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Thorburn's miniatures were of a larger size than usual, showing more of the figure and often accompanied by a landscape background. They are painted on large pieces of ivory, sometimes on pieces joined together. Their extreme finish produces a sense of monotony and flatness where the colours have
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Thorburn was elected an associate of the Royal
Academy in 1848. When photography began to supersede miniature painting, he took to oil-painting, and exhibited portraits and other subjects at the Royal Academy exhibitions with moderate success. He had a house at
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in March 1818, was the son of a tradesman. He received his early education at
Dumfries High School. He soon developed a love of art, and, owing to the kindness of a neighbouring lady, was at the age of fifteen sent to Edinburgh to draw at the
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120:(1898). The same work contains a portrait of Thorburn from a miniature by himself and a list of Thorburn's principal sitters, comprising most of the beautiful ladies of the time.
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Thorburn's success as a miniature-painter was soon secured, and for many years he shared the patronage of fashionable society with
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lost their freshness. They were, however, very much admired at the time of their production, and at the
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Thorburn was awarded a gold medal. One of his most widely known miniatures is that of the
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349:. Nottingham: R. B. Earp & Sons, Ltd. pp. 80–83, 91–97, 101, 110–111.
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This article incorporates text from this source, which is in the
318:. Vol. 56. London: Smith, Elder & Co. p. 280.
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334:"Thorburn, Robert (1818–1885), miniature painter"
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88:. In 1846 he received his first commission from
346:British Miniature Painters and Their Works
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338:Oxford Dictionary of National Biography
332:Cust. L. H.; Burnette, Arianne (2004).
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167:Charlotte Mary Hood, Baroness Bridport
110:Paris International Exhibition of 1855
16:Scottish miniature painter (1818–1885)
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362:. Oxford University Press.
340:. Oxford University Press.
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118:British Miniature Painters
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