332: 15315: 15311: 15294: 15290: 15273: 15269: 15252: 15243: 15236: 15222: 15218: 15201: 15197: 15180: 15173: 15163: 15161: 15151: 15147: 15137: 15135: 15125: 15121: 15111: 15109: 15100: 15099: 15095: 15085: 15083: 15074: 15073: 15069: 15059: 15057: 15047: 15043: 15033: 15031: 15021: 15017: 15007: 15005: 14998: 14991: 14981: 14979: 14969: 14962: 14952: 14950: 14940: 14933: 14923: 14921: 14909: 14905: 14895: 14893: 14885: 14884: 14880: 14870: 14868: 14860: 14859: 14855: 14845: 14843: 14834: 14833: 14829: 14819: 14817: 14808: 14807: 14803: 14786: 14782: 14772: 14770: 14760: 14756: 14746: 14744: 14734: 14730: 14720: 14718: 14710: 14709: 14705: 14695: 14693: 14682: 14678: 14668: 14666: 14656: 14652: 14637: 14633: 14623: 14621: 14611: 14607: 14592: 14588: 14578: 14576: 14566: 14562: 14552: 14550: 14540: 14536: 14526: 14524: 14523:. 20 March 2020 14513: 14512: 14508: 14498: 14496: 14487: 14486: 14482: 14465: 14461: 14451: 14449: 14436: 14435: 14431: 14421: 14419: 14412: 14408: 14398: 14396: 14383:Baltin, Steve. 14381: 14377: 14367: 14365: 14350: 14346: 14336: 14334: 14327:uDiscover Music 14319: 14315: 14305: 14303: 14290: 14289: 14285: 14275: 14273: 14250: 14246: 14236: 14234: 14219: 14215: 14205: 14203: 14202:on 11 July 2018 14188: 14184: 14174: 14172: 14159: 14158: 14151: 14141: 14139: 14138:on 17 July 2017 14124: 14120: 14112: 14108: 14091: 14087: 14080: 14066: 14059: 14052: 14038: 14034: 14027: 14009: 14005: 13998: 13984: 13980: 13964:S.J. Blackman, 13963: 13959: 13952: 13938: 13934: 13917: 13913: 13896: 13892: 13875: 13871: 13854: 13850: 13832: 13831: 13827: 13810: 13806: 13786: 13782: 13773: 13771: 13758: 13757: 13753: 13744: 13742: 13729: 13725: 13706: 13699: 13681: 13680: 13673: 13658:"Post-hardcore" 13656: 13655: 13651: 13632: 13628: 13613:"Stereophonics" 13609: 13605: 13588: 13584: 13565: 13561: 13542: 13538: 13519: 13515: 13508: 13494: 13490: 13470: 13463: 13443: 13439: 13434:on 25 June 2010 13420: 13416: 13398: 13397: 13393: 13376: 13372: 13355: 13351: 13334: 13327: 13318: 13314: 13297: 13293: 13284: 13282: 13269: 13268: 13264: 13245: 13241: 13226:"Anything goes" 13222: 13218: 13208:Wayback Machine 13198: 13194: 13185: 13181: 13176:on 2 April 2012 13164: 13163: 13152: 13133: 13129: 13112: 13108: 13103:on 14 July 2012 13089: 13085: 13067:D.A. Guarisco, 13065: 13061: 13042: 13038: 13020: 13019: 13012: 12994: 12993: 12989: 12971: 12970: 12966: 12961:on 12 June 2022 12949: 12948: 12944: 12926: 12925: 12921: 12903: 12902: 12898: 12881: 12877: 12860: 12856: 12849: 12835: 12831: 12814: 12813: 12802: 12793: 12789: 12771:S.T. Erlewine, 12769: 12765: 12747: 12746: 12742: 12723: 12712: 12703: 12699: 12690: 12686: 12667: 12656: 12639: 12635: 12626: 12622: 12605: 12601: 12583: 12582: 12571: 12552: 12548: 12531: 12527: 12510: 12506: 12488: 12487: 12476: 12459: 12455: 12438: 12437: 12433: 12422:Pitchfork Media 12414: 12410: 12393: 12392: 12388: 12383:on 28 June 2011 12371:S.T. Erlewine, 12369: 12365: 12360:on 16 July 2011 12348:S.T. Erlewine, 12346: 12342: 12325: 12321: 12304: 12287: 12270: 12251: 12242: 12238: 12221: 12217: 12200: 12199: 12195: 12181:Digital Culture 12178: 12174: 12166: 12162: 12153: 12138: 12131: 12117: 12113: 12096: 12092: 12075: 12071: 12062: 12060: 12053: 12037: 12033: 12024: 12020: 12010: 12005: 12001: 11984: 11980: 11963: 11959: 11942: 11938: 11930: 11926: 11909: 11905: 11897: 11893: 11876: 11872: 11865: 11851: 11847: 11830: 11826: 11816: 11814: 11799: 11795: 11790: 11786: 11769: 11765: 11756: 11747: 11728: 11724: 11707:S.T. Erlewine, 11705: 11701: 11682: 11678: 11659: 11655: 11637: 11636: 11625: 11617: 11613: 11606: 11592: 11588: 11572:J.J. Thompson, 11571: 11567: 11550: 11546: 11530:J.J. Thompson, 11529: 11525: 11506: 11502: 11483: 11479: 11463:J.J. Thompson, 11462: 11458: 11441: 11437: 11420: 11413: 11396: 11392: 11375: 11371: 11351: 11347: 11329:S.T. Erlewine, 11327: 11323: 11305: 11304: 11293: 11276: 11272: 11255: 11248: 11238: 11236: 11219: 11215: 11205: 11203: 11188: 11184: 11174: 11172: 11165: 11149: 11145: 11135: 11133: 11126: 11125: 11121: 11111: 11109: 11092: 11088: 11083:Michael Shrieve 11080: 11076: 11064: 11062: 11053: 11052: 11045: 11043: 11039:. 27 June 1970 11035: 11034: 11030: 11013: 11009: 10992: 10988: 10979: 10975: 10958: 10951: 10934: 10923: 10903:Mark Paytress, 10902: 10898: 10881: 10877: 10859: 10858: 10854: 10837: 10833: 10816: 10809: 10792: 10788: 10771: 10767: 10758: 10741: 10731: 10729: 10714: 10710: 10703: 10689: 10685: 10676: 10672: 10655: 10648: 10641: 10627: 10623: 10606: 10602: 10593: 10584: 10567: 10566: 10557: 10548: 10544: 10539:on 17 July 2011 10525: 10521: 10504: 10500: 10483: 10479: 10462: 10458: 10441: 10437: 10417: 10413: 10396: 10392: 10375: 10371: 10364: 10348: 10344: 10327: 10323: 10305: 10304: 10300: 10283: 10279: 10262: 10258: 10241: 10237: 10228: 10211: 10201: 10199: 10179: 10175: 10168: 10158:Record Research 10147: 10143: 10136: 10111: 10107: 10099: 10095: 10086: 10069: 10052: 10045: 10028: 10024: 10007: 10003: 9986: 9982: 9965: 9961: 9951: 9949: 9934: 9930: 9910: 9906: 9899: 9885: 9881: 9872: 9855: 9838: 9834: 9826: 9822: 9815: 9801: 9794: 9777: 9773: 9755: 9754: 9745: 9736: 9723: 9706: 9702: 9685: 9681: 9664: 9647: 9630: 9626: 9609: 9605: 9598: 9584: 9577: 9560: 9556: 9549: 9535: 9531: 9514: 9510: 9493: 9489: 9477: 9473: 9456: 9452: 9443: 9426: 9409: 9405: 9388: 9381: 9371: 9369: 9362: 9346: 9342: 9325: 9321: 9304: 9300: 9283: 9279: 9261: 9260: 9253: 9235: 9234: 9230: 9213: 9209: 9201: 9197: 9189: 9185: 9177: 9170: 9153: 9149: 9130: 9123: 9115: 9111: 9102: 9098: 9089: 9082: 9065: 9061: 9044: 9040: 9023: 9019: 9009: 9007: 9002:. 3 July 2014. 8994: 8993: 8989: 8980: 8973: 8963: 8961: 8960:on 8 March 2021 8948: 8947: 8943: 8926: 8922: 8905: 8898: 8889: 8885: 8868: 8864: 8855: 8851: 8832: 8823: 8806: 8802: 8794: 8790: 8773: 8766: 8749: 8745: 8738: 8724: 8717: 8713:, 8(3–4), 3–12. 8708: 8704: 8695: 8691: 8681: 8679: 8661: 8657: 8648: 8641: 8632: 8625: 8608: 8604: 8597: 8583: 8579: 8571: 8567: 8560: 8544: 8540: 8530: 8528: 8521: 8505: 8501: 8491: 8489: 8474: 8470: 8453: 8449: 8439: 8437: 8422: 8418: 8400: 8399: 8395: 8378: 8374: 8357: 8353: 8345: 8341: 8324: 8320: 8313: 8299: 8292: 8283: 8281: 8270:"Jimmy Preston" 8266: 8262: 8251:, 1992, p. 19. 8239: 8235: 8230: 8226: 8216: 8214: 8201: 8200: 8196: 8186: 8184: 8175: 8174: 8170: 8163: 8149: 8145: 8136: 8132: 8122: 8120: 8113: 8086: 8082: 8063: 8059: 8055:, pp. 3–4. 8040: 8033: 8023: 8021: 8004: 8000: 7990: 7988: 7981: 7965: 7961: 7942: 7938: 7931: 7913: 7909: 7902: 7876:McKeen, William 7869: 7865: 7858: 7844: 7840: 7830: 7828: 7821: 7794: 7785: 7775: 7773: 7766: 7739: 7735: 7716: 7712: 7695: 7691: 7672: 7668: 7657: 7653: 7636: 7627: 7618: 7614: 7595: 7591: 7582: 7578: 7569: 7565: 7558: 7536: 7529: 7510: 7506: 7496: 7494: 7474: 7470: 7451: 7447: 7437: 7435: 7420: 7416: 7406: 7404: 7391: 7390: 7386: 7381: 7376: 7351: 7347: 7336: 7332: 7283: 7279: 7275: 7237: 7232: 7230: 7227: 7215:all-female band 7184:Angela McRobbie 7164: 7154: 7148: 7063:punk subculture 7035:countercultural 7023: 7017: 6969:Greta Van Fleet 6961: 6955: 6945:(Denmark), and 6806: 6779:groups such as 6668: 6654: 6648:Neo-psychedelia 6646:Main articles: 6644: 6592:Greta Van Fleet 6576:Imagine Dragons 6512: 6475: 6449: 6447:Electronic rock 6443: 6419:Franz Ferdinand 6324: 6316:Main articles: 6314: 6281: 6275: 6267:Main articles: 6265: 6159: 6153: 6132:Lovehatetragedy 6084:Break the Cycle 6040:Bloodhound Gang 5888:Nine Inch Nails 5851: 5829: 5823: 5793:. In contrast, 5745:, pioneered by 5691:the Cranberries 5672: 5642: 5636: 5520: 5514: 5463:Collective Soul 5423: 5417: 5345: 5339: 5306:Alice in Chains 5204: 5198: 5193: 5177:the Stone Roses 5058:, a successful 5049: 5027: 5021: 4872: 4862: 4856: 4721: 4719:Electronic rock 4711: 4703:Main articles: 4701: 4638:clothing styles 4634:punk subculture 4559: 4549: 4543: 4511:John Mellencamp 4506:Born in the USA 4439: 4433: 4384: 4378: 4287:and Michigan's 4277:Born to Be Wild 4266:in January 1975 4264:Chicago Stadium 4195: 4188: 4172:, and although 4170:the Moody Blues 4152: 4146: 4134:Main articles: 4132: 4043:musicians like 4022: 4016: 3920:Mott the Hoople 3899:Top of the Pops 3827: 3821: 3756:Doobie Brothers 3742:who formed the 3613: 3603: 3597: 3515: 3403: 3397: 3377:electronic rock 3353:Tangerine Dream 3208:around drummer 3202:National Health 3182:symphonic music 3117:The Moody Blues 3067:Prog rock band 3061: 3055: 3045: 3039: 2937:guitar feedback 2914: 2908: 2902: 2871:the Albion Band 2736: 2730: 2676:, incorporated 2481: 2475: 2469: 2375: 2369: 2272:the Mindbenders 2258:, the Animals, 2163:, February 1964 2150: 2136: 2130: 2115: 2037: 1977: 1969:Main articles: 1967: 1934: 1854:Americanization 1838: 1830:Main articles: 1828: 1794:, pioneered by 1778:, pioneered by 1696:Jerry Lee Lewis 1654:Cleveland, Ohio 1641:), recorded by 1639:Kings of Rhythm 1631:Jackie Brenston 1511: 1501: 1495: 1490: 1398:pop tradition, 1388: 1374: 1327:perfect fourths 1289: 1284: 1283: 1282: 1281: 1280: 1277: 1276: 1275: 1269: 1264: 1263: 1262: 1261: 1260: 1257: 1256: 1255: 1253: 1235:keyboard player 1194: 1180: 1172: 1170:Characteristics 1081:electronic rock 1056:and eventually 974: 969: 968: 967: 966: 965: 953:electric guitar 894: 423:Regional scenes 370:industrial rock 355:electronic rock 315: 165: 161:progressive pop 139: 102: 39: 28: 23: 22: 15: 12: 11: 5: 17856: 17846: 17845: 17843:Music industry 17840: 17835: 17830: 17825: 17820: 17815: 17810: 17805: 17800: 17795: 17790: 17785: 17768: 17767: 17765: 17764: 17752: 17740: 17732: 17729: 17728: 17725: 17724: 17722: 17721: 17716: 17711: 17706: 17701: 17696: 17690: 17688: 17682: 17681: 17679: 17674: 17669: 17663: 17659: 17658: 17656: 17651: 17642: 17639: 17638: 17636: 17631: 17626: 17617: 17614: 17613: 17611: 17606: 17601: 17599:New jack swing 17592: 17589: 17588: 17586: 17581: 17576: 17567: 17564: 17563: 17561: 17556: 17551: 17546: 17537: 17534: 17533: 17531: 17526: 17521: 17512: 17509: 17508: 17506: 17501: 17496: 17487: 17484: 17483: 17481: 17476: 17471: 17462: 17459: 17458: 17456: 17455: 17450: 17445: 17440: 17435: 17430: 17425: 17420: 17415: 17410: 17401: 17398: 17397: 17389: 17386: 17385: 17370: 17369: 17362: 17355: 17347: 17338: 17337: 17335: 17334: 17322: 17309: 17306: 17305: 17303: 17302: 17297: 17295:Wagnerian rock 17292: 17287: 17282: 17277: 17272: 17267: 17262: 17260:Outlaw country 17257: 17252: 17247: 17241: 17239: 17235: 17234: 17232: 17231: 17226: 17221: 17220: 17219: 17214: 17209: 17204: 17197:Social effects 17194: 17189: 17188: 17187: 17182: 17177: 17167: 17162: 17156: 17154: 17152: 17151: 17148: 17144: 17141: 17140: 17138: 17137: 17132: 17127: 17122: 17117: 17112: 17107: 17101: 17099: 17095: 17094: 17091: 17090: 17088: 17087: 17082: 17076: 17074: 17070: 17069: 17067: 17066: 17061: 17056: 17050: 17048: 17044: 17043: 17041: 17040: 17035: 17030: 17025: 17020: 17019: 17018: 17008: 17003: 17002: 17001: 16991: 16986: 16985: 16984: 16974: 16969: 16964: 16959: 16958: 16957: 16952: 16942: 16941: 16940: 16930: 16925: 16915: 16910: 16905: 16899: 16897: 16893: 16892: 16890: 16889: 16888: 16887: 16882: 16877: 16872: 16870:Neo-rockabilly 16867: 16866: 16865: 16855: 16847: 16842: 16837: 16832: 16827: 16822: 16817: 16812: 16807: 16802: 16797: 16792: 16787: 16782: 16777: 16772: 16767: 16762: 16757: 16752: 16747: 16742: 16737: 16732: 16731: 16730: 16725: 16720: 16710: 16705: 16700: 16699: 16698: 16697: 16696: 16686: 16676: 16671: 16666: 16661: 16655: 16653: 16649: 16648: 16646: 16645: 16640: 16635: 16630: 16625: 16620: 16615: 16614: 16613: 16608: 16603: 16593: 16587: 16585: 16581: 16580: 16578: 16577: 16572: 16571: 16570: 16560: 16555: 16550: 16545: 16540: 16535: 16534: 16533: 16522: 16520: 16513: 16509: 16508: 16505: 16504: 16502: 16501: 16496: 16491: 16486: 16481: 16476: 16471: 16465: 16463: 16459: 16458: 16456: 16455: 16450: 16445: 16440: 16435: 16430: 16425: 16420: 16415: 16410: 16405: 16400: 16395: 16389: 16387: 16383: 16382: 16380: 16379: 16374: 16369: 16364: 16359: 16354: 16349: 16344: 16339: 16334: 16329: 16324: 16319: 16317:Heartland rock 16314: 16309: 16304: 16299: 16294: 16288: 16286: 16282: 16281: 16279: 16278: 16273: 16268: 16263: 16258: 16253: 16248: 16243: 16238: 16233: 16228: 16223: 16218: 16213: 16208: 16203: 16198: 16193: 16188: 16183: 16178: 16173: 16168: 16163: 16161:Christian rock 16158: 16153: 16148: 16143: 16138: 16133: 16128: 16126:Anatolian rock 16122: 16120: 16116: 16115: 16113: 16112: 16107: 16102: 16101: 16100: 16090: 16085: 16080: 16074: 16072: 16065: 16053: 16052: 16050: 16049: 16048: 16047: 16042: 16040:Rhythm section 16037: 16032: 16022: 16017: 16011: 16009: 16005: 16004: 15997: 15996: 15989: 15982: 15974: 15968: 15967: 15937: 15936: 15931: 15925: 15924: 15913: 15912: 15910: 15909:External links 15907: 15906: 15905: 15890: 15884: 15871: 15856: 15847:Pop Chronicles 15831: 15813: 15807: 15792: 15789: 15786: 15785: 15736: 15721: 15704: 15689: 15671: 15660:on 24 May 2013 15597: 15574: 15556: 15540: 15527: 15520: 15502: 15481: 15460: 15439: 15418: 15397: 15376: 15355: 15348: 15330: 15309: 15288: 15267: 15241: 15234: 15216: 15195: 15171: 15145: 15119: 15106:Glide Magazine 15093: 15067: 15041: 15015: 14989: 14960: 14931: 14903: 14878: 14853: 14827: 14816:. 16 June 2020 14801: 14780: 14754: 14728: 14703: 14676: 14650: 14631: 14605: 14586: 14560: 14534: 14506: 14495:. 3 March 2020 14480: 14459: 14429: 14406: 14375: 14344: 14313: 14283: 14244: 14213: 14182: 14149: 14118: 14106: 14085: 14078: 14057: 14050: 14032: 14025: 14003: 13996: 13978: 13957: 13950: 13932: 13911: 13890: 13869: 13848: 13825: 13811:J. DeRogatis, 13804: 13780: 13751: 13723: 13697: 13671: 13649: 13626: 13603: 13582: 13559: 13536: 13513: 13506: 13488: 13461: 13437: 13414: 13391: 13370: 13349: 13325: 13312: 13291: 13262: 13239: 13216: 13192: 13179: 13150: 13127: 13106: 13083: 13059: 13036: 13010: 12987: 12964: 12942: 12919: 12896: 12875: 12854: 12847: 12829: 12800: 12787: 12763: 12740: 12737:on 16 May 2011 12710: 12697: 12684: 12681:on 14 May 2011 12654: 12633: 12631:, 8 June 1996. 12620: 12599: 12569: 12546: 12525: 12504: 12474: 12453: 12431: 12408: 12395:"College rock" 12386: 12363: 12340: 12319: 12285: 12249: 12236: 12215: 12193: 12172: 12160: 12136: 12129: 12111: 12090: 12069: 12051: 12031: 12029:, pp. 1337–38. 12018: 11999: 11978: 11957: 11936: 11924: 11903: 11891: 11870: 11863: 11845: 11824: 11793: 11784: 11763: 11745: 11742:on 12 May 2011 11722: 11699: 11696:on 14 May 2011 11676: 11673:on 12 May 2011 11653: 11623: 11611: 11604: 11586: 11565: 11544: 11523: 11500: 11477: 11456: 11435: 11411: 11390: 11369: 11345: 11321: 11291: 11270: 11246: 11213: 11182: 11163: 11143: 11119: 11086: 11074: 11028: 11014:P. Auslander, 11007: 10986: 10973: 10949: 10921: 10919:, pp. 180–181. 10896: 10882:P. Auslander, 10875: 10852: 10838:P. Auslander, 10831: 10807: 10786: 10765: 10739: 10708: 10701: 10683: 10670: 10646: 10639: 10621: 10600: 10598:, pp. 1328–30. 10582: 10555: 10542: 10519: 10498: 10477: 10456: 10435: 10411: 10390: 10369: 10362: 10342: 10321: 10298: 10277: 10256: 10235: 10209: 10173: 10166: 10150:Whitburn, Joel 10141: 10135:978-1610605137 10134: 10126:Voyageur Press 10114:DeRogatis, Jim 10105: 10103:, shows 41–42. 10101:Gilliland 1969 10093: 10067: 10043: 10022: 10001: 9980: 9959: 9928: 9904: 9897: 9879: 9853: 9832: 9820: 9813: 9792: 9771: 9743: 9721: 9700: 9679: 9645: 9624: 9603: 9596: 9575: 9554: 9547: 9529: 9508: 9487: 9471: 9450: 9424: 9403: 9379: 9360: 9340: 9319: 9298: 9277: 9251: 9228: 9207: 9203:Gilliland 1969 9195: 9191:Gilliland 1969 9183: 9179:Gilliland 1969 9168: 9147: 9132:I.A. Robbins, 9121: 9117:Gilliland 1969 9109: 9096: 9094:, pp. 1316–17. 9080: 9059: 9038: 9017: 8987: 8971: 8941: 8920: 8896: 8883: 8862: 8849: 8821: 8800: 8798:, shows 20–21. 8796:Gilliland 1969 8788: 8764: 8743: 8736: 8715: 8702: 8689: 8655: 8639: 8623: 8602: 8596:978-0719083662 8595: 8577: 8565: 8558: 8538: 8519: 8499: 8468: 8454:J. M. Curtis, 8447: 8416: 8393: 8372: 8351: 8347:Gilliland 1969 8339: 8318: 8311: 8290: 8280:on 20 May 2016 8260: 8233: 8224: 8194: 8168: 8161: 8143: 8130: 8111: 8103:Pantheon Books 8080: 8057: 8031: 7998: 7979: 7959: 7936: 7929: 7907: 7900: 7863: 7856: 7838: 7819: 7783: 7764: 7733: 7710: 7689: 7666: 7651: 7625: 7612: 7589: 7576: 7563: 7556: 7527: 7504: 7468: 7445: 7414: 7383: 7382: 7380: 7377: 7375: 7374: 7345: 7330: 7314:Brill Building 7276: 7274: 7271: 7270: 7269: 7264: 7259: 7254: 7249: 7243: 7242: 7226: 7223: 7150:Main article: 7147: 7144: 7019:Main article: 7016: 7013: 6957:Main article: 6954: 6951: 6939:Preoccupations 6927:Parquet Courts 6911:Fontaines D.C. 6834:Olivia Rodrigo 6805: 6802: 6643: 6640: 6600:rock festivals 6596:The Black Keys 6511: 6508: 6479:music software 6445:Main article: 6442: 6439: 6407:Arctic Monkeys 6403:the Libertines 6382:Highly Evolved 6313: 6310: 6291:Bleed American 6264: 6261: 6155:Main article: 6152: 6149: 5896:Monster Magnet 5890:influenced by 5825:Main article: 5822: 5819: 5747:Bark Psychosis 5729:. The work of 5638:Main article: 5635: 5632: 5608:Good Charlotte 5551:the Undertones 5529:performing in 5516:Main article: 5513: 5510: 5506:Puddle of Mudd 5477:'s 1995 album 5469:and Britain's 5419:Main article: 5416: 5413: 5409:Cool Britannia 5354:performing in 5341:Main article: 5338: 5335: 5301:Badmotorfinger 5249:Bands such as 5200:Main article: 5197: 5194: 5192: 5189: 5183:in the US and 5121:10,000 Maniacs 5023:Main article: 5020: 5017: 4988:in the 1980s. 4881:performing on 4858:Main article: 4855: 4852: 4800:Spandau Ballet 4777:Elvis Costello 4773:the Pretenders 4730:from the band 4705:New wave music 4700: 4697: 4630:Silver Jubilee 4628:", during her 4588:and guitarist 4545:Main article: 4542: 4539: 4469:REO Speedwagon 4437:Heartland rock 4435:Main article: 4432: 4431:Heartland rock 4429: 4408:Jesus movement 4382:Christian rock 4380:Main article: 4377: 4376:Christian rock 4374: 4327:from Britain; 4283:, Cleveland's 4153: 4131: 4128: 4108:Vestido Mojado 4045:Carlos Santana 4029:Carlos Santana 4018:Main article: 4015: 4012: 3940:New York Dolls 3928:Alvin Stardust 3847:Alvin Stardust 3823:Main article: 3820: 3817: 3764:Linda Ronstadt 3760:Emmylou Harris 3599:Main article: 3596: 3593: 3561:counterculture 3514: 3511: 3499:Weather Report 3491:Herbie Hancock 3438:-fronted band 3414:Weather Report 3410:Jaco Pastorius 3399:Main article: 3396: 3393: 3345:Virgin Records 3328:rock festivals 3226:performing at 3160:concept albums 3085:the Left Banke 3071:performing in 3041:Main article: 3038: 3035: 2904:Main article: 2901: 2898: 2883:Five Hand Reel 2787:Masters of War 2785:" (1963) and " 2771:labor politics 2732:Main article: 2729: 2726: 2670:Lynyrd Skynyrd 2662:Band of Gypsys 2587:Mick Fleetwood 2535:and guitarist 2521:Robert Johnson 2471:Main article: 2468: 2465: 2371:Main article: 2368: 2365: 2345:the Beach Boys 2304:Chubby Checker 2132:Main article: 2129: 2126: 2102:the Beach Boys 2028:Middle Eastern 1984:The Beach Boys 1966: 1963: 1943:Chubby Checker 1933: 1930: 1902:Lonnie Donegan 1883:Johnny O'Keefe 1827: 1824: 1815:the Big Bopper 1804:Willie Johnson 1788:Eldon Shamblin 1784:Junior Barnard 1752:Ritchie Valens 1692:Little Richard 1625:in 1952; and " 1619:Rock the Joint 1603:Wynonie Harris 1595:Ella Mae Morse 1523:Jailhouse Rock 1497:Main article: 1494: 1491: 1489: 1486: 1454:." Writing in 1355: 1285: 1265: 1258: 1247: 1244: 1241: 1240: 1239: 1213:electric blues 1173: 1171: 1168: 979:time signature 970: 941:electric blues 904: 903: 890: 889: 888: 887: 882: 877: 872: 867: 862: 857: 852: 847: 842: 837: 832: 827: 819: 818: 814: 813: 812: 811: 806: 801: 796: 791: 783: 782: 778: 777: 776: 775: 770: 765: 760: 755: 754: 753: 743: 741:United Kingdom 738: 733: 728: 723: 718: 713: 708: 703: 698: 693: 688: 683: 678: 673: 668: 663: 658: 653: 648: 643: 638: 633: 628: 623: 618: 613: 608: 603: 598: 593: 588: 583: 578: 573: 568: 563: 558: 553: 548: 543: 538: 533: 528: 523: 518: 513: 508: 503: 498: 493: 488: 483: 478: 473: 468: 463: 458: 453: 448: 443: 438: 433: 425: 424: 420: 419: 418: 417: 412: 407: 402: 397: 392: 387: 382: 377: 372: 367: 362: 357: 352: 347: 342: 337: 329: 328: 324: 323: 322: 321: 310: 305: 300: 295: 285: 280: 275: 270: 265: 260: 255: 250: 240: 238:heartland rock 235: 230: 225: 220: 215: 210: 205: 203:Christian rock 200: 195: 190: 185: 180: 172: 171: 167: 166: 164: 163: 158: 153: 147: 145: 141: 140: 138: 137: 134: 131: 128: 125: 122: 118: 116: 112: 111: 108: 104: 103: 101: 100: 95: 90: 85: 80: 75: 73:electric blues 70: 65: 60: 54: 52: 48: 47: 26: 9: 6: 4: 3: 2: 17855: 17844: 17841: 17839: 17838:Popular music 17836: 17834: 17831: 17829: 17826: 17824: 17821: 17819: 17816: 17814: 17811: 17809: 17806: 17804: 17801: 17799: 17796: 17794: 17791: 17789: 17786: 17784: 17781: 17780: 17778: 17763: 17753: 17751: 17741: 17739: 17738: 17734: 17733: 17730: 17720: 17717: 17715: 17712: 17710: 17707: 17705: 17702: 17700: 17697: 17695: 17692: 17691: 17689: 17683: 17678: 17675: 17673: 17670: 17667: 17664: 17660: 17655: 17652: 17650: 17647: 17645: 17640: 17635: 17632: 17630: 17627: 17625: 17622: 17620: 17615: 17610: 17607: 17605: 17602: 17600: 17597: 17595: 17590: 17585: 17582: 17580: 17577: 17575: 17572: 17570: 17565: 17560: 17557: 17555: 17552: 17550: 17547: 17545: 17542: 17540: 17535: 17530: 17527: 17525: 17522: 17520: 17517: 17515: 17510: 17505: 17502: 17500: 17497: 17495: 17494:Rock and roll 17492: 17490: 17485: 17480: 17477: 17475: 17472: 17470: 17467: 17465: 17460: 17454: 17451: 17449: 17446: 17444: 17441: 17439: 17436: 17434: 17433:Boogie-woogie 17431: 17429: 17426: 17424: 17421: 17419: 17416: 17414: 17411: 17409: 17406: 17405: 17404: 17399: 17394: 17393: 17387: 17382: 17377: 17368: 17363: 17361: 17356: 17354: 17349: 17348: 17345: 17333: 17332: 17327: 17323: 17321: 17320: 17311: 17310: 17307: 17301: 17300:Wall of Sound 17298: 17296: 17293: 17291: 17288: 17286: 17283: 17281: 17280:Rock festival 17278: 17276: 17273: 17271: 17268: 17266: 17263: 17261: 17258: 17256: 17253: 17251: 17248: 17246: 17243: 17242: 17240: 17236: 17230: 17229:Women in rock 17227: 17225: 17222: 17218: 17215: 17213: 17210: 17208: 17205: 17203: 17200: 17199: 17198: 17195: 17193: 17190: 17186: 17183: 17181: 17178: 17176: 17175:Country music 17173: 17172: 17171: 17168: 17166: 17163: 17161: 17158: 17157: 17155: 17149: 17146: 17145: 17142: 17136: 17133: 17131: 17128: 17126: 17123: 17121: 17118: 17116: 17113: 17111: 17108: 17106: 17103: 17102: 17100: 17098:Radio formats 17096: 17086: 17083: 17081: 17078: 17077: 17075: 17071: 17065: 17062: 17060: 17057: 17055: 17052: 17051: 17049: 17045: 17039: 17036: 17034: 17031: 17029: 17026: 17024: 17021: 17017: 17014: 17013: 17012: 17009: 17007: 17004: 17000: 16997: 16996: 16995: 16992: 16990: 16987: 16983: 16980: 16979: 16978: 16975: 16973: 16970: 16968: 16965: 16963: 16960: 16956: 16953: 16951: 16948: 16947: 16946: 16943: 16939: 16936: 16935: 16934: 16931: 16929: 16926: 16923: 16919: 16916: 16914: 16911: 16909: 16906: 16904: 16901: 16900: 16898: 16894: 16886: 16883: 16881: 16878: 16876: 16873: 16871: 16868: 16864: 16863:Extreme metal 16861: 16860: 16859: 16856: 16854: 16851: 16850: 16848: 16846: 16843: 16841: 16838: 16836: 16833: 16831: 16828: 16826: 16823: 16821: 16818: 16816: 16813: 16811: 16808: 16806: 16803: 16801: 16798: 16796: 16793: 16791: 16788: 16786: 16783: 16781: 16778: 16776: 16773: 16771: 16768: 16766: 16763: 16761: 16758: 16756: 16753: 16751: 16748: 16746: 16743: 16741: 16738: 16736: 16733: 16729: 16726: 16724: 16721: 16719: 16716: 16715: 16714: 16711: 16709: 16706: 16704: 16701: 16695: 16692: 16691: 16690: 16687: 16685: 16682: 16681: 16680: 16677: 16675: 16672: 16670: 16667: 16665: 16662: 16660: 16657: 16656: 16654: 16650: 16644: 16641: 16639: 16636: 16634: 16631: 16629: 16626: 16624: 16621: 16619: 16616: 16612: 16609: 16607: 16604: 16602: 16599: 16598: 16597: 16594: 16592: 16589: 16588: 16586: 16584:South America 16582: 16576: 16573: 16569: 16566: 16565: 16564: 16561: 16559: 16556: 16554: 16551: 16549: 16546: 16544: 16541: 16539: 16536: 16532: 16529: 16528: 16527: 16524: 16523: 16521: 16519:North America 16517: 16514: 16510: 16500: 16497: 16495: 16492: 16490: 16487: 16485: 16482: 16480: 16477: 16475: 16472: 16470: 16467: 16466: 16464: 16460: 16454: 16451: 16449: 16446: 16444: 16441: 16439: 16436: 16434: 16431: 16429: 16426: 16424: 16421: 16419: 16416: 16414: 16411: 16409: 16406: 16404: 16401: 16399: 16396: 16394: 16391: 16390: 16388: 16384: 16378: 16375: 16373: 16370: 16368: 16365: 16363: 16360: 16358: 16355: 16353: 16350: 16348: 16345: 16343: 16340: 16338: 16335: 16333: 16330: 16328: 16325: 16323: 16320: 16318: 16315: 16313: 16310: 16308: 16305: 16303: 16300: 16298: 16295: 16293: 16290: 16289: 16287: 16283: 16277: 16274: 16272: 16269: 16267: 16266:Southern rock 16264: 16262: 16259: 16257: 16254: 16252: 16249: 16247: 16244: 16242: 16239: 16237: 16234: 16232: 16229: 16227: 16224: 16222: 16219: 16217: 16214: 16212: 16209: 16207: 16204: 16202: 16199: 16197: 16194: 16192: 16189: 16187: 16186:Flamenco rock 16184: 16182: 16179: 16177: 16174: 16172: 16169: 16167: 16164: 16162: 16159: 16157: 16154: 16152: 16149: 16147: 16144: 16142: 16139: 16137: 16134: 16132: 16129: 16127: 16124: 16123: 16121: 16117: 16111: 16108: 16106: 16103: 16099: 16096: 16095: 16094: 16093:Rock and roll 16091: 16089: 16086: 16084: 16081: 16079: 16076: 16075: 16073: 16069: 16066: 16063:not included) 16054: 16046: 16043: 16041: 16038: 16036: 16035:Electric bass 16033: 16031: 16028: 16027: 16026: 16023: 16021: 16018: 16016: 16013: 16012: 16010: 16006: 16002: 15995: 15990: 15988: 15983: 15981: 15976: 15975: 15972: 15966: 15962: 15957: 15953: 15952: 15947: 15942: 15941: 15935: 15932: 15930: 15927: 15926: 15921: 15916: 15903: 15902:0-13-440678-8 15899: 15895: 15891: 15887: 15885:0-8264-6322-3 15881: 15877: 15872: 15869: 15868:0-0515-2660-3 15865: 15861: 15857: 15853: 15849: 15848: 15840: 15836: 15832: 15828: 15827: 15822: 15818: 15814: 15810: 15808:0-87930-653-X 15804: 15800: 15795: 15794: 15782: 15781: 15776: 15775: 15770: 15766: 15765: 15760: 15756: 15753: 15751: 15746: 15740: 15732: 15731:The Telegraph 15725: 15717: 15716: 15708: 15700: 15693: 15685: 15678: 15676: 15656: 15652: 15648: 15644: 15640: 15636: 15632: 15628: 15624: 15620: 15619:Popular Music 15613: 15606: 15604: 15602: 15585: 15578: 15571: 15570:IASPM Journal 15565: 15563: 15561: 15553: 15552:IASPM Journal 15547: 15545: 15537: 15536:IASPM Journal 15531: 15523: 15517: 15513: 15506: 15500:, pp. 109–14. 15499: 15498:0-7623-1446-X 15495: 15491: 15485: 15479:, pp. 91–114. 15478: 15477:0-521-39914-9 15474: 15470: 15464: 15457: 15456:0-8264-6321-5 15453: 15449: 15443: 15437:, pp. 119–20. 15436: 15435:0-87972-468-4 15432: 15428: 15422: 15415: 15414:0-415-10723-7 15411: 15407: 15401: 15395:, pp. 272–89. 15394: 15393:0-521-55660-0 15390: 15386: 15380: 15373: 15372:0-252-02586-5 15369: 15365: 15359: 15351: 15345: 15341: 15334: 15327: 15326:1-932857-00-1 15323: 15319: 15313: 15306: 15305:90-5702-188-9 15302: 15298: 15292: 15285: 15284:0-8166-3881-0 15281: 15277: 15271: 15264: 15263:0-415-20685-5 15260: 15256: 15250: 15248: 15246: 15237: 15231: 15227: 15220: 15213: 15212:0-87972-507-9 15209: 15205: 15199: 15192: 15191:0-415-05108-8 15188: 15184: 15178: 15176: 15160: 15156: 15149: 15134: 15130: 15123: 15107: 15103: 15097: 15081: 15077: 15071: 15056: 15055:Rolling Stone 15052: 15045: 15030: 15026: 15019: 15003: 14996: 14994: 14978: 14974: 14967: 14965: 14949: 14945: 14938: 14936: 14920: 14919: 14914: 14907: 14892: 14888: 14882: 14867: 14863: 14857: 14841: 14837: 14831: 14815: 14811: 14805: 14797: 14796: 14791: 14784: 14769: 14765: 14758: 14743: 14739: 14732: 14717: 14713: 14707: 14691: 14687: 14680: 14665: 14664:Rolling Stone 14661: 14654: 14646: 14642: 14635: 14620: 14619:Rolling Stone 14616: 14609: 14601: 14597: 14590: 14575: 14574:Rolling Stone 14571: 14564: 14549: 14548:Rolling Stone 14545: 14538: 14522: 14521: 14516: 14510: 14494: 14490: 14484: 14476: 14475: 14470: 14463: 14447: 14443: 14439: 14433: 14417: 14410: 14394: 14390: 14386: 14379: 14363: 14359: 14355: 14348: 14332: 14328: 14324: 14317: 14301: 14297: 14293: 14287: 14271: 14267: 14263: 14259: 14255: 14248: 14232: 14228: 14224: 14221:Ross, Danny. 14217: 14201: 14197: 14193: 14186: 14170: 14166: 14162: 14156: 14154: 14137: 14133: 14129: 14122: 14116:, p. 115 14115: 14114:Emmerson 2007 14110: 14104:, pp. 145–48. 14103: 14102:0-415-34770-X 14099: 14095: 14089: 14081: 14075: 14071: 14064: 14062: 14053: 14047: 14043: 14036: 14028: 14022: 14018: 14014: 14007: 13999: 13993: 13989: 13982: 13975: 13974:0-335-20072-9 13971: 13967: 13961: 13953: 13947: 13943: 13936: 13929: 13928:1-84353-105-4 13925: 13921: 13915: 13908: 13907:1-84353-229-8 13904: 13900: 13894: 13888:, pp. 108–12. 13887: 13886:0-7864-2564-4 13883: 13879: 13873: 13866: 13865:0-7119-9601-6 13862: 13858: 13852: 13843: 13839: 13835: 13829: 13822: 13821:0-634-05548-8 13818: 13814: 13808: 13799: 13795: 13791: 13784: 13769: 13765: 13761: 13755: 13740: 13736: 13735: 13727: 13720:on 1 May 2011 13719: 13715: 13711: 13704: 13702: 13692: 13688: 13684: 13678: 13676: 13668:on 5 May 2011 13667: 13663: 13659: 13653: 13645: 13641: 13637: 13630: 13622: 13618: 13614: 13607: 13601:, pp. 42, 45. 13600: 13599:0-7119-9601-6 13596: 13592: 13586: 13578: 13574: 13570: 13563: 13555: 13551: 13547: 13540: 13532: 13528: 13524: 13517: 13509: 13503: 13499: 13492: 13483: 13479: 13475: 13468: 13466: 13456: 13452: 13448: 13441: 13433: 13429: 13425: 13418: 13409: 13405: 13401: 13395: 13388: 13387:0-7486-1745-0 13384: 13380: 13374: 13368:, pp. 369–70. 13367: 13366:0-306-81367-X 13363: 13359: 13353: 13345: 13341: 13340: 13336:J. D'Angelo, 13332: 13330: 13322: 13316: 13309: 13308:0-7119-9209-6 13305: 13301: 13295: 13280: 13276: 13272: 13266: 13259:on 3 May 2011 13258: 13254: 13250: 13243: 13236:on 4 May 2011 13235: 13231: 13227: 13220: 13213: 13209: 13205: 13202: 13199:T. Grierson, 13196: 13190:, pp. 388–89. 13189: 13183: 13175: 13171: 13167: 13161: 13159: 13157: 13155: 13147:on 4 May 2011 13146: 13142: 13138: 13131: 13124: 13123:0-252-07201-4 13120: 13116: 13110: 13102: 13098: 13094: 13087: 13078: 13074: 13070: 13063: 13055: 13051: 13047: 13044:W. Ruhlmann, 13040: 13031: 13027: 13023: 13017: 13015: 13005: 13001: 12997: 12996:"Chamber pop" 12991: 12982: 12978: 12974: 12968: 12960: 12956: 12952: 12946: 12937: 12933: 12929: 12923: 12914: 12910: 12906: 12900: 12894:, pp. 154–55. 12893: 12892:0-8264-8217-1 12889: 12885: 12879: 12873:, pp. 101–03. 12872: 12871:0-415-17028-1 12868: 12864: 12858: 12850: 12844: 12840: 12833: 12825: 12821: 12817: 12811: 12809: 12807: 12805: 12797: 12791: 12782: 12778: 12774: 12767: 12758: 12754: 12750: 12744: 12736: 12732: 12728: 12721: 12719: 12717: 12715: 12707: 12701: 12694: 12688: 12680: 12676: 12672: 12669:T. Grierson, 12665: 12663: 12661: 12659: 12651: 12650:0-415-23808-0 12647: 12643: 12637: 12630: 12624: 12617: 12616:0-8223-2737-6 12613: 12609: 12603: 12594: 12590: 12586: 12585:"Post-grunge" 12580: 12578: 12576: 12574: 12567:, pp. 452–53. 12566: 12565:0-316-78753-1 12562: 12558: 12557: 12550: 12543: 12542:1-903364-96-5 12539: 12535: 12529: 12521: 12517: 12516: 12508: 12499: 12495: 12491: 12485: 12483: 12481: 12479: 12471: 12470:0-415-34770-X 12467: 12463: 12457: 12449: 12445: 12441: 12435: 12427: 12423: 12419: 12412: 12404: 12400: 12396: 12390: 12382: 12378: 12374: 12367: 12359: 12355: 12351: 12344: 12338:, pp. 94–105. 12337: 12336:0-631-21710-X 12333: 12329: 12323: 12316: 12315:0-87930-653-X 12312: 12308: 12302: 12300: 12298: 12296: 12294: 12292: 12290: 12283:, pp. 1344–6. 12282: 12281:0-87930-653-X 12278: 12274: 12268: 12266: 12264: 12262: 12260: 12258: 12256: 12254: 12246: 12240: 12233: 12232:0-415-93835-X 12229: 12225: 12219: 12211: 12207: 12203: 12197: 12190: 12189:1-86189-143-1 12186: 12182: 12176: 12170:, p. 239 12169: 12164: 12158:, pp. 1337–8. 12157: 12151: 12149: 12147: 12145: 12143: 12141: 12132: 12126: 12122: 12115: 12108: 12107:0-7494-4826-1 12104: 12100: 12094: 12087: 12086:0-14-303672-6 12083: 12079: 12076:S. Reynolds, 12073: 12058: 12054: 12052:0-7486-1745-0 12048: 12044: 12043: 12035: 12028: 12022: 12014: 12008: 12003: 11996: 11995:0-7425-4444-3 11992: 11988: 11982: 11975: 11974:0-313-32943-5 11971: 11967: 11961: 11955:, pp. 185–86. 11954: 11953:0-415-34770-X 11950: 11946: 11940: 11933: 11932:Campbell 2008 11928: 11921: 11920:0-415-96589-6 11917: 11913: 11907: 11901:, p. 157 11900: 11895: 11889:, pp. 168–86. 11888: 11887:0-8265-1451-0 11884: 11880: 11874: 11866: 11860: 11856: 11849: 11842: 11841:0-415-17029-X 11838: 11834: 11828: 11812: 11808: 11807:Rolling Stone 11804: 11797: 11788: 11782:, pp. 235–56. 11781: 11780:0-415-94365-5 11777: 11773: 11767: 11760: 11754: 11752: 11750: 11741: 11737: 11733: 11726: 11718: 11714: 11713:Rolling Stone 11710: 11703: 11695: 11691: 11690:Rolling Stone 11687: 11680: 11672: 11668: 11664: 11657: 11648: 11644: 11640: 11634: 11632: 11630: 11628: 11621:, p. 138 11620: 11619:Thompson 2007 11615: 11607: 11601: 11597: 11590: 11584:, pp. 206–07. 11583: 11582:1-55022-421-2 11579: 11575: 11569: 11562: 11561:0-8135-1607-2 11558: 11554: 11551:M.B. Wagner, 11548: 11541: 11540:1-55022-421-2 11537: 11533: 11527: 11520: 11519:0-8131-9086-X 11516: 11512: 11511: 11504: 11497: 11496:0-8131-9086-X 11493: 11489: 11488: 11481: 11474: 11473:1-55022-421-2 11470: 11466: 11460: 11453: 11452:0-8195-6260-2 11449: 11445: 11439: 11432: 11431:0-8195-6260-2 11428: 11424: 11418: 11416: 11408: 11407:0-8195-6260-2 11404: 11400: 11394: 11387: 11386:0-8195-6260-2 11383: 11379: 11373: 11364: 11360: 11356: 11349: 11340: 11336: 11332: 11325: 11316: 11312: 11308: 11302: 11300: 11298: 11296: 11288: 11287:1-85828-201-2 11284: 11280: 11274: 11267: 11266:0-87972-369-6 11263: 11259: 11256:J.M. Curtis, 11253: 11251: 11234: 11230: 11229: 11224: 11217: 11201: 11197: 11193: 11186: 11170: 11166: 11160: 11156: 11155: 11147: 11131: 11130: 11123: 11107: 11103: 11102: 11101:Rolling Stone 11097: 11090: 11084: 11078: 11070: 11057: 11056:cite magazine 11042: 11038: 11032: 11025: 11024:0-7546-4057-4 11021: 11017: 11011: 11004: 11003:0-415-27815-5 11000: 10996: 10990: 10983: 10977: 10970: 10969:0-7546-4057-4 10966: 10962: 10956: 10954: 10946: 10945:0-7546-4057-4 10942: 10938: 10932: 10930: 10928: 10926: 10918: 10917:0-7119-9293-2 10914: 10910: 10909:Omnibus Press 10906: 10900: 10893: 10892:0-472-06868-7 10889: 10885: 10879: 10870: 10866: 10862: 10856: 10849: 10848:0-7546-4057-4 10845: 10841: 10835: 10829:, pp. 124–25. 10828: 10827:0-415-34770-X 10824: 10820: 10814: 10812: 10804: 10803:0-8108-5295-0 10800: 10796: 10790: 10783: 10782:1-85828-201-2 10779: 10775: 10769: 10762: 10756: 10754: 10752: 10750: 10748: 10746: 10744: 10727: 10723: 10719: 10712: 10704: 10698: 10694: 10687: 10680: 10674: 10667: 10666:1-85828-534-8 10663: 10659: 10653: 10651: 10642: 10636: 10632: 10625: 10618: 10617:1-84353-256-5 10614: 10610: 10604: 10597: 10591: 10589: 10587: 10578: 10574: 10570: 10564: 10562: 10560: 10552: 10546: 10538: 10534: 10530: 10523: 10516: 10515:0-8153-3715-9 10512: 10508: 10502: 10495: 10494:0-946719-70-5 10491: 10487: 10481: 10475:, pp. 249–50. 10474: 10473:0-8108-5295-0 10470: 10466: 10460: 10453: 10452:0-8153-3715-9 10449: 10445: 10439: 10430: 10426: 10422: 10421:"Renaissance" 10415: 10408: 10407:0-7546-3282-2 10404: 10400: 10394: 10387: 10386:0-7546-4019-1 10383: 10379: 10373: 10365: 10359: 10355: 10354: 10346: 10339: 10338:0-19-509887-0 10335: 10331: 10325: 10316: 10312: 10308: 10302: 10295: 10294:0-19-509887-0 10291: 10287: 10281: 10274: 10273:0-19-509887-0 10270: 10266: 10260: 10253: 10252:0-634-02861-8 10249: 10245: 10239: 10232: 10226: 10224: 10222: 10220: 10218: 10216: 10214: 10197: 10193: 10188: 10183: 10177: 10169: 10167:9780898201550 10163: 10159: 10155: 10151: 10145: 10137: 10131: 10127: 10123: 10119: 10115: 10109: 10102: 10097: 10090: 10084: 10082: 10080: 10078: 10076: 10074: 10072: 10064: 10063:0-252-06915-3 10060: 10056: 10050: 10048: 10040: 10039:0-521-55660-0 10036: 10032: 10026: 10019: 10018:0-520-21800-0 10015: 10011: 10005: 9998: 9997:1-882267-04-4 9994: 9990: 9984: 9977: 9976:0-7546-3282-2 9973: 9969: 9963: 9947: 9943: 9939: 9932: 9923: 9919: 9915: 9908: 9900: 9894: 9890: 9883: 9876: 9870: 9868: 9866: 9864: 9862: 9860: 9858: 9850: 9849:0-313-32689-4 9846: 9842: 9839:J.E. Perone, 9836: 9829: 9828:Mitchell 2007 9824: 9816: 9810: 9806: 9799: 9797: 9789: 9788:0-7935-4042-9 9785: 9781: 9775: 9766: 9762: 9758: 9752: 9750: 9748: 9740: 9734: 9732: 9730: 9728: 9726: 9718: 9717:0-7935-4042-9 9714: 9710: 9704: 9697: 9696:0-7119-9094-8 9693: 9689: 9683: 9676: 9675:0-87930-736-6 9672: 9668: 9662: 9660: 9658: 9656: 9654: 9652: 9650: 9642: 9641:0-521-00040-8 9638: 9634: 9628: 9621: 9620:1-85109-431-8 9617: 9613: 9607: 9599: 9593: 9589: 9582: 9580: 9572: 9571:0-415-93835-X 9568: 9564: 9558: 9550: 9544: 9540: 9533: 9526: 9525:1-55652-572-9 9522: 9518: 9512: 9505: 9504:0-7890-0151-9 9501: 9497: 9491: 9485: 9484:0-8230-7639-3 9481: 9475: 9468: 9467:0-7486-1933-X 9464: 9460: 9457:N. Campbell, 9454: 9447: 9441: 9439: 9437: 9435: 9433: 9431: 9429: 9421: 9420:0-7864-2564-4 9417: 9413: 9407: 9400: 9399:0-415-34770-X 9396: 9392: 9386: 9384: 9367: 9363: 9357: 9353: 9352: 9344: 9337: 9336:0-415-34770-X 9333: 9329: 9323: 9316: 9315:0-415-93835-X 9312: 9308: 9302: 9295: 9294:0-521-55660-0 9291: 9287: 9281: 9272: 9268: 9264: 9258: 9256: 9246: 9242: 9238: 9232: 9224: 9220: 9219: 9211: 9204: 9199: 9192: 9187: 9180: 9175: 9173: 9165: 9164:0-7137-1521-9 9161: 9157: 9151: 9143: 9139: 9135: 9128: 9126: 9118: 9113: 9106: 9100: 9093: 9087: 9085: 9077: 9076:0-19-510005-0 9073: 9069: 9063: 9056: 9055:0-333-34011-6 9052: 9048: 9045:I. Chambers, 9042: 9036:, pp. 157–66. 9035: 9034:0-85323-727-1 9031: 9027: 9021: 9005: 9001: 8997: 8991: 8984: 8978: 8976: 8959: 8955: 8951: 8945: 8938: 8937:0-87650-174-9 8934: 8930: 8924: 8917: 8916:0-87650-174-9 8913: 8909: 8903: 8901: 8893: 8887: 8880: 8879:0-905273-17-6 8876: 8872: 8866: 8859: 8853: 8846: 8845:0-521-55660-0 8842: 8838: 8837: 8830: 8828: 8826: 8818: 8817:0-415-05306-4 8814: 8810: 8804: 8797: 8792: 8785: 8784:0-87930-736-6 8781: 8777: 8771: 8769: 8761: 8760:0-8225-4998-0 8757: 8753: 8747: 8739: 8733: 8729: 8722: 8720: 8712: 8706: 8699: 8693: 8678: 8674: 8670: 8666: 8659: 8652: 8646: 8644: 8636: 8630: 8628: 8620: 8619:0-7190-1489-1 8616: 8612: 8606: 8598: 8592: 8588: 8581: 8574: 8573:Campbell 2008 8569: 8561: 8559:0-252-06915-3 8555: 8551: 8550: 8542: 8526: 8522: 8516: 8512: 8511: 8503: 8487: 8483: 8479: 8472: 8465: 8464:0-87972-369-6 8461: 8457: 8451: 8435: 8431: 8427: 8420: 8411: 8407: 8403: 8397: 8390: 8389:0-88738-618-0 8386: 8382: 8376: 8369: 8368:0-87972-821-3 8365: 8361: 8355: 8348: 8343: 8336: 8335:0-87972-468-4 8332: 8328: 8322: 8314: 8308: 8304: 8297: 8295: 8279: 8275: 8271: 8264: 8258: 8257:0-8223-1265-4 8254: 8250: 8246: 8245:Present Tense 8242: 8241:Robert Palmer 8237: 8228: 8212: 8208: 8204: 8198: 8182: 8178: 8172: 8164: 8162:9780807009895 8158: 8154: 8147: 8140: 8134: 8118: 8114: 8112:0-679-73015-X 8108: 8104: 8100: 8099: 8094: 8090: 8084: 8077: 8076:0-8223-2900-X 8073: 8069: 8068: 8061: 8054: 8053:0-7546-3132-X 8050: 8046: 8045: 8038: 8036: 8019: 8015: 8014: 8009: 8002: 7986: 7982: 7976: 7972: 7971: 7963: 7956: 7955:0-674-00547-3 7952: 7948: 7947: 7940: 7932: 7926: 7921: 7920: 7911: 7903: 7901:0-393-04700-8 7897: 7893: 7889: 7884: 7883: 7877: 7873: 7867: 7859: 7853: 7849: 7842: 7826: 7822: 7820:0-89919-025-1 7816: 7812: 7808: 7807: 7802: 7798: 7792: 7790: 7788: 7771: 7767: 7765:0-89919-025-1 7761: 7757: 7753: 7752: 7747: 7743: 7737: 7730: 7729:0-521-39914-9 7726: 7722: 7721: 7714: 7707: 7706:1-86064-090-7 7703: 7699: 7693: 7686: 7685:0-7914-6715-5 7682: 7678: 7677: 7670: 7664: 7660: 7655: 7648: 7647:0-8160-5266-2 7644: 7640: 7634: 7632: 7630: 7622: 7621:Shepherd 2003 7616: 7609: 7608:0-8195-6309-9 7605: 7601: 7600: 7596:P. Théberge, 7593: 7587:, p 361. 7586: 7585:Shepherd 2003 7580: 7573: 7572:Shepherd 2003 7567: 7559: 7553: 7549: 7544: 7543: 7534: 7532: 7524: 7523:0-87972-369-6 7520: 7516: 7515: 7511:J.M. Curtis, 7508: 7492: 7488: 7487: 7482: 7478: 7472: 7465: 7464:0-7890-0151-9 7461: 7457: 7456: 7449: 7433: 7429: 7428:Rolling Stone 7425: 7418: 7402: 7398: 7394: 7388: 7384: 7371: 7367: 7363: 7359: 7355: 7349: 7342: 7341: 7334: 7327: 7323: 7319: 7315: 7311: 7307: 7306:the Shirelles 7303: 7299: 7295: 7291: 7287: 7281: 7277: 7268: 7265: 7263: 7260: 7258: 7255: 7253: 7250: 7248: 7245: 7244: 7240: 7229: 7222: 7220: 7216: 7211: 7209: 7204: 7200: 7196: 7192: 7187: 7185: 7180: 7172: 7168: 7163: 7159: 7153: 7146:Role of women 7143: 7139: 7136: 7132: 7128: 7124: 7119: 7118:appropriating 7115: 7110: 7108: 7104: 7100: 7096: 7092: 7088: 7084: 7078: 7076: 7072: 7068: 7064: 7060: 7056: 7052: 7048: 7044: 7036: 7032: 7027: 7022: 7015:Social impact 7012: 7010: 7006: 7002: 6998: 6994: 6990: 6986: 6982: 6981: 6976: 6975: 6970: 6966: 6960: 6950: 6948: 6944: 6940: 6936: 6932: 6928: 6924: 6920: 6916: 6912: 6908: 6907:Sleaford Mods 6904: 6900: 6896: 6892: 6888: 6884: 6880: 6876: 6873:New Wave" by 6872: 6868: 6867: 6862: 6861: 6855: 6853: 6849: 6845: 6844: 6839: 6835: 6831: 6827: 6823: 6819: 6815: 6811: 6810:Travis Barker 6801: 6798: 6794: 6790: 6786: 6782: 6778: 6773: 6771: 6767: 6763: 6759: 6755: 6751: 6747: 6743: 6739: 6738: 6733: 6729: 6725: 6721: 6717: 6713: 6712: 6707: 6706: 6701: 6697: 6693: 6685: 6681: 6677: 6672: 6667: 6663: 6659: 6653: 6649: 6639: 6637: 6633: 6629: 6624: 6620: 6617:In 2020, the 6615: 6613: 6609: 6605: 6601: 6597: 6593: 6589: 6585: 6581: 6577: 6573: 6569: 6565: 6561: 6557: 6553: 6548: 6546: 6541: 6537: 6533: 6525: 6521: 6516: 6507: 6505: 6501: 6497: 6493: 6489: 6485: 6480: 6474: 6470: 6466: 6462: 6458: 6454: 6448: 6438: 6436: 6432: 6428: 6424: 6421:from the UK, 6420: 6416: 6415:Kaiser Chiefs 6412: 6408: 6404: 6401:from the US, 6400: 6399:Kings of Leon 6396: 6392: 6388: 6384: 6383: 6378: 6374: 6373: 6368: 6364: 6363: 6358: 6354: 6353: 6348: 6343: 6341: 6332: 6328: 6323: 6319: 6309: 6307: 6303: 6302: 6297: 6293: 6292: 6285: 6280: 6274: 6270: 6269:Post-hardcore 6260: 6258: 6254: 6250: 6249: 6244: 6240: 6239: 6234: 6230: 6229: 6224: 6223:Stereophonics 6220: 6219: 6214: 6208: 6206: 6205: 6200: 6199: 6194: 6193: 6188: 6184: 6180: 6171: 6167: 6163: 6158: 6148: 6146: 6142: 6138: 6134: 6133: 6128: 6127: 6122: 6121: 6116: 6112: 6108: 6104: 6103: 6102:Hybrid Theory 6098: 6097: 6093:, Slipknot's 6092: 6091: 6086: 6085: 6079: 6077: 6073: 6069: 6065: 6061: 6057: 6053: 6049: 6045: 6041: 6037: 6033: 6029: 6025: 6024:Living Colour 6021: 6017: 6013: 6012:Faith No More 6008: 6006: 6002: 5998: 5994: 5990: 5986: 5982: 5978: 5974: 5970: 5966: 5962: 5958: 5951: 5947: 5943: 5939: 5935: 5933: 5929: 5928:Faith No More 5925: 5921: 5917: 5913: 5909: 5905: 5901: 5897: 5893: 5889: 5885: 5881: 5877: 5873: 5869: 5865: 5861: 5857: 5850: 5846: 5842: 5838: 5834: 5828: 5818: 5816: 5812: 5808: 5804: 5800: 5796: 5792: 5788: 5784: 5780: 5779:Spiritualized 5776: 5772: 5768: 5764: 5760: 5756: 5752: 5748: 5744: 5740: 5736: 5732: 5728: 5724: 5720: 5714: 5712: 5708: 5704: 5700: 5696: 5692: 5684: 5680: 5676: 5671: 5667: 5663: 5659: 5655: 5651: 5647: 5641: 5631: 5629: 5625: 5621: 5617: 5613: 5609: 5605: 5604: 5599: 5594: 5592: 5591: 5586: 5585: 5580: 5579: 5574: 5573:the Offspring 5570: 5566: 5565: 5560: 5556: 5552: 5548: 5544: 5540: 5532: 5528: 5524: 5519: 5509: 5507: 5503: 5499: 5495: 5490: 5486: 5482: 5481: 5476: 5472: 5468: 5464: 5460: 5456: 5451: 5449: 5445: 5440: 5431: 5427: 5422: 5412: 5410: 5406: 5402: 5398: 5394: 5390: 5386: 5382: 5378: 5373: 5369: 5365: 5357: 5353: 5349: 5344: 5334: 5332: 5328: 5324: 5319: 5318: 5313: 5312: 5307: 5303: 5302: 5297: 5296: 5291: 5286: 5282: 5278: 5277: 5272: 5268: 5264: 5260: 5256: 5252: 5247: 5245: 5241: 5237: 5233: 5229: 5228:hardcore punk 5224: 5220: 5212: 5208: 5203: 5188: 5186: 5182: 5178: 5174: 5170: 5169:Happy Mondays 5166: 5162: 5158: 5154: 5150: 5146: 5142: 5138: 5134: 5130: 5129:Primal Scream 5126: 5122: 5118: 5112: 5110: 5109:college radio 5106: 5102: 5098: 5094: 5090: 5086: 5082: 5078: 5074: 5070: 5061: 5057: 5053: 5048: 5044: 5040: 5036: 5032: 5026: 5016: 5014: 5010: 5006: 5002: 4998: 4997:the Pop Group 4994: 4989: 4987: 4983: 4979: 4975: 4971: 4967: 4963: 4959: 4955: 4951: 4947: 4943: 4939: 4935: 4931: 4926: 4924: 4923:Talking Heads 4920: 4919:the Residents 4916: 4912: 4908: 4904: 4900: 4896: 4892: 4884: 4880: 4876: 4871: 4867: 4861: 4851: 4849: 4845: 4841: 4837: 4833: 4829: 4825: 4821: 4817: 4813: 4809: 4805: 4801: 4797: 4793: 4788: 4786: 4782: 4778: 4774: 4770: 4766: 4762: 4757: 4753: 4752:Talking Heads 4749: 4745: 4741: 4740:Stiff Records 4733: 4729: 4728:Deborah Harry 4725: 4720: 4716: 4710: 4706: 4696: 4694: 4690: 4686: 4682: 4678: 4674: 4670: 4666: 4662: 4658: 4654: 4650: 4645: 4643: 4639: 4635: 4631: 4627: 4623: 4618: 4614: 4610: 4606: 4602: 4595: 4591: 4587: 4586:Johnny Rotten 4582: 4578: 4576: 4567: 4563: 4558: 4557:Hardcore punk 4554: 4548: 4538: 4534: 4532: 4528: 4524: 4520: 4519:Bruce Hornsby 4516: 4512: 4508: 4507: 4502: 4498: 4494: 4490: 4486: 4481: 4479: 4474: 4470: 4466: 4462: 4459: 4455: 4447: 4443: 4438: 4428: 4426: 4422: 4417: 4413: 4409: 4400: 4396: 4392: 4388: 4383: 4373: 4371: 4367: 4366:November Rain 4363: 4359: 4355: 4354:Guns N' Roses 4351: 4346: 4342: 4339:from the US; 4338: 4334: 4330: 4326: 4322: 4318: 4314: 4310: 4309:modal harmony 4306: 4302: 4301:Black Sabbath 4298: 4294: 4290: 4286: 4282: 4278: 4274: 4265: 4261: 4257: 4253: 4251: 4247: 4243: 4239: 4235: 4231: 4227: 4226: 4221: 4220:Fleetwood Mac 4217: 4213: 4209: 4205: 4201: 4194: 4192: 4185: 4183: 4180:celebrated, " 4179: 4178:Black Sabbath 4175: 4171: 4167: 4163: 4159: 4158:balkanization 4151: 4145: 4141: 4137: 4127: 4125: 4124: 4119: 4115: 4110: 4109: 4104: 4100: 4096: 4095: 4090: 4089: 4084: 4083: 4078: 4077: 4072: 4071: 4066: 4065: 4060: 4059: 4054: 4050: 4046: 4042: 4034: 4030: 4026: 4021: 4011: 4009: 4005: 4001: 3997: 3993: 3989: 3985: 3981: 3977: 3973: 3969: 3965: 3961: 3957: 3953: 3949: 3945: 3941: 3937: 3933: 3929: 3925: 3921: 3917: 3913: 3909: 3905: 3901: 3900: 3895: 3891: 3886: 3884: 3880: 3879:the Cockettes 3876: 3872: 3868: 3864: 3861:literary and 3860: 3856: 3852: 3848: 3839: 3835: 3831: 3826: 3816: 3814: 3810: 3809:Molly Hatchet 3806: 3802: 3798: 3794: 3790: 3786: 3782: 3777: 3775: 3774: 3769: 3765: 3761: 3757: 3753: 3749: 3745: 3741: 3737: 3733: 3729: 3728:Beau Brummels 3725: 3721: 3717: 3713: 3712:Chris Hillman 3709: 3708: 3703: 3699: 3695: 3694: 3689: 3682: 3678: 3673: 3669: 3667: 3666: 3661: 3660: 3655: 3654:Lowell George 3651: 3647: 3643: 3639: 3635: 3631: 3630: 3625: 3624: 3619: 3612: 3611:Southern rock 3608: 3602: 3592: 3590: 3586: 3582: 3578: 3572: 3570: 3566: 3562: 3558: 3551: 3549: 3548: 3543: 3535: 3531: 3527: 3523: 3519: 3510: 3508: 3507:Joni Mitchell 3504: 3500: 3496: 3492: 3488: 3487: 3482: 3478: 3474: 3470: 3465: 3463: 3459: 3458:Electric Flag 3455: 3454: 3449: 3445: 3441: 3437: 3433: 3429: 3424: 3415: 3411: 3407: 3402: 3392: 3390: 3386: 3382: 3378: 3374: 3370: 3366: 3362: 3358: 3354: 3350: 3346: 3342: 3341: 3340:Tubular Bells 3336: 3335:Mike Oldfield 3331: 3329: 3325: 3324: 3319: 3315: 3311: 3307: 3303: 3299: 3295: 3291: 3287: 3283: 3279: 3275: 3271: 3267: 3263: 3259: 3255: 3251: 3247: 3243: 3242: 3233: 3229: 3225: 3221: 3217: 3215: 3211: 3207: 3203: 3199: 3195: 3191: 3187: 3183: 3179: 3175: 3171: 3170: 3165: 3161: 3157: 3153: 3152: 3147: 3143: 3142: 3137: 3136: 3131: 3126: 3124: 3123: 3118: 3114: 3110: 3106: 3102: 3098: 3094: 3090: 3086: 3082: 3074: 3070: 3065: 3060: 3054: 3050: 3044: 3034: 3032: 3028: 3024: 3022: 3018: 3014: 3010: 3009: 3004: 3003: 2999:debuted with 2998: 2994: 2993: 2988: 2984: 2983: 2977: 2973: 2969: 2965: 2961: 2957: 2953: 2949: 2948:sound effects 2946: 2942: 2939:, the Indian 2938: 2934: 2930: 2922: 2918: 2913: 2907: 2897: 2895: 2890: 2888: 2884: 2880: 2876: 2872: 2868: 2867:Steeleye Span 2864: 2860: 2856: 2852: 2848: 2844: 2840: 2835: 2833: 2832: 2827: 2823: 2819: 2815: 2811: 2807: 2803: 2799: 2794: 2792: 2791:protest songs 2788: 2784: 2780: 2776: 2772: 2768: 2764: 2760: 2759:Woody Guthrie 2756: 2748: 2744: 2740: 2735: 2725: 2723: 2719: 2715: 2711: 2707: 2703: 2699: 2695: 2691: 2685: 2683: 2682:Southern rock 2679: 2675: 2671: 2667: 2663: 2659: 2655: 2651: 2647: 2643: 2642:Johnny Winter 2639: 2635: 2631: 2627: 2623: 2618: 2616: 2612: 2608: 2604: 2600: 2596: 2595:Fleetwood Mac 2592: 2588: 2584: 2580: 2576: 2574: 2569: 2565: 2561: 2557: 2552: 2550: 2546: 2545:British blues 2542: 2538: 2537:Alexis Korner 2534: 2530: 2526: 2525:Chicago blues 2522: 2518: 2514: 2513:the Yardbirds 2510: 2506: 2502: 2494: 2490: 2485: 2480: 2479:British blues 2474: 2464: 2462: 2457: 2453: 2448: 2446: 2444: 2439: 2435: 2431: 2427: 2423: 2419: 2415: 2407: 2403: 2399: 2395: 2393: 2389: 2385: 2381: 2374: 2364: 2362: 2361: 2356: 2352: 2351: 2346: 2342: 2341: 2336: 2332: 2331: 2326: 2325: 2320: 2316: 2315: 2310: 2305: 2301: 2297: 2291: 2289: 2285: 2281: 2277: 2273: 2269: 2268:Wayne Fontana 2265: 2261: 2257: 2252: 2250: 2244: 2243: 2238: 2236: 2231: 2226: 2223: 2222:British blues 2219: 2218:the Yardbirds 2215: 2211: 2207: 2203: 2199: 2194: 2190: 2186: 2182: 2181:the Searchers 2178: 2174: 2170: 2162: 2158: 2154: 2149: 2145: 2144:British blues 2141: 2135: 2125: 2122: 2118: 2111: 2110:Four Freshmen 2107: 2103: 2098: 2096: 2095:the Spotnicks 2092: 2088: 2084: 2080: 2076: 2072: 2068: 2064: 2060: 2056: 2052: 2048: 2044: 2040: 2033: 2029: 2025: 2021: 2017: 2013: 2005: 2001: 1997: 1996:Dennis Wilson 1993: 1989: 1985: 1981: 1976: 1972: 1962: 1960: 1956: 1955:Wall of Sound 1952: 1948: 1944: 1940: 1929: 1927: 1923: 1919: 1915: 1911: 1910:skiffle music 1907: 1904:'s 1955 hit " 1903: 1899: 1895: 1890: 1888: 1884: 1879: 1875: 1871: 1867: 1863: 1862:Cliff Richard 1859: 1855: 1847: 1842: 1837: 1833: 1826:Global spread 1823: 1820: 1816: 1811: 1809: 1805: 1801: 1797: 1793: 1789: 1785: 1781: 1780:Western swing 1777: 1774:. The use of 1773: 1769: 1765: 1761: 1757: 1753: 1749: 1748:the Southwest 1745: 1741: 1737: 1733: 1732:Elvis Presley 1729: 1725: 1719: 1717: 1713: 1709: 1705: 1701: 1697: 1693: 1689: 1685: 1681: 1677: 1676: 1671: 1667: 1663: 1659: 1655: 1650: 1648: 1647:Chess Records 1644: 1640: 1636: 1632: 1628: 1624: 1620: 1616: 1615:Jimmy Preston 1612: 1608: 1604: 1600: 1599:Freddie Slack 1596: 1592: 1588: 1587:Elvis Presley 1584: 1580: 1579:Arthur Crudup 1576: 1572: 1568: 1564: 1556: 1552: 1548: 1546: 1542: 1538: 1534: 1533:black musical 1525: 1524: 1519: 1518:Elvis Presley 1515: 1510: 1506: 1500: 1499:Rock and roll 1493:Rock and roll 1485: 1483: 1479: 1475: 1471: 1470:Pet Shop Boys 1467: 1463: 1459: 1458: 1453: 1448: 1444: 1440: 1436: 1432: 1428: 1423: 1421: 1417: 1411: 1409: 1405: 1401: 1397: 1396:Tin Pan Alley 1393: 1387: 1384: 1383: 1378: 1371: 1369: 1365: 1361: 1360:intersections 1354: 1352: 1349: 1345: 1341: 1336: 1332: 1328: 1324: 1320: 1316: 1313:, as well as 1312: 1308: 1304: 1303:musical modes 1300: 1296: 1288: 1268: 1251: 1238: 1236: 1232: 1228: 1223: 1219: 1218:Hammond organ 1214: 1210: 1202: 1198: 1193: 1190: 1189: 1184: 1177: 1167: 1165: 1161: 1157: 1153: 1149: 1145: 1141: 1137: 1133: 1129: 1125: 1121: 1117: 1112: 1110: 1106: 1102: 1098: 1094: 1090: 1086: 1082: 1078: 1074: 1070: 1066: 1061: 1059: 1055: 1051: 1047: 1043: 1039: 1035: 1031: 1027: 1023: 1019: 1018:Southern rock 1015: 1011: 1007: 1003: 999: 995: 990: 988: 984: 980: 973: 962: 958: 954: 950: 946: 942: 938: 937:country music 934: 930: 926: 922: 918: 917:popular music 914: 910: 902: 901: 891: 886: 885:social impact 883: 881: 878: 876: 873: 871: 868: 866: 863: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 836: 833: 831: 828: 826: 823: 822: 820: 815: 810: 807: 805: 802: 800: 797: 795: 792: 790: 787: 786: 784: 779: 774: 771: 769: 766: 764: 761: 759: 756: 752: 749: 748: 747: 746:United States 744: 742: 739: 737: 734: 732: 729: 727: 724: 722: 719: 717: 714: 712: 709: 707: 704: 702: 699: 697: 694: 692: 689: 687: 684: 682: 679: 677: 674: 672: 669: 667: 664: 662: 659: 657: 654: 652: 649: 647: 644: 642: 639: 637: 634: 632: 629: 627: 624: 622: 619: 617: 614: 612: 609: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 542: 539: 537: 534: 532: 529: 527: 524: 522: 519: 517: 514: 512: 509: 507: 504: 502: 499: 497: 494: 492: 489: 487: 484: 482: 479: 477: 474: 472: 469: 467: 464: 462: 459: 457: 454: 452: 449: 447: 444: 442: 439: 437: 434: 432: 429: 428: 426: 421: 416: 413: 411: 408: 406: 403: 401: 398: 396: 393: 391: 388: 386: 383: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 351: 348: 346: 343: 341: 338: 336: 333: 332: 330: 327:Fusion genres 325: 319: 318:complete list 314: 311: 309: 306: 304: 301: 299: 296: 293: 289: 286: 284: 281: 279: 276: 274: 271: 269: 266: 264: 261: 259: 256: 254: 251: 248: 244: 241: 239: 236: 234: 231: 229: 226: 224: 221: 219: 216: 214: 211: 209: 206: 204: 201: 199: 196: 194: 191: 189: 186: 184: 181: 179: 176: 175: 173: 168: 162: 159: 157: 154: 152: 149: 148: 146: 142: 135: 132: 129: 126: 123: 120: 119: 117: 113: 109: 105: 99: 96: 94: 91: 89: 86: 84: 81: 79: 76: 74: 71: 69: 66: 64: 61: 59: 58:Rock and roll 56: 55: 53: 49: 44: 41: 37: 33: 32:Rock and roll 19: 18:Rock musician 17736: 17643: 17618: 17593: 17568: 17559:Garage house 17538: 17513: 17498: 17488: 17463: 17413:Field holler 17402: 17390: 17329: 17317: 17285:Rock musical 17275:Rock concert 17120:Classic rock 16849:Yugoslavian 16694:Post-Britpop 16575:Puerto Rican 16568:Chicano rock 16448:Slacker rock 16171:Country rock 16136:Baroque rock 16000: 15949: 15919: 15893: 15875: 15859: 15845: 15824: 15798: 15779: 15773: 15763: 15749: 15739: 15730: 15724: 15713: 15707: 15698: 15692: 15683: 15662:. Retrieved 15655:the original 15622: 15618: 15588:. Retrieved 15577: 15569: 15551: 15535: 15530: 15511: 15505: 15489: 15484: 15468: 15463: 15447: 15442: 15426: 15421: 15405: 15400: 15384: 15379: 15374:, pp. 95–96. 15363: 15358: 15339: 15333: 15317: 15312: 15296: 15295:R. Coomber, 15291: 15275: 15274:G. Lipsitz, 15270: 15254: 15225: 15219: 15203: 15198: 15182: 15162:. Retrieved 15158: 15148: 15136:. Retrieved 15132: 15122: 15110:. Retrieved 15105: 15096: 15084:. Retrieved 15079: 15070: 15058:. Retrieved 15054: 15044: 15032:. Retrieved 15028: 15018: 15006:. Retrieved 14980:. Retrieved 14976: 14951:. Retrieved 14947: 14922:. Retrieved 14916: 14906: 14894:. Retrieved 14890: 14881: 14869:. Retrieved 14865: 14856: 14844:. Retrieved 14839: 14830: 14818:. Retrieved 14813: 14804: 14795:The Guardian 14793: 14783: 14771:. Retrieved 14767: 14757: 14745:. Retrieved 14741: 14731: 14719:. Retrieved 14715: 14706: 14694:. Retrieved 14692:(in Swedish) 14689: 14679: 14669:21 September 14667:. Retrieved 14663: 14653: 14644: 14634: 14622:. Retrieved 14618: 14608: 14599: 14589: 14577:. Retrieved 14573: 14563: 14551:. Retrieved 14547: 14537: 14525:. Retrieved 14518: 14509: 14497:. Retrieved 14492: 14483: 14472: 14462: 14450:. Retrieved 14441: 14432: 14420:. Retrieved 14418:. FestTicket 14409: 14397:. Retrieved 14388: 14378: 14366:. Retrieved 14357: 14347: 14335:. Retrieved 14326: 14316: 14304:. Retrieved 14295: 14286: 14274:. Retrieved 14257: 14247: 14235:. Retrieved 14226: 14216: 14204:. Retrieved 14200:the original 14185: 14173:. Retrieved 14164: 14140:. Retrieved 14136:the original 14131: 14121: 14109: 14093: 14088: 14069: 14041: 14035: 14012: 14006: 13987: 13981: 13965: 13960: 13941: 13935: 13919: 13918:P. Buckley, 13914: 13898: 13897:P. Simpson, 13893: 13877: 13876:E.J. Abbey, 13872: 13856: 13851: 13842:the original 13837: 13828: 13812: 13807: 13798:the original 13793: 13783: 13772:, retrieved 13768:the original 13763: 13754: 13743:, retrieved 13733: 13726: 13718:the original 13713: 13691:the original 13686: 13666:the original 13661: 13652: 13644:the original 13639: 13629: 13621:the original 13616: 13606: 13590: 13585: 13577:the original 13573:The Guardian 13572: 13562: 13554:the original 13549: 13539: 13531:the original 13526: 13516: 13497: 13491: 13482:the original 13477: 13455:the original 13450: 13440: 13432:the original 13428:The Guardian 13427: 13417: 13408:the original 13403: 13394: 13378: 13373: 13357: 13352: 13344:the original 13338: 13320: 13315: 13299: 13294: 13283:, retrieved 13279:the original 13274: 13265: 13257:the original 13252: 13242: 13234:the original 13229: 13219: 13211: 13195: 13182: 13174:the original 13169: 13145:the original 13140: 13130: 13114: 13113:C.L. Keyes, 13109: 13101:the original 13096: 13086: 13077:the original 13072: 13062: 13054:the original 13049: 13039: 13030:the original 13025: 13004:the original 12999: 12990: 12981:the original 12976: 12967: 12959:the original 12954: 12951:"Space rock" 12945: 12936:the original 12931: 12922: 12913:the original 12908: 12899: 12883: 12878: 12862: 12857: 12838: 12832: 12824:the original 12819: 12816:"Indie rock" 12790: 12781:the original 12776: 12766: 12757:the original 12752: 12743: 12735:the original 12730: 12700: 12687: 12679:the original 12674: 12652:, pp. 92–96. 12641: 12640:W. Osgerby, 12636: 12628: 12623: 12607: 12602: 12593:the original 12588: 12554: 12553:M. Azerrad, 12549: 12533: 12528: 12514: 12507: 12498:the original 12493: 12461: 12456: 12448:the original 12443: 12434: 12426:the original 12421: 12411: 12403:the original 12398: 12389: 12381:the original 12376: 12366: 12358:the original 12353: 12350:"The Smiths" 12343: 12327: 12322: 12306: 12272: 12244: 12239: 12223: 12218: 12210:the original 12205: 12196: 12180: 12175: 12163: 12120: 12114: 12098: 12093: 12077: 12072: 12061:, retrieved 12041: 12034: 12021: 12009:, p. 25 12002: 11986: 11981: 11965: 11960: 11944: 11939: 11927: 11911: 11910:E. Koskoff, 11906: 11899:Waksman 2009 11894: 11878: 11873: 11854: 11848: 11832: 11827: 11815:. Retrieved 11811:the original 11806: 11796: 11787: 11771: 11766: 11740:the original 11735: 11725: 11717:the original 11712: 11702: 11694:the original 11689: 11679: 11671:the original 11666: 11656: 11647:the original 11642: 11614: 11595: 11589: 11573: 11568: 11552: 11547: 11531: 11526: 11521:, pp. 43–44. 11508: 11503: 11485: 11480: 11475:, pp. 30–31. 11464: 11459: 11443: 11438: 11422: 11398: 11393: 11377: 11372: 11363:the original 11358: 11355:"Thin Lizzy" 11348: 11339:the original 11334: 11324: 11315:the original 11310: 11278: 11273: 11257: 11239:10 September 11237:. Retrieved 11226: 11216: 11204:. Retrieved 11195: 11185: 11173:. Retrieved 11153: 11146: 11134:. Retrieved 11128: 11122: 11110:. Retrieved 11099: 11089: 11077: 11065:|title= 11044:. Retrieved 11036: 11031: 11015: 11010: 10994: 10989: 10976: 10960: 10936: 10904: 10899: 10883: 10878: 10869:the original 10864: 10855: 10839: 10834: 10818: 10805:, p. 227–28. 10794: 10789: 10773: 10768: 10730:. Retrieved 10721: 10711: 10692: 10686: 10673: 10657: 10630: 10624: 10608: 10603: 10572: 10550: 10545: 10537:the original 10532: 10522: 10506: 10501: 10496:, pp. 15–17. 10485: 10480: 10464: 10459: 10443: 10438: 10429:the original 10424: 10414: 10398: 10397:M. Brocken, 10393: 10377: 10376:R. Reising, 10372: 10352: 10345: 10329: 10324: 10315:the original 10310: 10301: 10285: 10280: 10275:, pp. 34–35. 10264: 10259: 10243: 10238: 10200:. Retrieved 10191: 10182:Pareles, Jon 10176: 10153: 10144: 10121: 10108: 10096: 10065:, pp. 59–60. 10054: 10030: 10025: 10009: 10004: 9988: 9983: 9967: 9966:M. Brocken, 9962: 9950:. Retrieved 9941: 9931: 9922:the original 9917: 9907: 9888: 9882: 9840: 9835: 9830:, p. 72 9823: 9804: 9779: 9774: 9765:the original 9760: 9757:"Blues-rock" 9708: 9703: 9687: 9682: 9666: 9632: 9627: 9611: 9606: 9587: 9562: 9557: 9538: 9532: 9516: 9511: 9495: 9490: 9474: 9458: 9453: 9422:, pp. 74–76. 9411: 9410:E.J. Abbey, 9406: 9390: 9370:. Retrieved 9350: 9343: 9327: 9322: 9306: 9301: 9285: 9280: 9271:the original 9266: 9245:the original 9240: 9231: 9223:the original 9217: 9210: 9198: 9186: 9155: 9150: 9142:the original 9137: 9112: 9099: 9067: 9062: 9046: 9041: 9025: 9020: 9008:. Retrieved 8999: 8996:"Surf Music" 8990: 8985:, pp. 71–75. 8962:. Retrieved 8958:the original 8953: 8944: 8928: 8923: 8907: 8886: 8870: 8865: 8852: 8834: 8808: 8803: 8791: 8775: 8751: 8746: 8727: 8710: 8705: 8697: 8692: 8680:. Retrieved 8669:The Guardian 8668: 8658: 8650: 8634: 8610: 8605: 8586: 8580: 8575:, p. 99 8568: 8548: 8541: 8529:. Retrieved 8509: 8502: 8490:. Retrieved 8481: 8471: 8455: 8450: 8438:. Retrieved 8429: 8419: 8410:the original 8405: 8402:"Rockabilly" 8396: 8380: 8375: 8359: 8354: 8342: 8326: 8321: 8302: 8282:, retrieved 8278:the original 8273: 8263: 8244: 8236: 8227: 8215:. Retrieved 8206: 8197: 8185:. Retrieved 8181:the original 8171: 8152: 8146: 8133: 8121:. Retrieved 8096: 8083: 8065: 8060: 8042: 8022:. Retrieved 8011: 8001: 7989:. Retrieved 7969: 7962: 7944: 7943:S. Waksman, 7939: 7918: 7910: 7881: 7866: 7847: 7841: 7829:. Retrieved 7804: 7801:"The Decade" 7774:. Retrieved 7749: 7736: 7718: 7713: 7697: 7692: 7674: 7669: 7654: 7638: 7623:, p 56. 7615: 7597: 7592: 7579: 7574:, p 56. 7566: 7541: 7512: 7507: 7495:. Retrieved 7484: 7471: 7453: 7448: 7436:. Retrieved 7427: 7417: 7405:. Retrieved 7396: 7387: 7348: 7338: 7333: 7322:Gerry Goffin 7310:the Crystals 7302:the Chantels 7280: 7212: 7207: 7188: 7176: 7140: 7127:protest song 7111: 7083:amphetamines 7079: 7043:sub-cultures 7040: 7009:White Reaper 6979: 6972: 6965:classic rock 6962: 6899:Dry Cleaning 6864: 6858: 6856: 6847: 6841: 6822:Trippie Redd 6818:Willow Smith 6807: 6774: 6737:The Guardian 6735: 6710: 6703: 6692:Kevin Parker 6689: 6680:Kevin Parker 6616: 6572:Fall Out Boy 6549: 6544: 6529: 6496:electroclash 6476: 6461:Electroclash 6457:Indietronica 6380: 6375:(2001); and 6370: 6360: 6350: 6344: 6336: 6299: 6289: 6286: 6282: 6246: 6236: 6226: 6216: 6209: 6202: 6196: 6190: 6175: 6157:Post-Britpop 6151:Post-Britpop 6130: 6126:Untouchables 6124: 6118: 6100: 6094: 6088: 6082: 6080: 6047: 6009: 5993:Public Enemy 5985:the Fat Boys 5973:Beastie Boys 5955: 5916:groove metal 5912:White Zombie 5898:moving into 5852: 5715: 5703:Ani DiFranco 5687: 5628:Fall Out Boy 5620:All Time Low 5601: 5595: 5588: 5582: 5576: 5562: 5536: 5533:in June 2013 5502:3 Doors Down 5478: 5452: 5448:Foo Fighters 5435: 5430:Foo Fighters 5361: 5327:Layne Staley 5315: 5309: 5299: 5293: 5284: 5274: 5248: 5216: 5113: 5065: 5035:college rock 4990: 4938:Joy Division 4930:Gang of Four 4927: 4887: 4844:Dire Straits 4820:Culture Club 4789: 4737: 4715:New Romantic 4677:Napalm Death 4665:anarcho-punk 4646: 4598: 4571: 4535: 4504: 4482: 4478:Van Morrison 4463:groups like 4451: 4412:Larry Norman 4404: 4370:It's My Life 4313:Judas Priest 4293:Led Zeppelin 4269: 4260:Led Zeppelin 4223: 4208:James Taylor 4196: 4187: 4174:Led Zeppelin 4155: 4121: 4106: 4092: 4086: 4080: 4074: 4070:Caravanserai 4068: 4062: 4056: 4049:Al Hurricane 4038: 4020:Chicano rock 4014:Chicano rock 4004:the Darkness 3952:Glitter Band 3948:Gary Glitter 3897: 3887: 3883:Alice Cooper 3843: 3840:Tour in 1972 3778: 3771: 3752:The Dillards 3740:Mike Nesmith 3705: 3702:country rock 3693:Safe at Home 3691: 3688:Gram Parsons 3685: 3663: 3657: 3650:Bonnie Raitt 3634:country folk 3627: 3621: 3614: 3607:Country rock 3574: 3553: 3545: 3539: 3522:Steven Tyler 3486:Bitches Brew 3484: 3466: 3451: 3444:British jazz 3436:Eric Clapton 3428:Ginger Baker 3419: 3389:Simple Minds 3338: 3332: 3321: 3317: 3274:Annie Haslam 3254:Rick Wakeman 3239: 3237: 3228:Old Trafford 3167: 3164:King Crimson 3150: 3144:(1969), and 3139: 3133: 3127: 3120: 3105:Procol Harum 3101:Baroque rock 3089:harpsichords 3078: 3073:Indianapolis 3026: 3025: 3006: 3000: 2990: 2980: 2976:Jimi Hendrix 2926: 2894:country rock 2891: 2836: 2829: 2814:Rickenbacker 2795: 2752: 2686: 2650:Jimi Hendrix 2638:Janis Joplin 2632:, the early 2619: 2615:Led Zeppelin 2610: 2571: 2564:Eric Clapton 2558:; his band, 2553: 2533:Cyril Davies 2529:Muddy Waters 2507:, including 2498: 2449: 2442: 2434:the Rivieras 2430:the Trashmen 2422:the Kingsmen 2411: 2376: 2358: 2348: 2338: 2328: 2322: 2312: 2292: 2264:Petula Clark 2260:Manfred Mann 2248: 2240: 2234: 2227: 2166: 2120: 2099: 2078: 2075:the Surfaris 2063:The Chantays 2016:the Ventures 2009: 1988:Brian Wilson 1959:Phil Spector 1939:dance crazes 1935: 1891: 1874:Tommy Steele 1870:British rock 1851: 1846:Tommy Steele 1812: 1792:power chords 1772:Scotty Moore 1756:Al Hurricane 1744:Chicano rock 1724:Carl Perkins 1720: 1708:Eddie Fisher 1700:Gene Vincent 1673: 1656:disc jockey 1651: 1643:Sam Phillips 1611:Goree Carter 1560: 1541:gospel music 1529: 1521: 1455: 1452:field report 1435:reggae music 1431:blanket term 1426: 1424: 1416:authenticity 1412: 1389: 1380: 1373: 1368:mass culture 1364:the regional 1357: 1351:dissociation 1325:to parallel 1305:such as the 1286: 1278: 1266: 1206: 1186: 1179: 1175: 1148:protest song 1138:, punk, and 1134:spawned the 1132:punk culture 1113: 1062: 1014:country rock 1002:classic rock 991: 971: 908: 907: 898: 845:Hall of Fame 817:Other topics 781:Local scenes 345:country rock 40: 17654:Drill music 17130:Modern rock 17105:Active rock 17085:New Zealand 16913:Bangladeshi 16908:Azerbaijani 16543:Costa Rican 16499:Viking rock 16489:Stoner rock 16408:Gothic rock 16231:Occult rock 16206:Heavy metal 16196:Garage rock 16166:Comedy rock 16156:Chamber pop 16151:Boogie rock 15944:‹ The 15745:Girls Aloud 15404:R. Shuker, 15133:guitarworld 15112:31 December 15086:31 December 15060:31 December 14977:The Quietus 14645:Chartmetric 14422:10 February 14276:27 November 14237:27 November 14142:27 November 14092:R. Shuker, 13788:H. Phares, 13745:10 November 13634:A. Leahey, 13527:Pop Matters 13472:H. Phares, 13445:M. Wilson, 13356:J. Harris, 13298:L. McIver, 13166:"Rap-Metal" 13141:Metro Times 12928:"Math rock" 12905:"Post rock" 12882:S. Taylor, 12642:Youth Media 12460:R. Shuker, 12063:19 November 12007:Borack 2007 11985:M.K. Hall, 11943:R. Shuker, 11442:R. Walser, 11421:R. Walser, 11397:R. Walser, 11376:R. Walser, 11353:J. Dougan, 11307:"Hard Rock" 11206:14 February 11175:14 February 11136:14 February 10861:"Glam rock" 10817:R. Shuker, 10793:N.E. Tawa, 10732:18 February 10463:N.E. Tawa, 10307:"Prog rock" 9987:C. Larkin, 9631:V. Coelho, 9515:J. Austen, 9389:R. Shuker, 9326:R. Shuker, 8964:25 February 8752:The Beatles 8492:11 November 8440:14 February 8358:P. Browne, 8268:Bill Dahl, 8217:11 November 8041:T. Warner, 7890:. pp. 7696:T. Gracyk, 7486:Vulture.com 7477:Wyman, Bill 7397:MasterClass 7358:the Stooges 7326:Carole King 7286:the Marcels 7203:Suzi Quatro 7171:Suzi Quatro 7001:Crown Lands 6997:Dirty Honey 6947:Viagra Boys 6931:Protomartyr 6866:The Quietus 6777:stoner rock 6762:The Murlocs 6732:world music 6724:heavy metal 6716:psychedelic 6708:(2012) and 6696:Tame Impala 6684:Tame Impala 6674:Australian 6658:Stoner rock 6628:Mads Langer 6608:Glastonbury 6488:live coding 6431:the Datsuns 6391:the Killers 6347:the Strokes 6331:The Strokes 6294:(2001) and 6218:The Man Who 6198:OK Computer 6192:Urban Hymns 6179:Small Faces 6170:Los Angeles 6068:Linkin Park 6052:Limp Bizkit 6005:I'm the Man 5942:Linkin Park 5924:Limp Bizkit 5900:psychedelia 5864:Soundgarden 5807:Arcade Fire 5670:Baroque pop 5650:Lo-fi music 5612:Simple Plan 5467:Silverchair 5421:Post-grunge 5415:Post-grunge 5405:Kula Shaker 5331:post-grunge 5255:Soundgarden 5251:Green River 5232:heavy metal 5147:bands like 5125:the Feelies 5081:Sonic Youth 4954:sub-culture 4911:Sonic Youth 4866:Gothic rock 4812:Duran Duran 4765:the Go-Go's 4617:Bill Grundy 4609:Sex Pistols 4605:Patti Smith 4594:Sex Pistols 4590:Steve Jones 4566:Patti Smith 4531:the Killers 4515:Steve Earle 4454:blue-collar 4362:Def Leppard 4297:Deep Purple 4273:Steppenwolf 4204:Cat Stevens 4200:Carole King 4182:heavy metal 4166:the Velvets 4064:Santana III 3992:gothic rock 3972:Rod Stewart 3956:Suzi Quatro 3908:David Bowie 3857:theatrics, 3836:during the 3834:David Bowie 3805:.38 Special 3789:Dixie Dregs 3714:in forming 3534:Toxic Twins 3495:Chick Corea 3481:Miles Davis 3473:Graham Bond 3278:Frank Zappa 3270:Renaissance 3262:Jethro Tull 3156:rock operas 3027:Sgt. Pepper 2945:backmasking 2887:Celtic rock 2802:I'm a Loser 2767:progressive 2763:Pete Seeger 2722:heavy metal 2718:boogie rock 2706:Pat Travers 2694:Deep Purple 2690:psychedelia 2654:power trios 2630:Canned Heat 2622:Lonnie Mack 2579:Blind Faith 2568:Peter Green 2562:, included 2556:John Mayall 2418:Louie Louie 2414:the Wailers 2388:the Remains 2373:Garage rock 2367:Garage rock 2340:A Quick One 2314:Rubber Soul 2309:the Beatles 2300:Fats Domino 2198:the Animals 2193:the Hollies 2173:the Beatles 2169:beat groups 2157:The Beatles 2083:the Shadows 2055:Challengers 2004:David Marks 2000:Carl Wilson 1957:pursued by 1945:'s record " 1922:the Beatles 1914:John Lennon 1894:blues music 1728:Buddy Holly 1688:Fats Domino 1680:Chuck Berry 1555:Chuck Berry 1474:Chuck Berry 1441:, and even 1420:Simon Frith 1164:selling out 1156:consumerism 1093:garage rock 994:the Beatles 935:, and from 921:heavy metal 911:is a broad 825:Afro fusion 711:Switzerland 686:South Korea 656:Puerto Rico 641:Philippines 621:New Zealand 405:reggae rock 335:Baroque pop 308:stoner rock 258:occult rock 243:heavy metal 228:grunge rock 218:garage rock 17783:Rock music 17777:Categories 17649:Trap music 17629:Snap music 17418:Spirituals 17383:(timeline) 17290:Rock opera 17245:Beatlesque 17080:Australian 16999:Rock kapak 16982:Visual kei 16962:Indonesian 16805:Portuguese 16790:Macedonian 16785:Lithuanian 16664:Belarusian 16643:Venezuelan 16628:Ecuadorian 16611:Tropicália 16606:Samba rock 16438:Rock kapak 16428:Jangle pop 16423:Indie rock 16377:Yacht rock 16372:Visual kei 16362:Shock rock 16302:Dance-rock 16292:Arena rock 16276:Swamp rock 16271:Space rock 16256:Samba rock 16251:Roots rock 16226:Noise rock 16146:Blues rock 16141:Beat music 16110:Surf music 16105:Rockabilly 16083:Latin rock 16020:Distortion 16008:Components 16001:Rock music 15961:Rock music 15920:Rock music 15769:Girlschool 15590:20 January 15467:P. Wicke, 15181:M. Brake, 15080:RTBF radio 15008:7 December 14982:7 December 14953:7 December 14323:"Maroon 5" 13855:M. Roach, 13636:"Coldplay" 13589:M. Roach, 12749:"Punk Pop" 12727:"Punk Pop" 12532:J. Lyons, 12440:"Shoegaze" 12234:, p. 1135. 11817:10 October 11730:S. Peake, 10763:, p. 1327. 10484:P. Bussy, 10328:E. Macan, 10284:E. Macan, 10263:E. Macan, 10053:M. Hicks, 9205:, show 48. 9193:, show 30. 9181:, show 29. 9119:, show 28. 8927:J. Blair, 8906:J. Blair, 8531:17 October 7894:–65, 567. 7776:16 October 7717:P. Wicke, 7661:, p. 7637:C. Ammer, 7438:2 November 7379:References 7366:proto-punk 7340:Pet Sounds 7290:the Capris 7199:Girlschool 7156:See also: 7037:lifestyle. 7005:Larkin Poe 6993:the Struts 6989:Rival Sons 6949:(Sweden). 6941:(Canada), 6883:Black Midi 6854:" (2021). 6797:True Widow 6766:Stonefield 6758:Jay Watson 6656:See also: 6636:Livenation 6623:quarantine 6500:dance-punk 6484:laptronica 6465:Dance-punk 6453:Laptronica 6451:See also: 6427:Wolfmother 6411:Bloc Party 6352:Is This It 6277:See also: 6248:Parachutes 6115:Papa Roach 6087:, P.O.D's 6064:scratching 5930:turned to 5880:noise rock 5854:acts like 5831:See also: 5791:Quickspace 5771:Spacemen 3 5707:Riot grrrl 5695:Superchunk 5662:Space rock 5646:Riot grrrl 5644:See also: 5640:Indie rock 5634:Indie rock 5489:Nickelback 5459:Audioslave 5444:Dave Grohl 5393:Supergrass 5368:Madchester 5364:The Smiths 5236:distortion 5165:Madchester 5117:jangle pop 5101:the Smiths 5083:, and the 5047:shoegazing 5031:Jangle pop 5029:See also: 5001:the Mekons 4864:See also: 4828:Eurythmics 4796:Gary Numan 4769:the Police 4713:See also: 4695:movement. 4681:crust punk 4551:See also: 4523:Billy Joel 4461:arena rock 4458:Midwestern 4391:Switchfoot 4333:Ted Nugent 4285:James Gang 4281:Blue Cheer 4238:Thin Lizzy 4230:distortion 4212:Billy Joel 4148:See also: 4082:Borboletta 4033:Cow Palace 3996:glam metal 3976:Elton John 3890:Marc Bolan 3797:Wet Willie 3781:blues rock 3748:Neil Young 3730:, and the 3605:See also: 3601:Roots rock 3595:Roots rock 3569:album rock 3503:Steely Dan 3432:Jack Bruce 3373:Roxy Music 3323:arena rock 3310:Supertramp 3250:Steve Howe 3232:Manchester 3047:See also: 2997:Pink Floyd 2910:See also: 2710:Status Quo 2607:Jimmy Page 2591:John McVie 2517:Lead Belly 2489:blues rock 2477:See also: 2473:Blues rock 2467:Blues rock 2438:the Sonics 2350:Pet Sounds 2311:' 1965 LP 2296:teen idols 2276:the Troggs 2140:Beat music 2138:See also: 2012:Duane Eddy 1975:surf music 1898:blues rock 1776:distortion 1740:Latin rock 1716:Patti Page 1712:Perry Como 1706:, such as 1684:Bo Diddley 1666:Bill Haley 1662:race music 1658:Alan Freed 1635:Ike Turner 1609:" (1948); 1589:in 1954; " 1509:Rockabilly 1503:See also: 1439:soul music 1400:folk music 1311:Mixolydian 1227:power trio 1183:Bill Wyman 1160:conformity 1109:techno-pop 1073:indie rock 1006:blues rock 875:rock opera 840:distortion 794:Madchester 768:Yugoslavia 446:Bangladesh 410:samba rock 385:noise rock 380:Latin rock 350:dance rock 340:blues rock 313:surf music 298:roots rock 253:indie rock 208:death rock 198:beat music 188:arena rock 63:rockabilly 17719:UK garage 17714:Vaporwave 17704:Synth-pop 17699:Dance-pop 17694:Chillwave 17686:Elsewhere 17028:Taiwanese 17011:Pakistani 16994:Malaysian 16922:1959–1975 16918:Cambodian 16880:Post-punk 16845:Ukrainian 16825:Slovenian 16795:Norwegian 16765:Icelandic 16760:Hungarian 16723:Nederbeat 16638:Uruguayan 16623:Colombian 16596:Brazilian 16591:Argentine 16553:Dominican 16494:Sufi rock 16484:Post-rock 16479:Math rock 16453:Trop rock 16403:Dream pop 16398:Deathrock 16367:Soft rock 16357:Punk rock 16342:Power pop 16337:Post-punk 16312:Glam rock 16307:Funk rock 16297:Cock rock 16261:Soft rock 16246:Raga rock 16221:Krautrock 16216:Jazz rock 16201:Hard rock 16191:Folk rock 16056:Genres by 16025:Rock band 15651:191508078 15643:0261-1430 15458:, p. 209. 15328:, p. 252. 15316:P. Peet, 15286:, p. 123. 15265:, p. 260. 15029:Stereogum 14918:USA Today 14866:Europavox 14742:The Verge 14716:Pitchfork 14520:Pitchfork 14493:Billboard 14442:Billboard 14358:USA Today 14296:Billboard 14266:0362-4331 14175:15 August 13823:, p. 373. 13760:"Screamo" 13737:, MSNBC, 13389:, p. 188. 13321:Billboard 13285:7 January 13212:About.com 13125:, p. 108. 13046:"Blondie" 12973:"Sadcore" 12731:About.com 12725:W. Lamb, 12708:, p. 761. 12695:, p. 423. 12675:About.com 12618:, p. 541. 12544:, p. 136. 12518:, MSNBC, 12191:, p. 172. 12179:C. Gere, 12097:M. Haig, 11997:, p. 174. 11922:, p. 358. 11843:, p. 206. 11736:About.com 11563:, p. 134. 11268:, p. 236. 11046:24 August 11037:Billboard 11026:, p. 227. 11005:, p. 161. 10984:, p. 466. 10668:, p. 392. 10619:, p. iii. 10419:B. Eder, 10340:, p. 129. 10254:, p. 191. 10118:Kot, Greg 10041:, p. 121. 10020:, p. 201. 9999:, p. 869. 9942:Folkrocks 9790:, p. 113. 9698:, p. 130. 9643:, p. 104. 9622:, p. 626. 9573:, p. 873. 9506:, p. 213. 9469:, p. 213. 9401:, p. 140. 9317:, p. 132. 9296:, p. 117. 9263:"Britpop" 9154:H. Bill, 8881:, p. 106. 8869:R. Dale, 8847:, p. 116. 8819:, p. 341. 8677:0261-3077 8370:, p. 358. 8337:, p. 170. 8207:LiveAbout 7957:, p. 176. 7370:hard rock 7368:or proto- 7362:punk rock 7091:mescaline 7047:Teddy Boy 6848:Billboard 6785:Graveyard 6754:Bananagun 6678:musician 6604:Coachella 6580:Halestorm 6556:hard rock 6520:hard rock 6473:Synth-pop 6377:the Vines 6367:the Hives 6238:Echo Park 6187:Radiohead 6183:the Verve 6107:Disturbed 6090:Satellite 6020:24-7 Spyz 6010:In 1990, 5989:LL Cool J 5952:, Finland 5934:and rap. 5920:Biohazard 5914:creating 5908:Sepultura 5845:Rap metal 5755:Stereolab 5731:Talk Talk 5658:Math rock 5654:Post rock 5598:Blink-182 5590:Americana 5559:Green Day 5543:the Clash 5539:Buzzcocks 5527:Green Day 5494:Shinedown 5455:Candlebox 5356:San Diego 5290:Pearl Jam 5285:Nevermind 5276:Nevermind 5273:'s album 5263:Skin Yard 5093:New Order 5073:Hüsker Dü 5043:dream pop 5039:indie pop 4970:New Order 4962:Nick Cave 4860:Post-punk 4854:Post-punk 4846:, whose " 4824:Talk Talk 4781:the Knack 4709:Synth-pop 4689:post-punk 4675:(such as 4673:grindcore 4667:(such as 4661:Discharge 4613:the Clash 4584:Vocalist 4553:Protopunk 4547:Punk rock 4541:Punk rock 4493:Tom Petty 4489:Bob Seger 4473:Rust Belt 4345:Scorpions 4321:Motörhead 4250:Van Halen 4242:Aerosmith 4140:Hard rock 4136:Soft rock 4126:in 1977. 4118:Los Lobos 4055:" on the 3875:androgyny 3871:mythology 3867:mysticism 3863:symbolist 3859:Victorian 3851:Hollywood 3825:Glam rock 3819:Glam rock 3736:teen idol 3696:with the 3690:recorded 3686:In 1968, 3665:Let It Be 3646:Ry Cooder 3618:Nashville 3544:wrote in 3530:Aerosmith 3526:Joe Perry 3477:Colosseum 3401:Jazz rock 3395:Jazz rock 3369:Brian Eno 3365:krautrock 3349:Kraftwerk 3294:Foreigner 3174:mellotron 3135:SF Sorrow 3031:album era 3013:the Doors 2956:folk rock 2952:the Byrds 2912:Raga rock 2863:Pentangle 2806:the Byrds 2779:Bob Dylan 2775:Joan Baez 2747:Bob Dylan 2743:Joan Baez 2734:Folk rock 2728:Folk rock 2698:hard rock 2652:with his 2599:Jeff Beck 2443:Billboard 2428:(Boise), 2408:) in 1964 2402:The D-Men 2380:the Seeds 2355:Bob Dylan 2324:Aftermath 2284:the Kinks 2249:Billboard 2235:Billboard 2202:Newcastle 2121:Billboard 2079:Billboard 2047:Del-Tones 2020:Dick Dale 1992:Mike Love 1947:The Twist 1918:Quarrymen 1768:Link Wray 1675:Billboard 1652:In 1951, 1649:in 1951. 1627:Rocket 88 1573:(1944); " 1466:LL Cool J 1464:, rapper 1348:modernist 1299:back beat 1259:A simple 1209:amplified 1097:post-punk 1089:rap metal 1054:post-punk 1046:punk rock 1042:glam rock 1026:jazz rock 1022:raga rock 1010:folk rock 998:album era 987:pop music 925:punk rock 865:Rock band 830:Album era 809:Trøndelag 763:Venezuela 696:Sri Lanka 601:Lithuania 566:Indonesia 541:Guatemala 441:Australia 431:Argentina 415:sufi rock 395:raga rock 375:jazz rock 365:funk rock 360:folk rock 303:soft rock 292:subgenres 288:punk rock 273:power pop 268:post-rock 263:post-punk 247:subgenres 233:hard rock 223:glam rock 178:Acid rock 170:Subgenres 130:keyboards 17737:Category 17609:Neo soul 17319:Category 17006:Nepalese 16977:Japanese 16933:Filipino 16903:Armenian 16875:New wave 16853:Art rock 16810:Romanian 16735:Estonian 16718:Indorock 16703:Croatian 16659:Albanian 16633:Peruvian 16538:Canadian 16526:American 16443:Shoegaze 16433:Rap rock 16327:New wave 16131:Art rock 16088:Pop rock 16045:Drum kit 16015:Backbeat 15946:template 15837:(1969). 15819:(1992). 15767:, while 15764:Guardian 15761:and the 15755:Archived 15752:magazine 15664:25 April 15629:: 1–16. 15416:, p. 44. 15307:, p. 44. 15214:, p. 83. 15159:Loudwire 15034:23 April 14896:18 April 14446:Archived 14399:28 March 14393:Archived 14368:28 March 14362:Archived 14337:28 March 14331:Archived 14300:Archived 14270:Archived 14231:Archived 14169:Archived 13976:, p. 90. 13909:, p. 42. 13867:, p. 86. 13838:AllMusic 13794:AllMusic 13764:AllMusic 13739:archived 13687:AllMusic 13662:AllMusic 13640:AllMusic 13617:AllMusic 13611:A. Ogg, 13550:BBC News 13478:AllMusic 13474:"Travis" 13451:AllMusic 13404:AllMusic 13310:, p. 10. 13275:Newsweek 13204:Archived 13170:AllMusic 13073:AllMusic 13050:AllMusic 13026:AllMusic 13000:AllMusic 12977:AllMusic 12955:AllMusic 12932:AllMusic 12909:AllMusic 12820:AllMusic 12777:AllMusic 12773:"Weezer" 12753:AllMusic 12589:AllMusic 12520:archived 12494:AllMusic 12490:"Grunge" 12444:AllMusic 12399:AllMusic 12377:AllMusic 12373:"R.E.M." 12354:AllMusic 12206:AllMusic 12109:, p. 54. 12057:archived 11976:, p. 75. 11643:AllMusic 11498:, p. 30. 11433:, p. 10. 11359:AllMusic 11335:AllMusic 11311:AllMusic 11233:Archived 11200:Archived 11169:Archived 11112:14 April 11106:Archived 10993:R. Huq, 10971:, p. 80. 10947:, p. 72. 10894:, p. 34. 10865:AllMusic 10726:Archived 10577:archived 10573:AllMusic 10517:, p. 92. 10425:AllMusic 10409:, p. 96. 10311:AllMusic 10296:, p. 64. 10202:10 March 10196:Archived 10152:(2003). 10120:(2010). 9978:, p. 97. 9946:Archived 9918:AllMusic 9851:, p. 37. 9761:AllMusic 9719:, p. 25. 9527:, p. 19. 9366:Archived 9338:, p. 35. 9267:AllMusic 9241:AllMusic 9166:, p. 66. 9078:, p. 60. 9057:, p. 75. 9004:Archived 8939:, p. 75. 8682:18 April 8525:Archived 8486:Archived 8466:, p. 73. 8434:Archived 8406:AllMusic 8391:, p. 13. 8284:27 April 8274:AllMusic 8211:Archived 8187:18 April 8117:Archived 8091:(1990). 8024:17 March 8018:Archived 7991:27 March 7985:Archived 7825:Archived 7799:(1981). 7770:Archived 7744:(1981). 7708:, p. xi. 7687:, p. 40. 7497:19 March 7491:Archived 7432:Archived 7401:Archived 7225:See also 7208:musician 7135:Live Aid 7103:cannabis 6980:Revolver 6923:Yard Act 6852:Good 4 U 6830:Yungblud 6711:Currents 6705:Lonerism 6700:Elephant 6676:neo-prog 6652:Neo-prog 6612:Roskilde 6564:Maroon 5 6552:pop rock 6518:Swedish 6504:new rave 6469:New rave 6395:Interpol 6365:(2001); 6355:(2001); 6243:Coldplay 6231:(1999), 6221:(1999), 6207:(2000). 6141:pop punk 6111:Godsmack 6060:Slipknot 6048:nu metal 6044:Kid Rock 5971:and the 5918:, while 5884:Ministry 5849:Nu metal 5841:Rap rock 5775:Spectrum 5751:Tortoise 5727:Pavement 5699:Pavement 5683:Pavement 5593:(1998). 5518:Pop-punk 5512:Pop-punk 5397:Elastica 5267:Mudhoney 5244:feedback 5153:Slowdive 5145:shoegaze 5089:the Cure 5007:and the 4993:the Fall 4946:the Cure 4917:, Devo, 4915:Pere Ubu 4826:and the 4804:Ultravox 4761:the Cars 4699:New wave 4691:and the 4685:New wave 4649:hardcore 4527:Kid Rock 4358:Skid Row 4350:Bon Jovi 4348:such as 4262:live at 4222:, whose 4162:Art-rock 4094:Festivál 3988:Adam Ant 3960:Roy Wood 3944:Jobriath 3936:Iggy Pop 3932:Lou Reed 3904:Hot Love 3776:(1976). 3766:and the 3638:the Band 3581:Bee Gees 3565:FM radio 3550:(1981): 3471:and the 3423:AllMusic 3385:Ultravox 3256:, while 3081:art rock 3049:Art rock 2879:JSD Band 2875:Horslips 2834:(1963). 2495:in 1965. 2487:British 2330:Revolver 2091:Kon-Tiki 2071:Wipe Out 2067:Pipeline 2051:Bel-Airs 2043:Misirlou 1951:Joe Meek 1887:Wild One 1808:Pat Hare 1704:crooners 1601:(1946); 1370:itself. 1344:folk-art 1085:rap rock 1077:pop-punk 1050:new wave 981:using a 835:Backbeat 751:Southern 726:Thailand 681:Slovenia 651:Portugal 631:Pakistan 606:Malaysia 486:Colombia 400:rap rock 390:pop rock 193:art rock 151:New wave 17574:Electro 17554:Hip-hop 17474:Doo-wop 17443:Rapping 17438:Ragtime 17255:Motorik 17238:Related 17150:Culture 17147:History 17073:Oceania 17064:Zambian 17054:Angolan 17038:Turkish 17023:Russian 16972:Israeli 16967:Iranian 16950:Bengali 16938:Bisrock 16928:Chinese 16835:Swedish 16830:Spanish 16820:Serbian 16815:Russian 16780:Latvian 16775:Italian 16740:Finnish 16689:Britpop 16679:British 16674:Bosnian 16669:Belgian 16618:Chilean 16563:Mexican 16558:Haitian 16469:Britpop 16098:British 15948:below ( 15842:(audio) 15826:Details 15164:10 July 15138:10 July 14871:7 April 14846:7 April 14820:7 April 14773:7 April 14747:7 April 14721:7 April 14696:7 April 14579:5 April 14553:1 April 14527:3 April 14499:2 April 14452:4 April 14306:25 June 14206:11 July 12472:, p. 7. 11454:, p. 3. 11409:, p. 9. 11388:, p. 7. 11331:"Queen" 11228:Details 10454:, p. 9. 9010:29 July 8954:Buzz.ie 8918:, p. 2. 8123:6 April 8078:, p. 7. 8013:Newsday 7878:(ed.). 7831:6 April 7731:, p. x. 7107:cocaine 7095:hashish 6887:Wet Leg 6877:writer 6789:Kadavar 6536:hip hop 6306:screamo 6279:Screamo 6001:Anthrax 5997:Whodini 5969:Run DMC 5965:Rapture 5957:Hip hop 5932:hip hop 5904:Pantera 5878:mixing 5795:Sadcore 5723:Sebadoh 5666:Sadcore 5547:the Jam 5498:Seether 5343:Britpop 5337:Britpop 5271:Nirvana 5259:Melvins 5223:Seattle 5211:Nirvana 5185:Britpop 5133:Bogshed 4982:Suicide 4942:Bauhaus 4899:no wave 4840:airplay 4785:Blondie 4732:Blondie 4679:), and 4601:Ramones 4592:of the 4421:Stryper 4395:Atlanta 4325:Rainbow 4225:Rumours 4216:America 4076:Welcome 4058:Abraxas 4041:Chicano 3964:Wizzard 3855:Cabaret 3793:Outlaws 3557:elitist 3469:Nucleus 3462:Chicago 3434:of the 3416:in 1980 3302:Journey 3266:Genesis 3224:Genesis 3190:Caravan 3176:, with 3146:the Who 3075:in 1977 2923:in 1968 2818:outrage 2749:in 1963 2678:country 2575:(Beano) 2456:hot rod 2445:Hot 100 2404:(later 2335:the Who 2280:Donovan 2251:Hot 100 2237:Hot 100 2210:Belfast 2106:doo wop 2089:" and " 2032:Mexican 1920:(later 1866:Move It 1836:skiffle 1760:western 1583:covered 1543:, with 1526:in 1957 1478:Ramones 1443:hip hop 1231:quartet 1188:Vulture 1120:rockers 1101:hip-hop 1069:Britpop 880:rockism 758:Uruguay 736:Ukraine 661:Romania 576:Ireland 556:Iceland 551:Hungary 536:Germany 521:Finland 516:Estonia 511:Ecuador 501:Denmark 496:Croatia 456:Belgium 451:Belarus 436:Armenia 83:country 17662:Legacy 17584:Techno 17519:Motown 17423:Gospel 17395:series 17331:Portal 17047:Africa 16989:Korean 16945:Indian 16800:Polish 16750:German 16745:French 16708:Danish 16652:Europe 16418:Grunge 15965:Curlie 15951:Curlie 15917:about 15900: 15882: 15866: 15805: 15649: 15641: 15518: 15496: 15475: 15454: 15433: 15412: 15391: 15370: 15346: 15324: 15303: 15282: 15261: 15232: 15210: 15189: 14924:9 June 14768:Medium 14600:Forbes 14389:Forbes 14264: 14227:Forbes 14165:Genius 14132:Forbes 14100: 14076: 14048: 14023: 13994: 13972: 13948: 13926: 13905: 13884: 13863: 13819: 13774:25 May 13597: 13504: 13385: 13364: 13306: 13121: 12890: 12869: 12845: 12648: 12614: 12563: 12540: 12468: 12334: 12313: 12279: 12230: 12187: 12127: 12105: 12084: 12049: 11993: 11972: 11951: 11918: 11885: 11861: 11839: 11778: 11602: 11580: 11559: 11538: 11517: 11494: 11471: 11450: 11429: 11405: 11384: 11285: 11264: 11161: 11022: 11001: 10967: 10943: 10915: 10911:2002) 10890: 10846: 10825: 10801: 10780: 10699: 10664: 10637: 10615: 10513: 10492: 10471: 10450: 10405: 10384: 10360: 10336: 10292: 10271: 10250: 10164: 10132: 10061: 10037: 10016: 9995: 9974: 9952:3 June 9938:"2018" 9895: 9847: 9811: 9786: 9715: 9694: 9673: 9639: 9618: 9594: 9569: 9545: 9523: 9502: 9482: 9465: 9418: 9397: 9372:4 June 9358: 9334: 9313: 9292: 9162: 9074: 9053: 9032: 8935: 8914: 8877: 8843: 8815: 8782: 8758: 8734: 8675: 8617: 8593: 8556: 8517: 8462: 8430:Quartz 8387: 8366: 8333: 8309: 8255: 8159: 8109: 8074: 8051: 7977: 7953: 7927: 7898: 7854: 7817: 7762: 7727: 7704: 7683: 7645: 7606: 7554: 7521: 7462: 7407:23 May 7296:, and 7051:Rocker 7007:, and 6943:Iceage 6871:Brexit 6838:TikTok 6832:, and 6826:Halsey 6795:, and 6768:, and 6730:, and 6664:, and 6594:, and 6540:Genius 6471:, and 6435:the D4 6233:Feeder 6213:Travis 6166:Travis 6120:Infest 6076:Staind 6072:P.O.D. 6042:, and 5876:Helmet 5860:Primus 5847:, and 5767:Chavez 5757:, and 5668:, and 5616:Sum 41 5584:Nimrod 5564:Dookie 5555:Rancid 5395:, and 5372:grunge 5304:, and 5261:, and 5242:, and 5202:Grunge 5196:Grunge 5181:grunge 5099:, and 5085:Pixies 5069:R.E.M. 5056:R.E.M. 5045:, and 4948:, and 4657:D-beat 4491:, and 4465:Kansas 4401:, 2014 4335:, and 4305:gothic 4248:, and 4142:, and 4091:, and 4088:Amigos 4008:Prince 3968:Sparks 3894:T. Rex 3785:boogie 3768:Eagles 3746:; and 3726:, the 3677:Eagles 3577:market 3387:, and 3359:, and 3304:, and 3298:Kansas 3290:Boston 3200:, and 3097:string 3095:, and 2995:, and 2970:. The 2714:Foghat 2674:ZZ Top 2672:, and 2581:, and 2491:group 2390:, and 2353:) and 2333:, and 2278:, and 2146:, and 2124:1965. 2114:Surfin 2087:Apache 2073:", by 2057:, and 2053:, the 2024:reverb 1878:covers 1819:payola 1770:, and 1714:, and 1698:, and 1480:, and 1476:, the 1402:, and 1385:(1981) 1331:fifths 1307:Dorian 1191:(2016) 1124:hippie 1087:, and 1071:, and 1065:grunge 1024:, and 789:Grunge 773:Zambia 731:Turkey 716:Taiwan 706:Sweden 676:Serbia 666:Russia 646:Poland 626:Norway 611:Mexico 596:Latvia 581:Israel 531:Greece 526:France 471:Canada 466:Brazil 136:vocals 121:Guitar 17709:K-pop 17644:2010s 17634:Hyphy 17624:Crunk 17619:2000s 17594:1990s 17579:House 17569:1980s 17549:Go-go 17544:Disco 17539:1970s 17514:1960s 17489:1950s 17469:Bebop 17464:1940s 17453:Swing 17428:Blues 16840:Swiss 16770:Irish 16755:Greek 16728:Ultra 16713:Dutch 16548:Cuban 16462:1990s 16413:Grebo 16386:1980s 16285:1970s 16119:1960s 16071:1950s 15658:(PDF) 15647:S2CID 15615:(PDF) 15004:. NPR 14624:7 May 13683:"Emo" 7548:80–81 7273:Notes 6935:Geese 6919:Idles 6903:Shame 6891:Squid 6560:Ghost 6524:Ghost 6522:band 6235:from 6225:from 6215:from 6204:Kid A 5981:Ice-T 5977:Esham 5763:Polvo 5759:Laika 5735:Slint 5711:indie 5679:Lo-fi 5578:Smash 5575:with 5485:Creed 5385:Oasis 5377:Suede 5352:Oasis 4808:Japan 4744:disco 4669:Crass 4425:P.O.D 4246:AC/DC 3980:Queen 3916:Slade 3912:Sweet 3450:with 3440:Cream 3361:Faust 3214:zeuhl 3206:Magma 3151:Tommy 2941:sitar 2549:Cream 2505:blues 2461:draft 2420:" by 2416:and " 2208:from 2200:from 2171:like 2116:' 2038:' 1629:" by 1593:" by 1577:" by 1569:" by 1408:noise 1323:triad 1319:minor 1315:major 1295:meter 1222:blues 961:drums 929:blues 913:genre 721:Tatar 691:Spain 616:Nepal 591:Japan 586:Italy 561:India 546:Haiti 481:China 476:Chile 133:piano 127:drums 68:blues 17524:Funk 17504:Soul 17499:Rock 17448:Jazz 17180:Jazz 17033:Thai 17016:Sufi 16955:Raga 16896:Asia 16885:Punk 15898:ISBN 15880:ISBN 15864:ISBN 15803:ISBN 15777:and 15774:imdb 15715:Spin 15666:2012 15639:ISSN 15592:2016 15516:ISBN 15494:ISBN 15473:ISBN 15452:ISBN 15431:ISBN 15410:ISBN 15389:ISBN 15368:ISBN 15344:ISBN 15322:ISBN 15301:ISBN 15280:ISBN 15259:ISBN 15230:ISBN 15208:ISBN 15187:ISBN 15166:2024 15140:2024 15114:2021 15088:2021 15062:2021 15036:2022 15010:2021 14984:2021 14955:2021 14926:2021 14898:2024 14873:2024 14848:2024 14822:2024 14775:2024 14749:2024 14723:2024 14698:2024 14690:Vice 14671:2020 14626:2020 14581:2020 14555:2020 14529:2020 14501:2020 14454:2020 14424:2023 14401:2024 14370:2024 14339:2024 14308:2021 14278:2019 14262:ISSN 14239:2019 14208:2018 14196:KDOT 14177:2020 14144:2019 14098:ISBN 14074:ISBN 14046:ISBN 14021:ISBN 13992:ISBN 13970:ISBN 13946:ISBN 13924:ISBN 13903:ISBN 13882:ISBN 13861:ISBN 13817:ISBN 13776:2011 13747:2019 13595:ISBN 13502:ISBN 13383:ISBN 13362:ISBN 13304:ISBN 13287:2019 13119:ISBN 12888:ISBN 12867:ISBN 12843:ISBN 12646:ISBN 12612:ISBN 12561:ISBN 12538:ISBN 12466:ISBN 12332:ISBN 12311:ISBN 12277:ISBN 12228:ISBN 12185:ISBN 12125:ISBN 12103:ISBN 12082:ISBN 12065:2020 12047:ISBN 12013:help 11991:ISBN 11970:ISBN 11949:ISBN 11916:ISBN 11883:ISBN 11859:ISBN 11837:ISBN 11819:2006 11776:ISBN 11600:ISBN 11578:ISBN 11557:ISBN 11536:ISBN 11515:ISBN 11492:ISBN 11469:ISBN 11448:ISBN 11427:ISBN 11403:ISBN 11382:ISBN 11283:ISBN 11262:ISBN 11241:2018 11208:2020 11177:2020 11159:ISBN 11138:2020 11114:2012 11069:help 11048:2015 11020:ISBN 10999:ISBN 10965:ISBN 10941:ISBN 10913:ISBN 10888:ISBN 10844:ISBN 10823:ISBN 10799:ISBN 10778:ISBN 10734:2020 10697:ISBN 10662:ISBN 10635:ISBN 10613:ISBN 10511:ISBN 10490:ISBN 10469:ISBN 10448:ISBN 10403:ISBN 10382:ISBN 10358:ISBN 10334:ISBN 10290:ISBN 10269:ISBN 10248:ISBN 10204:2020 10162:ISBN 10130:ISBN 10059:ISBN 10035:ISBN 10014:ISBN 9993:ISBN 9972:ISBN 9954:2021 9893:ISBN 9845:ISBN 9809:ISBN 9784:ISBN 9713:ISBN 9692:ISBN 9671:ISBN 9637:ISBN 9616:ISBN 9592:ISBN 9567:ISBN 9543:ISBN 9521:ISBN 9500:ISBN 9480:ISBN 9463:ISBN 9416:ISBN 9395:ISBN 9374:2021 9356:ISBN 9332:ISBN 9311:ISBN 9290:ISBN 9160:ISBN 9072:ISBN 9051:ISBN 9030:ISBN 9012:2019 8966:2021 8933:ISBN 8912:ISBN 8875:ISBN 8841:ISBN 8813:ISBN 8780:ISBN 8756:ISBN 8732:ISBN 8684:2024 8673:ISSN 8615:ISBN 8591:ISBN 8554:ISBN 8533:2015 8515:ISBN 8494:2022 8460:ISBN 8442:2020 8385:ISBN 8364:ISBN 8331:ISBN 8307:ISBN 8286:2012 8253:ISBN 8219:2022 8189:2024 8157:ISBN 8125:2019 8107:ISBN 8072:ISBN 8049:ISBN 8026:2017 7993:2023 7975:ISBN 7951:ISBN 7925:ISBN 7896:ISBN 7852:ISBN 7833:2019 7815:ISBN 7778:2021 7760:ISBN 7725:ISBN 7702:ISBN 7681:ISBN 7643:ISBN 7604:ISBN 7552:ISBN 7519:ISBN 7499:2017 7466:p.xi 7460:ISBN 7440:2018 7409:2022 7356:and 7324:and 7308:and 7160:and 7073:and 7071:Goth 7049:and 7029:The 6933:and 6921:and 6863:and 6718:and 6650:and 6610:and 6554:and 6534:and 6502:and 6486:and 6433:and 6425:and 6417:and 6397:and 6320:and 6271:and 6255:and 6185:and 6143:and 6113:and 6096:Iowa 6074:and 6058:and 6056:Korn 6030:and 6022:and 6016:Epic 5995:and 5950:Pori 5926:and 5910:and 5886:and 5874:and 5866:and 5858:and 5813:and 5801:and 5789:and 5777:and 5765:and 5741:and 5739:jazz 5733:and 5725:and 5719:Beck 5693:and 5626:and 5614:and 5557:and 5549:and 5541:and 5531:Rome 5504:and 5487:and 5471:Bush 5403:and 5389:Pulp 5381:Blur 5379:and 5311:Dirt 5240:fuzz 5230:and 5175:and 5161:Lush 5159:and 5157:Ride 5139:and 5123:and 4976:and 4968:and 4960:and 4936:and 4921:and 4909:and 4868:and 4775:and 4763:and 4756:Devo 4754:and 4746:and 4717:and 4707:and 4651:and 4611:and 4603:and 4555:and 4529:and 4499:and 4360:and 4341:Rush 4329:Kiss 4323:and 4307:and 4275:'s " 4206:and 4103:Jazz 4047:and 3994:and 3986:and 3984:Kiss 3966:and 3942:and 3926:and 3881:and 3869:and 3811:and 3720:Poco 3675:The 3652:and 3609:and 3567:and 3524:and 3497:and 3430:and 3318:pomp 3312:and 3306:Styx 3284:and 3264:and 3198:Gong 3180:and 3178:jazz 3113:Bach 3107:'s " 3093:wind 3051:and 3011:and 2966:and 2943:and 2869:and 2849:and 2841:and 2777:and 2761:and 2745:and 2712:and 2704:and 2648:and 2589:and 2511:and 2452:surf 2302:and 2286:and 2270:and 2216:and 2206:Them 2204:and 2191:and 2179:and 2030:and 1973:and 1896:and 1834:and 1806:and 1798:and 1786:and 1742:and 1668:'s " 1645:for 1617:'s " 1597:and 1539:and 1507:and 1427:rock 1329:and 1317:and 1309:and 1158:and 1144:folk 1136:goth 1118:and 1116:mods 1103:and 949:jazz 945:folk 943:and 923:and 909:Rock 636:Peru 571:Iran 491:Cuba 124:bass 98:jazz 93:soul 78:folk 46:Rock 16474:Emo 16211:Jam 15963:at 15631:doi 14948:NME 14840:DIY 12629:NME 7892:564 7663:117 7354:MC5 7213:An 7087:LSD 7075:Emo 6971:'s 6875:NPR 6860:NME 6728:EDM 6694:'s 6682:of 6423:Jet 6298:'s 6273:Emo 6168:in 6145:emo 6137:MTV 6036:311 6007:". 5948:in 5295:Ten 5292:'s 5283:". 4907:DNA 4832:MTV 4671:), 4663:), 4653:Oi! 4624:, " 4317:UFO 4168:to 3962:'s 3924:Mud 3528:of 3412:of 3357:Can 3337:'s 3320:or 3314:ELO 3246:Yes 3148:'s 3069:Yes 2929:LSD 2769:or 2454:or 2363:). 2337:'s 1916:'s 1605:' " 1585:by 1379:in 1353:". 1185:in 1140:emo 915:of 850:Pop 17779:: 15850:. 15844:. 15823:. 15750:OK 15674:^ 15645:. 15637:. 15623:23 15621:. 15617:. 15600:^ 15559:^ 15543:^ 15244:^ 15174:^ 15157:. 15131:. 15104:. 15078:. 15053:. 15027:. 14992:^ 14975:. 14963:^ 14946:. 14934:^ 14915:. 14889:. 14864:. 14838:. 14812:. 14792:. 14766:. 14740:. 14714:. 14688:. 14662:. 14643:. 14617:. 14598:. 14572:. 14546:. 14517:. 14491:. 14471:. 14440:. 14391:. 14387:. 14360:. 14356:. 14329:. 14325:. 14298:. 14294:. 14268:. 14260:. 14256:. 14229:. 14225:. 14194:. 14167:. 14163:. 14152:^ 14130:. 14060:^ 13836:, 13792:, 13762:, 13712:, 13700:^ 13685:, 13674:^ 13660:, 13638:, 13615:, 13571:, 13548:, 13525:, 13476:, 13464:^ 13449:, 13426:, 13402:, 13328:^ 13273:, 13251:, 13228:, 13210:, 13168:, 13153:^ 13139:, 13095:, 13071:, 13048:, 13024:, 13013:^ 12998:, 12975:, 12953:, 12930:, 12907:, 12818:, 12803:^ 12775:, 12751:, 12729:, 12713:^ 12673:, 12657:^ 12587:, 12572:^ 12492:, 12477:^ 12442:, 12420:, 12397:, 12375:, 12352:, 12288:^ 12252:^ 12204:, 12139:^ 12055:, 11805:. 11748:^ 11734:, 11711:, 11688:, 11665:, 11641:, 11626:^ 11414:^ 11357:, 11333:, 11309:, 11294:^ 11249:^ 11231:. 11225:. 11198:. 11194:. 11167:. 11104:. 11098:. 11060:: 11058:}} 11054:{{ 10952:^ 10924:^ 10863:, 10810:^ 10742:^ 10724:. 10720:. 10649:^ 10585:^ 10575:, 10571:, 10558:^ 10531:, 10423:, 10309:, 10212:^ 10194:. 10190:. 10156:. 10124:. 10116:; 10070:^ 10046:^ 9944:. 9940:. 9916:, 9856:^ 9795:^ 9759:, 9746:^ 9724:^ 9648:^ 9578:^ 9427:^ 9382:^ 9364:. 9265:, 9254:^ 9239:, 9171:^ 9136:, 9124:^ 9083:^ 8998:. 8974:^ 8952:. 8899:^ 8824:^ 8767:^ 8718:^ 8671:. 8667:. 8642:^ 8626:^ 8523:. 8484:. 8480:. 8432:. 8428:. 8404:, 8293:^ 8272:, 8247:, 8209:. 8205:. 8115:. 8105:. 8101:. 8095:. 8034:^ 8016:. 8010:. 7983:. 7886:. 7823:. 7813:. 7809:. 7803:. 7786:^ 7768:. 7758:. 7754:. 7748:. 7628:^ 7550:. 7530:^ 7483:. 7430:. 7426:. 7395:. 7304:, 7292:, 7288:, 7105:, 7093:, 7089:, 7011:. 7003:, 6999:, 6995:, 6991:, 6929:, 6917:, 6913:, 6909:, 6905:, 6901:, 6897:, 6893:, 6889:, 6885:, 6828:, 6824:, 6820:, 6816:, 6791:, 6787:, 6783:, 6772:. 6764:, 6760:, 6756:, 6752:, 6748:, 6744:, 6726:, 6660:, 6638:. 6606:, 6590:, 6586:, 6582:, 6578:, 6574:, 6570:, 6566:, 6562:, 6506:. 6498:, 6494:, 6467:, 6463:, 6459:, 6455:, 6413:, 6409:, 6405:, 6393:, 6389:, 6308:. 6109:, 6070:, 6054:, 6038:, 5991:, 5987:, 5983:, 5922:, 5906:, 5902:, 5894:, 5882:, 5843:, 5839:, 5835:, 5817:. 5809:, 5785:, 5753:, 5721:, 5664:, 5660:, 5656:, 5652:, 5648:, 5622:, 5610:, 5508:. 5500:, 5496:, 5391:, 5387:, 5333:. 5308:' 5257:, 5253:, 5238:, 5171:, 5155:, 5151:, 5135:, 5131:, 5095:, 5091:, 5079:, 5075:, 5071:, 5041:, 5037:, 5033:, 5013:U2 5003:, 4999:, 4995:, 4944:, 4932:, 4925:. 4905:, 4879:U2 4822:, 4818:, 4814:, 4810:, 4806:, 4802:, 4771:, 4687:, 4644:. 4533:. 4525:, 4513:, 4487:, 4467:, 4427:. 4356:, 4352:, 4331:, 4319:, 4315:, 4252:. 4244:, 4240:, 4214:, 4202:, 4138:, 4085:, 4079:, 4010:. 4002:, 3978:, 3974:, 3958:, 3938:, 3934:, 3922:, 3918:, 3914:, 3885:. 3815:. 3807:, 3762:, 3758:, 3750:. 3722:, 3648:, 3493:, 3383:, 3355:, 3351:, 3300:, 3296:, 3292:, 3280:, 3230:, 3196:, 3192:, 3132:' 3091:, 3015:' 2962:, 2865:, 2684:. 2668:, 2656:, 2644:, 2640:, 2636:, 2447:. 2386:, 2321:' 2290:. 2262:, 2187:, 2175:, 2142:, 2061:. 2002:, 1998:, 1994:, 1990:, 1961:. 1928:. 1860:. 1734:. 1710:, 1694:, 1690:, 1686:, 1682:, 1547:. 1484:. 1437:, 1083:, 1079:, 1067:, 1060:. 1052:, 1020:, 1016:, 1012:, 1008:, 959:, 931:, 17366:e 17359:t 17352:v 16924:) 16920:( 15993:e 15986:t 15979:v 15904:. 15888:. 15870:. 15854:. 15829:. 15811:. 15783:. 15733:. 15668:. 15633:: 15594:. 15524:. 15352:. 15238:. 15168:. 15142:. 15116:. 15090:. 15064:. 15038:. 15012:. 14986:. 14957:. 14928:. 14900:. 14875:. 14850:. 14824:. 14798:. 14777:. 14751:. 14725:. 14700:. 14673:. 14647:. 14628:. 14602:. 14583:. 14557:. 14531:. 14503:. 14477:. 14456:. 14426:. 14403:. 14372:. 14341:. 14310:. 14280:. 14241:. 14210:. 14179:. 14146:. 14082:. 14054:. 14029:. 14000:. 13954:. 13846:. 13802:. 13695:. 13510:. 13486:. 13459:. 13412:. 13081:. 13034:. 13008:. 12985:. 12940:. 12917:. 12851:. 12785:. 12761:. 12597:. 12502:. 12133:. 12015:) 11867:. 11821:. 11651:. 11608:. 11367:. 11343:. 11319:. 11243:. 11210:. 11179:. 11140:. 11116:. 11071:) 11067:( 11050:. 10907:( 10873:. 10705:. 10643:. 10433:. 10388:. 10366:. 10319:. 10206:. 10170:. 10138:. 9956:. 9926:. 9901:. 9817:. 9769:. 9600:. 9551:. 9376:. 9275:. 9249:. 9014:. 8968:. 8786:. 8762:. 8740:. 8686:. 8621:. 8599:. 8562:. 8535:. 8496:. 8444:. 8414:. 8315:. 8221:. 8191:. 8165:. 8127:. 8028:. 7995:. 7933:. 7904:. 7860:. 7560:. 7501:. 7442:. 7411:. 7372:. 7328:. 4189:— 3571:. 3536:" 2357:( 2347:( 2228:" 2006:. 1375:— 1287:4 1267:4 1252:. 1181:— 1166:. 1095:/ 972:4 320:) 316:( 294:) 290:( 249:) 245:( 38:. 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index