20:
382:, as well as recitals on Pathé. Gorr can be heard in one of her rarest roles, in an excerpt from Cherubini's Medea (recorded in French) with the Orchestre du Theatre National de l'Opera under Georges Prêtre on ASTX 130502 Pathe-Marconi, and in excerpts from two of her other Wagner roles — Isolde and Elisabeth — under André Cluytens on Testament SBT1256.
211:, and Dalila. She was a versatile artist, singing with equal success the French, Italian and German repertories. She enjoyed a very long career singing well into her 60s and 70s and her last role was as the Countess in
72:, Belgium. After leaving school she worked as a nurse, where the family who employed her discovered her singing and paid for her first lessons. After vocal studies in Ghent with
389:, Spain. Oresko describes her as giving "the impression of regal grandeur and control by the solidness of her vocal production and a unique gift for instinctive authority".
559:
243:
Although mainly active on stage, Gorr also sang occasionally in the concert hall, in works by
Schumann, Duparc and Wagner; she recorded Mahler lieder.
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40:. She possessed a large, rich-toned voice and was an intense singing-actress, especially in dramatic roles such as Ortrud (
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478:"André Cluytens conducts Wagner - Overtures, Preludes & Arias - Testament: SBT1256 - CD - Presto Classical"
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519:
Mancini, Roland and Jean-Jacques
Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition),
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Oresko R. Still going strong - Robert Oresko celebrates the octogenarian Rita Gorr.
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297:
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537:(2 vols), Ed. Robert Laffont (Bouquins, Paris 1982, 4th Edn. 1995, 5th Edn 2004);
232:
Gorr believed that 'trouser-roles' did not suit her; she did however, sing Lel in
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251:
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on 17 October 1962 as
Amneris. In four seasons at the Met, she sang Santuzza in
321:
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279:
117:
330:
325:
94:
568:
340:
37:
507:
The
Metropolitan Opera Encyclopedia: A Complete Guide to the World of Opera
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from 1949 to 1952. She won another first prize at the vocal competition of
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535:
Dictionnaire des interprètes et de l'interpretation musicale au XX siècle
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275:
411:"The mezzo Rita Gorr has died aged 85": announcement on gramophone.co.uk
362:— all four in live performances at the Bayreuth Festival in 1958 under
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Gorr can be heard in two of her greatest roles on recordings: Ortrud in
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under Erich
Leinsdorf in 1961 (studio), as well as both roles of
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Her career then became international in scope, with debuts at
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into a working-class family in the industrial town of
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in 1952. That year she made her Paris debuts at the
523:, Les indispensables de la musique (Fayard, 1995);
262:, as well as in the 1959 live performance from the
98:the same year. She became a member of the Opera of
144:(later in her career she sang Madame de Croissy),
84:, she won first prize at the vocal competition of
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221:which she performed in the summer of 2007 in
126:; further roles in Paris included Dalila in
88:in 1946, and made her professional debut at
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32:(18 February 1926 – 22 January 2012) was a
555:Rita Gorr biography at Cantabile-Subito.de
385:In her later life, Gorr made her home in
600:21st-century Belgian women opera singers
585:20th-century Belgian women opera singers
452:
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18:
138:, Mère Marie in the French premiere of
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509:(Simon and Schuster, New York 1987);
274:in the 1961 studio performance under
250:in the 1965 studio performance under
16:Belgian operatic mezzo-soprano singer
13:
366:. She also recorded excerpts from
55:
14:
611:
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443:Loppert M. Rita Gorr, 1926-2012.
429:, 1 March 2012 on telegraph.co.uk
314:in 1957 (studio), Mère Marie in
286:. Other recorded roles include
80:with Jeanne Pacquot d'Assy and
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123:Die Meistersinger von NĂĽrnberg
120:on 31 October as Magdalena in
52:), two of her greatest roles.
1:
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116:on 6 March 1952, and at the
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413:; retrieved 24 January 2012
141:Dialogues of the Carmelites
10:
616:
482:www.prestoclassical.co.uk
505:Hamilton, D. (editor ),
317:Dialogues des Carmélites
590:Operatic mezzo-sopranos
423:"Rita Gorr", Obituary,
236:in 1955 in concert and
449:, March 2012, 287-290.
26:
380:La damnation de Faust
171:La damnation de Faust
22:
196:Cavalleria rusticana
153:Pelléas et Mélisande
62:Marguerite Geirnaert
595:People from Zelzate
364:Hans Knappertsbusch
218:The Queen of Spades
467:, May 2007, 530-4.
369:Orphée et Eurydice
324:in 1958 (studio),
300:in 1962 (studio),
293:Samson and Delilah
191:Metropolitan Opera
168:and Marguerite in
129:Samson and Delilah
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378:(title role) and
270:; and Amneris in
268:Lovro von Matačić
264:Bayreuth Festival
183:Royal Opera House
607:
521:Guide de l'opéra
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110:as Charlotte in
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359:Götterdämmerung
348:, Grimgerde in
252:Erich Leinsdorf
234:The Snow Maiden
150:, Geneviève in
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56:Life and career
46:) and Amneris (
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549:External links
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533:Pâris, Alain,
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322:Pierre Dervaux
312:André Cluytens
298:Georges PrĂŞtre
280:Leontyne Price
60:Gorr was born
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189:in 1960, the
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485:. Retrieved
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260:Lucine Amara
256:Sándor Kónya
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208:Il trovatore
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580:2012 deaths
575:1926 births
560:Discography
350:Die WalkĂĽre
346:Die WalkĂĽre
331:Die WalkĂĽre
307:Le Roi d'Ys
284:Jon Vickers
278:, opposite
276:Georg Solti
254:, opposite
213:Tchaikovsky
199:, Eboli in
162:, Eboli in
132:, Venus in
118:Paris Opéra
95:Die WalkĂĽre
569:Categories
393:References
372:(Orphée),
354:Third Norn
202:Don Carlos
165:Don Carlos
135:Tannhäuser
100:Strasbourg
375:HĂ©rodiade
248:Lohengrin
240:in 1958.
185:in 1959,
76:, and in
74:Vina Bovy
43:Lohengrin
36:operatic
30:Rita Gorr
24:Rita Gorr
427:(London)
352:and the
302:Margared
238:Octavian
187:La Scala
179:Bayreuth
104:Lausanne
86:Verviers
78:Brussels
500:Sources
227:Antwerp
113:Werther
90:Antwerp
68:, near
66:Zelzate
34:Belgian
541:
527:
513:
487:16 May
336:Fricka
326:Fricka
320:under
310:under
296:under
288:Dalila
147:Carmen
465:Opera
446:Opera
398:Notes
387:DĂ©nia
223:Ghent
70:Ghent
539:ISBN
525:ISBN
511:ISBN
489:2018
344:and
282:and
272:Aida
258:and
225:and
159:Aida
49:Aida
356:in
338:in
328:in
304:in
290:in
215:'s
571::
480:.
454:^
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229:.
174:.
491:.
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